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Giovanni Valentini
Giovanni Valentini (ca. 1582 – 29/30 April 1649) was an Italian Baroque composer, poet and keyboard virtuoso. Overshadowed by his contemporaries, Claudio Monteverdi and Heinrich Schütz, Valentini is practically forgotten today, although he occupied one of the most prestigious musical posts of his time. He is best remembered for his innovative usage of asymmetric meters and the fact that he was Johann Kaspar Kerll's first teacher. Life Little is known about Valentini's life. He was born around 1582/3, probably in Venice, and almost certainly studied music under Giovanni Gabrieli there. Although the typical graduation Opus 1 of madrigals to be expected from a Gabrieli pupil – such as Opus 1 of Mogens Pedersøn (1608), Johann Grabbe (1609) and Heinrich Schütz (1611) – is not extant, Antimo Liberati (1617–1692) who worked in Venice in the 1640s records him in a letter of the 1680s as ''"Giovanni Valentini Veneziano, della famosa Schola de' Gabrielli."'' In approximatel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enharmonic Keyboard
An enharmonic keyboard is a musical keyboard, where enharmonically equivalent notes do not have identical pitches. A conventional keyboard has, for instance, only one key and pitch for C and D , but an enharmonic keyboard would have two different keys and pitches for these notes. Traditionally, such keyboards use black split keys to express both notes, but ''diatonic'' white keys may also be split. As an important device to compose, play and study enharmonic music, enharmonic keyboards are capable of producing microtones and have separate keys for at least some pairs of not equal pitches that must be enharmonically equal in conventional keyboard instruments. The term (divergence of scholar opinions) "Enharmonic keyboard" is a term used by scholars in their studies of enharmonic keyboard instruments ( organ, harpsichord, piano, harmonium and synthesizer) with reference to a keyboard with more than 12 keys per octave. Scholarly consensus about the term's precise definiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be '' a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Bertali
Antonio Bertali (March 1605–17 April 1669) was an Italian composer and violinist of the Baroque era. He was born in Verona and received early music education there from Stefano Bernardi. Probably from 1624, he was employed as court musician in Vienna by Emperor Ferdinand II. In 1649, Bertali succeeded Giovanni Valentini as court ''Kapellmeister''. He died in Vienna in 1669 and was succeeded in his post by Giovanni Felice Sances. Bertali's compositions are in the manner of other northern Italian composers of the time and include operas, oratorios, a large number of liturgical works, and chamber music. Particularly his operas are notable for establishing the tradition of Italian ''opera seria'' in Vienna. Approximately half of his work is now lost; copies survive made by Bertali's contemporary, Pavel Josef Vejvanovský, some of the pieces are currently in possession of Vienna's Hofbibliothek, the library of the Kremsmünster Abbey and the Kroměříž archive. The most imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Jakob Froberger
Johann Jakob Froberger (baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and programmatic. Only two of Froberger's many compositions were published during his lifetime. Froberger forbade publication of his manuscripts, restricting access to his noble patrons and friends, particularly the Württembergs and Habsburgs who had the power to enforce these restrictions. After his death the manuscripts went to his patroness Sibylla, Duchess of Württemberg (1620–1707) and the music library of the Württemberg family estate. Life 1616–1634: Early years in Stuttgart Johann Jakob Froberger was baptized on 19 May 1616 in Stuttgart. The exact date of his birth is unknown. His family came from Halle, where his grandfather Simon livedSchott, Grove an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand III, Holy Roman Emperor
Ferdinand III (Ferdinand Ernest; 13 July 1608, in Graz – 2 April 1657, in Vienna) was from 1621 Archduke of Austria, King of Hungary from 1625, King of Croatia and Bohemia from 1627 and Holy Roman Emperor from 1637 until his death in 1657. Ferdinand ascended the throne at the beginning of the last decade of the Thirty Years' War and introduced lenient policies to depart from old ideas of divine rights under his father, as he had wished to end the war quickly. As the numerous battles had not resulted in sufficient military containment of the Protestant enemies, and confronted with decaying Imperial power, Ferdinand was compelled to abandon the political stances of his Habsburg predecessors in many respects in order to open the long road towards the much delayed peace treaty. Although his authority among the princes was weakened after the war, in Bohemia, Hungary and the Austria, however, Ferdinand's position as sovereign was uncontested. Ferdinand was the first Habsburg mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Priuli
Giovanni Priuli (or Prioli,Roche/Saunders, Grove online ca. 1575–1626) was a Venetian composer and organist of the late Renaissance and early Baroque periods. A late member of the Venetian School, and a contemporary of Claudio Monteverdi, he was a prominent musician in Venice in the first decade of the 17th century, departing after the death of his associate Giovanni Gabrieli and ending his career at the Habsburg court in Austria. His music straddled the dividing-line between Renaissance and Baroque idioms. Life Little is known of Priuli's early life except that he was born in Venice around 1575. Information about the first twenty-five years of his life is lacking. Beginning in 1600, he was a close associate of Gabrieli, and it is presumed he may have been his student; the two were associated for the duration of Priuli's Venetian career. When Priuli is first mentioned in the records of St. Mark's, he was already an experienced musician, being hired as assistant organist to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
