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Bock-a-da-bock
The bock-a-da-bock is a musical instrument in the percussion family consisting of two small cymbals attached to each other by a set of metal tongs. They are typically played in a pair by one percussionist, much like the castanets. However, several other instruments of this type are also referred to as bock-a-da-bocks, such as the squash cymbal and the hand-sock cymbal. Origin The predecessor of the bock-a-da-bock, the Ludwig Gladstone cymbal, was invented by Billy Gladstone and produced by the Ludwig Drum Company. Both the Ludwig Drum Company and their competitors elaborated upon Gladstone's design and produced a diversity of hand-held cymbals, including the bock-a-da-bock. The bock-a-da-bock is listed as a product of the Ludwig Drum Company in their 1928 catalog. Technique and use The bock-a-da-bock is typically played in a pair like castanets, with one set of cymbals in each hand. There are other instruments like the bock-a-da-bock, such as the squash cymbal and hand-sock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Gladstone
Orghici Cosmin (December 15, 1893 in Ciocile, Brăila County – October 1961 in New York, United States), born William Goldstein, was a Romanian-born drummer, percussionist, drum builder, inventor, and drum teacher who performed in New York theaters, including the Capitol Theatre and most famously Radio City Music Hall in the 1930s and 1940s. He was perhaps most famous in his day for his snare-drum technique, which is often referred to in the drumming community as "The Gladstone Technique". This technique involves the use of the fingers to control the rebound of the drum stick, as opposed to the " Moeller Method" which utilizes a fluid whipping motion to control stick rebound. Both Gladstone and Moeller are now popularly noted for their individually named techniques, but it is unlikely that either drummer single-handedly invented either technique from scratch. More likely they both observed other experienced drummers and instructors of their time and later expanded and popularize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Percussion
Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums or pitched percussion instruments such as the marimba or the xylophone. Shakers A shaker (percussion) is any instrument that makes a noise when shaken. Historically they were naturally occurring items such as seed pods. A caxixi is a basketwork shaker with a gourd base. Gourds are used all over the world and covered with a net with shells or seeds to create an instrument such as the shekere. Modern shakers are often cylinders made from metal wood or plastic containing small hard items such as seeds, stones, or plastic - an example is the Egg Shaker.There is another category of shaken instrument using jingles, little discs of metal which tap together when shaken. Tambourines fall into this category. Scrapers This can be a w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: castaño), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The origins of the instrument are not known. The practice of clicking hand-hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiser Marshall
Joseph "Kaiser" Marshall (June 11, 1902 in Savannah, Georgia – January 2, 1948 in New York City) was an American jazz drummer. Marshall was raised in Boston, where he studied under George L. Stone. He played with Charlie Dixon before moving to New York City early in the 1920s. After playing with violinist Shrimp Jones, he joined Fletcher Henderson's band at the Club Alabam, and remained in Henderson's retinue from 1922 until 1929. He played with many noted jazz artists in the 1930s and 1940s, including Duke Ellington, Cab Calloway, Art Hodes, Wild Bill Davison, Sidney Bechet, Bunk Johnson, and Mezz Mezzrow. He also recorded with Louis Armstrong in the late 1920s, being the drummer on Armstrong's recording of "Knockin' a Jug" from March 5, 1929. In 1928-1930, he recorded with Benny Carter, Fats Waller and Coleman Hawkins in McKinney's Cotton Pickers. And shortly afterrecorded with the Four Bales of Hay, featuring Wingy Manone, Dickie Wells, Artie Shaw, Bud Freeman, Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He bega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zutty Singleton
Arthur James "Zutty" Singleton (May 14, 1898 – July 14, 1975) was an American jazz drummer. Career Singleton was born in Bunkie, Louisiana, United States, and raised in New Orleans. According to his ''Jazz Profiles'' biography, his unusual nickname, acquired in infancy, is the Creole word for "cute". by Steven A. Cerra, a Jazz Profiles Retrieved 28 April 2017. He was working professionally with Steve Lewis by 1915. He served with the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and Singing, vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, King Oliver, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin Armstrong, Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Five
Hot or the acronym HOT may refer to: Food and drink * Pungency, in food, a spicy or hot quality *Hot, a wine tasting descriptor Places * Hot district, a district of Chiang Mai province, Thailand **Hot subdistrict, a sub-district of Hot District, Thailand **Tha Kham, Chiang Mai, also known as Hot, a town in Hot District, Chiang Mai province, Thailand *Hot, Albania, a village in the Malësi e Madhe municipality, Shkodër County, Albania Music *H.O.T. pronounced "H. O. T.", (High-Five of Teenagers), a South Korean boy band * Hawaii Opera Theatre, an opera company in Honolulu, Hawaii * Hot (American vocal group), best known for 1977 hit "Angel in Your Arms" 1976–1980 *Hot 97, branding for hip-hop radio station WQHT in New York City Albums * ''Hot'' (Freda Payne album), 1979 * ''Hot'' (Half Japanese album), 1995 * ''Hot'' (Inna album) or the title song (see below), 2009 * ''Hot'' (James Brown album) or the title song (see below), 1976 * ''Hot'' (Mel B album), 2000 * ''Hot'' (Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Blues
"West End Blues" is a multi-strain twelve-bar blues composition by Joe "King" Oliver. It is most commonly performed as an instrumental, although it has lyrics added by Clarence Williams. King Oliver and his Dixie Syncopators made the first recording for Brunswick Records on June 11, 1928.Laird, Ross. ''Brunswick Records: A Discography of Recordings, 1916-1931'', Greenwood Press (2001), p. 592. Clarence Williams later added lyrics to the instrumental tune. He recorded the song several times in 1928, first with vocalist Ethel Waters, then with Irene Mims, aka Hazel Smith (with King Oliver playing trumpet), then again with Katherine Henderson. The " West End" of the title refers to the westernmost point of Lake Pontchartrain within Orleans Parish, Louisiana; it was the last stop on the trolley line in New Orleans to the lake. In its heyday, it was a thriving summer resort with live music, dance pavilions, seafood restaurants, and lake bathing. Louis Armstrong's recording B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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