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Cappella Giulia
The Cappella Giulia, officially the Reverend Musical Chapel Julia of the Sacrosanct Papal Basilica of Saint Peter in the Vatican, is the choir of St. Peter's Basilica that sings for all solemn functions of the Vatican Chapter, such as Holy Mass, Lauds, and Vespers, when these are not celebrated by the Pope (for functions celebrated by the Pope, the Sistine Chapel Choir sings instead). The choir has played an important role as an interpreter and a proponent of Gregorian chant and sacred polyphony. History Pope Gregory I (590–604) is credited with establishing the first papal ''schola cantorum'' at the Basilica of St. Peter, after the model of the guild-like papal schola at St. John Lateran. This choir remained in Rome during the Avignon Papacy (1309–1378) and was merged with the Avignon papal choir upon the Pope's return to Rome. Sixtus IV (1471–1484) transferred all papal functions and the papal choir to his newly built chapel, now known as the Sistine Chapel, while provid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papal Concert To Commemorate The Shoah
The Papal Concert to Commemorate the Shoah (Holocaust) was the first official Vatican commemoration of the murder of six million Jews by the Nazis during World War II. It took place in the Sala Nervi (also called Paul VI Audience Hall) at the Vatican on April 7, 1994. The concert was conceived and created at the direct behest of Pope John Paul II by the American conductor Gilbert Levine, who had first met the Pope after he was appointed artistic director and conductor of the Krakow Philharmonic, in December 1987. Pope John Paul II, Rav Elio Toaff, the Chief Rabbi of Italy, and Oscar Luigi Scalfaro, President of Italy jointly presided over the event, and viewed it from positions of equal honor.http://www.holocaustchronicle.org/StaticPages/HolocaustScans/HiRes/1947/19470008000113 Event and program The event was attended by 7,500 invited guests, including several hundred survivors of the Holocaust, from around the world. The six candle Holocaust candelabra was lit in the concert h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oblates Of The Virgin Mary
The Oblates of the Virgin Mary (Italian: ''Oblati di Maria Vergine'') is a religious institute of priests and brothers founded by Bruno Lanteri (1759–1830) in the Kingdom of Sardinia in the early 19th century. The institute is characterized by a zeal for the work of preaching and the sacrament of confession, according to the Spiritual Exercises of Ignatius of Loyola and the moral theology of St. Alphonsus Liguori. It is also marked by love for Mary and fidelity to the magisterium. Lanteri first founded the Oblates of Mary Most Holy in 1816, as a diocesan right congregation. Subsequently, after a five-year hiatus, some of the original members re-established themselves as "The Oblates of the Virgin Mary" ('), and received papal approval from Pope Leo XII on 1 September 1826, about four years before Lanteri's death. Since the initial foundation, the Oblates have worked throughout Italy and its islands, and in France, Austria, Myanmar (Burma), Argentina, Uruguay, Brazil, the United S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Antonio Zingarelli
Niccolò Antonio Zingarelli (; 4 April 1752 – 5 May 1837) was an Italian composer, chiefly of opera. Life Early career Zingarelli was born in Naples, where he studied (from the age of 7) at the Santa Maria di Loreto Conservatory under Fenaroli and Speranza. In 1789–1790 Zingarelli went to Paris to compose ''Antigone''. He left France hurriedly at the time of the revolution and eventually returned to Italy. He was appointed maestro di cappella at Milan Cathedral in 1793, and remained there until 1794, when he took up the prestigious post of maestro di cappella at the Santa Casa, Loreto. Rome In 1804, Zingarelli was appointed choir master of the Sistine Chapel in Rome. Seven years later he publicly refused, as an Italian patriot, to conduct a ''Te Deum'' for Napoleon's new-born son, known as King of Rome, in St. Peter's Basilica. As a result of this refusal he was captured and taken to Paris. Nevertheless, the Emperor was a great admirer of Zingarelli's music and soon ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvatore Meluzzi , a common diminutive of ''Salvatore''
{{disambiguation ...
