Intimations Of Immortality (Finzi)
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Intimations Of Immortality (Finzi)
''Intimations of Immortality'', Op. 29, an ode for tenor, chorus, and orchestra, is one of the best-known works by English composer Gerald Finzi. It is a setting of nine of the eleven stanzas (all but the seventh and eighth) of William Wordsworth's " Ode: Intimations of Immortality", cast as a single continuous movement of 45 minutes duration. Finzi began composing the work in the late 1930s, but did not complete it until 1950, just before it was performed on 5 September at the Three Choirs Festival in Gloucester Cathedral, with Eric Greene as soloist and Herbert Sumsion conducting. Music critics and historians have pointed out there are obvious stylistic similarities between portions of ''Intimations'' and William Walton's 1931 cantata ''Belshazzar's Feast'': References Recordings * Ian Partridge, Guildford Philharmonic Choir & Orchestra, Vernon Handley. Lyrita SRCD.238. 1975, reissued 2007 * Philip Langridge, Royal Liverpool Philharmonic and Choir, Richard Hickox. EMI C ...
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Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ...
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Ian Partridge
Ian Partridge (born 12 June 1938) is a retired English lyric tenor, whose repertoire ranged from Monteverdi, Bach and Handel, the Elizabethan lute songs, German, French and English songs, through to Schoenberg, Weill and Britten, and on to contemporary works. He formed a renowned vocal-piano duo with his sister Jennifer Partridge, with whom he worked for over 50 years. While concentrating mainly on songs, oratorio and lieder, he also recorded opera, and has an extensive discography. He is now a teacher and adjudicator, and conducts master classes in many countries. Biography Ian Harold Partridge was born in 1938 in Wimbledon. He was a chorister at New College, Oxford 1948–52, and a music scholar at Clifton College. He studied at the Royal College of Music from 1956, studying piano and voice. Leaving after a year because he had engaged in paid employment, which was banned by the RCM, he transferred to the Guildhall School of Music and Drama, where his voice teachers were N ...
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Choral Compositions
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of ...
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David Hill (choral Director)
David Hill, (born on 13 May 1957 in Carlisle, Cumberland) is a choral conductor and organist. Since July 2013, he is Professor Adjunct of Choral Conducting and Principal Conductor of Yale Schola Cantorum at the Yale Institute of Sacred Music. He has been Musical Director of The Bach Choir, London, since April 1998. (He is also President of Bath Bach Choir). He also holds the positions Chief Conductor of the Southern Sinfonia, Music Director of the Leeds Philharmonic Society, and Associate Conductor of the Bournemouth Symphony Orchestra. Hill is President of the Incorporated Association of Organists, succeeding Catherine Ennis. Media interest He had a part in ''Coronation Street'' in 1970 where he broke into the vestry to play the organ and was befriended by Ena Sharples. Education Hill was educated at Chetham's School of Music, Manchester, and St John's College, Cambridge, where he was Organ Scholar under George Guest. He spent two years from 1980 as Sub-Organist at D ...
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