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Vaudeville (; ) is a
theatrical Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communic ...
genre of
variety entertainment Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a compèr ...
which began in France in the middle of the 19th century. A ''vaudeville'' was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs and dances. Vaudeville became popular in the United States and Canada from the early 1880s until the early 1930s, while changing over time. In some ways analogous to
music hall Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the World War I, Great War. It faded away after 1918 as the halls rebranded their entertainment as Varie ...
from
Victorian Britain In the history of the United Kingdom and the British Empire, the Victorian era was the reign of Queen Victoria, from 20 June 1837 until her death on 22 January 1901. Slightly different definitions are sometimes used. The era followed th ...
, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical
musicians A musician is someone who Composer, composes, Conducting, conducts, or Performing arts#Performers, performs music. According to the United States Employment Service, "musician" is a general Terminology, term used to designate a person who fol ...
,
singers Singing is the art of creating music with the voice. It is the oldest form of musical expression, and the human voice can be considered the first musical instrument. The definition of singing varies across sources. Some sources define singi ...
,
dancers Dance is an art form, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or ...
,
comedians A comedian (feminine comedienne) or comic is a person who seeks to entertain an audience by making them laugh. This might be through jokes or amusing situations, or acting foolishly (as in slapstick), or employing prop comedy. A comedian who ...
, trained animals,
magicians Magician or The Magician may refer to: Performers * A practitioner of magic (supernatural) * A practitioner of magic (illusion) * Magician (fantasy), a character in a fictional fantasy context Entertainment Books * ''The Magician'', an 18th-ce ...
,
ventriloquists Ventriloquism or ventriloquy is an act of stagecraft in which a person (a ventriloquist) speaks in such a way that it seems like their voice is coming from a different location, usually through a puppet known as a "dummy". The act of ventrilo ...
, strongmen, female and male impersonators,
acrobats Acrobatics () is the performance of human feats of balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro d ...
,
clowns A clown is a person who performs physical comedy and arts in an Improvisational theatre#Comedy, open-ended fashion, typically while wearing distinct cosmetics, makeup or costume, costuming and reversing social norm, folkway-norms. The art of ...
,
illustrated song An illustrated song is a type of performance art that combines either live or recorded music with Projector, projected images. It was a popular form of entertainment in the early 20th century in the United States. It is a predecessor of the Music ...
s,
jugglers Juggling is a physical skill, performed by a juggler, involving the object manipulation, manipulation of objects for recreation, entertainment, art or sport. The most recognizable form of juggling is toss juggling. Juggling can be the manipula ...
,
one-act play A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writi ...
s or scenes from
plays Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * P ...
,
athletes An athlete is most commonly a person who competes in one or more sports involving physical strength, speed, power, or endurance. Sometimes, the word "athlete" is used to refer specifically to sport of athletics competitors, i.e. including trac ...
, lecturing celebrities,
minstrels A minstrel was an entertainer, initially in medieval Europe. The term originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist enterta ...
, and
films A film, also known as a movie or motion picture, is a work of Visual arts, visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are gen ...
. A vaudeville performer is often referred to as a "vaudevillian". Vaudeville developed from many sources, including the
concert saloon The concert saloon was an American adaptation of the English music hall, and a precursor of variety and vaudeville theater. As in the music hall, alcohol Alcohol may refer to: Common uses * Alcohol (chemistry), a class of compounds * Ethanol, o ...
, minstrelsy,
freak show A freak show is an exhibition of biological rarities, referred to in popular culture as "Freak, freaks of nature". Typical features would be physically unusual Human#Anatomy and physiology, humans, such as those uncommonly large or small, t ...
s,
dime museum Dime museums were establishments that grew in popularity starting from 1870 that were used to display freak show performers, human anatomy exhibitions, dioramas, oddities, and moral lectures to the general public.Sears, Clare. “Electric Brillia ...
s, and literary
American burlesque American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nu ...
. Called "the heart of American show business", Vaudeville was one of the most popular types of entertainment in
North America North America is a continent in the Northern Hemisphere, Northern and Western Hemisphere, Western hemispheres. North America is bordered to the north by the Arctic Ocean, to the east by the Atlantic Ocean, to the southeast by South Ameri ...
for several decades.


Etymology

The origin of the term is obscure but often explained as being derived from the French expression ''voix de ville'' . A second hypothesis is that it comes from the 15th-century songs on satire by poet Olivier Basselin, "Vau de Vire". In his ''
Connections Connections may refer to: * Connection (disambiguation), plural form Television * '' Connections: An Investigation into Organized Crime in Canada'', a documentary television series * ''Connections'' (British TV series), a 1978 documentary tele ...
'' television series, science historian James Burke argues that the term is a corruption of the French , an area known for its bawdy drinking songs and where Basselin lived. The ''
Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the principal historical dictionary of the English language, published by Oxford University Press (OUP), a University of Oxford publishing house. The dictionary, which published its first editio ...
'' also endorses the origin, a truncated form of . Around 1610, Jean le Houx collected these works as ''Le Livre des Chants nouveaux de Vaudevire'', which is probably the direct origin of the word.


