Vernon Handley

Vernon George "Tod" Handley (11 November 1930 – 10 September 2008) was a British conductor, known in particular for his support of British composers.

Early life and education

He was born of a Welsh father and an Irish mother into a musical family in Enfield, Middlesex. He acquired the nickname "Tod" because his feet were turned in at his birth, which his father simply summarised: "They toddle". Handley preferred the use of the name "Tod" throughout his life over his given names.

Handley attended Enfield Grammar School. While in school, he watched the BBC Symphony Orchestra in its studio in Maida Vale, where by his own account he learned some of his conducting technique by observing Sir Adrian Boult. Later the two corresponded in the early 1950s and met around 1958. He spent a period in the Armed Forces and then attended Balliol College, Oxford, where he read English philology and became musical director of the University Dramatic Society. He also studied at the Guildhall School of Music in London, where his performing instrument was the double bass (in addition to the trombone and violin). After graduating he worked as a nursery gardener, bricklayer and petrol pump attendant during the day, studying and conducting amateur orchestras and choirs in the evening.Baton Charge. Sarah Jane Checkland visits the conductor Vernon Handley. The Sunday Times, 19 February 1984. He then became Sir Adrian Boult's pupil. During their first meeting he "was put through the worst two hours of counterpoint and harmony that I've ever faced" and was then asked how he would conduct a page of a score that Boult put in front of him, Arnold Bax's Third Symphony, which Handley happened to have studied. Handley later conducted that work in the first concert he gave in London, with the symphony orchestra of Morley College. Handley remained a devoted champion of the music of Bax throughout his career.

Career

Vernon Handley's first professional engagement was in 1960, conducting the Bournemouth Symphony Orchestra. In 1962, Handley was appointed the musical director of the newly formed Guildford Philharmonic Orchestra, with which he programmed much of Bax's music and made the first recording of Bax's Symphony No. 4. Handley and the orchestra also recorded Gerald Finzi's '' Intimations of Immortality''. He also began conducting non-UK orchestras such as the Amsterdam Philharmonic, Stockholm Philharmonic, Swedish Radio Symphony Orchestra, Malmö Symphony and Berlin Radio Symphony; he led the Strasbourg Philharmonic through a UK tour in 1982 consisting of French and Russian music.Gillard, David. Vernon Handley : British Cosmopolitan. ''Music and Musicians'', October 1982, p17. In 1983 he was appointed Associate Conductor of the London Philharmonic Orchestra. He was Principal Conductor of the Ulster Orchestra from 1985 to 1989, and had the title of Conductor Laureate from 2003 until his death. From 1986 to 1988, he was chief conductor of the Malmö Symphony Orchestra and was active with several other Swedish orchestras, broadcasting regularly on Swedish radio.

He held assistant conductorships elsewhere, was Conductor Emeritus of the Royal Liverpool Philharmonic Orchestra, and conducted a number of others in concert, for broadcast and for recording. Handley was appointed Principal Conductor of the English Symphony Orchestra in January 2007.

Handley is much revered for his enthusiastic and untiring championship of British music, including many lesser known, unfashionable or relatively neglected composers whose artistic reputations and popularity he often helped to revive. Although he claimed to be just as attached to composers from elsewhere, the majority (some 90 out of 160) of Handley's recordings were of British music. He is said to have recorded as many as a hundred premières of British works, including highly successful series on Hyperion Records of the symphonies of Robert Simpson and Sir Granville Bantock. Simpson dedicated his Symphony No. 10 to Handley. According to Lewis Foreman, Handley "single handedly transformed the reception of the music of Granville Bantock." He also went on to make the first largely complete official recording of Bantock's monumental Omar Khayyám setting. He contributed a foreword to Alan Poulton's ''Dictionary-Catalog of Modern British Composers'' (Greenwood Press) and to a book on Adrian Boult. He also recorded symphonies by Bax, Moeran and Stanford for Chandos Records

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