The Tagelied (''dawn song'') is a particular form of

mediaeval In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire a ...

German-language German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Ita ...

lyric Lyric may refer to: * Lyrics, the words, often in verse form, which are sung, usually to a melody, and constitute the semantic content of a song * Lyric poetry is a form of poetry that expresses a subjective, personal point of view * Lyric, from ...

, taken and adapted from the

Provençal Provençal may refer to: *Of Provence, a region of France * Provençal dialect, a dialect of the Occitan language, spoken in the southeast of France *''Provençal'', meaning the whole Occitan language *Franco-Provençal language, a distinct Roman ...

troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a '' trobai ...

tradition (in which it was known as the

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) by the

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Minnesinger. Often in three verses, it depicts the separation of two lovers at the break of day. An especially popular version of the ''Tagelied'' was the ''Wächterlied'', or watchman's song, in which a trusted watchman warns the

knight A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the G ...

to depart. This form was introduced into German use by

Wolfram von Eschenbach Wolfram von Eschenbach (; – ) was a German knight, poet and composer, regarded as one of the greatest epic poets of medieval German literature. As a Minnesinger, he also wrote lyric poetry. Life Little is known of Wolfram's life. There ...

. The form was popular in German-speaking regions from the 13th to the 16th centuries. The form of the ''Wechsel'' (alternating verses by the knight and the lady, but not addressed directly to each other, so not quite a dialogue as now understood) was introduced by

Dietmar von Aist Dietmar von Aist (c. 1115 – c. 1171) was a Minnesinger from a baronial family in the Duchy of Austria, whose work is representative of the lyric poetry in the Danube region. Life One Dietmar von Aist is mentioned by name from about 1139 onwa ...

and Heinrich von Morungen. The tagelied's form and prosody varies over time and with individual poet. The tagelied does not even consistently use

refrain A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the v ...

s. However, the subject matter of the song made it a very popular one, and the form's conventions showed up in other

lyric poetry Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equi ...

and dramatic poetry. Important motifs of the ''Tagelied'' are the depiction of daybreak, the warning to depart, the lament at parting and the lady's final permission to the knight to go (the ''urloup'').

Shakespeare's William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...

Romeo and Juliet ''Romeo and Juliet'' is a tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with ''Ham ...

'', act 2, scene 2, shows the influence of the dawn song as well, as the two lovers argue over the dawn and the need for departure. Particular exponents of the genre were among others Heinrich von Morungen,

Walther von der Vogelweide Walther von der Vogelweide (c. 1170c. 1230) was a Minnesänger who composed and performed love-songs and political songs (" Sprüche") in Middle High German. Walther has been described as the greatest German lyrical poet before Goethe; his hundr ...

and later Oswald von Wolkenstein. Modern poets who have drawn on the tradition of the ''Tagelied'' include

Rainer Maria Rilke René Karl Wilhelm Johann Josef Maria Rilke (4 December 1875 – 29 December 1926), shortened to Rainer Maria Rilke (), was an Austrian poet and novelist. He has been acclaimed as an idiosyncratic and expressive poet, and is widely recog ...

Ezra Pound Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works includ ...

and Peter Rühmkorf. One of

’s more famous Tagelieder stays true to the motifs of depictions of daybreak, warning to depart and lament at parting and the woman’s final permission. The poem begins with a depiction of daybreak and the watchman’s whistle that warns the lovers that the man must depart. What separates this poem from the rest of Wolframs poems is his poetic depiction of daybreak as a monster whose “talons have struck through the clouds” and are tearing the lovers apart. This violent imagery adds a sense of desperation not seen in other Tagelieder. The man mourns the fact that he must leave and is angry at the watchman’s song that “swells the man with discontent.” The woman also laments the sound of the whistle, telling the watchman ““sing what you like, how often you have stolen him from my arms though never from my heart.” She then asks her lover to stay until she finally, after one last embrace, accepts his departure.

References

*Sayce, Olive L. "Tagelied" in Alex Preminger and T.V.F. Brogan, eds., ''The New Princeton Encyclopedia of Poetry and Poetics.'' Princeton, NJ: Princeton University Press, 1993. 1264. {{Western medieval lyric forms Western medieval lyric forms German poetry http://ler.letras.up.pt/uploads/ficheiros/3950.pdf

See also

References