Beginnings

With its first subtle appearances within the early 1860s, vaudeville was not initially a common form of entertainment. The form gradually evolved from the
concert saloon The concert saloon was an American adaptation of the English music hall, and a precursor of variety and vaudeville theater. As in the music hall, alcohol Alcohol may refer to: Common uses * Alcohol (chemistry), a class of compounds * Ethanol, o ...
and variety hall into its mature form throughout the 1870s and 1880s. This more gentle form was known as "Polite Vaudeville". In the years before the
American Civil War The American Civil War (April 12, 1861May 26, 1865; also known by Names of the American Civil War, other names) was a civil war in the United States between the Union (American Civil War), Union ("the North") and the Confederate States of A ...
, entertainment existed on a different scale. Similar variety theatre existed before 1860 in Europe and elsewhere. In the US, as early as the first decades of the 19th century, theatergoers could enjoy a performance consisting of
Shakespeare William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
plays, acrobatics, singing, dancing, and comedy. As the years progressed, people seeking diversified amusement found an increasing number of ways to be entertained. Vaudeville was characterized by traveling companies touring through cities and towns. A handful of
circus A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicy ...
es regularly toured the country; dime museums appealed to the curious; amusement parks, riverboats, and town halls often featured "cleaner" presentations of variety entertainment; compared to saloons, music halls, and
burlesque A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects.
houses, which catered to those with a taste for the ''risqué''. In the 1840s, the
minstrel show The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of Afr ...
, another type of variety performance, and "the first emanation of a pervasive and purely American mass culture", grew to enormous popularity and formed what
Nick Tosches Nicholas P. Tosches (; October 23, 1949 – October 20, 2019) was an American journalist, novelist, biographer, and poet. His 1982 biography of Jerry Lee Lewis, ''Hellfire (Nick Tosches book), Hellfire'', was praised by ''Rolling Stone'' magazi ...
called "the heart of 19th-century show business". A significant influence also came from "Dutch" (i.e., German or faux-German) minstrels and comedians.
Medicine show Medicine shows were touring acts (traveling by truck, horse, or wagon teams) that peddled "miracle cure" patent medicines and other products between various entertainments. They developed from European Charlatan, mountebank shows and were common ...
s traveled the countryside offering programs of comedy, music,
jugglers Juggling is a physical skill, performed by a juggler, involving the object manipulation, manipulation of objects for recreation, entertainment, art or sport. The most recognizable form of juggling is toss juggling. Juggling can be the manipula ...
, and other novelties along with displays of tonics, salves, and miracle elixirs, while "
Wild West The American frontier, also known as the Old West, and popularly known as the Wild West, encompasses the geography, history, folklore, and culture associated with the forward wave of American expansion in mainland North America that bega ...
" shows provided romantic vistas of the disappearing frontier, complete with trick riding, music and drama. Vaudeville incorporated these various itinerant amusements into a stable, institutionalized form centered in America's growing urban hubs. From the mid-1860s,
impresario An impresario (from Italian ''impresa'', 'an enterprise or undertaking') is a person who organizes and often finances concerts, Play (theatre), plays, or operas, performing a role in stage arts that is similar to that of a film producer, film or ...
Tony Pastor Antonio Pastor (May 28, 1837 – August 26, 1908) was an American impresario, variety performer and theatre owner who became one of the founding forces behind American vaudeville in the mid-to-late-nineteenth century. He was sometimes refe ...
, a former singing circus clown who had become a prominent variety theater performer and manager, capitalized on
middle class The middle class refers to a class of people in the middle of a social hierarchy, often defined by occupation, income, education, or social status. The term has historically been associated with modernity, capitalism and political debate. C ...
sensibilities and spending power when he began to feature "polite" variety programs in his
New York City New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive w ...
theatres. Pastor opened his first "Opera House" on the
Bowery The Bowery () is a street and neighbourhood, neighborhood in Lower Manhattan in New York City, New York. The street runs from Chatham Square at Park Row (Manhattan), Park Row, Worth Street, and Mott Street in the south to Cooper Square at 4th ...
in 1865, later moving his variety theater operation to
Broadway Broadway may refer to: Theatre * Broadway Theatre (disambiguation) * Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S. ** Broadway (Manhattan), the street ** Broadway Theatre (53rd Stre ...
and, finally, to Fourteenth Street near Union Square. He only began to use the term "vaudeville" in place of "variety" in early 1876. Hoping to draw a potential audience from female and family-based shopping traffic
uptown Uptown may refer to: Neighborhoods or regions in several cities United States * Uptown, Chicago, Illinois * Uptown Manhattan, New York City, New York * Uptown, Richmond, Virginia * Uptown, Dallas, Texas * Uptown, Harrisburg, Pennsylvania * Upt ...
, Pastor barred the sale of liquor in his theatres, eliminated bawdy material from his shows, and offered gifts of coal and hams to attendees. Pastor's experiment proved successful, and other managers soon followed suit.


