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Charles Cottet
Charles Cottet (12 July 1863 – 20 September 1925) was a French painter, born at Le Puy-en-Velay and died in Paris. A famed post-impressionist, Cottet is known for his dark, evocative painting of rural Brittany and seascapes. He led a school of painters known as the Bande noire or "Nubians" group (for the sombre palette they used, in contrast to the brighter Impressionist and Postimpressionist paintings), and was friends with such artists as Auguste Rodin. Biography Cottet studied at the École des Beaux-Arts, and under Puvis de Chavannes and Roll, while also attending the Académie Julian (where fellow students formed '' Les Nabis'' school of painting, with which he was later associated). He travelled and painted in Egypt, Italy, and on Lake Geneva, but he made his name with his sombre and gloomy, firmly designed, severe and impressive scenes of life on the Brittany coast. Cottet exhibited at the Salon of 1889, but on a trip to Brittany in 1886 he had found his true ca ...
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Émile-René Ménard
Émile-René Ménard (15 April 1862, in Paris – 13 January 1930, in Paris) was a French painter. From early childhood he was immersed in an artistic environment: Corot, Millet and the Barbizon painters frequented his family home, familiarizing him thus with both landscape and antique subjects. Biography Ménard studied at the Académie Julian from 1880 after having been a student of Baudry, Bouguereau, and Henri Lehmann. He participated in the Salon of the Secession in Munich, and the ''Salon de la Libre Esthétique'' in Brussels during 1897. Several personal exhibitions were also devoted to him at the Georges Small Gallery. In 1904, he was appointed professor at the Académie de la Grande Chaumière, and in that year welcomed the rising young Russian painter Boris Kustodiev, age 26, in his art studio. In 1921, he exhibited in the Twelfth Salon along with Henri Martin and Edmond Aman-Jean. Galleries in Buffalo, New York and Boston, Massachusetts exposed Ménard and his ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historicall ...
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Pushkin Museum
The Pushkin State Museum of Fine Arts (russian: Музей изобразительных искусств имени А. С. Пушкина, abbreviated as ) is the largest museum of European art in Moscow, located in Volkhonka street, just opposite the Cathedral of Christ the Saviour. The International musical festival '' Sviatoslav Richter's December nights'' has been held in the Pushkin Museum since 1981. Etymology Despite its name, the museum has no direct association with the Russian poet Alexander Pushkin, other than as a posthumous commemoration. The facility was founded by professor Ivan Tsvetaev (father of the poet Marina Tsvetaeva). Tsvetaev persuaded the millionaire and philanthropist Yuriy Nechaev-Maltsov and the architect Roman Klein of the urgent need to give Moscow a fine arts museum. After going through a number of name changes, particularly in the transition to the Soviet era and the return of the Russian capital to Moscow, the museum was finally renamed to h ...
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Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet ...
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André Dauchez
André Eugène Dauchez (17 May 1870 – 15 May 1948), born in Paris, was a French painter, watercolourist, pastellist, engraver, draughtsman and illustrator known for landscapes, waterscapes and seascapes. Biography Born in a family of lawyers, his elder sister Jeanne would be an artist and André Dauchez showed early predispositions for graphic arts. His early influence was the works of Gustave Doré. While pursuing his studies, he was encouraged in the way of art by his mother, who found Gaston Rodriguez, an artist-engraver who from 1885 to 1887 taught and educated the young man's ability to see and transcribe only the essential. André Dauchez never abandoned this mode of expression, handling with dexterity the technique of etching. In 1887, his teacher allowed him to present his work after a painting by Eugène Isabey at the ''Salon des Artistes français''. It was the first success for the young man of seventeen who received the encouragements of his peers. Be ...
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Lucien Simon
Lucien Joseph Simon (1861 – 1945) was a French painter and teacher born in Paris. Early life and education Simon was born in Paris. After graduating from the Lycée Louis-le-Grand, he studied painting at the studio of Jules Didier, then from 1880 to 1883 at l’Académie Julian. Career He exhibited at the Salon des Artistes Francais from 1891, and at the Salon de la Société Nationale des Beaux-Arts. In 1891, he married the painter Jeanne Dauchez, the sister of André Dauchez (1870–1948), and became infatuated with the scenery and peasant life of her native Brittany. In 1895, he met Charles Cottet and became a member of his Bande noire or "Nubians", along with Dauchez, René-Xavier Prinet, Edmond Aman-Jean and Émile-René Ménard, employing the principles of Impressionism but in darker tones. He was one of the founding teachers at Martha Stettler and Alice Dannenberg's Académie de la Grande Chaumière in 1902. He also taught at the Académie Colarossi around ...
