|
Amico Aspertini
Amico Aspertini, also called Amerigo Aspertini, was an Italian Renaissance painter and sculptor whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered one of the leading exponents of the Bolognese School of painting. Biography He was born in Bologna to a family of painters (including Giovanni Antonio Aspertini, his father, and Guido Aspertini, his brother), and studied under masters such as Lorenzo Costa and Francesco Francia. He traveled to Rome with his father in 1496, and is briefly documented there again between 1500–1503, returning to Bologna thereafter and painting in a style influenced by Pinturicchio and Filippino Lippi (whose work the critic Roberto Longhi suggested n ''Officina ferrarese'', 1934he may have seen in Florence before 1500). To his Roman years belong at least two collections of drawings, the "Parma Notebook" (''Taccuino di Parma'') and the Wolfegg Codex. In Bologna in 1504, he joined Francia and Costa in painting frescoes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucca
Lucca ( , ) is a city and ''comune'' in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its province has a population of 383,957. Lucca is known as one of the Italian's "Città d'arte" (Arts town), thanks to its intact Renaissance-era city walls and its very well preserved historic center, where, among other buildings and monuments, are located the Piazza dell'Anfiteatro, which has its origins in the second half of the 1st century A.D. and the Guinigi Tower, a tower that dates from the 1300s. The city is also the birthplace of numerous world-class composers, including Giacomo Puccini, Alfredo Catalani, and Luigi Boccherini. Toponymy By the Romans, Lucca was known as ''Luca''. From more recent and concrete toponymic studies, the name Lucca has references that lead to "sacred wood" (Latin: ''lucus''), "to cut" (Latin: ''lucare'') and "luminous space" (''leuk'', a term used by the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany.G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus The Ping-Pong virus (also called Boot, Bouncing Ball, Bouncing Dot, Italian, Italian-A or VeraCruz) is a boot sector virus discovered on March 1, 1988, at the '' Politecnico di Torino'' (Turin Polytechnic University) in Italy. It was likely the ..., an extinct computer virus See also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Italian Painters
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the " European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Église Saint-Nicolas-des-Champs
The Church of Saint-Nicolas-des-Champs (''Église Saint-Nicolas-des-Champs'') is a Catholic church in Paris' Third arrondissement. Early parts of the church, including the west front, built 1420–1480, are in the Flamboyant Gothic style, while later portions, including the south portal, mostly built 1576–86, are examples of French Renaissance architecture. It is notable particularly for its Renaissance carved sculpture, decoration and large collection of French Renaissance paintings in the interior. History The first chapel was constructed at the end of the 11th century by the monks of the Priory of Saint-Martin-des-Champs, a Benedictine monastery, as a church for the servants of the abbey. The abbey at this time was one of the most important in France; it was called "The third daughter of Cluny", after Cluny Abbey in Burgundy, the founding monastery of the order. It is located next to the Musée des Arts et Métiers, a museum of industrial arts and crafts, which occupies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Martino, Bologna
San Martino church, also called San Martino Maggiore is a Gothic-style, Roman Catholic church located at the corner of Via Marsala and Via Guglielmo Oberdan in Bologna, region of Emilia Romagna, Italy. The church was founded by the adjacent Carmelite monastery. On 25 August 1941, Pope Pius XII elevated it to the status of basilica and imposed on the Archbishop of Bologna, Mario Corneliano to Pontifically crown the venerated Marian image of Our Lady of Carmel (for the second time) since 10 August 1704 via the authority of the Vatican Chapter under Pope Clement XI. History A church at the site was built in 1217. The brick tracery vaults of the ceiling were added in 1457. The present facade was added in 1879, in an Gothic style, and displays statues of various saints. Atop a pillar in the piazza just in front of the church is a statue of the ''Madonna and Child with a Scapular'' (1705) by Andrea Ferreri. In the lunette above the side entrance portal is a bas-relief of ''St Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esztergom
Esztergom ( ; german: Gran; la, Solva or ; sk, Ostrihom, known by alternative names) is a city with county rights in northern Hungary, northwest of the capital Budapest. It lies in Komárom-Esztergom County, on the right bank of the river Danube, which forms the border with Slovakia there. Esztergom was the capital of Hungary from the 10th until the mid-13th century when King Béla IV of Hungary moved the royal seat to Buda. Esztergom is the seat of the ''prímás'' (see Primate) of the Roman Catholic Church in Hungary, and the former seat of the Constitutional Court of Hungary. The city has a Christian Museum with the largest ecclesiastical collection in Hungary. Its cathedral, Esztergom Basilica, is the largest church in Hungary. Toponym The Roman town was called ''Solva''. The medieval Latin name was ''Strigonium''. The first early medieval mention is "''ſtrigonensis trigonensiscomes''" (1079-1080). The first interpretation of the name was suggested by Anto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Museum (Hungary)
The Christian Museum ( hu, Keresztény Múzeum) is the largest ecclesiastical collection in Hungary; it conserves European and Hungarian works of art from the period between the 13th and 19th centuries. The permanent exhibition of the Christian Museum is situated on the second floor of the ''Primate's Palace'' in Esztergom- Víziváros, on the bank of the Danube river. The extensive collections of Hungarian, Italian, Dutch, German and Austrian paintings make this museum the third most important picture gallery in Hungary. Many works of art come from the territory of present-day Slovakia in which area part of the archdiocese of Esztergom lay at the time of the formation of the collection (the 1870s). Besides late medieval and Renaissance works of art — including the ''Calvary Altarpiece by Thomas of Coloswar'', the ''Lord's Coffin from Garamszentbenedek'', and the ''Passion scenes by Master MS'' — the baroque and modern collections, the collection of the decorative arts, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di San Petronio
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna. History Construction In 1388, the ''Consiglio Generale dei Seicento'' prepared the construction of the church as a civic temple. To make room for the church, the adjacent Curia of Sancti Ambrosii was demolished, together with the majority of one of the city's burgs, including at least eight churches and towers. The first stone of construction was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Michele In Bosco
San Michele in Bosco is a religious complex in Bologna, central Italy, including the church with the same name and the annexed Olivetan monastery. The buildings of the monastery were acquired in 1955 by the municipality of Bologna, to house an orthopedic center named the Rizzoli Orthopedic Institute (''l'Istituto Ortopedico Rizzoli''). Religious center Located on a hill not far from the city's historical center, the area housed monastic structures as early as the 4th century AD. As was typical for shrines on remote sites or mountain tops, it was dedicated to the Archangel Michael. Tradition holds that the cenobitic community here was dispersed by the Goths in the early 5th century. After reforming, it was again destroyed by the Hungarian invasions of 906. Slowly recovering habitation, by 1107 it had begun to house Augustinian monks. Documents from 1120 and 1204 refer to this monastery. Between 1348 and 1359, the combination of plague and the occupation of the town by the Visc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domus Aurea
The Domus Aurea (Latin, "Golden House") was a vast landscaped complex built by the Emperor Nero largely on the Oppian Hill in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city.Roth (1993) It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. History The Domus Aurea was probably never completed. Otho and possibly Titus allotted money to finish at least the structure on the Oppian Hill; this continued to be inhabited, notably by emperor Vitellius in 69 but only after falling ill, until it was destroyed in a fire under Trajan in 104. A symbol of decadence that caused severe embarrassment to Nero's successors, the Domus Aurea was stripped of its marble, jewels, and ivory within a decade. Although the Oppian villa continued to be inhabited for some years, soon after Nero's death other parts of the palace and grounds, encompassing 2.6 km2 (c. 1 mi2), were filled with earth a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