Popularity

B. F. Keith took the next step, starting in
Boston Boston is the capital and most populous city in the Commonwealth (U.S. state), Commonwealth of Massachusetts in the United States. The city serves as the cultural and Financial centre, financial center of New England, a region of the Northeas ...
, where he built an empire of
theatres Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communica ...
and brought vaudeville to the United States and Canada. Later, E. F. Albee, adoptive grandfather of the
Pulitzer Prize The Pulitzer Prizes () are 23 annual awards given by Columbia University in New York City for achievements in the United States in "journalism, arts and letters". They were established in 1917 by the will of Joseph Pulitzer, who had made his fo ...
-winning playwright
Edward Albee Edward Franklin Albee III ( ; March 12, 1928 – September 16, 2016) was an American playwright known for works such as ''The Zoo Story'' (1958), ''The Sandbox (play), The Sandbox'' (1959), ''Who's Afraid of Virginia Woolf?'' (1962), ''A Delicat ...
, managed the chain to its greatest success. Circuits such as those managed by Keith-Albee provided vaudeville's greatest economic innovation and the principal source of its industrial strength. They enabled a chain of allied vaudeville houses that remedied the chaos of the single-theatre booking system by contracting acts for regional and national tours. These could easily be lengthened from a few weeks to two years. Albee also gave national prominence to vaudeville's trumpeting "polite" entertainment, a commitment to entertainment equally inoffensive to men, women and children. Acts that violated this ethos (e.g., those that used words such as "hell") were admonished and threatened with expulsion from the week's remaining performances or were canceled altogether. In spite of such threats, performers routinely flouted this
censorship Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governmen ...
, often to the delight of the very audience members whose sensibilities were supposedly endangered. He eventually instituted a set of guidelines to be an audience member at his show, and these were reinforced by the ushers working in the theatre. This "polite entertainment" also extended to Keith's company members. He went to extreme measures to maintain this level of modesty. Keith even went as far as posting warnings backstage such as this: "Don't say 'slob' or 'son of a gun' or 'hully gee' on the stage unless you want to be canceled peremptorily... if you are guilty of uttering anything sacrilegious or even suggestive you will be immediately closed and will never again be allowed in a theatre where Mr. Keith is in authority." Along these same lines of discipline, Keith's theatre managers would occasionally send out blue envelopes with orders to omit certain suggestive lines of songs and possible substitutions for those words. If actors chose to ignore these orders or quit, they would get "a black mark" on their name and would never again be allowed to work on the Keith Circuit. Thus, actors learned to follow the instructions given to them by B. F. Keith for fear of losing their careers forever. By the late 1890s, vaudeville had large circuits, houses (small and large) in almost every sizable location, standardized booking, broad pools of skilled acts, and a loyal national following. One of the biggest circuits was Martin Beck's
Orpheum Circuit The Orpheum Circuit was a chain of vaudeville and movie theaters. It was founded in 1886, and operated through 1927 when it was merged into the Keith-Albee-Orpheum corporation, ultimately becoming part of the Radio-Keith-Orpheum (RKO) corporatio ...
. It incorporated in 1919 and brought together 45 vaudeville theatres in 36 cities throughout the United States and Canada and a large interest in two vaudeville circuits. Another major circuit was that of
Alexander Pantages Alexander Pantages (, ''Periklis Alexandros Padazis''; 1867 – February 17, 1936) was a Greek American vaudeville impresario and early film producer, motion picture producer. He created a large and powerful circuit of theatres across the Weste ...
. In his heyday, Pantages owned more than 30 vaudeville theatres and controlled, through management contracts, perhaps 60 more in both the United States and Canada. At its height, vaudeville played across multiple strata of economic class and auditorium size. On the vaudeville circuit, it was said that if an act would succeed in
Peoria, Illinois Peoria ( ) is a city in Peoria County, Illinois, United States, and its county seat. Located on the Illinois River, the city had a population of 113,150 as of the 2020 United States census, 2020 census, making it the List of municipalities in Ill ...
, it would work anywhere. The question "
Will it play in Peoria? ''Will it play in Peoria?'' is an American English figure of speech that is traditionally used to ask whether a given product, person, promotional theme, or event will appeal to mainstream audiences or across a broad range of demographic and psy ...
" has now become a metaphor for whether something appeals to the American mainstream public. The three most common levels were the "small time" (lower-paying contracts for more frequent performances in rougher, often converted theatres), the "medium time" (moderate wages for two performances each day in purpose-built theatres), and the "big time" (possible remuneration of several thousand dollars per week in large, urban theatres largely patronized by the middle and upper-middle classes). As performers rose in renown and established regional and national followings, they worked their way into the less arduous working conditions and better pay of the big time. The capital of the big time was New York City's
Palace Theatre Palace Theatre, or Palace Theater, is the name of many theatres in different countries, including: Australia *Palace Theatre, Melbourne, Victoria *Palace Theatre, Sydney, New South Wales Canada *Palace Theatre, housed in the Robillard Block, Mo ...
(or just "The Palace" in the slang of vaudevillians), built by
Martin Beck Martin Beck is a fictional Swedish police detective and the main character in a series of ten novels by Maj Sjöwall and Per Wahlöö, collectively titled ''The Story of a Crime''. Frequently referred to as the Martin Beck stories, all were ada ...
in 1913 and operated by Keith. Featuring a bill stocked with inventive novelty acts, national celebrities, and acknowledged masters of vaudeville performance (such as comedian and trick roper
Will Rogers William Penn Adair Rogers (November 4, 1879 – August 15, 1935) was an American vaudeville performer, actor, and humorous social commentator. He was born as a citizen of the Cherokee Nation, in the Indian Territory (now part of Oklahoma ...
), the Palace provided what many vaudevillians considered the
apotheosis Apotheosis (, ), also called divinization or deification (), is the glorification of a subject to divine levels and, commonly, the treatment of a human being, any other living thing, or an abstract idea in the likeness of a deity. The origina ...
of remarkable careers. A standard show bill would begin with a sketch, follow with a single (an individual male or female performer); next would be an alley-oop (an acrobatic act); then another single, followed by yet another sketch such as a blackface comedy. The acts that followed these for the rest of the show would vary from musicals to jugglers to song-and-dance singles and end with a final extravaganza – either musical or drama – with the full company. These shows would feature such stars as ragtime and jazz pianist
Eubie Blake James Hubert "Eubie" Blake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. Blake began his career in 1912, and during World War I he worked in partnership with the singer, drum ...
, the famous and magical
Harry Houdini Erik Weisz (March 24, 1874 – October 31, 1926), known professionally as Harry Houdini ( ), was a Hungarian-American escapologist, illusionist, and stunt performer noted for his escape acts. Houdini first attracted notice in vaudeville in ...
, and child star
Baby Rose Marie Rose Marie (born Rose Marie Mazzetta; August 15, 1923 – December 28, 2017) was an American actress, singer, comedian, and vaudeville performer with a career spanning nine decades, which included film, radio, records, theater, night clubs and ...
. In the ''
New-York Tribune The ''New-York Tribune'' (from 1914: ''New York Tribune'') was an American newspaper founded in 1841 by editor Horace Greeley. It bore the moniker ''New-York Daily Tribune'' from 1842 to 1866 before returning to its original name. From the 1840s ...
''s article about Vaudeville, it is said that at any given time, Vaudeville was employing over twelve thousand different people throughout its entire industry. Each entertainer would be on the road 42 weeks at a time while working a particular "Circuit" – or an individual theatre chain of a major company. While the neighborhood character of vaudeville attendance had always promoted a tendency to tailor fare to specific audiences, mature vaudeville grew to feature houses and circuits specifically aimed at certain demographic groups. Black patrons, often segregated into the rear of the second gallery in white-oriented theatres, had their own smaller circuits, as did speakers of
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance languag ...
and
Yiddish Yiddish, historically Judeo-German, is a West Germanic language historically spoken by Ashkenazi Jews. It originated in 9th-century Central Europe, and provided the nascent Ashkenazi community with a vernacular based on High German fused with ...
(see below). This foreign addition combined with comedy produced such acts as "minstrel shows of antebellum America" and Yiddish theatre. Many ethnic families joined in on this entertainment business, and for them, this traveling lifestyle was simply a continuation of the circumstances that brought them to America. Through these acts, they were able to assimilate themselves into their new home while also bringing bits of their own culture into this new world. White-oriented regional circuits, such as
New England New England is a region consisting of six states in the Northeastern United States: Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont. It is bordered by the state of New York (state), New York to the west and by the ...
's "Peanut Circuit", also provided essential training grounds for new artists while allowing established acts to experiment with and polish new material. At its height, vaudeville was rivaled only by churches and public schools among the nation's premiere public gathering places. Another slightly different aspect of Vaudeville was an increasing interest in the female figure. The previously mentioned ominous idea of "the blue envelopes" led to the phrase "blue" material, which described the provocative subject matter present in many Vaudeville acts of the time. Many managers even saw this scandalous material as a marketing strategy to attract many different audiences. As stated in Andrew Erdman's book ''Blue Vaudeville'', the Vaudeville stage was "a highly sexualized space ... where unclad bodies, provocative dancers, and singers of 'blue' lyrics all vied for attention." Such performances highlighted and objectified the female body as a "sexual delight", but more than that, historians think that Vaudeville marked a time in which the female body became its own "sexual spectacle". This sexual image began sprouting everywhere an American went: the shops, a restaurant, the grocery store, etc. The more this image brought in the highest revenue, the more Vaudeville focused on acts involving women. Even acts that were as innocent as a sister act were higher sellers than a good brother act. Consequently, Erdman adds that female Vaudeville performers such as Julie Mackey and Gibson's Bathing Girls began to focus less on talent and more on physical appeal through their figure, tight gowns, and other revealing attire. It eventually came as a surprise to audience members when such beautiful women actually possessed talent in addition to their appealing looks. This element of surprise colored much of the reaction to the female entertainment of this time.