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Kunstmuseum Winterthur
The Kunst Museum Winterthur (English: The Winterthur Museum of Art) is an art museum in Winterthur, Switzerland run by the local ''Kunstverein''. From its beginnings, the activities of the Kunstverein Winterthur were focused on contemporary art - first Impressionism, then Post-Impressionism and especially Les Nabis, through post-World War II and recently created works by Richard Hamilton, Mario Merz and Gerhard Richter. Building Architects Rittmeyer & Furrer designed the original museum in 1915, and a 1000 m2 modernist addition was designed by Gigon/Guyer in 1995. The building "Beim Stadthaus" also contains Winterthur's natural history museum. Collection The main focus of the museum's collection has always been impressionism and post-impressionism. The impressionist gallery includes such notable works as: *''Low Tide'', Claude Monet (1882) *'' Under Hampton Court Bridge'', Alfred Sisley (1874) *''Horse chestnuts of Jas de Bouffan'', Paul Cézanne (1885) *''Dandelions'', Vi ...
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Ker-Xavier Roussel
Ker-Xavier Roussel (10 December 1867 – 6 June 1944) was a French painter associated with Les Nabis. Biography Born François Xavier Roussel in Lorry-lès-Metz, Moselle in 1867, at age fifteen he studied at the Lycée Condorcet in Paris; alongside his friend Édouard Vuillard, he also studied at the studio of painter Diogène Maillart. In 1888, he enrolled in the École des Beaux-Arts, and soon began frequenting the Académie Julian where Maurice Denis and other students formed the group ''Les Nabis''. In 1899, Roussel, Vuillard, and his another close friend, Pierre Bonnard, travelled to Lake Como, Venice, and Milan. In that year he settled in L'Étang-la-Ville, Yvelines and the subject-matter of his paintings veered towards rural landscapes. He drew his subject matter from the area around L'Étang-la-Ville and Saint-Tropez, adapting the scenery to Greek mythological episodes depicting women, children, nymphs, centaurs and fauns. His wife Marie (Vuillard's sister), his ...
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Édouard Vuillard
Jean-Édouard Vuillard (; 11 November 186821 June 1940) was a French painter, decorative artist and printmaker. From 1891 through 1900, he was a prominent member of the Nabis, making paintings which assembled areas of pure color, and interior scenes, influenced by Japanese prints, where the subjects were blended into colors and patterns. He also was a decorative artist, painting theater sets, panels for interior decoration, and designing plates and stained glass. After 1900, when the Nabis broke up, he adopted a more realistic style, painting landscapes and interiors with lavish detail and vivid colors. In the 1920s and 1930s he painted portraits of prominent figures in French industry and the arts in their familiar settings. Vuillard was influenced by Paul Gauguin, among other post-impressionist painters. Early life Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux (Saône-et-Loire), where he spent his youth. Vuillard's father was a retired captain of the nav ...
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Pierre Bonnard
Pierre Bonnard (; 3 October 186723 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Early life and education Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 ma ...
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Pont-Aven School
Pont-Aven School (french: École de Pont-Aven, br, Skol Pont Aven) encompasses works of art influenced by the Breton town of Pont-Aven and its surroundings. Originally the term applied to works created in the artists' colony at Pont-Aven, which started to emerge in the 1850s and lasted until the beginning of the 20th century. Many of the artists were inspired by the works of Paul Gauguin, who spent extended periods in the area in the late 1880s and early 1890s. Their work is frequently characterised by the bold use of pure colour and their Symbolist choice of subject matter. Background Pont-Aven is a commune of the Finistère ''département'', in Brittany, France, some distance inland from where the river Aven meets the Atlantic Ocean. From the 1850s painters began to frequent the village of Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism. Gauguin first worked in Pont-Aven in 1886. When he returned in ...
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Symbolist
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's '' Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives fro ...
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