|
Indian Paintings
Indian painting has a very long tradition and history in Indian art, though because of the climatic conditions very few early examples survive.Blurton, 193 The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. India's ancient Hindu and Buddhist literature has many mentions of palaces and other buildings decorated with paintings ('' chitra''), but the paintings of the Ajanta Caves are the most significant of the few ones which survive. Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. A new style emerged in the Mughal era as a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions, each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radha
Radha ( sa, राधा, ), also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also described as the chief of the '' Gopis'' (milkmaids). During Krishna's youth, she appears as his lover and companion. Many traditions and scriptures accord Radha the status of the eternal consort and wife of Krishna. Radha, as a supreme goddess, is considered as the female counterpart and the internal potency (''hladini shakti'') of Krishna, who resides in Goloka, the celestial abode of Radha Krishna. Radha is said to accompany Krishna in all his incarnations. In Radha Vallabh Sampradaya and Haridasi Sampradaya, only Radha is worshiped as the supreme deity. Elsewhere, she is venerated with Krishna as his principal consort in Nimbarka Sampradaya, Pushtimarg, Mahanam Sampraday, Swaminarayan Sampradaya, Vaishnava-Sahajiya and Gaudiya Vaish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miniature Art
Miniature art includes paintings, engravings and sculptures that are very small; it has a long history that dates back to prehistory. The portrait miniature is the most common form in recent centuries, and from ancient times, engraved gems, often used as impression seals, and cylinder seals in various materials were very important. For example most surviving examples of figurative art from the Indus Valley civilization and in Minoan art are very small seals. Gothic boxwood miniatures are very small carvings in wood, used for rosary beads and the like. Western paintings in illuminated manuscripts are known as miniatures, even if not very small - this sense of the word in fact has a different derivation, from a Latin word for a reddish pigment. Miniature art has been made for over 2500 years and is prized by collectors. Museums around the world have collections of miniature paintings, drawings, original prints and etchings, and sculpture. Miniature art societies, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Newton Souza
Francis Newton Souza (12 April 1924 – 28 March 2002) was an Indian-American British Asian artist. He was a founding member of the Progressive Artists' Group of Bombay. Souza's style exhibited both decadence and primitivism. Early life and education Francis Newton Souza was born ''Francisco Victor Newton de Souza'' to Goan Catholic parents in the village of Saligão. After his father and then his elder sister passed away, he and his mother moved to Mumbai in 1929. Souza's mother remarried, and his half-brother was the painter Lancelot Ribeiro. Souza attended St. Xavier's College in Bombay, but he was expelled in 1939 for drawing obscene graffiti in the restrooms. He then studied at the Sir J. J. School of Art in Bombay but was also expelled from that school in 1945, because of pulling down the Union Jack flag during a school ceremony and participating in the Quit India Movement. Souza joined the Communist Party of India soon after, and co-founded the Bombay Progressive Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurangzeb
Muhi al-Din Muhammad (; – 3 March 1707), commonly known as ( fa, , lit=Ornament of the Throne) and by his regnal title Alamgir ( fa, , translit=ʿĀlamgīr, lit=Conqueror of the World), was the sixth emperor of the Mughal Empire, ruling from July 1658 until his death in 1707. Under his emperorship, the Mughals reached their greatest extent with their territory spanning nearly the entirety of South Asia. Widely considered to be the last effective Mughal ruler, Aurangzeb compiled the Fatawa 'Alamgiri and was amongst the few monarchs to have fully established Sharia and Islamic economics throughout South Asia.Catherine Blanshard Asher, (1992"Architecture of Mughal India – Part 1" Cambridge university Press, Volume 1, Page 252. Belonging to the aristocratic Timurid dynasty, Aurangzeb's early life was occupied with pious pursuits. He held administrative and military posts under his father Shah Jahan () and gained recognition as an accomplished military commander. Aur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humayun
Nasir-ud-Din Muhammad ( fa, ) (; 6 March 1508 – 27 January 1556), better known by his regnal name, Humāyūn; (), was the second emperor of the Mughal Empire, who ruled over territory in what is now Eastern Afghanistan, Pakistan, Northern India, and Bangladesh from 1530 to 1540 and again from 1555 to 1556. Like his father, Babur, he lost his empire early but regained it with the aid of the Safavid dynasty of Persia, with additional territory. At the time of his death in 1556, the Mughal Empire spanned almost one million square kilometres. In December 1530, Humayun succeeded his father to the throne of Delhi as ruler of the Mughal territories in the Indian subcontinent. Humayun was an inexperienced ruler when he came to power, at the age of 22. His half-brother Kamran Mirza inherited Kabul and Kandahar, the northernmost parts of their father's empire. The two half-brothers would become bitter rivals. Humayun lost Mughal territories to Sher Shah Suri, but regained the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar
