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Glück, Das Mir Verblieb
"Glück, das mir verblieb" (German for "Happiness that remained") is a duet from the 1920 opera ''Die tote Stadt'' (''The Dead City'') composed by Erich Wolfgang Korngold to a libretto by his father Julius Korngold. It is written for soprano and tenor. Also called "Marietta's Lied" or the "Lute Song", it appears in act 1, scene 5. In performances as a concert aria, the soprano will sing both parts. Context The "dead city" in the opera's title is Bruges, Belgium, identified in the opera with Marie, the dead wife of Paul. At the start of act 1, Paul confides in a friend the extraordinary news that he has seen Marie, or her double, in the town and that he has invited her to the house. She arrives, and Paul addresses her as Marie, but she corrects him: she is Marietta, a dancer from Lille. He is enchanted by her, especially when she accepts his request for a song, "". The words tell of the joy of love, but there is a sadness in it also because its theme is the transitoriness of life. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duet
A duet (italian language, Italian: ''duo'') is a musical composition for two Performing arts, performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo section rather than performing simultaneously. A piece performed by two pianists performing together on the same piano is a "piano duet" or "piano four hands". A piece for two pianists performing together on separate pianos is a "List of compositions for piano duo, piano duo". "Duet" is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called a Trio (music), trio, quartet, quintet, sextet, septet, octet (music), octet, etc. History When Wolfgang Amadeus Mozart, Mozart was young, he and his sister Maria Anna Mozart, Marianne played a duet of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Ivory
James Francis Ivory (born Richard Jerome Hazen June 7, 1928) is an American film director, producer, and screenwriter. He was a principal in Merchant Ivory Productions along with Indian film producer Ismail Merchant (his domestic and professional partner) and screenwriter Ruth Prawer Jhabvala. The trio is known for making film adaptations of stories by authors such as E.M. Forster and Henry James. Their body of work is celebrated for its elegance, sophistication, literary fidelity, strong performances, complex themes, and rich characters. Merchant–Ivory was established in 1961 in India where they made modestly budgeted films including '' The Householder'' (1963), '' Shakespeare Wallah'' (1965), and '' Bombay Talkie'' (1970). Ivory began adapting films from classic novels such as ''The Europeans'' (1979), ''Quartet'' (1981), '' Heat and Dust'' (1983), '' The Bostonians'' (1984), '' Maurice'' (1987), and '' Mr. & Mrs. Bridge'' (1990). During this period he was nominated for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Excerpts
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arias In German
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Music Score Library Project
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores. The project uses MediaWiki software, and has uploaded more than 736,000 scores and 80,700 recordings by 1,900 performers of more than 226,000 works by 27,400 composers. IMSLP has both an iOS app and an Android app. History Overview The site was launched on February 16, 2006. The library consists mainly of scans of old musical editions out of copyright. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe (1851–99), a task that was completed on November 3, 2008. Besides J.S. Bach's complete public domain works, many or all availab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilde Zadek
Hildegard Zadek (15 December 1917 – 21 February 2019) was a German operatic soprano. She was Kammersängerin at the Vienna State Opera and performed internationally. Early life Zadek, the oldest of three daughters of Elizabeth (Freundlich) and Alex Zadek, was born in Bromberg, Province of Posen, on 15 December 1917. After her hometown became Bydgoszcz, Poland, Polish after World War I, her parents moved to Stettin in 1920, where Zadek spent her youth. However, as a Jew she was forced to leave Germany in 1934 and settled in then Palestine (region), Palestine, where she worked as a nurse and shoe saleswoman in Jerusalem, while studying voice with Rose Pauly (singer), Rose Pauly. In 1945, she returned to Europe and studied at the Zurich University of the Arts, Zurich Conservatory with Ria Ginster. Life and career She made her operatic debut on 3 February 1947 at the Vienna State Opera in the title role of Verdi's ''Aida'' to great acclaim; she remained with this theatre until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Sofie Von Otter
