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Lodovico Graziani
Lodovico Graziani (14 November 1820 – 15 May 1885) was an Italian operatic tenor.Forbes, Elizabeth. "Graziani" in Sadie (2001). According to John Warrack and Ewan West, writing in ''The Oxford Dictionary of Opera'': "His voice was clear and vibrant, but he lacked dramatic gifts."Warrack, p. 299. He is now mainly remembered for having created the role of Alfredo Germont in the world premiere of Giuseppe Verdi's '' La traviata'' in 1853. Career Graziani was born in Fermo, Italy, into a musical family. Three of his brothers also became professional singers, in particular his younger brother Francesco Graziani, who became a well known baritone and spent much of his career singing for the Royal Italian Opera (Covent Garden) in London. Lodovico studied with Cellini and made his debut in 1845 in Bologna in Carlo Cambiaggio's ''Don Procopio''.Kuhn, p. 285. In 1846 he was heard at the Regio Teatro degli Avvalorati in Livorno as Elvino in Vincenzo Bellini's ''La sonnambula''. He mad ...
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Fermo
Fermo (; ancient: Firmum Picenum) is a town and ''comune'' of the Marche, Italy, in the Province of Fermo. Fermo is on a hill, the Sabulo, elevation , on a branch from Porto San Giorgio on the Adriatic coast railway. History The oldest human remains from the area are funerary remains from the 9th–8th centuries BC, belonging to the Villanovan culture or the proto-Etruscan civilization. The ancient Firmum Picenum was founded as a Latin colony, consisting of 6000 men, in 264 BC, after the conquest of the Picentes, as the local headquarters of the Roman power, to which it remained faithful. It was originally governed by five quaestors. It was made a colony with full rights after the battle of Philippi, the 4th Legion being settled there. It lay at the junction of roads to Pausulae, Urbs Salvia, and Asculum, connected to the coast road by a short branch road from Castellum Firmanum (Porto S. Giorgio). According to Plutarch's ''Parallel Lives'', Cato the Elder thought high ...
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Lucrezia Borgia (opera)
''Lucrezia Borgia'' is a melodramatic opera in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play ''Lucrezia Borgia'' by Victor Hugo, in its turn after the legend of Lucrezia Borgia. ''Lucrezia Borgia'' was first performed on 26 December 1833 at La Scala, Milan. Performance history 19th century Because of its scandalous subject matter, ''Lucrezia Borgia'' was taken up slowly in Italy and presented in many Italian theatres with altered titles and, in some cases, altered character names.Loewenberg 1978, column754–755. It was given in Florence, beginning on 12 November 1838, as ''Eustorgia da Romano'', in Trieste in the autumn of 1838 as ''Alfonso Duca di Ferrara'', in Ferrara on 14 April 1841 as ''Giovanna I di Napoli'', and in Rome on 26 December 1841 as ''Elisa da Fosco''. The first London production was at Her Majesty's Theatre on 6 June 1839 with Giulia Grisi and Mario.Ashbrook and Hibberd, p. 234 When the opera was st ...
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Teatro San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history"
on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013
The opera season runs from late November to July, with the ballet season from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatre ...
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Giuseppe Apolloni
Giuseppe Apolloni (8 April 1822 – 31 December 1889) was an Italian composer born in Vicenza, Austrian Empire. His first opera, ''Adelchi'', based on the omonymous tragedy by Manzoni, was staged at Vicenza in 1852. He composed a total of five opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...s. His most successful opera was '' L'ebreo'', based on Bulwer-Lytton’s ''Leila''. Apolloni died in Vicenza on 31 December 1889. References Bibliography * 1822 births 1889 deaths Composers from the Austrian Empire 19th-century Italian classical composers 19th-century Italian male musicians Italian opera composers Italian Romantic composers Italian male opera composers Musicians from Vicenza {{Opera-bio-stub ...
