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The Sultan Isa Medrese or Sultan 'Isa Madrasa (), also known as the Zinciriye Medrese or Isa Bey Medresesi, is a historic landmark and former
madrasa Madrasa (, also , ; Arabic: مدرسة , pl. , ) is the Arabic word for any type of educational institution, secular or religious (of any religion), whether for elementary instruction or higher learning. The word is variously transliterated '' ...
() in
Mardin Mardin ( ku, Mêrdîn; ar, ماردين; syr, ܡܪܕܝܢ, Merdīn; hy, Մարդին) is a city in southeastern Turkey. The capital of Mardin Province, it is known for the Artuqid architecture of its old city, and for its strategic location ...
,
Turkey Turkey ( tr, Türkiye ), officially the Republic of Türkiye ( tr, Türkiye Cumhuriyeti, links=no ), is a list of transcontinental countries, transcontinental country located mainly on the Anatolia, Anatolian Peninsula in Western Asia, with ...
. It was commissioned by Sultan Isa (r. 1376–1407), the penultimate
Artuqid The Artuqid dynasty (alternatively Artukid, Ortoqid, or Ortokid; , pl. ; ; ) was a Turkoman dynasty originated from tribe that ruled in eastern Anatolia, Northern Syria and Northern Iraq in the eleventh through thirteenth centuries. The Artuq ...
ruler of Mardin, and its construction was completed in 1385. The building was actually a ''
külliye A külliye ( ota, كلية) is a complex of buildings associated with Turkish architecture centered on a mosque and managed within a single institution, often based on a waqf (charitable foundation) and composed of a madrasa, a Dar al-Shifa ("c ...
'', or religious complex, consisting of a madrasa, a mosque, a mausoleum for the founder, and other elements arranged around two courtyards. The building previously housed the Mardin Museum.


History

The foundation of the complex is well-documented thanks to several surviving inscriptions on the building which record the founder, Isa the
Artuqid The Artuqid dynasty (alternatively Artukid, Ortoqid, or Ortokid; , pl. ; ; ) was a Turkoman dynasty originated from tribe that ruled in eastern Anatolia, Northern Syria and Northern Iraq in the eleventh through thirteenth centuries. The Artuq ...
, and the date, 2nd
Muharram Muḥarram ( ar, ٱلْمُحَرَّم) (fully known as Muharram ul Haram) is the first month of the Islamic calendar. It is one of the four sacred months of the year when warfare is forbidden. It is held to be the second holiest month after ...
787 AH (3 February 1385 AD). The complex contains what appears to be a mausoleum chamber intended for the founder, but Isa was never buried here. The building went through a major restoration sometime during the Ottoman period, when much of the masonry was redone. Between 1932 and 1950s, the southern portico of the main courtyard partially collapsed and some of the decoration at the top of the portal disappeared. These elements, along with the northern gallery of the upper terrace, were restored over the course of the 20th century. In the early 21st century, around 2006, the building was restored again, cleaned, and much of the old masonry replaced with new stone.


Description


General layout

The structure was built on a slope overlooking the city and as a result it is laid out on two terraced levels, with the upper level extending further north. The rooms and sections are arranged around two courtyards: one on the ground floor and another on the upper level. The whole complex occupies a space about 45 metres long and 25 metres deep. While traditional madrasas were almost always arranged around one central courtyard, the Sultan Isa Medrese is the culmination of a trend in Artuqid designs where the building is configured around two courtyards, a more complex arrangement requiring careful planning.