Abu'l-Fath Jalal-ud-din Muhammad Akbar (25 October 1542 – 27 October 1605), popularly known as Akbar the Great ( fa, ), and also as Akbar I (), was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent. His power and influence, however, extended over the entire subcontinent because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subjects. Eschewing tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pala Empire
The Pāla Empire (r. 750-1161 CE) was an imperial power during the post-classical period in the Indian subcontinent, which originated in the region of Bengal. It is named after its ruling dynasty, whose rulers bore names ending with the suffix ''Pāla'' ("protector" in Prakrit). The empire was founded with the election of Gopāla as the emperor of Gauda in late eighth century AD. The Pala stronghold was located in Bengal and eastern Bihar, which included the major cities of Gauḍa, Vikramapura, Pāṭaliputra, Monghyr, Somapura, Ramavati ( Varendra), Tāmralipta and Jaggadala. The Pālas were astute diplomats and military conquerors. Their army was noted for its vast war elephant corps. Their navy performed both mercantile and defensive roles in the Bay of Bengal. At its zenith under emperors Dharmapala and Devapala in the early ninth century, the Pala empire extended their dominance into the northern Indian region, with its territory stretching across the Gangetic pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain
Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahavira, around 600 BCE. Jainism is considered to be an eternal '' dharma'' with the ''tirthankaras'' guiding every time cycle of the cosmology. The three main pillars of Jainism are '' ahiṃsā'' (non-violence), '' anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: '' ahiṃsā'' (non-violence), '' satya'' (truth), ''asteya'' (not stealing), '' brahmacharya'' (chastity), and ''aparigraha'' (non-possessiveness) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitrakathi
The Chitrakathi is the name of an occupational caste whose traditional livelihood was to narrate stories aided with pictures sojourning various places. History The term ''Chitrakathi'' is the conjunction of two words: ''chitra'' meaning picture and ''katha'' meaning story. With this application, a Chitrakathi is the one who narrates stories with a visual aid. Thereby, one can imagine the rich tradition behind this art. In tribal life, there is a long-standing tradition of Chitrakathi's paintings. Wall paintings of Saora, Bhil, Gond and Warli are extremely popular in India and abroad. It’s an almost extinct art form practiced by the Thakar tribal community of Maharashtra. Chitrakathi artists are a community of migrating story tellers found all over Maharashra and some parts of Andhra Pradesh and Karnataka. They made a series of single sheets of paintings. All paintings belonging to one story were kept in a bundle called pothi. The Theme of Chitrakathi paintings include stories ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasthan
Rajasthan (; lit. 'Land of Kings') is a state in northern India. It covers or 10.4 per cent of India's total geographical area. It is the largest Indian state by area and the seventh largest by population. It is on India's northwestern side, where it comprises most of the wide and inhospitable Thar Desert (also known as the Great Indian Desert) and shares a border with the Pakistani provinces of Punjab to the northwest and Sindh to the west, along the Sutlej- Indus River valley. It is bordered by five other Indian states: Punjab to the north; Haryana and Uttar Pradesh to the northeast; Madhya Pradesh to the southeast; and Gujarat to the southwest. Its geographical location is 23.3 to 30.12 North latitude and 69.30 to 78.17 East longitude, with the Tropic of Cancer passing through its southernmost tip. Its major features include the ruins of the Indus Valley civilisation at Kalibangan and Balathal, the Dilwara Temples, a Jain pilgrimage site at Rajasthan's only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhopa
The Bhopa people are the priest-singers of the folk deities in the state of Rajasthan, India. They perform in front of a scroll, known as (''par'' in the Rajasthani language) that depicts the episodes of the narrative of the folk deity and functions as a portable temple. The Bhopas carry this ''phad'' traditionally, and are invited by villagers to perform in their localities during times of sickness and misfortune. Traditionally, the are kept rolled in transit. After reaching a village or town, the Bhopas erect the s between two poles in a suitable public place shortly after nightfall. The performance goes on throughout the night and terminates only in early morning The ''phad vacno''s (performances) by the Bhopas Bhopas belong to a variety of castes. The epic narratives of the folk deities are told by the Bhopas during the (night-wakes). The purpose of these are to evoke the (presence) of the folk deities. The sequence which a ''phad vacno'' (performance) follows can be s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
