John Hothby (''Otteby'', ''Hocby'', ''Octobi'', ''Ottobi'', 1410–1487), also known by his Latinised names Johannes Ottobi or Johannes de Londonis, was an English Renaissance
music theorist and composer who travelled widely in Europe and gained an international reputation for his work.
Biography
Little is known of the origins or early life of John Hothby. He appears to have left England after 1435 but most of the references to him in surviving sources are to the last twenty years of his life, by which time he had taken
holy orders as a
Carmelite
, image =
, caption = Coat of arms of the Carmelites
, abbreviation = OCarm
, formation = Late 12th century
, founder = Early hermits of Mount Carmel
, founding_location = Mount Car ...
monk and he claimed in his own work to have travelled in Britain, Germany, France, Spain and Italy, before he went to a monastery in Ferrara and then in 1467 took employment in
Lucca, probably teaching music at the Cathedral.
[T. Dumitrescu, ''The early Tudor court and international musical relations'' (Ashgate Publishing, Aldershot, 2007), p. 197.] In 1486 he was recalled to England by the new king
Henry VII and appears to have died in the north of England in the following year.
Work and influence
Surviving compositions include six sacred Latin works and three secular Italian songs. Exactly which works on music theory Hothby wrote is unclear and some older works may have been attributed to him and some contemporary works often given under this name may have been written by another author Johannes de Anglia.
Work generally attributed to him includes ''La Capiopea Legale'' and ''Proportiones Secundum''. Surviving work suggests that he was a traditionalist, defending the
Pythagorean tuning
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.Bruce Benward and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh edition, 2 vols. (Boston: Mc ...
and
Guidonian pitch in the face of reforms proposed by
Bartolomé Ramos de Pareja, but is chiefly notable for modifications to the pitch system to accommodate sharp and flat notes. His work was widely known in Britain and continental Europe and he may have been the most important figure in communicating musical ideas of the
Contenance Angloise between England and the continent.
[T. Dumitrescu, ''The Early Tudor Court and International Musical Relations'' (Ashgate Publishing, Aldershot, 2007), p. 199.]
References
Further reading
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{{DEFAULTSORT:Hothby, John
1487 deaths
English composers
Renaissance composers
Composers of the Tudor period
Year of birth uncertain
15th-century English people
English music theorists
English male classical composers
English classical composers