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Contenance Angloise
The ''Contenance angloise'', or English manner, a distinctive style of musical polyphony, developed in History of England, fifteenth-century England. It uses full, rich harmonies based on the Interval (music) , third and sixth. It became highly influential in the fashionable Duchy of Burgundy, Burgundian court of Philip the Good (), and on European music of the era. Its leading proponent was John Dunstaple ( - 1453), followed by Walter Frye and John Hothby ( - 1487). Origins of the term The phrase ''Contenance Angloise'' was coined by Martin le Franc in 1441–42, in a poem dedicated to Duke Philip the Good of Duchy of Burgundy, Burgundy (1396–1467) to describe the era's distinctive musical style. Le Franc mentioned English composer John Dunstaple (c. 1390–1453) as the key figure and a major influence on the Burgundian composers Guillaume Dufay and Gilles Binchois.R. H. Fritze and W. Baxter Robison, ''Historical dictionary of late medieval England, 1272-1485'' (Greenwood, 2002) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of England
The territory today known as England became inhabited more than 800,000 years ago, as the discovery of stone tools and footprints at Happisburgh in Norfolk have indicated.; "Earliest footprints outside Africa discovered in Norfolk" (2014). BBC News. Retrieved 7 February 2014. The earliest evidence for early modern humans in Northwestern Europe, a jawbone discovered in Devon at Kents Cavern in 1927, was re-dated in 2011 to between 41,000 and 44,000 years old. Continuous human habitation in England dates to around 13,000 years ago (see Creswellian), at the end of the Last Glacial Period. The region has numerous remains from the Mesolithic, Neolithic and Bronze Age Britain, Bronze Age, such as Stonehenge and Avebury. In the British Iron Age, Iron Age, all of Britain south of the Firth of Forth was inhabited by the Celts, Celtic people known as the Celtic Britons, Britons, including some Belgae, Belgic tribes (e.g. the Atrebates, the Catuvellauni, the Trinovantes, etc.) in the sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic frequ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Burgundy
The Duchy of Burgundy (; ; ) was a medieval and early modern feudal polity in north-western regions of historical Burgundy. It was a duchy, ruled by dukes of Burgundy. The Duchy belonged to the Kingdom of France, and was initially bordering the Kingdom of Burgundy to the east and south, thus being distinct from the neighboring Free County of Burgundy (modern region of Franche-Comté). The first duke of Burgundy (), attested in sources by that title, was Richard the Justiciar in 918. In 1004, prince Henry of France, a son of king Robert II of France, inherited the Duchy, but later ceded it to his younger brother Robert in 1032. Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted to King John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip The Good
Philip III the Good (; ; 31 July 1396 – 15 June 1467) ruled as Duke of Burgundy from 1419 until his death in 1467. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts. Duke Philip has a reputation for his administrative reforms, for his patronage of Flemish artists (such as Jan van Eyck) and of Franco-Flemish composers (such as Gilles Binchois), and for the 1430 seizure of Joan of Arc, whom Philip ransomed to the English after his soldiers captured her, resulting in her trial and eventual execution. In political affairs, he alternated between alliances with the English and with the French in an attempt to improve his dynasty's powerbase. Additionally, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Luxembourg, Zeeland, Friesland and Namur, he played an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dunstaple
John Dunstaple (or Dunstable; – 24 December 1453) was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the ''Contenance angloise'' style (), Dunstaple was the leading English composer of his time, and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. His style would have an immense influence on the subsequent music of continental Europe, inspiring composers such as Du Fay, Binchois, Ockeghem and Busnois. Information on Dunstaple's life is largely non-existent or speculative, with the only certain date of his activity being his death on Christmas Eve of 1453. Probably born in Dunstable in Bedfordshire during the late 14th-century, Dunstaple was associated with Humphrey, Duke of Gloucester and Joan of Navarre, and, through them, St Albans Abbey. Another important patron was John, Duke of Bedford, with whom Dunstaple may have trave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Frye
Walter Frye (died 1474?) was an English composer of the early Renaissance. Life Nothing certain is known about his life. He may have been a "Walter Cantor" at Ely Cathedral between 1443 and 1466, and he may have been the Walter Frye who joined the London Parish Clerks in 1456; he also may have been the Walter Frye who left a will at Canterbury in 1474. Music Most of Frye's music survives in manuscripts from the continent, which has suggested to scholars that he spent much of his time there; however stylistically his music is closer to that of other English composers (such as John Dunstaple and John Hothby) than to that of the Burgundian School, the most notable contemporary movement on the continent. A reason sometimes given for the survival of his music in continental sources is that the few remaining English 15th-century manuscripts rarely mention the names of composers; therefore there may be a good deal of his music which is simply anonymous. Survival of music from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hothby
John Hothby (''Otteby'', ''Hocby'', ''Octobi'', ''Ottobi'', 1410–1487), also known by his Latinised names Johannes Ottobi or Johannes de Londonis, was an English Renaissance music theorist and composer who travelled widely in Europe and gained an international reputation for his work. Biography Little is known of the origins or early life of John Hothby. He appears to have left England after 1435 but most of the references to him in surviving sources are to the last twenty years of his life, by which time he had taken vows as a Carmelite friar and he claimed in his own work to have travelled in Britain, Germany, France, Spain and Italy, before he went to a convent in Ferrara and then in 1467 took employment in Lucca, probably teaching music at the cathedral.T. Dumitrescu, ''The early Tudor court and international musical relations'' (Ashgate Publishing, Aldershot, 2007), p. 197. In 1486 he was recalled to England by the new king Henry VII and appears to have died in the north ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Le Franc
Martin le Franc ( – 1461) was a French poet of the late Middle Ages and early Renaissance. Life and career He was born in Normandy, and studied in Paris. He entered clerical orders, becoming an prothonotary, apostolic prothonotary, and later becoming secretary to both Antipope Felix V and Pope Nicholas V. He was named provost at Lausanne in 1443, and became canon of the Church of Geneva in 1447. In 1451 he was employed by the Duke of Savoy, and he became administrator of the abbey of Novalèse in 1459. Le Franc's most famous work was his huge, 24,000-verse composition ''Le Champion des Dames'' (The Champion of Women), dedicated to Philip the Good and dating from 1440 or 1442 (first printed in Lyon in 1485 and again in Paris in 1530). It recounts the nobility and deeds of many women throughout history, including Joan of Arc, and also fiercely attacks corruption in government as well as the hedonistic luxury of the aristocratic class. It was Illuminated manuscript, illuminated by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397 – 27 November 1474) was a composer and music theorist of early Renaissance music, who is variously described as French or Franco-Flemish. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Old Cambrai Cathedral, Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Binchois
Gilles de Bins dit Binchois (also Binchoys; – 20 September 1460) was a Franco-Flemish composer and singer of early Renaissance music. A central figure of the Burgundian School, Binchois is renowned a melodist and miniaturist; he generally avoided large scale works, and is most admired for his shorter secular chansons. He is generally ranked below his colleague Guillaume Du Fay and the English composer John Dunstaple, but together the three were the most celebrated composers of the early European Renaissance. Binchois was born in Mons (modern-day Belgium) to an upper-class family from Binche. His youth is largely unknown, although early chorister training is likely; by late 1419 he had obtained a local organist post. By 1423 he was in Lille and probably a soldier under the Englishman William de la Pole, eventually in Paris and Hainaut. Sometime during the 1420s, Binchois settled in the culturally thriving court of Burgundy under Philip the Good, where he became a subdeacon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