Exterior

The long southern façade of the building is easily visible, arranged along a street on higher ground overlooking the city below. The other sides of the building are largely obscured by the sloping terrain around it. The two
fluted Fluting may refer to: * Fluting (architecture) * Fluting (firearms) *Fluting (geology) * Fluting (glacial) *Fluting (paper) Arts, entertainment, and media *Fluting on the Hump See also *Flute (disambiguation) A flute is a musical instrument. ...
domes of the complex, visible from the outside, correspond to the mosque and the mausoleum. Two
buttresses A buttress is an architectural structure built against or projecting from a wall which serves to support or reinforce the wall. Buttresses are fairly common on more ancient buildings, as a means of providing support to act against the lateral ( ...
on the southern façade, topped by small half-domes (also fluted like the main domes), reinforce each of the domed sections and are each located behind a ''
mihrab Mihrab ( ar, محراب, ', pl. ') is a niche in the wall of a mosque that indicates the '' qibla'', the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a ''mihrab'' appears is thus the "qibla ...
'' (niche symbolizing the ''
qibla The qibla ( ar, قِبْلَة, links=no, lit=direction, translit=qiblah) is the direction towards the Kaaba in the Sacred Mosque in Mecca, which is used by Muslims in various religious contexts, particularly the direction of prayer for the s ...
'' or direction of prayer) of the chambers inside. A wall fountain is also located in the middle of the façade, below the portico of the courtyard (discussed below). The building is entered through a monumental portal at the southeast corner, standing around 12 metres tall. The recessed portal is decorated with a ''
muqarnas Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of ...
'' vault over the doorway. The wall right above the door is covered by zone of stone
inlay Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form Ornament (art), ornament or pictures that normally are flush with th ...
, followed by a band of geometric decoration above it. In the area above this is a teardrop-shaped
medallion A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are presented as awards. They may be int ...
carved with
calligraphic Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as " ...
motifs, while on the side walls to the right and left of this are circular medallions carved with intricate
arabesques The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foli ...
. The design of the teardrop medallion consists of a symmetrical calligraphic composition (known as ''muthannā'' or ''muṣanna'') featuring the phrase ("I place my trust in God, may He be exalted"), arranged around a vertical axis of symmetry and topped by a vegetal motif of
palmettes The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art o ...
. A band of text containing a
Qur'anic The Quran (, ; Standard Arabic: , Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation from God. It is organized in 114 chapters (pl.: , sin ...
verse (
At-Tawbah At-Tawbah ( ar, ٱلتوبة, ; The Repentance), also known as Bara'ah ( ar, براءة, ; Repudiation), is the ninth chapter ('' sūrah'') of the Quran. It contains 129 verses ('' āyāt'') and is one of the last Medinan surahs. This Surah ...
, 9:18), in a form of ''
thuluth ''Thuluth'' ( ar, ثُلُث, ' or ar, خَطُّ الثُّلُثِ, '; fa, ثلث, ''Sols''; Turkish: ''Sülüs'', from ' "one-third") is a script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new sc ...
'' script, wraps around this composition. Above these medallions is another horizonal inscription band running across the three inner walls of the portal, containing a long foundation text including a Qur'anic excerpt (part of 27:19 or 46:14), the name of the building's founder (Sultan Isa), some praise of the founder's piety, and the date (2nd Muharram 787 AH). The front corners of portal's recess are carved into ornate
engaged columns In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi- or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then ...
. Around the edges of the portal are several bands of ornamentation forming a decorative frame around the portal. A ''muqarnas'' cornice is accompanied by arabesque (vegetal) decoration bands. Inside this is another inscription band that consists of the same phrase found in the center of the teardrop medallion, except here it is repeated over and over in
Kufic Kufic script () is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It ...
script. The top part of this decoration was restored in modern times. File:Mardin entrance of Sultan Isa Medresesi 2469.jpg, View from below of the stonework inlay, reliefs, and ''
muqarnas Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of ...
'' vault in the portal File:Mardin entrance of Sultan Isa Medresesi 2473.jpg, The carved foundation inscription (above), and the teardrop medallion (below) containing a symmetrical calligraphic composition File:Mardin entrance of Sultan Isa Medresesi 2466.jpg, One of the
arabesque The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foli ...
medallions in the side of the portal File:Sultan Isa Medrese DSCF9764.jpg, Decoration around the frame of the portal:
Kufic Kufic script () is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It ...
calligraphy on the left and ''muqarnas'' corniche on the right File:Sultan Isa Medrese DSCF9754.jpg, Small wall fountan in the middle of the street faâde


