''The Beat Generation'' is a 1959 American
crime film
Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combi ...
from
Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by Amazon through MGM Holdings, founded on April 17, 1924 ...
starring
Steve Cochran and
Mamie Van Doren
Mamie Van Doren (born Joan Lucille Olander; February 6, 1931) is an American actress, singer, and sex symbol. She is perhaps best known for the rock 'n' roll, juvenile delinquency exploitation film '' Untamed Youth'' (1957).
Early life
Van ...
, with
Ray Danton
Ray Danton (born Raymond Caplan; September 19, 1931 – February 11, 1992) was a radio, film, stage, and television actor, director, and producer whose most famous roles were in the screen biographies '' The Rise and Fall of Legs Diamond'' (196 ...
,
Fay Spain,
Maggie Hayes,
Jackie Coogan,
Louis Armstrong,
James Mitchum,
Vampira, and
Ray Anthony.
It is a sensationalistic interpretation of the
beatnik
Beatniks were members of a social movement in the 1950s that subscribed to an anti-materialistic lifestyle.
History
In 1948, Jack Kerouac introduced the phrase "Beat Generation", generalizing from his social circle to characterize the undergr ...
counterculture of the "
Beat Generation
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized by Silent Generat ...
" (and is sometimes considered one of the last
films noir to be produced.) The movie was also shown under the title ''This Rebel Age''. The movie is about a "beatnik" who is a serial rapist, who is pursued by a police detective. The
director was
Charles F. Haas.
Richard Matheson and Lewis Meltzer are credited with the screenplay.
Plot
In the opening scene, a "beatnik" named Stan Hess (
Ray Danton
Ray Danton (born Raymond Caplan; September 19, 1931 – February 11, 1992) was a radio, film, stage, and television actor, director, and producer whose most famous roles were in the screen biographies '' The Rise and Fall of Legs Diamond'' (196 ...
) sits at a table in a
coffee house
A coffeehouse, coffee shop, or café is an establishment that primarily serves coffee of various types, notably espresso, latte, and cappuccino. Some coffeehouses may serve cold drinks, such as iced coffee and iced tea, as well as other non-ca ...
with a woman who begs him for his affection. He scorns her, then encounters his father at another table, who announces his engagement to a younger woman who had also pursued Stan. He insults his stepmother-to-be and departs. Hess is established as a woman-hating habitué of a stereotyped and sensationalized beatnik scene.
Soon after, we learn that Hess is a serial rapist at large in
Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the wor ...
. His
modus operandi
A ''modus operandi'' (often shortened to M.O.) is someone's habits of working, particularly in the context of business or criminal investigations, but also more generally. It is a Latin phrase, approximately translated as "mode (or manner) of o ...
is to gain entry to the home of a married woman whose husband is away by pretending to be there to repay money loaned by the husband. Once inside, he feigns a headache, pulls out a tin of
aspirin
Aspirin, also known as acetylsalicylic acid (ASA), is a nonsteroidal anti-inflammatory drug (NSAID) used to reduce pain, fever, and/or inflammation, and as an antithrombotic. Specific inflammatory conditions which aspirin is used to treat in ...
, and asks the woman for water. While she is distracted by this errand, he sneaks up behinds her, and then assaults and rapes her. He leaves the tin of aspirin behind as his calling card, leading the police to call him "The Aspirin Kid." Leaving the scene of the first assault portrayed in the film, he is nearly hit by a car. The driver, who is a police detective named Culloran (
Steve Cochran), gives him a lift, and the two engage in conversation. The rapist calls himself Arthur Garret, and as the two talk, he learns that Culloran is married, and sees his address on an envelope on the car seat. After getting out of Culloran's car, he writes down the name and address, and the word "married", foreshadowing his later rape of Culloran's wife.
Coincidentally, the case of 'The Aspirin Kid' is assigned to Culloran and his partner, Baron (
Jackie Coogan). Culloran is a twice married man whose first marriage has made him suspicious of women. They have a suspect, a beatnik called Art Jester (
James Mitchum) who fits a description of 'The Aspirin Kid' but his alibi checks out.
Hess/Garrett calls Culloran at the police station, and lures him to a rendezvous at a night club by promising to turn himself in. Instead of coming to the club, though, he goes to Culloran's home and attacks his wife, Francee (
Fay Spain), also telling her his name is Arthur Garret. Culloran becomes obsessed with catching the rapist on his own without telling his colleagues that his wife has been raped. Francee later finds out she is pregnant. The possibility that the child may have been fathered by the rapist sows discord between the Cullorans, and stokes Detective Culloran's obsession with avenging the rape. The couple argue over their ambivalence about the child and Francee's desire to have an
abortion
Abortion is the termination of a pregnancy by removal or expulsion of an embryo or fetus. An abortion that occurs without intervention is known as a miscarriage or "spontaneous abortion"; these occur in approximately 30% to 40% of pregn ...
, leading Francee to turn to Baron's wife first, and then Baron for advice.
Garrett persuades Jester to try to throw Culloran off the track by committing a similar attack on a woman named Georgia Altera (
Mamie Van Doren
Mamie Van Doren (born Joan Lucille Olander; February 6, 1931) is an American actress, singer, and sex symbol. She is perhaps best known for the rock 'n' roll, juvenile delinquency exploitation film '' Untamed Youth'' (1957).
Early life
Van ...
) at a time when Garrett couldn't possibly be involved. But the cops know that Garrett is their man. Jester and Altera fall for each other.
At a party near the beach, the deranged Culloran attempts to capture Garrett. After an elaborate
scuba-diving chase sequences, Culloran captures and beats up Garrett coming close to killing him before Baron intervenes. Culloran comes to his senses and returns to Francee, who gives birth.
Cast
Production
It was known during production as ''The Beat and the Naked Generation''.
Richard Matheson, who had written ''The Incredible Shrinking Man'' for Zugsmith, said ''The Beat Generation'' was based on a true story "about a guy who would meet salesmen and talk to them on the road, learn all about their houses, where they were during the day, what they did; then he would go and attack the wives while the salesmen were still on the road. I wrote it as a police procedure film. It ended up . . . well, you know how. I remember a copy of the script, many drafts in, where Zugsmith had meticulously crossed off police everywhere and had written in fuzz. It turned into absolute nonsense."
Box office
According to MGM records the film earned $400,000 in the US and Canada and $350,000 elsewhere resulting in a loss of $113,000.
See also
*
List of American films of 1959
References
External links
*
*
{{DEFAULTSORT:Beat Generation, The
1959 films
1959 crime drama films
Metro-Goldwyn-Mayer films
American crime drama films
Film noir
Films about rape in the United States
Films directed by Charles F. Haas
Films scored by Albert Glasser
Films with screenplays by Richard Matheson
1950s English-language films
1950s American films