Women

In the 1920s, announcements seeking all-girl bands for vaudeville performances appeared in industry publications like ''Billboard'', ''Variety'' and in newspapers. Bands like The Ingenues and The Dixie Sweethearts were well-publicized, while other groups were simply described as "all-girl Revue". According to Feminist Theory, similar trends in theater and film objectified women, an example of
male gaze In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosex ...
, as women's role in public life was expanding. These expectations for women in the 19th century played a big role in the compelling aspects of vaudeville. Through vaudeville, many women were allowed to join their male counterparts on the stage and found success in their acts. Leila Marie Koerber, later
Marie Dressler Leila Marie Koerber (November 9, 1868 – July 28, 1934), known professionally as Marie Dressler, was a Canadian-born stage- and screen-actress and comedian, popular in Cinema of the United States, Hollywood in early silent film, silent an ...
, was a Canadian actress who specialized in vaudeville comedy, and eventually won an Academy Award for Best Actress later in her career. Being the daughter of a musician, she moved to the United States of America in her childhood. At just fourteen years old, she left home to begin her career, lying about her age and sending her mother half of her paycheck. Dressler found great success and was known for her comedic timing and physical comedy, like carrying her male co-stars. She eventually worked on Broadway, where she had a great desire to become a serious actress but was advised to remain in comedy. She went on to star in a few films but again returned to vaudeville, her original career. Another famous vaudevillian actress was
Trixie Friganza Trixie Friganza (born Delia O'Callaghan; November 29, 1870February 27, 1955) was an American actress. She began her career as an operetta soubrette, working her way from the chorus to starring in musical comedies to having her own feature act o ...
, originally born Delia O'Callaghan. She had a famous catchphrase: "You know Trixie with her bag of tricks." She began her career in opera, performing to help provide for her family. The oldest of three daughters, she wanted to help her family financially but had to do it secretly, as female performers were frowned on at the time. She worked largely in comedy and gained acclaim and success due to her willingness to step into other's roles who had fallen ill, and were otherwise unable to perform. In her acts, she often emphasized her plus-size figure, calling herself the "perfect forty-six". Friganza was also a poet and writer. She used many of her performances as ways to raise money to support the poor or disenfranchised and went on record publicly numerous times to support these social causes. Friganza also spent much of her life fighting for women's equality and pushing for self-acceptance for women, both publicly and within themselves, as well as their rights in comparison to men. Betty Felsen was an American ballerina, vaudeville star, and teacher. She was born on 9 June 1905, in Chicago, IL Betty began taking lessons at a local Chicago ballet school when she was eight years old, and often performed solo dances in shows presented by that school. Just before her tenth birthday in 1916, her parents enrolled her as a ballet student with th
Pavley-Oukrainsky Ballet
School within th
Chicago Opera
Association. Then, in 1919 Betty was accepted to be a member of the Chicago Opera’s Pavley-Oukrainsky Ballet corps de ballet. From December 1920 until the fall of 1922 Betty was a ballerina soloist and performed with them throughout North America. Under the name Buddye Felsen, Betty landed a starring dancing role in a new show at Fred Mann’s Million Dollar Rainbo Room in the
Rainbo Gardens Uptown is one of Chicago's 77 community areas. It is bounded by Foster Avenue to the north; Montrose Avenue and Irving Park Road to the south; Lake Michigan to the east; and Ravenswood Avenue and Clark Street to the west. Uptown rose to promi ...
. The show, ''Rainbo Trail'', directed by
Frank Westphal Frank Christian Westphal (June 15, 1889 – November 23, 1948) was an American pianist, dance band leader and composer who recorded in the 1920s, following the end of his marriage to singer Sophie Tucker. Biography He was born in Chicago, the g ...
, opened on 15 December 1922, and ran until 1 March 1923. In the winter of 1923 Betty began a partnership with Jack Broderick. From then until the end of 927 Broderick & Felsen performed on the B.F. Keith and Pantages vaudeville circuits throughout the U.S. and Canada. Their act evolved from a simple dance act to one with over twenty dancers, an orchestra, and elaborate costumes and sets. From 1925 to 1926 they played for 20 straight weeks at the huge Colony Theater on Broadway in New York City. In 1926 and 1927, they starred in two spectacular musical productions, touring across the United States and Canada, first for about three months in Emil Boreo’s ''Mirage de Paris'' followed by nine months in their own ''Ballet Caprice''. After Jack quit the act near the end of 1927, Betty continued to manage the troupe and, with a new dance partner, toured throughout the northeastern United States for the next six months as Betty Felsen and Company. The final performance of ''Ballet Caprice'' was on 4 June 1928, at Broadway’s Palace Theater in New York City. Another famous comedienne, one who brought in thousands of audience members with her signature improvisational skills, was
May Irwin May Irwin (born Georgina May Campbell; June 27, 1862 – October 22, 1938) was an actress, singer and star of vaudeville. Originally from Canada, she and her sister Flo Irwin found theater work after their father died. She was known for her pe ...
. She worked from about 1875 to 1914. Originally born Ada Campbell, she began her life on the stage at thirteen years old following the death of her father. She and her older sister created a singing act called the "Irwin Sisters". Many years later, their act had taken off and with performances in both vaudeville and burlesque at famous music halls, until Irwin decided to continue her career on her own. She then changed her approach to vaudeville, performing African-American-influenced songs, even later writing her songs. She introduced her signature in vaudeville, "The Bully Song", which was performed in a Broadway show. This is when she began experimenting with improvisational comedy and quickly found her unique success, even taking her performances global with acts in the U.K.
Sophie Tucker Sophie Tucker (born Sofia Kalish; January 13, 1886 – February 9, 1966) was a Russian-born American singer, comedian, actress, and radio personality. Known for her powerful delivery of comical and risqué songs, she was one of the most popula ...
, a Russian Jewish immigrant, was told by promoter Chris Brown that she was not attractive enough to succeed in show business without doing Blackface, so she performed that way for the first two years onstage, until one day she decided to go without it, and achieved much greater success being herself from that point on, especially with her song "Some of These Days".
Moms Mabley Loretta Mary Aiken (March 19, 1897 – May 23, 1975), known by her stage name Jackie "Moms" Mabley, was an American stand-up comedian and actress. Mabley began her career on the theater stage in the 1920s and became a veteran entertainer of the ...
was a comedienne who got her start in Vaudeville and the Chitlin circuits in the 1920s, and ended up with mainstream success in the 20th century. Other 20th century women performers who started in Vaudeville included blues singers
Ma Rainey Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early-blues recording artist. Dubbed the " Mother of the Blues", she bridged earlier vaudeville and the authentic expression of ...
,
Ida Cox Ida M. Cox ( Prather; February 26, 1888 or 1896 – November 10, 1967) was an American singer and vaudeville performer, best known for her blues performances and recordings. She was billed as "The Uncrowned Queen of the Blues".Harrison, Daphne Du ...
and
Bessie Smith Bessie Smith (April 15, 1892 – September 26, 1937) was an African-American blues singer widely renowned during the Jazz Age. Nicknamed the "Honorific nicknames in popular music, Empress of the Blues" and formerly Queen of the Blues, she was t ...
. Women-led touring companies like Black Patti's Troubadours, the
Whitman Sisters The Whitman Sisters were four African-American sisters who were stars of Black Vaudeville. They ran their own performing touring company for over forty years from 1900 to 1943, becoming the longest-running and best-paid act on the T.O.B.A. circu ...
and the
Hyers Sisters The Hyers Sisters, Anna Madah (ca. 1855 – 1929) and Emma Louise (ca. 1857 – 1901), were singers and pioneers of black musical theater. With Joseph Bradford and Pauline Hopkins, the Hyers Sisters produced the "first full-fledged musical pla ...
were popular acts. Other women worked the business side of Vaudeville, like Amanda Thorpe, a white woman who founded a black theater in Virginia, and the
Griffin Sisters The Griffin Sisters, Emma (1874–1918) and Mabel (1877–1918) Griffin, were American vaudeville performers in the late 1800s and early 1900s who became entrepreneurs and social activists and opened one of the first booking agencies owned by B ...
, who managed several theaters in their efforts to create a Black Vaudeville circuit.


