The bock-a-da-bock is a musical instrument in the

percussion A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Ex ...

family consisting of two small cymbals attached to each other by a set of metal tongs. They are typically played in a pair by one percussionist, much like the

castanets Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a simil ...

. However, several other instruments of this type are also referred to as bock-a-da-bocks, such as the squash cymbal and the hand-sock cymbal.

Origin

The predecessor of the bock-a-da-bock, the Ludwig Gladstone cymbal, was invented by

Billy Gladstone Orghici Cosmin (December 15, 1893 in Ciocile, Brăila County – October 1961 in New York, United States), born William Goldstein, was a Romanian-born drummer, percussionist, drum builder, inventor, and drum teacher who performed in New York thea ...

and produced by the Ludwig Drum Company. Both the Ludwig Drum Company and their competitors elaborated upon Gladstone's design and produced a diversity of hand-held cymbals, including the bock-a-da-bock. The bock-a-da-bock is listed as a product of the Ludwig Drum Company in their 1928 catalog.

Technique and use

The bock-a-da-bock is typically played in a pair like castanets, with one set of cymbals in each hand. There are other instruments like the bock-a-da-bock, such as the squash cymbal and hand-sock cymbal in the Ludwig Drum Company line. Though they are similar in construction, each are played differently. The hand-sock cymbal is mounted on spring loaded scissor tongs and is played by squeezing the tongs together. The squash cymbals, which are mounted on a simple fire tong, are held in one hand and hit with a drumstick in the other hand. Due to recording limitations in the 1920s, the bock-a-da-bock was sometimes used as a substitute for a trap kit. As the trap kit developed into the modern drum kit around the 1930's, the bock-a-da-bock lost favor with the musicians of the time when compared to foot pedal operated hi-hats.

Players

Noteworthy players of the bock-a-da-bock are

Kaiser Marshall Joseph "Kaiser" Marshall (June 11, 1902 in Savannah, Georgia – January 2, 1948 in New York City) was an American jazz drummer. Marshall was raised in Boston, where he studied under George L. Stone. He played with Charlie Dixon before movin ...

, who played it on several Fletcher Henderson records, and

Zutty Singleton Arthur James "Zutty" Singleton (May 14, 1898 – July 14, 1975) was an American jazz drummer. Career Singleton was born in Bunkie, Louisiana, United States, and raised in New Orleans. According to his ''Jazz Profiles'' biography, his unusual ...

from Louis Armstrong's

Hot Five Hot or the acronym HOT may refer to: Food and drink * Pungency, in food, a spicy or hot quality *Hot, a wine tasting descriptor Places * Hot district, a district of Chiang Mai province, Thailand **Hot subdistrict, a sub-district of Hot Distri ...

who played a bock-a-da-bock on Armstrong's 1928 recording of "Sugar Foot Strut" (featured prominently in the introduction and ending) and "

West End Blues "West End Blues" is a multi-strain twelve-bar blues composition by Joe "King" Oliver. It is most commonly performed as an instrumental, although it has lyrics added by Clarence Williams. King Oliver and his Dixie Syncopators made the first rec ...

Examples of bock-a-da-bock use in charts

*" Black and Tan Fantasy" by Duke Ellington (1927) *"Sugar Foot Strut" by Louis Armstrong (1928) *"

" by Louis Armstrong (1928) *"A Monday Date" by Louis Armstrong (1928)
Video of a squash cymbal bock-a-da-bock

References

{{DEFAULTSORT:Bock-A-Da-Bock Idiophones North American percussion instruments Bebop