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Germaine Dulac
Germaine Dulac (; born Charlotte Elisabeth Germaine Saisset-Schneider; 17 November 1882 – 20 July 1942)Flitterman-Lewis 1996 was a French filmmaker, film theorist, journalist and critic. She was born in Amiens and moved to Paris in early childhood. A few years after her marriage she embarked on a journalistic career in a feminist magazine, and later became interested in film. With the help of her husband and friend she founded a film company and directed a few commercial works before slowly moving into Impressionist and Surrealist territory. She is best known today for her Impressionist film, ''La Souriante Madame Beudet'' (''The Smiling Madam Beudet'', 1922/23), and her Surrealist experiment, '' La Coquille et le Clergyman'' (''The Seashell and the Clergyman'', 1928). Her career as filmmaker suffered after the introduction of sound film and she spent the last decade of her life working on newsreels for Pathé and Gaumont. Biography Germaine Dulac was born in Amiens, France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amiens
Amiens (English: or ; ; pcd, Anmien, or ) is a city and commune in northern France, located north of Paris and south-west of Lille. It is the capital of the Somme department in the region of Hauts-de-France. In 2021, the population of Amiens was 135,429. A central landmark of the city is Amiens Cathedral, the largest Gothic cathedral in France. Amiens also has one of the largest university hospitals in France, with a capacity of 1,200 beds. The author Jules Verne lived in Amiens from 1871 until his death in 1905, and served on the city council for 15 years. Incumbent French president Emmanuel Macron was born in Amiens. The town was fought over during both World Wars, suffering significant damage, and was repeatedly occupied by both sides. The 1918 Battle of Amiens was the opening phase of the Hundred Days Offensive which directly led to the Armistice with Germany. The Royal Air Force heavily bombed the town during the Second World War. In the aftermath, the city was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Misme
Jane Misme (1865–1935) was a French journalist and feminist. She founded the feminist journal ''La Française'' (The Frenchwoman), published from 1906 to 1934, and was a member of the executive of the French Union for Women's Suffrage and the National Council of French Women. Early years Jane Misme was born in 1865. In January 1893 Jeanne Schmahl founded the ''Avant-Courrière'' (Forerunner) association, which called for the right of women to be witnesses in public and private acts, and for the right of married women to take the product of their labor and dispose of it freely. The campaign aimed to mobilize middle- and upper-class women who had moderate and conservative views. Anne de Rochechouart de Mortemart (1847–1933), Duchess of Uzès and Juliette Adam (1836–1936) soon joined the ''Avant-Courrière'', and Schmahl found support from Jane Misme and Jeanne Chauvin (1862–1926), the first woman to become a doctor of law. Journalist Jane Misme became a journalist w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Chien Andalou
''Un Chien Andalou'' (, ''An Andalusian Dog'') is a 1929 French silent short film directed by Luis Buñuel, and written by Buñuel and Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months. ''Un Chien Andalou'' has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. ''Un Chien Andalou'' is a seminal work in the genre of surrealist cinema. Synopsis The film opens with a title card reading "Once upon a time". A man (Luis Buñuel) sharpens his razor at his balcony door and tests the razor on his thumb. He then opens the door, and idly fingers the razor while gazing at the moon, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Delluc
Louis Delluc (; 14 October 1890 – 22 March 1924) was an Impressionist French film director, screenwriter and film critic. Biography Delluc was born in Cadouin in 1890. His family moved to Paris in 1903. After graduating from the university, he became a literary critic. During the First World War, he was married to the Belgian actress Ève Francis, who acted in many of his films. In 1917, Delluc began his career in film criticism. He went on to edit ''Le Journal du Ciné-club'' and ''Cinéa'', establish film societies, and direct seven films. He was one of the early Impressionist filmmakers, along with Abel Gance, Germaine Dulac Germaine Dulac (; born Charlotte Elisabeth Germaine Saisset-Schneider; 17 November 1882 – 20 July 1942)Flitterman-Lewis 1996 was a French filmmaker, film theorist, journalist and critic. She was born in Amiens and moved to Paris in early chil ..., Marcel L'Herbier, and Jean Epstein. His films are notable for their focus on ordinary events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ève Francis
Ève Francis (born Eva Louise François; 20 August 1886 – 6 December 1980) was an actress and film-maker. She was born in Belgium but spent most of her career in France. She became closely associated with the writer Paul Claudel, and she was married to the critic and film-maker Louis Delluc. Career Ève Francis was born Eva Louise François at Saint-Josse-ten-Noode in Belgium. After completing her secondary education in Belgium, she embarked on a career as an actress and began working in the theatre in Paris in 1913. In 1914 she was introduced to the author Paul Claudel who chose her for the leading role in the first Paris production of his play ''L'Otage''. Although only a few performances were given, the play was well received in literary and artistic circles and her reputation was established. Her long-lasting association with Claudel was at times personal as well as artistic, and in later years she described him as the most extraordinary person she had known and the dom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irène Hillel-Erlanger
