François Dominique Séraphin
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François Dominique Séraphin
François Dominique Séraphin (15 February 1747 – 5 December 1800) was a French entertainer who developed and popularised shadow plays in France. The art form would go on to be copied across Europe. Shadow plays Séraphin was born in Longwy, near Luxembourg. The art of using shadows to form figures onto a screen can be traced back to 9th-century Indonesia and China. European travellers saw these "Ombres Chinoises" (Chinese shadows) and returned home with descriptions of their performance. Séraphin introduced his version of the act at the back of a Versailles inn during the early 1770s. Though he started the show in humble beginnings they became such a success, including regular visits from the aristocracy, that Séraphin would go on to perform at the Palace of Versailles in front of royalty. In 1784 Séraphin moved to Paris, performing his shows at the newly opened Palais-Royal from 8 September 1784. During this time Marie Antoinette visited three of his plays. The performances ...
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Shadow Play
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh. Shadow play is popular in various cultures, among both children and adults in many countries around the world. More than 20 countries are known to have shadow show troupes. Shadow play is an old tradition and it has a long history in Southeast Asia, especially in Indonesia, Malaysia, Thailand, and Cambodia. It has been an ancient art and a living folk tradition in China, India, Iran and Nepal. It is also known in Egypt, Turkey, Syria, Greece, Germany, France, and the United States. ...
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Philip James De Loutherbourg
Philip James de Loutherbourg RA (31 October 174011 March 1812), whose name is sometimes given in the French form of Philippe-Jacques, the German form of Philipp Jakob, or with the English-language epithet of the Younger, was a French-born British painter who became known for his large naval works, his elaborate set designs for London theatres, and his invention of a mechanical theatre called the "Eidophusikon". He also had an interest in faith-healing and the occult, and was a companion of the confidence-trickster Alessandro Cagliostro. Early life Loutherbourg was born in Strasbourg in 1740, the son of an expatriate Polish miniature painter. Intended for the Lutheran ministry, he was educated at the University of Strasbourg. Paris Rejecting a religious calling, Loutherbourg decided to become a painter, and in 1755 placed himself under Charles-André van Loo in Paris and later under Francesco Giuseppe Casanova. His talent developed rapidly, and he became a figure in th ...
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People From Longwy
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of p ...
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1800 Deaths
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album ''Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ...
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1747 Births
Events January–March * January 31 – The first venereal diseases clinic opens at London Lock Hospital. * February 11 – King George's War: A combined French and Indian force, commanded by Captain Nicolas Antoine II Coulon de Villiers, attacks and defeats British troops at Grand-Pré, Nova Scotia. * March 7 – Juan de Arechederra the Spanish Governor-General of the Philippines, combines his forces with those of Sultan Azim ud-Din I of Sulu to suppress the rebellion of the Moros in the Visayas. * March 19 – Simon Fraser, the 79-year old Scottish Lord Loyat, is convicted of high treason for being one of the leaders of the Jacobite rising of 1745 against King George II of Great Britain and attempting to place the pretender Charles Edward Stuart on the throne. After a seven day trial of impeachment in the House of Lords and the verdict of guilt, Fraser is sentenced on the same day to be hanged, drawn and quartered; King George alters Frase ...
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Charles Ménétrier
Charles Ménétrier (born 1804 at Vimont ( Calvados) - 19 May 1888) was a French theater critic as well as a playwright. A journalist working for '' La Tribune'', ''L'Entr'acte'', '' Le Magasin pittoresque'' and the ''Revue et Gazette des Théâtres'', and a friend of Camille Corot, Rodolphe Walter, Élisabeth Foucart-Walter, ''Corot à Mantes'', 1997, he wrote under the pen name A pen name, also called a ''nom de plume'' or a literary double, is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen na ... Charles Listener. His plays were presented on the stage of the Gymnase-Enfantin. Works *1833 : ''Caliban, par deux ermites de Ménilmontant rentrés dans le monde'', with Édouard Pouyat *1836 : ''Le cœur d'une mère'', one-act comédie en vaudeville, with Xavier Veyrat *1837 : ''Le Nabab, ou la Sœur des anges'', one-act comedy, mingled with songs ...