Anne Sofie von Otter (born 9 May 1955) is a Swedish mezzo-soprano. Her repertoire encompasses lieder, operas, oratorios and also rock and pop songs. Early life Von Otter was born in Stockholm, Sweden. Her father was Göran von Otter, a Swedish diplomat in Berlin during World War II. She grew up in Bonn, London and Stockholm. She studied in Stockholm and at the Guildhall School of Music and Drama in London, where her teachers included Vera Rózsa. In 1982, she won second prize in the ARD International Music Competition. From 1983 to 1985, she was an ensemble member of the Basel Opera, where she made her professional operatic début as Alcina in Haydn's '' Orlando paladino''. She made her Royal Opera House, Covent Garden, début in 1985 and her La Scala debut in 1987. Her Metropolitan Opera début was in December 1988 as Cherubino in '' The Marriage of Figaro''. Career Her recording of Grieg songs won the 1993 '' Gramophone'' Record of the Year, the first time in the aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaron Zilberman
Yaron Zilberman (; born October 2, 1966) is an Israeli-American director, screenwriter and producer. Career Zilberman directed, co-wrote and produced ''A Late Quartet'' which starred Philip Seymour Hoffman, Christopher Walken, Catherine Keener, Mark Ivanir and Imogen Poots. The film premiered in the Special Presentation program at the 2012 Toronto International Film Festival. Inspired by and structured around Beethoven's Opus 131, the film follows the world-renowned Fugue String Quartet after its cellist Peter Mitchell (Christopher Walken) is diagnosed with Parkinson’s Disease. Cinematographer Frederick Elmes lensed the film and composer Angelo Badalamenti composed the score for the film. The Brentano String Quartet played the quartet music for the soundtrack and Anne Sofie von Otter appears as the cellist's late wife, singing Korngold's " Marietta's Song" from ''Die tote Stadt.'' The film was theatrically released in over 30 countries and was critically acclaimed. It was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Late Quartet
''A Late Quartet'' (released in Australia as ''Performance'') is a 2012 American drama film directed by Yaron Zilberman and co-written by Zilberman and Seth Grossman. The film stars Philip Seymour Hoffman, Christopher Walken, Catherine Keener, Mark Ivanir and Imogen Poots. Inspired by and structured around Beethoven's Op. 131, the film follows the world-renowned Fugue String Quartet after its cellist Peter Mitchell (Walken) is diagnosed with Parkinson's disease. Frederick Elmes served as cinematographer and Angelo Badalamenti composed the score. The Brentano String Quartet played the quartet music for the soundtrack and Anne Sofie von Otter appears as the cellist's late wife, singing Korngold's " Marietta's Song" from ''Die tote Stadt''. The film premiered in the Special Presentation program at the 2012 Toronto International Film Festival, and was theatrically released in over 30 countries. It received generally positive reviews. Plot As the Fugue String quartet approaches it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ORF Symphony Orchestra
The Vienna Radio Symphony Orchestra (German: ''ORF Radio-Symphonieorchester Wien'', or RSO Wien) is the orchestra of the Austrian national broadcaster Österreichischer Rundfunk (ORF). Unlike most other Austrian orchestras, the RSO Wien has a substantial focus on contemporary classical music. The current ''Intendant'' of the orchestra is Christoph Becher. History Founded in 1969 with the name of the ''ORF-Symphonieorchester'' (ORF Symphony Orchestra), it is the only radio orchestra in the country. It acquired its current name in 2009. The orchestra performs in a number of venues, including Radiokulturhaus (in Vienna), Konzerthaus, Vienna, Theater an der Wien and Musikverein. Milan Horvat was the orchestra's first chief conductor, from 1969 to 1975. During the tenure of Bertrand de Billy as chief conductor, from 2002 to 2010, he had disputes with management over funding and the continuing status of the orchestra. In January 2009, the RSO Wien announced the appointment of Cornel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Dermota
Kammersänger Anton Dermota (June 4, 1910 – June 22, 1989) was a Slovene lyric tenor. Early life He was born in a poor family in the Upper Carniolan village of Kropa in what was then the Austro-Hungarian Empire (and is now in Slovenia). He went to the Ljubljana Conservatory with the intention of studying composition and organ, but in 1934 he received a scholarship which sent him to Vienna. There, he devoted himself exclusively to vocal study with Marie Radó. Career Dermota made his debut at the opera in Cluj in 1934, and was promptly invited by Bruno Walter to perform at the Vienna State Opera. Here he made his début as "First Man in Armor" in Wolfgang Amadeus Mozart's ''The Magic Flute'' in 1936 and got a contract immediately. His first leading role was Alfredo in Giuseppe Verdi's '' La traviata'', which he sang in 1937. In the same year Dermota made his début at the Salzburg Festival in a production of Wagner's ''Die Meistersinger von Nürnberg'', conducte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