Interior


Entrance corridor

Upon entering, a corridor runs north until it reaches a corner covered by a star vault ceiling. On the left, the corridor continues to the west, past the mosque and to the ground-floor courtyard. Straight ahead, a stairway climbs north to the second floor. In the middle of the western corridor, on the north wall, is a niche covered by ''muqarnas'' canopy, opposite which is the entrance to the mosque chamber. File:Sultan Isa Medrese DSCF9679.jpg, The corridor from the entrance to the courtyard (looking east, with the mosque entrance on the right) File:Sultan Isa Medrese DSCF9672.jpg, The star vault in the entrance corridor


Mosque

The mosque, accessed through a doorway on the south side of the ground-floor corridor, is a large rectangular chamber. It is divided into three square sections: the two on the sides are covered by groin vaults and the square space in the middle is covered by a dome. The dome transitions to the square space below it through the use of
squinches In architecture, a squinch is a triangular corner that supports the base of a dome. Its visual purpose is to translate a rectangle into an octagon. See also: pendentive. Construction A squinch is typically formed by a masonry arch that spans ...
sculpted into ''muqarnas'' corners with ''
ablaq Ablaq ( ar, أبلق; particolored; literally 'piebald') is an architectural technique involving alternating or fluctuating rows of light and dark stone. Records trace the beginnings of this type of masonry technique to the southern parts of S ...
'' (two-coloured) stonework around them. The mosque is well-lit thanks to many windows. The ''mihrab'' niche is located in the middle of the south wall, directly opposite the entrance. The niche is topped by a plain semi-dome which is framed by carved
relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
decoration on the wall around it, including an inscription band around the arch, arabesques in the
spandrels A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently fill ...
, a rectangular frame filled with a geometric motif, and ''ablaq'' stones. The entrance doorway, opposite the mihrab, is set inside a small recess surrounded by decoration very similar to that of the mihrab, except that instead of a plain semi-dome it is topped by a ''muqarnas'' canopy. The nearby ''
minbar A minbar (; sometimes romanized as ''mimber'') is a pulpit in a mosque where the imam (leader of prayers) stands to deliver sermons (, '' khutbah''). It is also used in other similar contexts, such as in a Hussainiya where the speaker sits and ...
'' (pulpit) to the west of the ''mihrab'' is made of stone. Above both the doorway and the mihrab is a teardrop medallion similar to the one in the entrance portal, featuring the same phrase again in a symmetrical calligraphic composition, but in a smaller scale and with a different design. Much of the masonry of the mosque, except for the decorated parts, was restored in a later period. File:Mardin prayer room Sultan Isa Medresesi 2425.jpg, View of the mosque's prayer hall, with the ''
mihrab Mihrab ( ar, محراب, ', pl. ') is a niche in the wall of a mosque that indicates the '' qibla'', the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a ''mihrab'' appears is thus the "qibla ...
'' on the left and the entrance portal on the right. The ''
minbar A minbar (; sometimes romanized as ''mimber'') is a pulpit in a mosque where the imam (leader of prayers) stands to deliver sermons (, '' khutbah''). It is also used in other similar contexts, such as in a Hussainiya where the speaker sits and ...
'' is also visible past the mihrab. File:Sultan Isa Medrese DSCF9648.jpg, Dome over the center of the prayer hall File:Mardin prayer room Sultan Isa Medresesi 2426.jpg, The ''mihrab'' of the prayer hall, on the south side File:Sultan Isa Medrese DSCF9654.jpg, Decoration around the ''mihrab'' File:Sultan Isa Medrese DSCF9646.jpg, Entrance of the prayer hall, on the north side File:Sultan Isa Medrese DSCF9655.jpg, Decoration around the entrance