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Les Vêpres Siciliennes
LES or Les may refer to: People * Les (given name) * Les (surname) * L.E.S. (producer), hip hop producer Space flight * Launch Entry Suit, worn by Space Shuttle crews * Launch escape system, for spacecraft emergencies * Lincoln Experimental Satellite series, 1960s and 1970s Biology and medicine * Lazy eye syndrome, or amblyopia, a disorder in the human optic nerve * The Liverpool epidemic strain of ''Pseudomonas aeruginosa'' * Lower esophageal sphincter * Lupus erythematosus systemicus Places * The Lower East Side neighborhood of Manhattan, New York City * Les, Catalonia, a municipality in Spain * Leş, a village in Nojorid Commune, Bihor County, Romania * ''Les'', the Hungarian name for Leșu Commune, Bistriţa-Năsăud County, Romania * Les, a village in Tejakula district, Buleleng regency, Bali, Indonesia * Lesotho, IOC and UNDP country code * Lès, a word featuring in many French placenames Transport * Leigh-on-Sea railway station, National Rail station code * ...
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Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ...
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Adelaide Borghi-Mamo
Adelaide Borghi-Mamo (9 August 1826 – 29 September 1901) was an Italian operatic mezzo-soprano who had an active international career from the 1840s through the 1880s. She was married to tenor Michele Mamo and their daughter, soprano Erminia Borghi-Mamo, also had a successful singing career. Life and career Born in Bologna, Borghi-Mamo studied singing in Milan with before making her professional opera debut in 1843 at the opera house in Urbino as Bianca in Saverio Mercadante's ''Il giuramento''. The following year she joined the roster of singers at the in Messina. She was soon invited to make guest appearances with major opera houses throughout Italy. In 1851 Borghi-Mamo portrayed the role of Morna in the world premiere of Giovanni Pacini's ''Malvina di Scozia'' at the Teatro di San Carlo. She returned there in 1853 to create the role of Olimpia in the premiere of Saverio Mercadante's ''Statira'' and the role of Odetta in the premiere of Pacini's ''Romilda di Provenza''. She ...
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Felice Varesi
Felice Varesi (1813 in Calais – 13 March 1889 in Milan) was a French-born Italian baritone with an illustrious singing career that began in the 1830s and extended into the 1860s. He is best remembered today for his close association with several famous operas composed by Giuseppe Verdi, whose birth year he shared. Career Specializing initially in the bel canto operas of Verdi's predecessor Gaetano Donizetti, Varesi began his career in Varese in 1834 and went on to sing in Faenza, Florence, Modena, Rome, Perugia and Genoa. By 1841 he was singing at La Scala, Milan, and from 1842 to 1847 he was in demand in Vienna, where he appeared at the Kärntnertortheater. Here he created the role of Antonio in Donizetti's ''Linda di Chamounix'' as well as appearing in other works by the same composer. In 1844 he sang the role of Don Carlo in ''Ernani'' at Padua, his initial Verdi opera, and later appeared as the Doge in Verdi's ''I due Foscari''. In 1847, in Florence, he was the first Macbe ...
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Stiffelio
''Stiffelio'' is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave. The origin of this was the novel ''Le pasteur d’hommes'', by Émile Souvestre, which was published in 1838. This was adapted into the French play ''Le pasteur, ou L'évangile et le foyer'' by Souvestre together with Eugène Bourgeois. (Its premiere was on 10 February 1849 at the Théâtre de la Porte Saint-Martin in Paris.) That play was in turn translated into Italian by Gaetano Vestri as ''Stifellius''; this formed the basis of Piave's libretto. Verdi's experience in Naples for ''Luisa Miller'' had not been a good one and he returned home to Busseto to consider the subject for his next opera. The idea for ''Stiffelio'' came from his librettist and, entering into a contract with his publisher, Ricordi, he agreed to proceed, leaving the decision as to the location of the premiere to Ricordi. This became the Teatro Grande (now the Teatro Comunale Giuseppe Verdi) in Tri ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by he ...
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