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Fluting (architecture)
Fluting in architecture and the decorative arts consists of shallow Groove (joinery), grooves running along a surface. The term typically refers to the curved grooves (flutes) running vertically on a column shaft or a pilaster, but is not restricted to those two applications. If the scoops taken out of the material meet in a sharp ridge, the ridge is called an arris. If the raised ridge between two flutes appears flat, the ridge is a . Fluted columns are common in the tradition of classical architecture but were not invented by the ancient Greeks, but rather passed down or learned from the Mycenaeans or the Egyptians. Especially in stone architecture, fluting distinguishes the column shafts and pilasters visually from plain masonry walls behind.Lawrence, 101 Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints.Jones, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. It began in Florence in the early 15th century and reflected a revival of classical Greek and Roman principles such as symmetry, proportion, and geometry. This movement was supported by wealthy patrons, including the Medici family and the Catholic Church, who commissioned works to display both religious devot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Egyptian Architecture
Spanning over three thousand years, ancient Egypt was not one stable civilization but in constant change and upheaval, commonly History of ancient Egypt, split into periods by historians. Likewise, ancient Egyptian architecture is not one style, but a set of styles differing over time but with some commonalities. The best known example of ancient Egyptian architecture are the Egyptian pyramids and Sphinx, while excavated Egyptian temple, temples, palaces, tombs, and fortresses have also been studied. Most buildings were built of locally available mud brick and limestone by paid laborers and craftsmen. Monumental buildings were built using the post and lintel method of construction. Many buildings were Egyptian astronomy, aligned astronomically. Columns were typically adorned with Capital (architecture)#Pre-classical capitals, capitals decorated to resemble plants important to Egyptian civilization, such as the Cyperus papyrus, papyrus plant. Ancient Egyptian architectural motifs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rear Of Funerary Complex Of Djoser Saqqara
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Rear may refer to: Animals *Rear (horse), when a horse lifts its front legs off the ground *In stockbreeding, to breed and raise Humans *Parenting (child rearing), the process of promoting and supporting a child from infancy to adulthood *Gender of rearing, the gender in which parents rear a child Military *Rear (military), the area of a battlefield behind the front line *Rear admiral, a naval officer See also * Rear end (other) * Behind (other) * Hind (other) A hind is a female deer, especially a red deer. Places * Hind (Sasanian province) (262-484) * Al-Hind, a Persian and Arabic name for the Indian subcontinent * Islamic State – Hind Province, claimed province of the IS in India * Hind (crater) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engaged Column
An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load. Sometimes defined as semi- or three-quarter detached, engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral Roman temples and other buildings. In the temples it is attached to the cella walls, repeating the columns of the peristyle, and in the theatres and amphitheatres, where they subdivided the arched openings: in all these cases engaged columns are utilized as a decorative feature, and as a rule the same proportions are maintained as if they had been isolated columns. In Romanesque work the classic proportions were no longer adhered to; the engaged column, attached to the piers, has always a special function to perform, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entasis
In architecture, entasis is the application of a convex curve to a surface for aesthetic purposes, or increasing strength. Its best-known use is in certain orders of Classical columns that diminish in a very gentle curve, rather than in a straight line as they narrow going upward. The human eye would believe that the middle of the column was diminishing in a concave curve halfway up the column, and entasis corrects this. Etymology The word we apply to the design principle is used by the Roman architectural historian Vitruvius, and derives from the Greek word έντείνω (''enteino''), "to stretch or strain tight". Creating the illusion of greater strength or perception of height may have been an objective in the application of entasis. Examples Examples of this design principle may be found in cultures throughout the world, from ancient times to contemporary architecture. The first use of entasis is probably in the Later Temple of Aphaia at Aigina, in the 490s BC. It may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un- fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's 6th-century '' Etymologiae'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent surviving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Roman Empire
The Byzantine Empire, also known as the Eastern Roman Empire, was the continuation of the Roman Empire centred on Constantinople during late antiquity and the Middle Ages. Having survived the events that caused the fall of the Western Roman Empire in the 5th centuryAD, it endured until the fall of Constantinople to the Ottoman Empire in 1453. The term 'Byzantine Empire' was coined only after its demise; its citizens used the term 'Roman Empire' and called themselves 'Romans'. During the early centuries of the Roman Empire, the western provinces were Latinised, but the eastern parts kept their Hellenistic culture. Constantine I () legalised Christianity and moved the capital to Constantinople. Theodosius I () made Christianity the state religion and Greek gradually replaced Latin for official use. The empire adopted a defensive strategy and, throughout its remaining history, experienced recurring cycles of decline and recovery. It reached its greatest extent un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Architecture
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today. Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Few substantial examples survive from before about 100 BC, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apamea Cardo
Apamea or Apameia () is the name of several Hellenistic cities in western Asia, after Apama, the Sogdian wife of Seleucus I Nicator, several of which are also former bishoprics and Catholic titular see. Places called Apamea include: Asia Minor (Turkey) * Apamea (Euphrates), in Osroene, opposite Zeugma on the Euphrates, now flooded by the Birecik Dam * Apamea (Phrygia) or Apamea Cibotus, formerly ''Kibotos'', commercial center of Phrygia, near Celaenae, now at Dinar, Afyonkarahisar Province; former bishopric and now a Latin Catholic titular bishopric * Apamea Myrlea or Apamea in Bithynia, formerly ''Myrlea'' and ''Brylleion'', in Bithynia, on the Sea of Marmara; currently near Mudanya, Bursa Province; former archdiocese, Latin Catholic titular archbishopric Iraq * Apamea (Babylonia), on the Tigris near the Euphrates, precise location unknown * Apamea (Sittacene), on the Tigris, precise location unknown Iran (Persia) * Apamea (Media), in Media, near Laodicea (Nahavand, Iran), pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reeding
Reeding or milling is a technique wherein a number of narrow ridges called "reeds" are carved or milled into a surface with a Castaing machine. Numismatics In numismatics, reeded edges are often referred to as "ridged" or "grooved" (American usage), or "milled" (British usage). Some coins, such as United States quarters and dimes, 1 euro, Australian 5, 10, 20 cents, 1 and 2 dollars, as well many other current coins, have reeded edges. One reason for having reeded edges was to prevent counterfeiting. Some gold and silver coins were reeded to discourage clipping, i.e. scraping off the precious metals from the edge of the coin, to maintain its stated value in precious metal. This practice was made more difficult through the implementation of reeding by Isaac Newton in 1698, during his time as warden of the Royal Mint. Another benefit of certain coins having reeded edges is that it helps the visually impaired identify different coin denominations by sense of touch alone. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