Courtyard

The large ground-floor courtyard, to the west of the mosque, occupies the center of the complex. The corridor from the entrance is accessed through a recessed portal on the east side, while directly opposite this, on the western side, is another recessed portal leading to a passage and vestibule chamber that leads to the mausoleum. Both portal recesses are vaulted with a ''muqarnas'' canopy. The center of the courtyard is occupied by a rectangular water basin. To the north of this basin is a central
iwan An iwan ( fa, ایوان , ar, إيوان , also spelled ivan) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projectin ...
(vaulted space open on one side). At the back of the iwan is a wall fountain, framed by ''ablaq'' decoration, which feeds a water channel in the middle of the floor that empties in the courtyard's pool. On either side of the iwan are two large chambers, accessed through side corridors from other parts of the building. From the western chamber a passage and stairway grants access to the upper level of the complex. The windows between the iwan and these side chambers were pierced during the Ottoman period. On the south side of the courtyard runs a vaulted
portico A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many c ...
and gallery which gives views onto the city and landscape below. In the middle of this gallery, on the south wall, is a small ''mihrab'' consisting of a plain niche with simple semi-dome. This gallery was once covered by more ornate star vaults but these have not survived and have been replaced by plain groin vaults. On the north side of the courtyard, above the iwan and the chambers, is a terrace accessed from the upper floor and overlooking the courtyard. File:Sultan Isa Medrese DSCF9680.jpg, View of the main interior courtyard, looking west towards the mausoleum section File:Sultan Isa Medrese DSCF9684.jpg, Main courtyard, looking east towards the mosque section File:Sultan Isa Medrese DSCF9623.jpg, View of the main courtyard, looking north to the central
iwan An iwan ( fa, ایوان , ar, إيوان , also spelled ivan) is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. The formal gateway to the iwan is called , a Persian term for a portal projectin ...
and the terrace of the upper floor File:Sultan Isa Medrese DSCF9630.jpg, Inside the iwan, with wall fountain at the back and water channel in the middle File:Sultan Isa Medrese DSCF9726.jpg, Southern gallery of the courtyard (with reconstructed ceiling) File:Sultan Isa Medrese DSCF9723.jpg, Detail of ''muqarnas'' canopy in the western portal of the courtyard


Mausoleum

The mausoleum at the southwest corner of the building is a square domed chamber. The mausoleum has been significantly restored, including the dome and its now plain squinches, but it has preserved its general character. In the middle of the south wall, opposite the doorway, is another ''mihrab''. Both the doorway and the ''mihrab'' are decorated very similarly with ''ablaq'' stonework. The darker stone used for this decoration is generally
basalt Basalt (; ) is an aphanitic (fine-grained) extrusive igneous rock formed from the rapid cooling of low-viscosity lava rich in magnesium and iron (mafic lava) exposed at or very near the surface of a rocky planet or moon. More than 90% of a ...
. Sultan Isa was never buried here, and the chamber was recently used as part of the Mardin Museum. A side chamber or vestibule to the north, preceding the mausoleum, contains a sarcophagus or cenotaph which has been there since at least the end of the 20th century. File:Sultan Isa Medrese DSCF9693.jpg, Cenotaph in a side chamber near the original domed mausoleum File:Mardin prayer room Sultan Isa Medresesi 2431.jpg, Dome of the mausoleum chamber File:Mardin prayer room Sultan Isa Medresesi 2435.jpg, Mausoleum chamber, looking at the entrance doorway and northern wall File:Mardin prayer room Sultan Isa Medresesi 2437.jpg, Detail of the ''
ablaq Ablaq ( ar, أبلق; particolored; literally 'piebald') is an architectural technique involving alternating or fluctuating rows of light and dark stone. Records trace the beginnings of this type of masonry technique to the southern parts of S ...
'' stonework of the ''mihrab'' on the south side of the chamber


Upper level

The upper floor is accessed through either the western staircase or the eastern staircase near the entrance (both mentioned above). The eastern stairway leads to the second courtyard of the complex, located north of the mosque area. The courtyard is surrounded on all sides by a portico and a series of rooms, which may have served as cells or bedchambers for the students of the madrasa, although scholar Thomas Sinclair states that the rooms of the upper floor seem to have served other purposes instead. The western part of the upper level is occupied in part by a terrace overlooking the ground floor courtyard (already mentioned above). The north side of this terrace, at the back, is occupied by a vaulted gallery and portico which was ruined by the 1950s and subsequently restored.


References

{{Madrasas in Turkey Buildings and structures in Mardin Madrasas in Turkey