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Kolo (dance)
Kolo ( sr-Cyrl, Коло) is a UNESCO List of Intagible Cultural Heritage inscribed South Slavic circle dance, found under this name in Bosnia and Herzegovina, Croatia and Serbia. History According to Wilkes (1995), the kolo has an Illyrian origin as the dance seems to resemble dances depicted on funeral monuments of the Roman era. Description The circle dance is usually performed amongst groups of at least three people and up to several dozen people. Dancers hold each other's hands or each other's waists. They form a circle, a single chain or multiple parallel lines. Kolo requires almost no movement above the waist. The basic steps are easy to learn. Experienced dancers demonstrate virtuosity by adding different ornamental elements, such as syncopated steps. Each region has at least one unique kolo. It is difficult to master the dance and even most experienced dancers cannot master all of them. Kolo is performed at weddings, social, cultural, and religious ceremonies.< ...
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Horo (dance)
Hora, also known as horo and oro, is a type of circle dance originating in Jewish communities and the Balkans but also found in other countries. Etymology The name, spelled differently in various countries, is derived from the Greek ('' khorós''): "dance" which is cognate with the Ancient Greek art form of ('' khoreía''). The original meaning of the Greek word may have been "circle". Also, the words ''hora'' and ''oro'' are found in many Slavic languages and have the meaning of "round (dance)"; the verb ''oriti'' means "to speak, sound, sing" and previously meant "to celebrate". The Greek () is cognate with Pontic Greek (), and has also given rise to the names of Bulgarian (), Macedonian (), Romanian , / in Serbo-Croatian, the Turkish form and in Hebrew (). The dance of Georgia also might be connected to the Horon dance in the neighbouring Turkish regions, as it rose out of the Adjara region, where Kartvelian Laz people co-existed for centuries with Greek ...
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Kurdish Dance
Kurdish dances ( ku, Govend, Dîlan, Helperkê, Helperge, Şayî, script=Latn; , , , , ) are a group of traditional dances among Kurds. It is a form of a circle dance, with a single or a couple of figure dancers often added to the geometrical center of the dancing circle. At times musicians playing on a drum or a double reed wind instrument known as a zurna, accompany the dancers. Often there are dancers twirling handkerchiefs who lead the half-circled group of dancers. The dancers, generally the females, but also, on occasions, the males, wear traditional Kurdish clothes. The Kurds dance on several occasions such as Kurdish festivals, birthdays, New Years, Newroz, marriage and other ceremonies and the dances have several names which often relate to local names and traditions. See also * Kurdish culture * Armenian dance * Assyrian folk dance * Dabke (a form of Arabic dance) * Syrtos (Greek) * Turkish dance Turkish may refer to: *a Turkic language spoken by the Turks * of or ...
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Khorovod
The khorovod or horovod ( rus, хорово́д, p=xərɐˈvot, uk, хоровод, translit=khorovod or uk, коло, translit=kolo, label=none, be, карагод , bg, хоро, pl, korowód) is an East Slavic and pagan art form and one of the oldest dances of Russia with its more than 1,000 years history. It is a combination of a circle dance and chorus singing, similar to the choreia of ancient Greece. The dance was also known in Rus' as ''karagod'', ''tanok'' and ''krug''. Etymology The term ''khorovod'' probably descended from the Greek ''Choreia'' (Ancient Greek: χορεία). Greek culture had a strong impact on Rus' culture. It is related to choreia (Greek circle dance), kolo dance (South Slavic circle dance in Serbia, Croatia and Bosnia), hora dance (Balkans), kochari ( Armenian and Azerbaijani folk dance). Origin and characteristics The most significant features of the khorovod dance is to hold hands or the little finger of the partners while dan ...
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Greek Dances
Greek dance (''choros'') is a very old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos and hasapiko. Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition frequently ...
