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Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song and jazz standard with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. The show also produced another notable standard, " Any Place I Hang My Hat Is Home." "Come Rain or Come Shine" is one in a series of enduring songs with meteorological themes that Arlen composed through the course of his career, including "Stormy Weather" (1933), "Ill Wind" (1934), " Over the Rainbow" (1939), " When the Sun Comes Out" (1941), and "I Never Has Seen Snow" (1954). Chart performance The song "became a modest hit during the show's run, making the pop charts with a Margaret Whiting ( Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Structure "Come Rain or Come Shine" begins most unusually: As Ted Gi ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film ''The Wizard of Oz'' (lyrics by Yip Harburg), including "Over the Rainbow", which won him the Oscar for Academy Award for Best Original Song, Best Original Song, he was nominated as composer for 8 other Oscar awards. Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the Recording Industry Association of America, RIAA and the National Endowment for the Arts, NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish hazzan, cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band, Hyman Arluck's Snappy Trio, at age 15. He left home at 16 against his parents' wishes; within two years, he was per ...
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Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American Jazz piano, jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he studied classical music at Southeastern Louisiana College and the Mannes School of Music, in New York City, where he majored in composition and received an artist diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell (composer), George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded ''Kind of Blue'', the best-selling jazz album of all time. In late 1959, Evans left the Miles Davis band and began his career as a leader, forming a Jazz trio, trio with bassist Scott LaFaro and drumm ...
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The Genius Of Ray Charles
''The Genius of Ray Charles'' is a 1959 Ray Charles album, released in October by Atlantic Records, the seventh album since the debut ''Ray Charles'' in 1957. The album consists of swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. ''The Genius of Ray Charles'' sold fewer than 500,000 copies and charted at number 17 on the ''Billboard'' 200. " Let the Good Times Roll" and " Don't Let the Sun Catch You Cryin'" were released as singles in 1959. Composition The album showcased Charles' breakout from rhythm and blues and onto a broader musical stage. Atlantic Records gave him full support in production and arrangements. As originally presented, the A side of the album featured the Ray Charles band with David "Fathead" Newman supplemented by players from the Count Basie and Duke Ellington bands, and arrangements by Quincy Jones. The B side of the original album consists of six ballads with arrangemen ...
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Ray Charles
Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential musicians in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians, he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. Charles pioneered the soul music genre during the 1950s by combining elements of blues, jazz, rhythm and blues, and Gospel music, gospel into his music during his time with Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two ''Modern Sounds'' albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company. Charles' 1960s hit "Georgia on My Mind" was the first of his three career No. 1 hits ...
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Moanin'
''Art Blakey and the Jazz Messengers'', also called ''Moanin, is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958, and released on Blue Note Records, Blue Note later that year. Background This was Blakey's first album for Blue Note Records, Blue Note in several years, after a period of recording for a number of different labels, and marked both a homecoming and a fresh start. Originally the Vinyl record, LP was self-titled, but the instant popularity of the bluesy opening track, "Moanin' (song), Moanin'," composed by pianist Bobby Timmons, led to its becoming known by that title. Composition The rest of the originals are by saxophonist Benny Golson (who was not with the Jazz Messengers for long, this being the only U.S. album on which he is featured). "Are You Real?" is a propulsive 32-bar piece with a four-bar tag, featuring two-part writing for Golson and trumpeter Lee Morgan. "Along Came Betty" is a more lyrical, long-lined piece, almost se ...
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The Jazz Messengers
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career. The group evolved into a proving ground for young jazz talent. While veterans occasionally re-appeared in the group, by and large, each iteration of the Messengers included a lineup of new young players. Having the Messengers on one's resume was a rite of passage in the jazz world, and conveyed immediate bona fides. Many former members of the Jazz Messengers established careers as solo musicians, such as Lee Morgan, Benny Golson, Wayne Shorter, Freddie Hubbard, Bobby Timmons, Hank Mobley, Curtis Fuller, Cedar Walton, Billy Harper, Keith Jarret ...
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Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed The Jazz Messengers, a group which he led for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the Jazz Messengers "the ...
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Sonny's Crib
''Sonny's Crib'' is a studio album by the jazz pianist Sonny Clark. It was released through Blue Note Records in March 1958. The sextet assembled for the recording session consists of horn players Donald Byrd, Curtis Fuller, and John Coltrane and rhythm section Paul Chambers and Art Taylor. The first half of the album comprises three jazz standards, while the second half contains two original compositions by Clark. The recording was made on September 1, 1957. Critical reception The AllMusic review by Thom Jurek states, "''Sonny's Crib'' is a phenomenal recording, one that opened the door to hard bop becoming the norm in the late '50s, and one that drew deft, imaginative performances from all its players". Critic Reid Thompson compared the album favorably to Coltrane's '' Blue Train'' (recorded two weeks later), seeing them as the epitome of the Blue Note sound in the late 1950s. Track listing Personnel Musicians *Sonny Clark – piano *Donald Byrd – trumpet *Cur ...
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Sonny Clark
Conrad Yeatis "Sonny" Clark (July 21, 1931 – January 13, 1963) was an American jazz pianist and composer who mainly worked in the hard bop idiom. Early life Clark was born and raised in Herminie, Pennsylvania, a coal mining town east of Pittsburgh, Pennsylvania, Pittsburgh.Stephenson, Sam (January 13, 2011"Notes from a Biographer: Sonny Clark" ''The Paris Review''. His parents were originally from Stone Mountain, Georgia. His miner father, Emery Clark, died of a lung disease two weeks after Sonny was born. Sonny was the youngest of eight children. At age 12, he moved to Pittsburgh. Later life and career While visiting an aunt in California at age 20, Clark decided to stay and began working with saxophonist Wardell Gray. Clark went to San Francisco with Oscar Pettiford and after a couple months, was working with clarinetist Buddy DeFranco in 1953. Clark toured the United States and Europe with DeFranco until January 1956, when he joined The Lighthouse All-Stars, led by bass ...
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Clifford Brown Quartet (album)
''Clifford Brown Quartet'' (Vogue Records, 1954) is a Clifford Brown album. Clifford Brown Quartet was recorded while Clifford Brown was on tour with the Lionel Hampton Band in Europe, voiding Brown's contract with Hampton. Scott Yanow's review for AllMusic describes the music on the album as "well worth hearing" and "highly recommended." Track listing #" It Might as Well Be Spring" (Rodgers and Hammerstein) - 4:57 #"You're a Lucky Guy" (Sammy Cahn and Saul Chaplin) - 2:44 #"The Song is You" (Jerome Kern and Oscar Hammerstein II) - 2:50 #"Come Rain or Come Shine" (Harold Arlen and Johnny Mercer) - 4:09 #"I Can Dream, Can't I?" (Sammy Fain and Irving Kahal) - 2:58 #"Blue and Bown" (Clifford Brown) - 3:10 Personnel *Clifford Brown - trumpet *Henri Renaud - piano *Pierre Michelot - bass *Benny Bennet - drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification syst ...
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Clifford Brown
Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter, pianist and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the ''DownBeat'' magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the ''DownBeat'' Hall of Fame in 1972. Early career Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized", making trips to Philadelphia. His trips to Philadelphia grew in frequency aft ...
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Sarah Vaughan
Sarah Lois Vaughan (, March 27, 1924 – April 3, 1990) was an American jazz singer and pianist. Nicknamed "Sassy" and "List of nicknames of jazz musicians, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were a ...
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