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Das Schloß (opera)
''Das Schloß'' (''The Castle'', literally: The palace) is a 1992 German-language opera by Aribert Reimann. He wrote his own libretto based on Kafka's novel and its dramatization by Max Brod. It premiered on 2 September 1992 at the Deutsche Oper Berlin, staged by Willy Decker and conducted by Michael Boder. History Aribert Reimann composed several literary operas, '' Ein Traumspiel'' after August Strindberg, ''Melusine'' after Ivan Goll, ''Lear'' after Shakespeare, ''Die Gespenstersonate'' again after Strindberg, and '' Troades'' after Euripides. For his sixth opera, Reimann turned to Kafka's novel. As in the earlier works, he wrote his own libretto, this time based on both the novel and its dramatization by Kafka's friend Max Brod. Asked in interview why he turned to the literature of a past time, he said that the topic is timeless: a stranger arrives in a community that rejects him, and an apparatus observes him. Asked about the technical difficulties of his vocal writing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aribert Reimann
Aribert Reimann (born 4 March 1936) is a German composer, pianist and accompanist, known especially for his literary operas. His version of Shakespeare's ''King Lear'', the opera '' Lear'', was written at the suggestion of Dietrich Fischer-Dieskau, who sang the title role. His opera ''Medea'' after Grillparzer's play premiered in 2010 at the Vienna State Opera. He was a professor of contemporary Lied in Hamburg and Berlin. In 2011, he was awarded the Ernst von Siemens Music Prize for his life's work. Life and career Reimann was born in Berlin. He studied composition, counterpoint and piano at the Musikhochschule Berlin with Boris Blacher and Ernst Pepping, among others. During his studies, he worked as a repetiteur at the Städtische Oper. His first appearances as a pianist and accompanist were in 1957. In the early 1970s, he became a member of the Akademie der Künste in Berlin. He was professor of contemporary Lied at the Musikhochschule Hamburg from 1974 to 1983, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Salter (singer)
Richard Jeffrey Salter (Hindhead, Surrey, on 12 November 1943 – Karlsruhe, 1 February 2009) was an English baritone, known as a founder member of The King's Singers before moving to Austria and Germany to take leading roles in many contemporary operas. After the King's Singers' first concerts and recording in 1969, Salter was awarded a Richard Tauber Scholarship and moved to Vienna where he successfully established himself as an opera singer. Among his signature roles were Bernd Alois Zimmermann's '' Requiem for a Young Poet'', Schoenberg's ''Von heute auf morgen'', the baritone lead in operas by Manfred Trojahn and Wolfgang Rihm Wolfgang Rihm (born 13 March 1952) is a German composer and academic teacher. He is musical director of the Institute of New Music and Media at the University of Music Karlsruhe and has been composer in residence at the Lucerne Festival and the Sa ..., the main character K. in Aribert Reimann's ''Das Schloß'' after Kafka (1996), and Philip Glass' '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zeit
''Die Zeit'' (, "The Time") is a German national weekly newspaper published in Hamburg in Germany. The newspaper is generally considered to be among the German newspapers of record and is known for its long and extensive articles. History The first edition of ''Die Zeit'' was first published in Hamburg on 21 February 1946. The founding publishers were Gerd Bucerius, Lovis H. Lorenz, Richard Tüngel and Ewald Schmidt di Simoni. Another important founder was Marion Gräfin Dönhoff, who joined as an editor in 1946. She became publisher of ''Die Zeit'' from 1972 until her death in 2002, together from 1983 onwards with former German chancellor Helmut Schmidt, later joined by Josef Joffe and former German federal secretary of culture Michael Naumann. The paper's publishing house, Zeitverlag Gerd Bucerius in Hamburg, is owned by the Georg von Holtzbrinck Publishing Group and Dieter von Holtzbrinck Media. The paper is published weekly on Thursdays. As of 2018, ''Die Zeit'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in '' Der fliegende Holländer'', Wotan/Der Wanderer in the '' Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrianne Pieczonka
Adrianne Pieczonka, OC ( ; born March 2, 1963) is a Canadian operatic soprano singer. Life and career Pieczonka was born in Poughkeepsie, New York, and grew up in Burlington, Ontario. She graduated from the University of Western Ontario in 1985, and from the Opera School of the University of Toronto in 1988. She made her professional stage debut with the Canadian Opera Company in 1988 singing The Female Prisoner in Shostakovich's '' Lady Macbeth of Mtensk''. She moved to Europe in 1988 and quickly won first prize at the International Vocal Competition 's-Hertogenbosch in the Netherlands as well as First Prize at the International Singing Competition in La Plaine-sur-Mer, France, also in 1988. She became a member of the Vienna Volksoper in 1989 where her roles included Countess Almaviva ('' The Marriage of Figaro''), Donna Elvira ('' Don Giovanni''), Laura (''Der Bettelstudent'') and Tatyana ( ''Eugene Onegin''). In 1991 she became a member of the Vienna State Opera where her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren Mok
Warren Mok () is a Hong Kong-based Macau operatic tenor who has performed many leading roles since his European debut in 1987 at the Deutsche Oper Berlin. He has a repertoire of 50 operatic roles, including Calaf in ''Turandot'', Cavaradossi in ''Tosca'', Don José in '' Carmen'', and Radames in ''Aida''. He has recorded many solo albums and opera CDs, including ''Il trovatore'', ''Simon Boccanegra'', Roma, ''Robert le diable'' and ''Les Huguenots''. He has also appeared regularly on television and radio programs worldwide. Mok is the artistic director of the Macau International Music Festival and founder and artistic director of Opera Hong Kong. He is a graduate of the University of Hawaii and holds a Master of Music degree from Manhattan School of Music. Mok tested positive for COVID-19 in March 2020 in Bangkok and again in April in Hong Kong Hong Kong ( (US) or (UK); , ), officially the Hong Kong Special Administrative Region of the People's Republic of China (abbr. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isoldé Elchlepp
Waltraud Isoldé Elchlepp (born 20 May 1942) is a German protest song singer under the pseudonym Dominique, and an operatic mezzo-soprano and soprano who appeared at major German opera houses and festivals including the Bayreuth Festival. She took part in world premieres such as Reimann's '' Das Schloß'' and '' Bernarda Albas Haus'' at the Bavarian State Opera. Besides the standard repertoire, she appeared in roles such as Othmar Schoeck's Penthesilea at the Staatsoper Hannover. Life and career Elchlepp was born in Strasbourg (France, at the time annexed to Germany by the Third Reich), grew up in Karlsruhe and went to college in Brighton, England. Her father died during the Second World War, and her mother moved to Munich with her and her older sister. At the request of her mother, Elchlepp first studied fashion graphic design in Munich, and simultaneously undertook voice training. An Austrian producer became aware of her, and thus Elchlepp, who called herself Dominique a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