Black vaudeville

Black performers and patrons participated in a racially segregated Vaudeville circuit. Though many popular acts like Lewis and Walker,
Ernest Hogan Ernest Hogan (born Ernest Reuben Crowdus; 1865 – May 20, 1909) was the first Black American entertainer to produce and star in a Broadway show, '' The Oyster Man'' in 1907, (shows at the African Grove Theatre preceded it by generations) and h ...
,
Irving Jones Irving Jones (1873 – March 9, 1932) was an American comedian and songwriter who specialized in a ragtime musical genre known as coon songs during their heyday in the late 19th and early 20th century. He sold close to 50 songs, many of which bec ...
, and the
Hyers Sisters The Hyers Sisters, Anna Madah (ca. 1855 – 1929) and Emma Louise (ca. 1857 – 1901), were singers and pioneers of black musical theater. With Joseph Bradford and Pauline Hopkins, the Hyers Sisters produced the "first full-fledged musical pla ...
played to both white and black audiences, early Vaudeville performances for white audiences were limited to one Black act per show, and performers faced discrimination in restaurants and lodging. Entertainers and entrepreneurs like
The Whitman Sisters The Whitman Sisters were four African-American sisters who were stars of Black Vaudeville. They ran their own performing touring company for over forty years from 1900 to 1943, becoming the longest-running and best-paid act on the T.O.B.A. circ ...
, Pat Chapelle and John Isham created and managed their own touring companies; others took on theater ownership and management and created Black Vaudeville circuits, as was the case for Sherman H. Dudley and the
Griffin Sisters The Griffin Sisters, Emma (1874–1918) and Mabel (1877–1918) Griffin, were American vaudeville performers in the late 1800s and early 1900s who became entrepreneurs and social activists and opened one of the first booking agencies owned by B ...
Later, in the 1920s, many bookings were managed by the
Theatre Owners Booking Association Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though about a third of them had black owners. These included the restored Morton Theat ...
. African-Americans challenged the prevailing
Blackface Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a glo ...
stereotypes played by white performers by bringing their own authenticity and style to the stage, composing music, comedy and dance routines and laying the groundwork for distinctly American cultural phenomena like
blues Blues is a music genre and musical form that originated among African Americans in the Deep South of the United States around the 1860s. Blues has incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, cha ...
,
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
,
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its Syncopation, syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers ...
and
tap dance Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. Tap dancing can also be performed with no musical accompaniment; the sound of the taps is its ow ...
. Notable Black entertainers in Vaudeville included comedians
Bert Williams Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the vaudeville era and one of the most popular comedians for all audiences of his time. While some sources have ...
, and George Walker, dancer/choreographer Ada Overton Walker, and many others. Black songwriters and composers like
Bob Cole Robert Cole may refer to: Entertainment *Robert William Cole (1869–1937), British writer *Bob Cole (composer) (1868–1911), American composer *Bobby Cole (musician) (1932–1996), American musician Sports *Bob Cole (cricketer) (born 1938), for ...
,
Ernest Hogan Ernest Hogan (born Ernest Reuben Crowdus; 1865 – May 20, 1909) was the first Black American entertainer to produce and star in a Broadway show, '' The Oyster Man'' in 1907, (shows at the African Grove Theatre preceded it by generations) and h ...
,
Irving Jones Irving Jones (1873 – March 9, 1932) was an American comedian and songwriter who specialized in a ragtime musical genre known as coon songs during their heyday in the late 19th and early 20th century. He sold close to 50 songs, many of which bec ...
, Rosamond Johnson, George Johnson, Tom Lemonier, Gussie L. Davis, and Chris Smith, wrote many of the songs that were popularized onstage by white singers, and paved the way for
African-American musical theater African-American musical theater includes late 19th- and early 20th-century musical theater productions by African Americans in New York City and Chicago. Actors from troupes such as the Lafayette Players also crossed over into film. The Pek ...
.


Immigrant America

In addition to vaudeville's prominence as a form of American entertainment, it reflected the newly evolving urban inner-city culture and interaction of its operators and audience. Making up a large portion of
immigration to the United States Immigration to the United States has been a major source of population growth and Culture of the United States, cultural change throughout much of history of the United States, its history. As of January 2025, the United States has the la ...
in the mid-19th century,
Irish Americans Irish Americans () are Irish ethnics who live within in the United States, whether immigrants from Ireland or Americans with full or partial Irish ancestry. Irish immigration to the United States From the 17th century to the mid-19th c ...
interacted with established Americans, with the Irish becoming subject to discrimination due to their perceived ethnic, physical, and cultural characteristics. The ethnic stereotypes of Irish through their
greenhorn Greenhorn is a slang for an inexperienced person, and/or a slur against Portuguese people chiefly in New England, United States. It may also refer to: People * Billy Greenhorn (1937–1995), American poet * Stephen Greenhorn (born 1964), Sco ...
depiction alluded to their newly arrived status as immigrant Americans, with the stereotype portrayed in avenues of entertainment. Following the Irish immigration wave were several waves in which new immigrants from different backgrounds came in contact with the Irish in America's urban centers. Already settled and being native English speakers, Irish Americans took hold of these advantages and began to assert their positions in the immigrant racial hierarchy based on skin tone and assimilation status, cementing job positions that were previously unavailable to them as recently arrived immigrants. As a result, Irish Americans became prominent in vaudeville entertainment as curators and actors, creating a unique ethnic interplay between Irish American use of self-deprecation as humor and their diverse inner city surroundings. The interactions between newly arrived immigrants and settled immigrants within the backdrop of the unknown American urban landscape allowed vaudeville to be utilized as an avenue for expression and understanding. The often hostile immigrant experience in their new country was now used for comic relief on the vaudeville stage, where stereotypes of different ethnic groups were perpetuated. The crude stereotypes that emerged were easily identifiable not only by their distinct ethnic cultural attributes, but how those attributes differed from the mainstream established American culture and identity. Coupled with their historical presence on the English stage for comic relief, and as operators and actors of the vaudeville stage, Irish Americans became interpreters of immigrant cultural images in American popular culture. New arrivals found their ethnic group status defined within the immigrant population and in their new country as a whole by the Irish on stage. Unfortunately, the same interactions between ethnic groups within the close living conditions of cities also created racial tensions which were reflected in vaudeville. Conflict between Irish and African Americans saw the promotion of black-face minstrelsy on the stage, purposefully used to place African Americans beneath the Irish in the racial and social urban hierarchy. Although the Irish had a strong Celtic presence in vaudeville and in the promotion of ethnic stereotypes, the ethnic groups that they were characterizing also utilized the same humor. As the Irish donned their ethnic costumes, groups such as the Chinese, Italians, Germans and Jews utilized ethnic caricatures to understand themselves as well as the Irish. The urban diversity within the vaudeville stage and audience also reflected their societal status, with the working class constituting two-thirds of the typical vaudeville audience. The ethnic caricatures that now comprised
American humor American humor refers collectively to the conventions and common threads that tie together humor in the United States. It is often defined in comparison to the humor of another country – for example, how it is different from British humor and ...
reflected the positive and negative interactions between ethnic groups in America's cities. The caricatures served as a method of understanding different groups and their societal positions within their cities. The use of the greenhorn immigrant for comedic effect showcased how immigrants were viewed as new arrivals, but also what they could aspire to be. In addition to interpreting visual ethnic caricatures, the Irish American ideal of transitioning from the shanty to the lace curtain became a model of economic upward mobility for immigrant groups.


