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Intensity (Art Pepper Album)
''Intensity'' is a 1960 jazz album by saxophonist Art Pepper playing with pianist Dolo Coker, bassist Jimmy Bond (musician), Jimmy Bond and drummer Frank Butler (musician), Frank Butler. The album was released in 1963. Reception The sleeve notes (by Lester Koenig) quote Richard Hadlock, jazz editor of the San Francisco ''Examiner'', who writes: :"As this and his last Contemporary release ''Smack Up!'', demonstrate, Art was well on his way toward a new kind of playing freedom in 1960. He had, partly through the examples of John Coltrane and Ornette Coleman, begun to set aside his few remaining inhibitions and reach out for still more direct contact with his emotions... A musician friend told me recently that sometimes Pepper's playing 'sounds like a man crying — it just tears you up.' I agree." AllMusic reviewer Scott Yanow called the album an "interesting and largely enjoyable set". Yanow also echoed Hadlock's comments, writing that "Pepper was just starting to show the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American jazz musician, most known as an alto saxophonist. He occasionally performed and recorded on tenor saxophone, clarinet (his first instrument) and bass clarinet. Active primarily in West Coast jazz, Pepper first came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's greatest altoist" at the time of his death in 1982. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leonard Maltin's book '' TV movies'' and Robert Christgau's review column in the '' Village Voice''. He gives '' Phonolog'' and ''Schwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love", and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is widely considered an importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance (song), A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway theatre, Broadway musicals and musical films, Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Wallichs Music City, Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music and was a popular singer who recorded his own as well as others' songs from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", "Days of Wine and Roses (song), Days of Wine and Roses", "Autumn Leaves (1945 song), Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway theatre, Broadway shows. He received nineteen Academy Awards, Oscar nominations, and won four Academy Award for Best Original Song, Best Original Song Oscars. Early life Mercer was born in 1909, in Savannah, Georgia, where one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film ''The Wizard of Oz'' (lyrics by Yip Harburg), including "Over the Rainbow", which won him the Oscar for Academy Award for Best Original Song, Best Original Song, he was nominated as composer for 8 other Oscar awards. Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the Recording Industry Association of America, RIAA and the National Endowment for the Arts, NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish hazzan, cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band, Hyman Arluck's Snappy Trio, at age 15. He left home at 16 against his parents' wishes; within two years, he was per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song and jazz standard with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. The show also produced another notable standard, " Any Place I Hang My Hat Is Home." "Come Rain or Come Shine" is one in a series of enduring songs with meteorological themes that Arlen composed through the course of his career, including "Stormy Weather" (1933), "Ill Wind" (1934), " Over the Rainbow" (1939), " When the Sun Comes Out" (1941), and "I Never Has Seen Snow" (1954). Chart performance The song "became a modest hit during the show's run, making the pop charts with a Margaret Whiting ( Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Structure "Come Rain or Come Shine" begins most unusually: As Ted Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became Standard (music), standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway theatre, Broadway and in Hollywood films. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Love You (Cole Porter Song)
"I Love You" is a song written by Cole Porter in 1944 for his stage musical '' Mexican Hayride''. Background ''The New York Times'' reviewed the show, saying, among other things: "Of Mr. Porter's score, the best number bears the title almost startling in its forthrightness, "I Love You," and is the property of Mr. Evans" ( Wilbur Evans). However, the rather generic lyrics of the song were due to a challenge given by Porter. His friend Monty Woolley contended that Porter's talent lay in the off-beat and the esoteric, maintaining that he could never take a cliché title like "I Love You" and write lyrics that included the banal sentiment: "It's spring again, and birds on the wing again" and be successful. Porter accepted the challenge with the result that the song eventually topped the hit parade. Porter remarked that the "superior melody overcame the ordinary lyric". In 1945, Ira B. Arnstein sued Cole Porter for plagiarizing his work and filed a suit in the Federal Court. He ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Marlene Dietrich, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, The Everly Brothers, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts, United States, where he published about a dozen songs with local publishers. His first success was with the World War I song " Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this also came near the start of a decade-long collaboration with lyricist Jack Caddigan. After struggling in a variety of jobs, including rehearsal pianist for the Boston Opera House and pianist- song plugge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Believe That You're In Love With Me
"I Can't Believe That You're in Love with Me" is a 1926 popular song and jazz standard composed by Jimmy McHugh, with lyrics by Clarence Gaskill. More than 20 recordings were made of "I Can't Believe That You're in Love with Me" in the 16 years following its publication. Early recordings included Roger Wolfe Kahn and His Orchestra (1926), Louis Armstrong (1930), Nat Gonella (1932), Earl Hines (1932), Artie Shaw (1938), Teddy Wilson (1938), and Ella Fitzgerald (1941). It is sung twice by Claudia Drake in Edgar G. Ulmer's low-budget film noir classic '' Detour'' (1945); it is also featured in The Caine Mutiny (1954), where it is performed by the leading actress in an early scene and the composers credited prominently in the opening titles. In the 1967 film '' Thoroughly Modern Millie'' it is sung by an uncredited male vocalist on the gramophone. Notable recordings *Billie Holiday (1938) *Anita O'Day (1945) *Frankie Laine (1946) * Ames Brothers - this charted briefly in 1953 * Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
