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Gospel Book
A Gospel Book, Evangelion, or Book of the Gospels ( Greek: , ) is a codex or bound volume containing one or more of the four Gospels of the Christian New Testament – normally all four – centering on the life of Jesus of Nazareth and the roots of the Christian faith. The term is also used for a liturgical book, also called the Evangeliary, from which are read the portions of the Gospels used in the Mass and other services, arranged according to the order of the liturgical calendar. Liturgical use in churches of a distinct Gospel book remains normal, often compulsory, in Eastern Christianity, and very common in Roman Catholicism and some parts of Anglicanism and Lutheranism. History In the Middle Ages, the production of copies of the Bible in its entirety was rare because of the huge expense of the parchment required. Individual books or collections of books were produced for specific purposes. From the 4th century Gospel Books were produced for liturgical use, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parchment
Parchment is a writing material made from specially prepared Tanning (leather), untanned skins of animals—primarily sheep, calves and goats. It has been used as a writing medium in West Asia and Europe for more than two millennia. By AD 400 most literature in these regions that was intended for preservation began to be transferred from papyrus to parchment. ''Vellum'' is a finer-quality parchment made from the skins of young animals such as lambs and young calves. The generic term ''animal membrane'' is sometimes used by libraries and museums that wish to avoid distinguishing between parchment and vellum. Parchment and vellum Today the term ''parchment'' is often used in non-technical contexts to refer to any animal skin, particularly goat, sheep or cow, that has been scraped or dried under tension. The term originally referred only to the skin of sheep and, occasionally, goats. The equivalent material made from calfskin, which was of finer quality, was known as ''vellum'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eusebius Of Caesarea
Eusebius of Caesarea (30 May AD 339), also known as Eusebius Pamphilius, was a historian of Christianity, exegete, and Christian polemicist from the Roman province of Syria Palaestina. In about AD 314 he became the bishop of Caesarea Maritima. Together with Pamphilus, Eusebius was a scholar of the biblical canon and is regarded as one of the most learned Christians during late antiquity. He wrote the ''Demonstrations of the Gospel'', '' Preparations for the Gospel'' and ''On Discrepancies between the Gospels'', studies of the biblical text. His work '' Onomasticon'' is an early geographical lexicon of places in the Holy Land mentioned in the Bible. As "Father of Church History" (not to be confused with the title of Church Father), he produced the ''Ecclesiastical History'', ''On the Life of Pamphilus'', the ''Chronicle'' and ''On the Martyrs''. He also produced a biographical work on Constantine the Great, the first Christian Roman emperor, who was ''Augustus'' between A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistula Ad Carpianum
The ''Epistula ad Carpianum'' ("Letter to Carpian") or Letter of Eusebius is the title traditionally given to a letter from Eusebius of Caesarea to a Christian named Carpianus. In this letter, Eusebius explains his ingenious system of gospel harmony, the Eusebian Canons (tables) that divide the four canonical gospels, and describes their purpose, ten in number. Eusebius explains that Ammonius the Alexandrian had made a system in which he placed sections of the gospels of Mark, Luke and John next to their parallel sections in Matthew. As this disrupted the normal text order of the gospels of Mark, Luke and John, Eusebius used a system in which he placed the references to the parallel texts in ten tables or 'canons'. By using these tables, the parallel texts could easily be looked up, but it also remained possible to read a gospel in its normal order. (The number of sections was: Matthew 355, Mark 236, Luke 342, John 232 – together 1165 sections). The number of each "Ammonian secti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulgate
The Vulgate () is a late-4th-century Bible translations into Latin, Latin translation of the Bible. It is largely the work of Saint Jerome who, in 382, had been commissioned by Pope Damasus I to revise the Gospels used by the Diocese of Rome, Roman Church. Later, of his own initiative, Jerome extended this work of revision and translation to include most of the books of the Bible. The Vulgate became progressively adopted as the Bible text within the Western Church. Over succeeding centuries, it eventually eclipsed the texts. By the 13th century it had taken over from the former version the designation (the "version commonly used") or for short. The Vulgate also contains some ''Vetus Latina'' translations that Jerome did not work on. The Catholic Church affirmed the Vulgate as its official Latin Bible at the Council of Trent (1545–1563), though there was no single authoritative edition of the book at that time in any language. The Vulgate did eventually receiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome
Jerome (; ; ; – 30 September 420), also known as Jerome of Stridon, was an early Christian presbyter, priest, Confessor of the Faith, confessor, theologian, translator, and historian; he is commonly known as Saint Jerome. He is best known for his translation of the Bible into Latin (the translation that became known as the Vulgate) and his commentaries on the whole Bible. Jerome attempted to create a translation of the Old Testament based on a Hebrew version, rather than the Septuagint, as Vetus Latina, prior Latin Bible translations had done. His list of writings is extensive. In addition to his biblical works, he wrote polemical and historical essays, always from a theologian's perspective. Jerome was known for his teachings on Christian moral life, especially those in cosmopolitan centers such as Rome. He often focused on women's lives and identified how a woman devoted to Jesus should live her life. This focus stemmed from his close patron relationships with several pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letter Of Jerome To Pope Damasus
The Epistle of Jerome to Pope Damasus I (), written in 376 or 377 AD, is a response from Jerome to Pope Damasus I's letter urging him to make a new Latin translation of the four gospels, to replace the ''Vetus Latina'' translation. The letter predates the 382–405 period when Jerome worked on his translation, the Vulgate. In the epistle, Jerome agreed that the translation of the four gospels should be revised and corrected, acknowledging the numerous differences between every Latin manuscript such that each one looked like its own version. To remedy the problem, Jerome agreed that they should be corrected on the basis of the Greek manuscripts (Greek New Testament). Jerome explained why the old Latin order of the Gospels ( Matthew, John, Luke, Mark) should be changed to Matthew, Mark, Luke, John, because it is the order of the Greek manuscripts. He also explained the importance of the Eusebian Canons and how to use them. Copies of the letter occur in many Latin manuscript Gosp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon Tables
Eusebian canons, Eusebian sections or Eusebian apparatus, also known as Ammonian sections, are the system of dividing the four Gospels used between late antiquity and the Middle Ages. The divisions into Chapters and verses of the Bible, chapters and verses used in modern texts date only from the 13th and 16th centuries, respectively. The sections are indicated in the margin of nearly all Greek and Latin manuscripts of the Bible, but can be also found in periphical Bible transmissions as Syriac and Christian Palestinian Aramaic (Codex Sinaiticus Rescriptus) from the 5th to 8th centuries, and in Ethiopian manuscripts until the 14th and 15th centuries, with a few produced as late as the 17th century. These are usually summarized in canon tables at the start of the Gospels. There are about 1165 sections: 355 for Gospel of Matthew, Matthew, 235 for Gospel of Mark, Mark, 343 for Gospel of Luke, Luke, and 232 for Gospel of John, John; the numbers, however, vary slightly in different manus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Initial
In a written or published work, an initial is a letter at the beginning of a word, a chapter (books), chapter, or a paragraph that is larger than the rest of the text. The word is ultimately derived from the Latin ''initiālis'', which means ''of the beginning''. An initial is often several lines in height, and, in older books or manuscripts, may take the form of an inhabited or historiated initial. There are certain important initials, such as the Beatus initial, or B, of ''Beatus vir...'' at the opening of Psalm 1 at the start of a vulgate Latin. These specific initials in an illuminated manuscript were also called initia (grammatical number, singular: initium). History The classical tradition was slow to use capital letters for initials at all; in surviving Roman texts it often is difficult even to separate the words as spacing was not used either. In late antiquity (–6th century) both came into common use in Italy, the initials usually were set in the left margin (as in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottonian Art
Ottonian art is a style (visual arts), style in Pre-Romanesque art, pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and Northern Italy between 919 and 1024 under the kings Henry the Fowler, Henry I, Otto I, Otto II, Otto III and Emperor Henry II, Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Art
Insular art, also known as Hiberno-Saxon art, was produced in the sub-Roman Britain, post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin language, Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character. Most Insular art originates from the Hiberno-Scottish mission, Irish monastic movement of Celtic Christianity, or metalwork for the secular elite, and the period begins around 600 with the combining of Celtic art, Celtic and Anglo-Saxon art, Anglo-Saxon styles. One major distinctive feature is interlace (art), interlace decoration, in particular the interlace (visual arts), interlace decoration as found at Sutton Hoo, in East Anglia. This is now appli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangelist Portrait
Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of the Evangelist, usually occupying a full page. Their symbols may be shown with them, or separately. Often they are the only figurative illumination in the manuscript. They are a common feature in larger Gospel Books from the earliest examples in the 6th century until the decline of that format for illustrated books in the High Middle Ages, by which time their conventions were being used for portraits of other authors. Author portraits They originate in the classical secular tradition of the author portrait, which was often the only illustration in a classical manuscript, also used as a frontispiece (not unlike the contemporary author photo, though this is usually shown on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