Selected vaudeville artists


Decline

The continued growth of the lower-priced cinema in the early 1910s dealt the heaviest blow to vaudeville (similar to the advent of free broadcast
television Television (TV) is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set rather than the medium of transmission. Television is a mass medium for advertising, ...
's diminishing the cultural and economic strength of the cinema). Cinema was first regularly commercially presented in the US in vaudeville halls. The first public showing of movies projected on a screen took place at
Koster and Bial's Music Hall Koster and Bial's Music Hall was an important vaudeville theatre in New York City, located at Broadway and Thirty-Fourth Street, where Macy's flagship store now stands. It had a seating capacity of 3,748, twice the size of many theaters. Ticket ...
in 1896. Lured by greater salaries and less arduous working conditions, many performers and personalities, such as
Al Jolson Al Jolson (born Asa Yoelson, ; May 26, 1886 – October 23, 1950) was a Lithuanian-born American singer, comedian, actor, and vaudevillian. Self-billed as "The World's Greatest Entertainer," Jolson was one of the United States' most famous and ...
,
W. C. Fields William Claude Dukenfield (January 29, 1880 – December 25, 1946), better known as W. C. Fields, was an American actor, comedian, juggler and writer. His career in show business began in vaudeville, where he attained international success as a ...
,
Mae West Mary Jane "Mae" West (August 17, 1893 – November 22, 1980) was an American actress, singer, comedian, screenwriter, and playwright whose career spanned more than seven decades. Recognized as a prominent sex symbol of her time, she was known ...
,
Buster Keaton Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently ...
, the
Marx Brothers The Marx Brothers were an American family comedy act known for their anarchic humor, rapid-fire wordplay, and visual gags. They achieved success in vaudeville, on Broadway, and in 14 motion pictures. The core group consisted of brothers Chi ...
,
Jimmy Durante James Francis Durante ( , ; February 10, 1893 – January 29, 1980) was an American comedian, actor, singer, and pianist. His distinctive gravelly speech, Lower East Side New York accent, accent, comic language-butchery, jazz-influenced son ...
,
Bill "Bojangles" Robinson Bill "Bojangles" Robinson (born Luther Robinson; May 25, 1878 – November 25, 1949), was an American tap dancer, actor, and singer, the best known and the most highly paid black entertainer in the United States during the first half of the 20 ...
,
Edgar Bergen Edgar John Bergen (né Berggren; February 16, 1903 – September 30, 1978) was an American ventriloquist, comedian, actor, vaudevillian and radio performer. He was best known for his characters Charlie McCarthy and Mortimer Snerd. Bergen ...
,
Fanny Brice Fania Borach (October 29, 1891 – May 29, 1951), known professionally as Fanny Brice or Fannie Brice, was an American comedian, Illustrated Songs, illustrated song model, singer, and actress who made many stage, radio, and film appearances. Sh ...
,
Burns and Allen Burns and Allen were an American comedy duo consisting of George Burns and his wife, Gracie Allen. They worked together as a successful comedy team that entertained vaudeville, film, radio, and television audiences for over forty years. The ...
, and
Eddie Cantor Eddie Cantor (born Isidore Itzkowitz; January 31, 1892 – October 10, 1964) was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Cantor was one of the prominent entertainers of his era. Some of h ...
, used the prominence gained in live variety performance to vault into the new medium of cinema. In doing so, such performers often exhausted in a few moments of screen time the novelty of an act that might have kept them on tour for several years. Other performers who entered in vaudeville's later years, including
Jack Benny Jack Benny (born Benjamin Kubelsky; February 14, 1894 – December 26, 1974) was an American entertainer who evolved from a modest success as a violinist on the vaudeville circuit to one of the leading entertainers of the twentieth century with ...
,
Abbott and Costello Abbott and Costello were an American comedy duo composed of comedians Bud Abbott and Lou Costello, whose work in radio, film, and television made them the most popular comedy team of the 1940s and 1950s, and the highest-paid entertainers in t ...
,
Kate Smith Kathryn Elizabeth Smith (May 1, 1907 – June 17, 1986) was an American contralto. Referred to as The First Lady of Radio, Smith became well known for her renditions of "God Bless America" and "When the Moon Comes over the Mountain". She began ...
,
Cary Grant Cary Grant (born Archibald Alec Leach; January 18, 1904November 29, 1986) was an English and American actor. Known for his blended British and American accent, debonair demeanor, lighthearted approach to acting, and sense of comic timing, he ...
,
Bob Hope Leslie Townes "Bob" Hope (May 29, 1903 – July 27, 2003) was an American comedian, actor, entertainer and producer with a career that spanned nearly 80 years and achievements in vaudeville, network radio, television, and USO Tours. He appeared ...
,
Milton Berle Milton Berle (born Mendel Berlinger; ; July 12, 1908 – March 27, 2002) was an American actor and comedian. His career as an entertainer spanned over eight decades, first in silent films and on stage as a child actor, then in radio, movies and ...
,
Judy Garland Judy Garland (born Frances Ethel Gumm; June 10, 1922June 22, 1969) was an American actress and singer. Possessing a strong contralto voice, she was celebrated for her emotional depth and versatility across film, stage, and concert performance. ...
,
Rose Marie Rose Marie (born Rose Marie Mazzetta; August 15, 1923 – December 28, 2017) was an American actress, singer, comedian, and vaudeville performer with a career spanning nine decades, which included film, radio, records, theater, night clubs and ...
,
Sammy Davis Jr. Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, actor, comedian, dancer, and musician. At age two, Davis began his career in Vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which t ...
,
Red Skelton Richard Bernard Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national old-time radio, radio and television shows between 1937 and 1971, especially as host of the television program ''The Red Skelto ...
,
Larry Storch Lawrence Samuel Storch (January 8, 1923 – July 8, 2022) was an American actor and comedian known for his comic television roles, including voice-over work for cartoon shows such as Mr. Whoopee on '' Tennessee Tuxedo and His Tales'' and his li ...
and
The Three Stooges The Three Stooges were an American vaudeville and comedy team active from 1922 until 1970, best remembered for their 190 short-subject films by Columbia Pictures. Their hallmark styles were physical, farce, and slapstick comedy. Six total ...
, used vaudeville only as a launching pad for later careers. They left live performance before achieving the national celebrity of earlier vaudeville stars, and found fame in new venues. The line between live and filmed performances was blurred by the number of vaudeville entrepreneurs who made more or less successful forays into the movie business. For example,
Alexander Pantages Alexander Pantages (, ''Periklis Alexandros Padazis''; 1867 – February 17, 1936) was a Greek American vaudeville impresario and early film producer, motion picture producer. He created a large and powerful circuit of theatres across the Weste ...
quickly realized the importance of motion pictures as a form of entertainment. He incorporated them in his shows as early as 1902. Later, he entered into a partnership with the
Famous Players–Lasky The Famous Players–Lasky Corporation was an American motion picture and distribution company formed on June 28, 1916, from the merger of Adolph Zukor's Famous Players Film Companyoriginally formed by Zukor as Famous Players in Famous Playsan ...
, a major Hollywood production company and an affiliate of
Paramount Pictures Paramount Pictures Corporation, commonly known as Paramount Pictures or simply Paramount, is an American film production company, production and Distribution (marketing), distribution company and the flagship namesake subsidiary of Paramount ...
. By the late 1920s, most vaudeville shows included a healthy selection of cinema. Earlier in the century, many vaudevillians, cognizant of the threat represented by cinema, held out hope that the silent nature of the "flickering shadow sweethearts" would prevent movies from ever overtaking vaudeville in popularity. However, with the introduction of talking pictures in 1926, the burgeoning film studios removed what had remained the chief difference in favor of live theatrical performance: spoken dialogue. Historian John Kenrick wrote:
Top vaudeville stars filmed their acts for one-time pay-offs, inadvertently helping to speed the death of vaudeville. After all, when "small time" theatres could offer "big time" performers on screen at a nickel a seat, who could ask audiences to pay higher amounts for less impressive live talent? The
RKO studios RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, is an American film production and distribution company, historically one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith ...
took over the famed Orpheum vaudeville circuit and swiftly turned it into a chain of full-time movie theatres. The half-century tradition of vaudeville was effectively wiped out within less than four years.Kenrick, John
"History of Musical Film, 1927–30: Part II"
Musicals101.com, 2004, accessed May 17, 2010
Inevitably, managers further trimmed costs by eliminating the last of the live performances. Vaudeville also suffered due to the rise of broadcast radio following the greater availability of inexpensive receiver sets later in the decade. Even the hardiest in the vaudeville industry realized the form was in decline; the perceptive understood the condition to be terminal. The standardized film distribution and talking pictures of the 1930s confirmed the end of vaudeville. By 1930, the vast majority of formerly live theatres had been wired for sound, and none of the major studios were producing silent pictures. For a time, the most luxurious theatres continued to offer live entertainment, but most theatres were forced by the
Great Depression The Great Depression was a severe global economic downturn from 1929 to 1939. The period was characterized by high rates of unemployment and poverty, drastic reductions in industrial production and international trade, and widespread bank and ...
to economize. Some in the industry blamed cinema's drain of talent from the vaudeville circuits for the medium's demise. Others argued that vaudeville had allowed its performances to become too familiar to its famously loyal, now seemingly fickle audiences. There was no abrupt end to vaudeville, though the form was clearly sagging by the late 1920s. Joseph Kennedy Sr. in a hostile buyout, acquired the Keith-Albee-Orpheum Theatres Corporation (KAO), which had more than 700 vaudeville theatres across the United States which had begun showing movies. The shift of New York City's Palace Theatre, vaudeville's center, to an exclusively cinema presentation on 16 November 1932, is often considered to have been the death knell of vaudeville. Though talk of its resurrection was heard during the 1930s and later, the demise of the supporting apparatus of the circuits and the higher cost of live performance made any large-scale renewal of vaudeville unrealistic.


