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Ayudhapurusha
Ayudhapurusha is the anthropomorphic depiction of a divine weapon in Hindu art. Ayudhapurushas are sometimes considered as partial incarnates of their divine owners.Anna L. Dallapiccolaayudhapurusha or shastradevata (2002). In ''Dictionary of Hindu Lore and Legend, Thames & Hudson''. The sex of the personified weapon is determined by the gender of the weapon in the Sanskrit language.Rao p. 288 The suffix "purusha" (man) is added to masculine weapons and "devi" (goddess) to female ones. The weapons Shakti, Heti (a Hatchet-like weapon) and Gada (mace), especially Kaumodaki (the mace of Vishnu), Dhanus/Dhanushya ("bow") are women. Chakra, especially Vishnu's Sudarshana Chakra (discus of Vishnu), Shankha ("conch"), Padma (lotus), Ankusha (elephant goad), Pasha (noose), Trisula (trident), vajra (thunderbolt), Khadga (sword), Danda (a sceptre or club), Bana/Shara ("arrow") and Bhindi (sling) are depicted male. While weapons are personified in ancient Hindu epics like the ''Ramayana'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudarshana Chakra
Sudarshana Chakra (Sanskrit: सुदर्शन चक्र, lit. "disc of auspicious vision", IAST: Sudarśana Chakra) is a spinning, celestial discus with 108 serrated edges, attributed to Vishnu and Krishna in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). While in the Rigveda, the Chakra was Vishnu's symbol as the wheel of time and by the late period, the Sudarshana Chakra emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as Chakraperumal or Chakratalvar. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su''(सु) meaning "good/auspicious" and ''Darshana'' (दर्शन) meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root क् ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shankha
A Shankha ( conch shell) has religious ritual importance in Hinduism. It is the shell of any suitable sea snail which had a hole made for the performer's embouchure. In Hindu history, the shankha is a sacred emblem of The Hindu preserver god Vishnu. It is still used as a trumpet in Hindu ritual, and in the past was used as a war trumpet. The shankha is praised in Hindu scriptures as a giver of fame, longevity and prosperity, the cleanser of sin and the abode of goddess Lakshmi, who is the goddess of prosperity and consort of Vishnu. The shankha is displayed in Hindu art in association with Vishnu. As a symbol of water, it is associated with female fertility and serpents (Nāgas). The shankha (representing the conch of the presiding deity of Padmanabhaswamy Temple is a part of the state emblem of the Indian state of Kerala. The symbol was derived from the erstwhile emblems of the Indian princely state of Travancore, and the Kingdom of Cochin. The shankha is one of the eig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaumodaki
Kaumodaki () is the gadā (mace) of the Hindu deity Vishnu. Vishnu is often depicted holding the Kaumodaki in one of his four hands; his other attributes are the chakra, the conch, and the lotus. The ''gada'' is also found in the iconography of some of Vishnu's avatars. The name, 'Kaumodak' first appears in the Hindu epic ''Mahabharata'', where it is associated with Vishnu's avatar, Krishna. The ''gada'' is depicted in images of Vishnu since . While initially unadorned, the size and shape of Kaumodaki vary in depictions. More elaborate design features like flutes and segments were added in depictions of Vishnu's ''gada''. Though the weapon may be depicted as an inanimate ''gada'', Kaumodaki sometimes appears personified as a woman known as Gadadevi or Gadanari in sculptures of Vishnu. In depictions that use this version, Vishnu rests one of his hands on her head, while she herself holds the ''gada'', is seen emerging from it or has the ''gada'' carved on her head/crown. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power ( Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prajapati
Prajapati ( sa, प्रजापति, Prajāpati, lord and protector of creation) is a Vedic deity of Hinduism. In later literature, Prajapati is identified with the creator god Brahma, but the term also connotes many different gods, depending on the Hindu text, ranging from being the creator god to being same as one of the following: Viswakarma, Agni, Indra, Daksha, and many others, reflecting the diverse Hindu cosmology. In classical and medieval era literature, Prajapati is equated to the metaphysical concept called Brahman as Prajapati-Brahman (Svayambhu Brahman), or alternatively Brahman is described as one who existed before Prajapati. Etymology Prajapati (Sanskrit: ) is a compound of "praja" (creation, procreative powers) and "pati" (lord, master). The term means "lord of creatures", or "lord of all born beings". In the later Vedic texts, Prajapati is a distinct Vedic deity, but whose significance diminishes. Later, the term is synonymous with other gods, particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daksha
In Hinduism, Daksha (Sanskrit: दक्ष, IAST: , lit. "able, dexterous, or honest one") is one of the '' Prajapati'', the agents of creation, as well as a divine king-rishi. His iconography depicts him as a man with a stocky body and a handsome face or the head of a goat. In the ''Rigveda'', Daksha is an '' Aditya'' and is associated with priestly skills. In the epics and ''Puranic'' scriptures, he is a ''son'' of the creator god Brahma and the father of many children, who became the progenitors of various creatures. According to one legend, an egoistic Daksha conducted a yajna (fire sacrifice) and didn't invite his youngest daughter Sati and her husband Shiva. He was beheaded by Virabhadra for insulting Sati and Shiva but was later resurrected with the head of a goat. Many ''Puranas'' state that Daksha was reborn to Prachetas in another ''Manvantara'' (age). Etymology and textual history The meaning of the word "Daksha" (दक्ष) is "able", "expert", "skillful" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakshasas
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishwamitra
Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra. The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāś and Śutudrī rivers (modern Beas and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama
Rama (; ), Ram, Raman or Ramar, also known as Ramachandra (; , ), is a major deity in Hinduism. He is the seventh and one of the most popular '' avatars'' of Vishnu. In Rama-centric traditions of Hinduism, he is considered the Supreme Being. Rama is said to have been born to Kaushalya and Dasharatha in Ayodhya, the ruler of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Though born in a royal family, their life is described in the Hindu texts as one challenged by unexpected changes such as an exile into impoverished and difficult circumstances, ethical questions and moral dilemmas. Of all their travails, the most notable is the kidnapping of Sita by demon-king Ravana, followed by the determined and epic efforts of Rama and Lakshmana to gain her freedom and destroy the evil Ravana against great odds. The entire life story of Rama, Sita and their companions allegorically discusses duties, rights and social responsibil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit literature, Sanskrit Indian epic poetry, epics of ancient India in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pandava, Pāṇḍava princes and their successors. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''purusharthas, puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Ramayana, Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avatar
Avatar (, ; ), is a concept within Hinduism that in Sanskrit literally means "descent". It signifies the material appearance or incarnation of a powerful deity, goddess or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being. The word ''avatar'' does not appear in the Vedic literature; however, it appears in developed forms in post-Vedic literature, and as a noun particularly in the Puranic literature after the 6th century CE. Despite that, the concept of an avatar is compatible with the content of the Vedic literature like the Upanishads as it is symbolic imagery of the Saguna Brahman concept in the philosophy of Hinduism. The ''Rigveda'' describes Indra as endowed with a mysterious power of assuming any form at will. The '' Bhagavad Gita'' expounds the doctrine of Avatara but with terms other than ''avatar''. Theologically, the term is most often associated with the Hindu god Vishnu, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
