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Juraj Dalmatinac
Giorgio da Sebenico () or Giorgio Orsini or Juraj Dalmatinac (; c. 1410 – 10 October 1473) was a Republic of Venice, Venetian sculptor and architect from Venetian Dalmatia, Dalmatia, who worked mainly in Sebenico (now Šibenik, Croatia), and in the city of Ancona, then a Republic of Ancona, maritime republic. Life Giorgio da Sebenico was born from the Roman noble Orsini family in the Dalmatian city of Zara (now Zadar, Croatia), which was part of the Republic of Venice (see Venetian Dalmatia).Kokole He emigrated to Venice during his youth, where he was probably trained as a sculptor in the workshop of Giovanni and Bartolomeo Bon, or at least worked with them as an independent associate.Schultz, 83 He would not have been awarded the great responsibility of the 1441 Šibenik contract without having experience of major works, and various attributions of surviving sculptures in Venice to him, as part of the Bon workshop, have been made, including the decorations on the Porta del ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Dubrovnik
Dubrovnik (), historically known as Ragusa (; see notes on naming), is a city on the Adriatic Sea in the region of Dalmatia, in the southeastern semi-exclave of Croatia. It is one of the most prominent tourist destinations in the Mediterranean, a seaport and the centre of the Dubrovnik-Neretva County. Its total population is 42,615 (2011 census). In 1979, the city of Dubrovnik was added to the UNESCO list of World Heritage Sites in recognition of its outstanding medieval architecture and fortified old town. The history of the city probably dates back to the 7th century, when the town known as was founded by refugees from Epidaurum (). It was under the protection of the Byzantine Empire and later under the sovereignty of the Republic of Venice. Between the 14th and 19th centuries, Dubrovnik ruled itself as a free state. The prosperity of the city was historically based on maritime trade; as the capital of the maritime Republic of Ragusa, it achieved a high level of devel ...
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Cathedral Of Saint Domnius
The Cathedral of Saint Domnius ( hr, Katedrala Svetog Duje), known locally as the ''Sveti Dujam'' or colloquially ''Sveti Duje'', is the Catholic cathedral in Split, Croatia. The cathedral is the seat of the Archdiocese of Split-Makarska, headed by Archbishop Marin Barišić. The Cathedral of St. Domnius is a complex of a church, formed from an Imperial Roman mausoleum, with a bell tower; strictly the church is dedicated to the Virgin Mary, and the bell tower to Saint Domnius. Together they form the Cathedral of St. Domnius. The Cathedral of Saint Domnius, consecrated at the turn of the 7th century AD, is regarded as the oldest Catholic cathedral in the world that remains in use in its original structure, without near-complete renovation at a later date (though the bell tower dates from the 12th century). The structure itself, built in AD 305 as the Mausoleum of Diocletian, is the second oldest structure used by any Christian Cathedral. Name The cathedral was named after Saint ...
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Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English ''alter'', taken from Latin ''altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, Nov 9 2 ...
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Split, Croatia
)'' , settlement_type = City , anthem = ''Marjane, Marjane'' , image_skyline = , imagesize = 267px , image_caption = Top: Nighttime view of Split from Mosor; 2nd row: Cathedral of Saint Domnius; City center of Split; 3rd row: View of the city from Marjan Hill; Night in Poljička Street; Bottom: ''Riva'' waterfront , image_flag = Flag of the City of Split.svg , flag_size = 150px , flag_link = Flag of Split , image_seal = , seal_size = , image_shield = Coat of arms of Split.svg , shield_size = 90px , shield_link = Coat of arms of Split , image_map = , mapsize = , map_caption = Map of the Split city area. , image_map1 = , mapsize1 = , map_caption1 = , image_dot_map = , dot_mapsize ...
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Niccolò Di Giovanni Fiorentino
Niccolò di Giovanni Fiorentino (Croatian: ''Nikola Firentinac'') called Nicolas of Florence (1418 in Bagno a Ripoli – 1506 in Šibenik), was an Italian Renaissance sculptor and architect, active in Venice and Dalmatia. He is best known by his work on the Šibenik Cathedral of St James, in 1455. After the death of Giorgio da Sebenico, Niccolò finished the cathedral and its original stone dome, following the original plans of Giorgio. Before 1457 he probably worked with Donatello in Padua, between 1457 and 1468 was active in Venice but moved after to Dalmatia where he worked until his death in 1506. Work on Šibenik cathedral inspired Niccolò for his work on the expansion of ''chapel of Blessed John from Trogir'' in 1468. Just like the Šibenik cathedral, it was composed of large stone blocks with extreme precision. In cooperation with a disciple of Giorgio, Andrea Alessi, Niccolò achieved close harmony of architecture and sculpture according to antique ideals. From ins ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three nav ...
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Istria
Istria ( ; Croatian and Slovene: ; ist, Eîstria; Istro-Romanian, Italian and Venetian: ; formerly in Latin and in Ancient Greek) is the largest peninsula within the Adriatic Sea. The peninsula is located at the head of the Adriatic between the Gulf of Trieste and the Kvarner Gulf. It is shared by three countries: Croatia, Slovenia, and Italy.Marcel Cornis-Pope, John Neubauer''History of the literary cultures of East-Central Europe: junctures and disjunctures in the 19th And 20th Centuries'' John Benjamins Publishing Co. (2006), Alan John Day, Roger East, Richard Thomas''A political and economic dictionary of Eastern Europe'' Routledge, 1sr ed. (2002), Croatia encapsulates most of the Istrian peninsula with its Istria County. Geography The geographical features of Istria include the Učka/Monte Maggiore mountain range, which is the highest portion of the Ćićarija/Cicceria mountain range; the rivers Dragonja/Dragogna, Mirna/Quieto, Pazinčica, and Raša; and t ...
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Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him. His first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. It is likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and lat ...
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Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. Biography He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry (''pollaio'' meaning "hen coop" in Italian). Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florentine workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training. During t ...
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Niccolò Pizzolo
Niccolò is an Italian male given name, derived from the Greek Nikolaos meaning "Victor of people" or "People's champion". There are several male variations of the name: Nicolò, Niccolò, Nicolas, and Nicola. The female equivalent is Nicole. The female diminutive Nicoletta is used although seldom. Rarely, the letter "C" can be followed by a "H" (ex. Nicholas). As the letter "K" is not part of the Italian alphabet, versions where "C" is replaced by "K" are even rarer. People with the name include: In literature: * Niccolò Ammaniti, Italian writer * Niccolò Machiavelli, political philosopher, musician, poet, and romantic comedic playwright * Niccolò Massa, Italian anatomist who wrote an early anatomy text ''Anatomiae Libri Introductorius'' in 1536 In music: * Niccolò Castiglioni, Italian composer and pianist * Niccolò da Perugia, Italian composer of the trecento * Niccolò Jommelli, Italian composer * Niccolò Paganini, Italian violinist, violist, guitarist and composer * N ...
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Luca Della Robbia
Luca della Robbia (, also , ; 1399/1400–1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, tin-glazed terracotta statuary, a technique which he invented and passed on to his nephew Andrea della Robbia and great-nephews Giovanni della Robbia and Girolamo della Robbia. Though a leading sculptor in stone, he worked primarily in terracotta after developing his technique in the early 1440s. His large workshop produced both cheaper works cast from molds in multiple versions, and more expensive one-off individually modeled pieces. The vibrant, polychrome glazes made his creations both more durable and expressive. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are ''The Nativity'' () and ''Madonna and Child'' (). In stone his most famous work is also his first major commission, the choir gallery, ''Cantoria'' in the Florence Cathedral (1431–1438). Della Rob ...
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