Architecture

The most striking examples of
Gilded Age In History of the United States, United States history, the Gilded Age is the period from about the late 1870s to the late 1890s, which occurred between the Reconstruction era and the Progressive Era. It was named by 1920s historians after Mar ...
theatre architecture were commissioned by the big time vaudeville magnates and stood as monuments of their wealth and ambition. Examples of such architecture are the theatres built by impresario
Alexander Pantages Alexander Pantages (, ''Periklis Alexandros Padazis''; 1867 – February 17, 1936) was a Greek American vaudeville impresario and early film producer, motion picture producer. He created a large and powerful circuit of theatres across the Weste ...
. Pantages often used architect B. Marcus Priteca (1881–1971), who in turn regularly worked with muralist
Anthony Heinsbergen Anthony Heinsbergen (December 13, 1894 – June 14, 1981) was a Dutch American muralist considered the foremost designer of North American movie theatre interiors. Biography Born Antoon Heinsbergen in Haarlem (the Netherlands), he emigrat ...
. Priteca devised an exotic, neo-classical style that his employer called "Pantages Greek". Though classic vaudeville reached a zenith of capitalization and sophistication in urban areas dominated by national chains and commodious theatres, small-time vaudeville included countless more intimate and locally controlled houses. Small-time houses were often converted saloons, rough-hewn theatres, or multi-purpose halls, together catering to a wide range of clientele. Many small towns had purpose-built theatres. A small yet interesting example might include what is called Grange Halls in northern New England, still being used. These are old-fashioned, wooden buildings with creaky, dimly-lit, wooden stages, which were meant to offset the isolation of a farming lifestyle. These stages could offer anything from child performers to contra-dances to visits by Santa to local, musical talent, to homemade foods such as whoopee pies.


Vaudeville's cultural influence and legacy

Some of the most prominent vaudevillians successfully made the transition to cinema, though others were not as successful. Some performers such as
Bert Lahr Irving Lahrheim (August 13, 1895 – December 4, 1967), known professionally as Bert Lahr, was an American stage and screen actor and comedian. He was best known for his role as the Cowardly Lion, as well as his counterpart Kansas farmworker "Z ...
fashioned careers out of combining live performance with radio and film roles. Many others later appeared in the Catskill resorts that constituted the "
Borscht Belt The Borscht Belt, or Yiddish Alps, is a region which was noted for its summer resorts that catered to Jewish vacationers, especially residents of New York City. The resorts, now mostly defunct, were located in the southern foothills of the Catski ...
". Vaudeville was instrumental in the success of the newer media of film, radio, and television. Comedies of the new era adopted many of the dramatic and musical tropes of classic vaudeville acts. Film comedies of the 1920s through the 1940s used talent from the vaudeville stage and followed a vaudeville aesthetic of variety entertainment, both in Hollywood and in Asia, including China. The rich repertoire of the vaudeville tradition was mined for prominent prime-time radio
variety show Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a comp� ...
s such as ''The
Rudy Vallée Hubert Prior Vallée (July 28, 1901 – July 3, 1986), known professionally as Rudy Vallée, was an American singer, saxophonist, bandleader, actor, and entertainer. He was the first male singer to rise from local radio broadcasts in New York Ci ...
Show''. The structure of a single host introducing a series of acts became a popular television style and can be seen consistently in the development of television, from ''
The Milton Berle Show ''Texaco Star Theater'' is an American comedy-variety show, broadcast on radio from 1938 to 1949 and telecast from 1948 to 1956. It was one of the first successful examples of American television broadcasting, remembered as the show that gave Mil ...
'' in 1948 to ''
Late Night with David Letterman ''Late Night with David Letterman'' is an American television talk show broadcast by NBC. The show is the first installment of the '' Late Night''. Hosted by David Letterman, it aired from February1, 1982 to June 25, 1993, and was replaced by ...
'' in the 1980s. The multi-act format had renewed success in shows such as ''
Your Show of Shows ''Your Show of Shows'' is a live 90-minute variety show that was broadcast weekly in the United States on NBC from February 25, 1950, through June 5, 1954, featuring Sid Caesar and Imogene Coca. Other featured performers were Carl Reiner, Ho ...
'' with
Sid Caesar Isaac Sidney Caesar (September 8, 1922 – February 12, 2014) was an American comic actor and comedian. With a career spanning 60 years, he was best known for two pioneering 1950s live television series: ''Your Show of Shows'' (1950–1954) ...
and ''
The Ed Sullivan Show ''The Ed Sullivan Show'' is an American television variety show that ran on CBS from June 20, 1948, to March 28, 1971, and was hosted by New York City, New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the ''CB ...
''. Today, performers such as
Bill Irwin William Mills Irwin (born April 11, 1950) is an American actor, choreographer, clown, and comedian. He began as a vaudeville-style stage performer and has been noted for his contribution to the renaissance of American circus during the 1970s. ...
, a
MacArthur Fellow The MacArthur Fellows Program, also known as the MacArthur Fellowship and colloquially called the "Genius Grant", is a prize awarded annually by the John D. and Catherine T. MacArthur Foundation to typically between 20 and 30 individuals workin ...
and
Tony Award The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as a Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ce ...
-winning actor, are frequently lauded as "New Vaudevillians". References to vaudeville and the use of its distinctive argot continue throughout North American popular culture. Words such as "flop" and "gag" were terms created from the vaudeville era and have entered the American idiom. Vaudevillian techniques can commonly be witnessed on television and in movies, remarkably in the recent, worldwide phenomenon of TV shows such as ''
America's Got Talent ''America's Got Talent'' (often abbreviated as ''AGT'') is an American talent show competition, and is part of the global ''Got Talent'' franchise created by Simon Cowell. The program is produced by Fremantle (as well as distributed by) and ...
''. In
professional wrestling Professional wrestling, often shortened to either pro wrestling or wrestling,The term "wrestling" is most often widely used to specifically refer to modern scripted professional wrestling, though it is also used to refer to Real life, real- ...
, there was a noted tag team, based in
WWE World Wrestling Entertainment (WWE) is an American professional wrestling promotion. It is owned and operated by TKO Group Holdings, a majority-owned subsidiary of Endeavor Group Holdings. A global integrated media and entertainment company, ...
, called
The Vaudevillains The Vaudevillains were an American professional wrestling tag team in WWE, composed of Aiden English and Simon Gotch. Their gimmick was a pair of Vaudeville-era throwbacks. They also formerly wrestled in WWE's developmental territory NXT, where ...
. In 2018, noted film director Christopher Annino, maker of a new silent feature film, ''Silent Times'', founded Vaudeville Con, a gathering to celebrate the history of vaudeville. The first meeting was held in
Pawcatuck, Connecticut Pawcatuck ( ) is a village and census-designated place (CDP) in the town of Stonington which is located in New London County, Connecticut, United States. The population was 5,624 at the 2010 census. It is located across the Pawcatuck River from ...
.