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Faroese Dance
The Faroese chain dance ( fo, Føroyskur dansur, da, Kædedans) is the national circle dance of the Faroe Islands, accompanied by kvæði, the Faroese ballads. The dance is a typical mediaeval ring dance. The dance is danced traditionally in a circle, but when there are many dancers, they usually let it swing around in various wobbles within the circle. Dance rules When dancing there are a few rules. One is that your right hand must overlap the left hand of the one next to you while moving your feet two paces to the left and one pace back. The "skipari" is the one who sings and must know all the verses, while the people who are dancing with him in the circle join in at the chorus. ''The following description is by V. U. Hammershaimb, ''Færøsk Anthologi'', 1891:'' The storyline of the ballad is attended by everybody with great interest, and if something especially pleasant or moving occurs, it can be seen in the look and movement of the dancers – when the rage of the batt ...
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Dabke
''Dabke'' ( ar, دبكة also spelled ''dabka'', ''dubki'', ''dabkeh'', plural ''dabkaat'') is a Levantine Arab folk dance. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the ''dabke'' heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as ''dabka'', ''dabki'', ''dabkeh''. Etymology and history The etymology of 'dabke' is uncertain but is thought to be derived from the Levantine Arabic word ''dabaka'' ( ar, دبكة) meaning "stamping of the feet" or "to make a noise". The dabkeh jumps may have originated in ancient Canaanite fertility rituals related to agriculture, chasing off evil spirits and protecting young plants. According to Lebanese historian Youssef Ibrahim Yazbec, the dabke descends from Phoenician dances thousands of years old. Another theory is that stomping part of dabke started out as a way ...
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Croatian Dances
Croatian dance traditionally refers to a series of folk-dances, the most common being the kolo. Croatian dance varies by region, and can be found throughout the various regions of Austria, Bosnia and Herzegovina, Croatia, Hungary, Romania, Serbia and Slovenia. The traditional kolo is a circle dance, where dancers follow each other around the circle, is relatively simple in form and widespread throughout other Slavic countries. Due to emigration, Croatian folk dance groups are prevalent throughout the diaspora, most notably the United States, Canada, Australia, and Germany. Music is a very important part of Croatian folk dance, with of the most common instruments used are the tamburica, lijerica, jedinka, šargija, gusle, bagpipe, and accordion. Today, kolo is danced at weddings, baptisms, holidays such as Easter, and ethnic festivals. History The circle dance is one of the basic forms of Croatian folk dance. It is regarded as the oldest form of dance, and can be seen as an expr ...
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Circle Dance
Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation. Being probably the oldest known dance formation, circle dancing is an ancient tradition common to many cultures for marking special occasions, rituals, strengthening community and encouraging togetherness. Circle dances are choreographed to many different styles of music and rhythms. Modern circle dance mixes traditional folk dances, mainly from European or Near Eastern sources, with recently choreographed ones to a ...
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Assyrian Folk Dance
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events. Assyrian folk dances are mainly made up of circle dances like ballet that are performed in a line, which may be straight, curved, or both. Most of the dances allow unlimited number of participants, with the exception of the ''Sabre Dance'', which require three at most. Assyrian dances would vary from weak to strong, depending on the mood and tempo of a song. Assyrian folk dances belong to five metric groups: (10 dances), (6 dances), (13 dances), (1 dance), (1 dance). The tempo would usually range from slow (70 beats per minute) to very fast (140 beats). Technique All Assyrians dances, with the exception of the ''Sabre Dance'', are done in a connected circle. Most Assyrian circle dances are lateral, vining and open-ended, where more and more participants can join the dance. In an open floor space, ...
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Armenian Dance
The Armenian dance ( Armenian: Հայկական պար) heritage has been considered the oldest and most varied in its respective region. From the fifth to the third millennia B.C., in the higher regions of Armenia, the land of Ararat, there are rock paintings of scenes of country dancing. These dances were probably accompanied by certain kinds of songs or musical instruments. In the fifth century, Moses of Khoren (Movsés Khorenats'i) himself had heard of how the old descendants of Aram (that is Armenians) make mention of these things (epic tales) in the ballads for the lyre and their songs and dances. Traditional dancing is still popular among expatriate Armenians, and has also been very successfully exported to international folk dance groups and circle dance groups all over the world. All dancers wear the traditional costume to embody the history of their culture and to tell their ancestors stories. The design of these costumes are influenced by many factors, such as relig ...
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Montenegro
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