Irene is a name derived from εἰρήνη (eirēnē), the Greek for "peace". Irene, and related names, may refer to: * Irene (given name) Places * Irene, Gauteng, South Africa * Irene, South Dakota, United States * Irene, Texas, United States * Irene, West Virginia, United States * Irene Lake, Quebec, Canada * Lake Irene, a small lake in Rocky Mountain National Park, Colorado, United States * Lake Irene, a lake in Minnesota, United States * Irene River (Opawica River tributary), a tributary of the Opawica River in Quebec, Canada * Irene River (New Zealand), a river of New Zealand * Eirini metro station, an Athens metro station in Ano Maroussi, Greece Storms and hurricanes * Tropical Storm Irene (1947) * Tropical Storm Irene (1959) * Hurricane Irene–Olivia (1971) * Hurricane Irene (1981), part of the 1981 Atlantic hurricane season * Hurricane Irene (1999) * Hurricane Irene (2005) * Hurricane Irene (2011) Arts and entertainment Films and anime * ''Irene'' (1926 fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film D'Art
An art film (or arthouse film) is typically an independent film, aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", containing "unconventional or highly symbolic content". Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholar David Bordwell describes art cinema as "a film genre, with its own distinct conventions". Art film producers usually present their films at special theaters (repertory cinemas or, in the U.S., art-h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stacia Napierkowska
Stacia Napierkowska (born Renée Claire Angèle Élisabeth Napierkowski, 16 September 1891 – 11 May 1945) was a French actress, dancer, and director who worked during the silent film era. She appeared in 86 films between 1908 and 1926. Biography She was born Renée Claire Angèle Élisabeth Napierkowski in Paris to a Polish father, Stanisław Artur Napierkowski, and a French mother. Napierkowska began her career with the Folies Bergère, where she was noticed by the director of the Opéra-Comique who engaged her to perform in the Fêtes Romaines organized at the Théâtre d’Orange. She then acted in early silent films, becoming a star while playing opposite the celebrated Max Linder. In January 1913, she embarked for the United States to launch an international career: While sailing on the ocean liner Lorraine, she encountered the painter, Francis Picabia, who went on to produce a series of paintings inspired by her. In New York City, she was arrested during a dance p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Vigo
Jean Vigo (; 26 April 1905 – 5 October 1934) was a French film director who helped establish poetic realism in film in the 1930s. His work influenced French New Wave cinema of the late 1950s and early 1960s. Biography Vigo was born to Emily Clero and the militant anarchist Miguel Almereyda. Much of Vigo's early life was spent on the run with his parents. His father was imprisoned and probably murdered in Fresnes Prison on 13 August 1917 although the death was officially a suicide. Some speculated that Almereyda was hushed up on orders of the Radical politicians Louis Malvy and Joseph Caillaux, who were later punished for wartime treason. The young Vigo was subsequently sent to boarding school under an assumed name, Jean Sales, to conceal his identity. Vigo was married and had a daughter, Luce Vigo, a film critic, in 1931. He died in 1934 of complications from tuberculosis, which he had contracted eight years earlier. Career Vigo is noted for two films that affected t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joris Ivens
Georg Henri Anton "Joris" Ivens (18 November 1898 – 28 June 1989) was a Dutch documentary filmmaker. Among the notable films he directed or co-directed are ''A Tale of the Wind'', ''The Spanish Earth'', ''Rain'', ''...A Valparaiso'', '' Misère au Borinage'' (''Borinage''), '' 17th Parallel: Vietnam in War'', ''The Seine Meets Paris'', '' Far from Vietnam'', ''Pour le Mistral'' and ''How Yukong Moved the Mountains''. Early life and career Born Georg Henri Anton Ivens into a wealthy family, Ivens went to work in one of his father's photo supply shops and from there developed an interest in film. Under the direction of his father, he completed his first film at 13; in college he studied economics with the goal of continuing his father's business, but an interest in class issues distracted him from that path. He met photographer Germaine Krull in Berlin in 1923, and entered into a marriage of convenience with her between 1927 and 1943 so that Krull could hold a Dutch passport ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Anne Colson-Malleville
Marie-Anne Colson-Malleville (8 February 1892 – 11 March 1971), born Marie Anne Françoise Mareau, was a French film director, best known for her short documentary films about Algeria. She was the partner of director Germaine Dulac from the 1920s until Dulac's death in 1942. Early life Marie Anne Françoise Mareau was born in Sainte-Gemmes-sur-Loire Sainte-Gemmes-sur-Loire (, literally ''Sainte-Gemmes on Loire'') is a commune in the Maine-et-Loire department in western France. See also * Communes of the Maine-et-Loire department The following is a list of the 177 communes of the Maine- ... in 1892. Career Colson-Malleville worked as a teacher and as a film programmer as a young woman. She was assistant director on five silent films directed by her partner Germaine Dulac in the 1920s: ''Gossette'' (1923), ''Celles qui s'en font'' (1923), '' Heart of an Actress'' (1924), ''The Devil in the City'' (1925), and ''L'Invitation au voyage'' (1930). After Dulac's death, Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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