Archives

The records of the Tivoli Theatre are housed at the
State Library of Victoria State Library Victoria (SLV) is the state library of Victoria, Australia. Located in Melbourne, it was established in 1854 as the Melbourne Public Library, making it Australia's oldest public library and one of the first free libraries in th ...
,
Melbourne Melbourne ( , ; Boonwurrung language, Boonwurrung/ or ) is the List of Australian capital cities, capital and List of cities in Australia by population, most populous city of the States and territories of Australia, Australian state of Victori ...
,
Australia Australia, officially the Commonwealth of Australia, is a country comprising mainland Australia, the mainland of the Australia (continent), Australian continent, the island of Tasmania and list of islands of Australia, numerous smaller isl ...
, with additional personal papers of vaudevillian performers from the Tivoli Theatre, including extensive costume and set design holdings, held by the
Performing Arts Collection The Australian Performing Arts Collection at Arts Centre Melbourne, formerly known as Performing Arts Museum (PAM), is the largest specialist performing arts collection in Australia, with over 780,000 items relating to the history of circus, danc ...
,
Arts Centre Melbourne Arts Centre Melbourne, originally known as the Victorian Arts Centre and briefly called the Arts Centre, is a performing arts centre consisting of a complex of theatres and concert halls in the Melbourne Arts Precinct, located in the central M ...
. The American Vaudeville Museum, one of the largest collections of vaudeville memorabilia, is located at the University of Arizona. The
Elgin and Winter Garden Theatres The Elgin & Winter Garden Theatres are a pair of stacked theatres in Toronto, Ontario, Canada. The Winter Garden Theatre is seven storeys above the Elgin Theatre. They are the last surviving Edwardian stacked theatres in the world. History ...
in Toronto houses the world's largest collection of vaudeville props and scenery. The
Benjamin Franklin Keith Benjamin Franklin Keith (January 26, 1846 – March 26, 1914) was an American vaudeville theater owner, who played an important role in the evolution of variety theater into vaudeville. Biography Early years Keith was born in Hillsboro Br ...
and
Edward F. Albee Edward Franklin Albee II (October 8, 1857 – March 11, 1930) was an American vaudeville impresario. Early life Albee was born on October 8, 1857, in Machias, Maine, to Nathaniel Smith Albee and Amanda Higgins Crocker. Career He toured with P. ...
Collection housed at the
University of Iowa The University of Iowa (U of I, UIowa, or Iowa) is a public university, public research university in Iowa City, Iowa, United States. Founded in 1847, it is the oldest and largest university in the state. The University of Iowa is organized int ...
includes a large collection of managers' report books recording and commenting on the lineup and quality of the acts each night.


See also

*
Cabaret Cabaret is a form of theatrical entertainment featuring music song, dance, recitation, or drama. The performance venue might be a pub, casino, hotel, restaurant, or nightclub with a stage for performances. The audience, often dining or drinking, ...
*
Chapeaugraphy Chapeaugraphy, occasionally anglicisation, anglicised to chapography, is a novelty act and a busking trick in which a ring-shaped piece of felt is manipulated to look like various types of hats. It would often be performed as a Quick-change (perf ...
*
Chautauqua Chautauqua ( ) is an adult education and social movement in the United States that peaked in popularity in the late 19th and early 20th centuries. Chautauqua assemblies expanded and spread throughout rural America until the mid-1920s. The Cha ...
*
Concert party (entertainment) A concert party, also called a Pierrot troupe, is the collective name for a group of entertainers, or Pierrots, popular in Britain during the first half of the 20th century. The variety show given by a Pierrot troupe was called a Pierrot show. C ...
* ''For Me and My Gal'' (film) * Native Americans in vaudeville *
Nightclub A nightclub or dance club is a club that is open at night, usually for drinking, dancing and other entertainment. Nightclubs often have a Bar (establishment), bar and discotheque (usually simply known as disco) with a dance floor, laser lighti ...
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Revue A revue is a type of multi-act popular theatre, theatrical entertainment that combines music, dance, and sketch comedy, sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural pre ...
*
Tab show A tab show was a short, or tabloid version, of various popular musical comedies performed in the United States in the early 20th century. History The shows were about an hour in length but could be as short as 25 minutes, either way being well sui ...
*
Tivoli circuit The Tivoli Circuit was a successful and popular Australian vaudeville entertainment circuit featuring revue, opera, ballet, dance, singing, musical comedy, old time black and white minstrel and even Shakespeare which flourished from 1893 to th ...
*
Tom show Tom show is a general term for any play or musical based (often only loosely) on the 1852 novel ''Uncle Tom's Cabin'' by Harriet Beecher Stowe. The novel attempts to depict the harsh reality of slavery. Due to the weak copyright laws at the time, ...
*
Vaudeville Bellydance Tribal Fusion Belly Dance is a modern Western form of belly dance that was created by fusing American Tribal Style Belly Dance, American Tribal Style belly dance and American Cabaret belly dance. Artists frequently incorporate elements from Popp ...


References


External links


Vaudeville and Variety Collections
, held in th
Performing Arts Collection
, Arts Centre Melbourne.
Modern day vaudeville theatre in Austin TX



Virtual Vaudeville


* ttp://content.lib.washington.edu/norrisweb/index.html University of Washington Libraries Digital Collections – Prior and Norris Troupe Photographs
University of Washington Libraries Digital Collections – 19th Century Actors Photographs

University of Arizona Libraries The American Vaudeville Museum Archive Digital Exhibit


* ttp://beinecke.library.yale.edu/digitallibrary/ruckus.html Ruckus! American Entertainments at the Turn of the Twentieth CenturyFrom the collection of th
Beinecke Rare Book and Manuscript Library at Yale University

Hear Gary Stephens on Vaudeville, ICA 1988

Illinois Digital Newspaper Collections: Vaudeville News (1920–1929)

Vaudeville Cinema in Hollywood and China


digitized items from th
Rare Book and Special Collections Division
of the
Library of Congress The Library of Congress (LOC) is a research library in Washington, D.C., serving as the library and research service for the United States Congress and the ''de facto'' national library of the United States. It also administers Copyright law o ...

University of Arizona Libraries Special Collections – American Vaudeville Museum Collection

Vaudeville to Cinema
��A short documentary on the history of vaudeville and how it was eventually replaced by the cinema {{Authority control Comedy genres