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Edmond-Denis De Manne
Jean Louis Edmond Saint-Edme De Manne, known under the name Edmond-Denis De Manne, (18 August 1801 in Paris – 6 May 1877 in Paris) was a 19th-century French playwright and journalist. De Manne was a member of the Société des auteurs et compositeurs dramatiques SACD, founded as Société des Auteurs et Compositeurs Dramatiques ( en, Society of Dramatic Authors and Composers) on 7 March 1829, is a French collecting society, undertaking collective rights management for authors. The Society manages, promotes ... and mayor of Champ-Haut (Orne) where he is buried. In addition to his publications, he wrote numerous articles in the papers of his time. He also wrote under the pen names Armand Duplessis, Fernand de Lisle, Alexis Bartevelle, Edmond Nouel and Dupré. Publications *1820: ''Histoire d'un chien naufragé'', then a pupil at royal college Henri IV *1821: ''Vers sur la naissance de SAR Mgr le duc de Bordeaux'', signed Edmond de M. *1822: ''Parallèle de Talma et de Joanny'' ...
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Phantasmagoria
Phantasmagoria (, also fantasmagorie, fantasmagoria) was a form of horror theatre that (among other techniques) used one or more magic lanterns to project frightening images, such as skeletons, demons, and ghosts, onto walls, smoke, or semi-transparent screens, typically using rear projection to keep the lantern out of sight. Mobile or portable projectors were used, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images. In many shows, the use of spooky decoration, total darkness, (auto-)suggestive verbal presentation, and sound effects were also key elements. Some shows added a variety of sensory stimulation, including smells and electric shocks. Such elements as required fasting, fatigue (late shows), and drugs have been mentioned as methods of making sure spectators would be more convinced of what they saw. The shows started under the guise of actual séances in Germany in the lat ...
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Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light source to dire ...
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Eidophusikon
The ''Eidophusikon'' ( el, Ειδωφυσικον) was a piece of art, no longer extant, thought up by the English actor David Garrick and created by 18th-century French painter Philip James de Loutherbourg. It opened in Leicester Square in London in February 1781. Described by the media of his day as "Moving Pictures, representing Phenomena of Nature", the ''Eidophusikon'' can be considered an early form of movie making. The effect was achieved by mirrors and pulleys. The Eidophusikon consisted of a large-scale miniature theatre that tried to recreate the perfect illusion of living nature: sunrise scenes, sunsets, moonlight images, storms, and volcanoes from all over the world, with sound and music effects. The sound and light effects of the Eidophusikon, compared with the shows seen until that time, were especially inventive by virtue of their realism. Reconstructions The first reconstruction was in the year 2004 by Wolkenbilder at the Altonaer Museum Exhibition (cloud imag ...
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Augsburg
Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the '' Regierungsbezirk'' Schwaben with an impressive Altstadt (historical city centre). Augsburg is an urban district and home to the institutions of the Landkreis Augsburg. It is the third-largest city in Bavaria (after Munich and Nuremberg) with a population of 300,000 inhabitants, with 885,000 in its metropolitan area. After Neuss, Trier, Cologne and Xanten, Augsburg is one of Germany's oldest cities, founded in 15 BC by the Romans as Augusta Vindelicorum, named after the Roman emperor Augustus. It was a Free Imperial City from 1276 to 1803 and the home of the patrician Fugger and Welser families that dominated European banking in the 16th century. According to Behringer, in the sixteenth century, it became "the dominant centre of ...
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Longwy
Longwy (; older german: Langich, ; lb, label= Luxemburgish, Lonkech) is a commune in the French department of Meurthe-et-Moselle, Lorraine, administrative region of Grand Est, northeastern France. The inhabitants are known as ''Longoviciens''. In 2008, the ''ville neuve'' ("New Town") was listed as a UNESCO World Heritage Site, as part of the " Fortifications of Vauban" group for its contributions to the development of military architecture and engineering. Economy Longwy has historically been an industrial center of the Lorraine iron mining district. Factories lined the river in historic postcards. The town is also known for its artistic faience, produced there since 1798. It is produced today by the Société des faïenceries de Longwy et Senelle, often in cooperation with artists and ceramists. Overglaze enamel decoration, known as ''émaux'' and often in a manner similar to cloisonné, has been produced in Longwy ceramics since 1872. Initially produced under the dire ...
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