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Eka-tantri Vina
The ''eka-tantrī vīṇā'' was a medieval tube-zither veena in India, with a single string and one or more gourd resonators. The instrument became prominent in Indian music in about the 10th century C.E. as instruments of court music. Alongside the alapini vina and kinnari vina it replaced the harp-style veenas and lute-style veenas in sculpture. It was possibly a forerunner of the rudra vina. It shares its name with the modern single-string drone lute, the ektara. The instrument is very closely related to the one-stringed alapini vina, an instrument which started out a stick zither but became a tube zither like the eka-tantri vina. Although the tube zithers and stick zithers are very similar, it is possible that they have different origins. Early paintings of stick zithers in India date back at least to the 5th century C.E. The earliest currently known stick zither is in the Caves of Ajanta at the end of the 5th century. After a period of assuming that tube zithers sprea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mukteshvara Temple, Bhubaneswar
Mukteshwara Temple (; also spelt Mukteswara) is a 10th-century Hindu temple dedicated to Shiva located in Bhubaneswar, Odisha, India. The temple dates back to 950–975 CE and is a monument of importance in the study of the development of Hindu temples in Odisha. The stylistic development the Mukteswara marks the culmination of all earlier developments, and initiates a period of experiment which continues for an entire century, as seen in such temples as the Rajarani Temple and Lingaraj temple, both located in Bhubaneswar. It is one of the prominent tourist attractions of the city. History The Mukteshvara Temple is found to be the earliest work from the Somavamshi period. Most scholars believe the temple is the successor to Parashurameshvara Temple and built earlier to the Brahmeswara Temple (1060 CE). Percy Brown puts the date of construction of the temple to 950 CE. The presence of a ''torana'', which is not part of any other temple in the region, makes this temple unique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senegalia Catechu
''Senegalia catechu'' is a deciduous, thorny tree which grows up to in height. The plant is called ''khair'' in Hindi, and ''kachu'' in Malay, hence the name was Latinized to "catechu" in , as the type-species from which the extracts cutch and are derived. Common names for it include kher, catechu, cachou, cutchtree, black cutch, and black catechu. ''Senegalia catechu'' is native to and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paravati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraja
Nataraja () also known as Adalvallaan () is a depiction of the Hindu deities, Hindu god Shiva as the divine cosmic dancer. His dance is called Tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'', ''Thiruvasagam'' in Tamil and ''Anshumadbhed agama'' and ''Uttarakamika agama'' in Sanskrit and Grantha texts, the dance murti featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, in particular as one of the finest illustrations of Hindu art. He is commonly referred as Koothan(), Sabesan() and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil Devotional texts such as Tirumurai (The twelve books of Southern Shaivism) speaks that Nataraja is the form of Shiva in which he does Creation, de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswati
Saraswati ( sa, सरस्वती, ) is the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati. The earliest known mention of Saraswati as a goddess is in the Rigveda. She has remained significant as a goddess from the Vedic period through the modern period of Hindu traditions. She is generally shown to have four arms, holding a book, a rosary, a water pot, and a musical instrument called the veena. Each of these items have a symbolic meaning in Hinduism. Some Hindus celebrate the festival of Vasant Panchami (the fifth day of spring, and also known as Saraswati Puja and Saraswati Jayanti in many regions of India) in her honour, and mark the day by helping young children learn how to write the letters of the alphabet on that day. The goddess is also revered by believers of the Jain religion of west and central India, as well as some Buddhist sects. Etymology Saraswati, is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranganathaswamy Temple, Srirangam Si0563
Ranganatha, also known as Ranganathar, Rangan, Aranganathar, Sri Ranga, and Thenarangathan, is a Hindu deity with his origin in South India, serving as the chief deity of the Sri Ranganathaswamy Temple, Srirangam. The deity is a resting form of Vishnu, recumbent on the great form of the serpent demigod Adishesha, the king of the serpents. His primary consort is the Goddess Lakshmi, also known as Ranganayaki. His two other consorts seen next to his recumbent figure are Bhudevi and Nila Devi. Most of the deities portray a 'smiling' lord in a sleeping or reclining position over the celestial serpent Adishesha in the sea of cosmic dissolution (pralaya). This is the form in which he is open to listening to all of his devotees' woes, and blesses them. Apart from being worshipped by all Hindus, this form is of particular importance to the Sri Vaishnava community. His name in Sanskrit means "leader of the place of assembly", coined from the two Sanskrit words ''ranga'' (place) and ''natha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatiya Sangeet Vadya
''Bharatiya Sangeet Vadya'' (Indian Musical Instruments) is a book () written by Lalmani Misra. It was published under the Lokodya Granthmala series (Granthak / Volume No.: 346) of Bharatiya Jnanpith, New Delhi. The first edition was published in 1973, the second in 2002. The book was written in Hindi. It was described in a 1974 review in ''Ethnomusicology'', the journal of the Society for Ethnomusicology, as "the most complete, authoritative work ever published on the history of Indian musical instruments." The book carries an exhaustive documentation of musical instruments, right from the ancient to modern times, with an emphasis on establishing that modern Indian instruments have their origins in ancient Indian, rather than in Muslim and Western, culture. The book has always been in great demand by scholars and musicians for it also gives insight into fundamentals of playing instruments and traces the development in content along with that of the instrument. Chapters The boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jivari
''Javārī'', (also: 'joārī', 'juvārī', 'jvārī' (alternately transcribed 'jawārī', 'jowārī', 'joyārī', 'juwārī', and 'jwārī')) in Indian classical music refers to the overtone-rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura, sitar, surbahar, rudra veena and Sarasvati veena. ''Javari'' can refer to the acoustic phenomenon itself and to the meticulously carved bone, ivory or wooden bridges that support the strings on the sounding board and produce this particular effect. A similar sort of bridge is used on traditional Ethiopian lyres, as well as on the ancient Greek kithara, and the "bray pins" of some early European harps operated on the same principle. A similar sound effect, called in Japanese sawari, is used on some traditional Japanese instruments as well. Under the strings of tanpuras, which are unfretted (unstopped), and occasionally under those bass drone strings of sitars and surbahars which are seldom fret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanishad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinaka Vina
The ''pināka vīnā'' ( hi, पिनाक pinnak + hi, वीणा veena) was an Indian musical instrument, a musical bow that was itself played with a Bow (music), bow. It has also been transliterated ''pinaki vina'' and ''pinak''. It appeared similar to the rudra veena (also called "''bīn''" or "''been''"), with a long bar held over the musician's shoulder and resting on the ground, with large gourds attached at each end for resonators. However, where the ''rudra veena'' has multiple strings and frets, the pinaka vina had only one string made of wire and no frets. Where the ''rudra veena'' was a stick zither (with a straight and rigid bar for the instrument's body), the ''pinaka vīnā'' was a musical bow (its body a long stick turned up at each end). The instrument was sounded with a bow. The musician chose notes with a stick held against the strings, able to slide it up and down on the string, in the same way a bottle slides on a slide guitar's strings. File:Ragap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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