What More Can I Give

"What More Can I Give" (also "Todo Para Ti" in Spanish) is a song written by American singer Michael Jackson and recorded in 2001 by Jackson and a supergroup of singers following the September 11 attacks. The inspiration for the song had initially come to Jackson after a meeting with the President of South Africa Nelson Mandela in the late 1990s. The initial Mandela–inspired version of the song was to be performed by Jackson in concert, and Jackson said it would be issued as a charity single for the refugees of the Kosovo War, which ended in 1999, but these plans were not carried out.

Following the September 11 attacks in 2001, Jackson reworked "What More Can I Give" at the suggestion of producer Marc Schaffel. Jackson and other artists recorded the new version of the song shortly afterward; the other artists included Mariah Carey, Reba McEntire, Anastacia, Nick Carter, 3LW, Beyoncé, NSYNC, Celine Dion, Boyz II Men members Shawn Stockman & Michael McCary, Brian McKnight, Luther Vandross, and Usher. In addition, a Spanish language version of the song was recorded. Entitled "Todo Para Ti", the lyrics were adapted into Spanish by the Panamanian musician Rubén Blades. Schaffel brought three-time Grammy winner K. C. Porter on to the project to give the Spanish version a different sound from the English recording.

"What More Can I Give" was scheduled for release as a charity single in the hope that $50 million would be raised between downloads, sponsors, and donations to aid the survivors and the families of victims of the September 11 terrorist attacks. The plan, however, never came to fruition and the reasons why have varied between sources and the individuals involved. One newspaper stated that the song was abandoned after Jackson started a public campaign against Sony Music and its USA music head.

"What More Can I Give" was played on the radio for the first time in late 2002. The debut airing was made without permission by radio station WKTU-FM in New York. The following year, on October 27, 2003, "What More Can I Give" was made available to the public by way of digital download for several days. Jackson had the song taken down on November 17, on the eve of the raid on his Neverland Valley Ranch property by Santa Barbara Sheriffs. Proceeds from the short sale of the song went to children's charities.

Schaffel enlisted friend and famed Brazilian artist Romero Britto to design, create, and paint an artwork to be used as the cover for the single. Britto created the "ribbon" piece in bright colors including yellow, blue and red. Britto created 250 of this piece as a special collector's item and both Britto and Michael Jackson signed and numbered each of these pieces.

Jackson appeared in the video produced by Marc Schaffel. It is believed to be the last actual completed song and video that Jackson did and approved for release. It was also one of only a few tracks Jackson ever performed in Spanish and is considered the last.

Background and writing

Michael Jackson originally started writing the song, originally titled "Heal L.A.", with Brad Buxer after the Rodney King verdict and following riots in 1992. The song was worked on throughout the making of the '' HIStory: Past, Present and Future, Book I'' album (1995) and its subsequent world tour in 1996 to 1997. In late 1997, when work began on Jackson's tenth studio album ''Invincible'' (2001), the song was put on hold, but its completion was always a passion of Jackson's. Jackson was inspired to finish "Heal L.A." after a meeting with anti-apartheid activist and President of South Africa Nelson Mandela in 1999. Jackson said that during a conversation with Mandela, the concept of giving was discussed. Jackson revealed that it was during this interaction that the words "what more can I give" came into his mind and he began writing. With the first version of the song completed, Jackson intended to premiere it at his MJ & Friends concerts, staged in Munich, Germany and the South Korean capital Seoul in June 1999. Ultimately, Jackson did not perform the song at the concerts and it remained unreleased.Halstead, p. 351

"What More Can I Give" was also intended to be released as a charity single to aid the Kosovar refugees who had been forced out of their home during the Kosovo War (1998–1999). Jackson revealed his intentions for the release in an interview with the British tabloid newspaper the ''Daily Mirror''. Jackson stated that television footage of the war had upset him and that he wanted to go to Yugoslavia to hug every one of the suffering children. Like before, however, the song failed to gain a release as a single and was not considered good enough for inclusion on Jackson's 2001 ''Invincible'' album.

In 2001, two separate concerts were held on September 7 and September 10 in celebration of Michael Jackson's thirtieth year as a solo entertainer (his first solo single, "Got to Be There", was released in 1971). Held in New York City, the shows sold out within five hours of going on sale. The concerts featured performances by artists such as Usher, Whitney Houston, Mýa, Liza Minnelli, James Ingram, Gloria Estefan and Marc Anthony. They also contained solo performances by Jackson himself, and marked the onstage reunion of the pop singer and his brothers (The Jacksons).Grant, p. 218

Hours following the second concert, the attacks on the World Trade Center in New York City, the Pentagon outside of Washington, D.C., and a crash near Shanksville, Pennsylvania, resulted in the loss of 2,993 lives. Following the events of September 11, Jackson rewrote "What More Can I Give" and expressed his views on the song, writing and music. "I'm not one to sit back and say, 'Oh, I feel bad for what happened to them' ..I want the whole world to sing What More Can I Give" to bring us together as a world, because a song is a mantra, something you repeat over and over. And we need peace, we need giving, we need love, we need unity."

Recording

"What More Can I Give" was recorded in 2001 by a number of artists, mainly pop. The project had received an "overwhelming response from major artists all over the world", with musicians such as Anastacia, Beyoncé, Nick Carter, Aaron Carter, NSYNC and Carlos Santana offering to lend their voices to the track. The recording process was held in Los Angeles, California and destinations reachable by Michael Jackson's private plane and mobile production unit headed by Marc Schaffel, who traveled across the globe with a team to record the different artists. The all-star benefit followed a similar Jackson-effort, "We Are the World", which raised millions of dollars for famine relief in Africa. The recording of "What More Can I Give" was completed in October 2001.

In addition to the English-language version of "What More Can I Give", a Spanish version of the song was recorded. Entitled " Todo Para Ti", the track features several of the musicians on the English version, as well as Latin artists such as Alejandro Sanz, Juan Gabriel, and Cristian Castro, who only appear on the Spanish-language version.Jackson, Michael. "What More Can I Give" song credits. Epic Records.Grant, pp. 220–221 The title for "Todo Para Ti" translates to "Everything for You" in English. Producer and songwriter K. C. Porter had directly translated the title of "What More Can I Give" initially, but it was changed after Jackson expressed that he felt it was too clumsy.

The All Stars

Live performance

"What More Can I Give" was performed live at the 9/11 benefit concert United We Stand: What More Can I Give. Held at the Robert F. Kennedy Memorial Stadium in Washington, D.C., on October 21, 2001, the eight-hour concert featured numerous artists performing to a sell-out audience of 54,000 people. Jackson performed his song "Man in the Mirror", before he and other singers such as Rod Stewart, Al Green, James Brown, Sean Combs and Pink closed the show with "What More Can I Give". Joe D'Angelo of MTV later stated that the entire performance was held together by Jackson and Billy Gilman, who he claimed were the only two who looked like they knew the lyrics to the song. He concluded that the collective rendition of the song was altogether "choppy and disparate". Jon Pareles

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