Salvatore may refer to: * Salvatore (name), a given name and surname, including a list of people with the name * "Salvatore" (song), by Lana Del Rey, 2015 * Salvatore (band), a Norwegian instrumental rock band * '' Salvatore: Shoemaker of Dreams'', a 2020 film by Luca Guadagnino See also * San Salvatore (other) * Salvatori * Salvator (other), a Latin word meaning ''savior'' * Salvador (other), a Catalan, Spanish, and Portuguese word meaning ''savior'' * Salvo (other) A salvo is the simultaneous discharge of artillery or firearms. Salvo may also refer to: People and fictional characters * Salvo (surname), a list of people and fictional characters named Salvo, De Salvo, DeSalvo, Di Salvo or DiSalvo * Salvo (give ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Raimondi
Pietro Raimondi (December 20, 1786, Rome – October 30, 1853) was an Italian composer, transitional between the Classical and Romantic eras. While he was famous at the time as a composer of operas and sacred music, he was also as an innovator in contrapuntal technique as well as in creation of gigantic musical simultaneities. Raimondi was born in Rome, and received his early education in Naples. He spent part of his early career in Genoa, and then in Sicily, where he had operas performed in Catania and Messina; however he moved back to Naples in 1820, and began a career as an opera composer there. While he was best known as an opera composer during this time, he was obsessed with counterpoint, and spent his spare time writing fugues for many voices, as well as simultaneous fugues in different keys and modes for multiple groups of different instruments. He considered this work to be experimental, and did not incorporate his experimentation, early in his career, into his op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Scarlatti
Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685-23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 545 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. Life and career Scarlatti was born in Naples, Kingdom of Naples, belonging to the Spanish Crown. He was born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Benevoli
Orazio Benevoli or Benevolo (19 April 1605 – 17 June 1672), was a Franco-Italian composer of large scaled polychoral sacred choral works (e.g., one work featured forty-eight vocal and instrumental lines) of the mid-Baroque era. He was born in Rome, to a French baker and confectioner, Robert Venouot or Vénevot, which name was Italianized to ''Benevolo''. Benevoli was a choirboy at San Luigi dei Francesi in Rome (1617–23). Later, he assumed posts as ''maestro di cappella'' at Santa Maria in Trastevere (from 1624); then, at Santo Spirito in Sassia (from 1630); and, eventually, at his old church, San Luigi dei Francesi (from 1638). Benevoli served as ''Kapellmeister'' in the court of Archduke Leopold Wilhelm of Austria from 1644 to 1646. In 1646, Benevoli returned to Rome, where he remained for the rest of his life, and where he served as choirmaster at Santa Maria Maggiore and at the Cappella Giulia of St. Peter's Basilica. He was made ''Guardiano'' of the Vatican's Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Fabri
Stefano Fabri (c. 1560 – 1609, or ''Fabbri'', ''Stefano Fab(b)ri senior'') was an Italian composer, organist and furthermore he was known to play the trombone. He succeeded Ruggiero Giovanelli as maestro di cappella of the Cappella Giulia at Saint Peter's Basilica in Rome. Family and background He was born in Orvieto as the son of the flemish musician Franceso Fabri, who also had been his first teacher of music. His son Stefano Fabri jr. had been the teacher of Francesco Beretta Francesco Beretta (born 1640 in Rome; died 6 July 1694 in Rome) was an Italian organist, composer and Kapellmeisterhttps://musopen.org/de/music/composer/francesco-beretta/, Francesco Beretta Notenblättermusik, Musopenhttps://www.treccani.it/en ... - also a director of music at the Vatican. Biography His career began at the cathedral of his birth place in Orvieto. First he was a singer but he also played the organ and the trombone later on. In 1599 he left his position in Orvieto to succeed Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Soriano
Francesco Soriano (1548 or 1549, in Soriano nel Cimino – 19 July 1621, in Rome) was an Italian composer of the Renaissance. He was one of the most skilled members of the Roman School in the first generation after Palestrina. Soriano was born at Soriano, near Viterbo. He studied at the Basilica di San Giovanni in Laterano in Rome with several people including Palestrina, became a priest in the 1570s and by 1580 was ''maestro di cappella'' at S. Luigi dei Francesi, also in Rome. In 1581 he moved to Mantua, taking a position at the Gonzaga court there; but in 1586 he moved back to Rome where he spent the rest of his life working as choirmaster at three separate churches, including the Cappella Giulia at St. Peter's. He retired in 1620. Soriano worked with Felice Anerio to revise the Roman Gradual in accordance with the needs of the Counter-Reformation; this work was left incomplete by Palestrina. Stylistically, Soriano's music is much like Palestrina's, but shows some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
