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Glück, Das Mir Verblieb
"Glück, das mir verblieb" (German for "Happiness that remained") is a duet from the 1920 opera ''Die tote Stadt'' (''The Dead City'') composed by Erich Wolfgang Korngold to a libretto by his father Julius Korngold. It is written for soprano and tenor. Also called "Marietta's Lied" or the "Lute Song", it appears in act 1, scene 5. In performances as a concert aria, the soprano will sing both parts. Context The "dead city" in the opera's title is Bruges, Belgium, identified in the opera with Marie, the dead wife of Paul. At the start of act 1, Paul confides in a friend the extraordinary news that he has seen Marie, or her double, in the town and that he has invited her to the house. She arrives, and Paul addresses her as Marie, but she corrects him: she is Marietta, a dancer from Lille. He is enchanted by her, especially when she accepts his request for a song, "". The words tell of the joy of love, but there is a sadness in it also because its theme is the transitoriness of life. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duet
A duet (italian language, Italian: ''duo'') is a musical composition for two Performing arts, performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo section rather than performing simultaneously. A piece performed by two pianists performing together on the same piano is a "piano duet" or "piano four hands". A piece for two pianists performing together on separate pianos is a "List of compositions for piano duo, piano duo". "Duet" is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called a Trio (music), trio, quartet, quintet, sextet, septet, octet (music), octet, etc. History When Wolfgang Amadeus Mozart, Mozart was young, he and his sister Maria Anna Mozart, Marianne played a duet of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Ivory
James Francis Ivory (born Richard Jerome Hazen June 7, 1928) is an American film director, producer, and screenwriter. He was a principal in Merchant Ivory Productions along with Indian film producer Ismail Merchant (his domestic and professional partner) and screenwriter Ruth Prawer Jhabvala. The trio is known for making film adaptations of stories by authors such as E.M. Forster and Henry James. Their body of work is celebrated for its elegance, sophistication, literary fidelity, strong performances, complex themes, and rich characters. Merchant–Ivory was established in 1961 in India where they made modestly budgeted films including '' The Householder'' (1963), '' Shakespeare Wallah'' (1965), and '' Bombay Talkie'' (1970). Ivory began adapting films from classic novels such as ''The Europeans'' (1979), ''Quartet'' (1981), '' Heat and Dust'' (1983), '' The Bostonians'' (1984), '' Maurice'' (1987), and '' Mr. & Mrs. Bridge'' (1990). During this period he was nominated for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Excerpts
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arias In German
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
