San Sebastiano (Mantua)
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San Sebastiano is an
Early Renaissance Renaissance art (1350 – 1620) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurr ...
church in
Mantua Mantua ( ; ; Lombard language, Lombard and ) is a ''comune'' (municipality) in the Italian region of Lombardy, and capital of the Province of Mantua, eponymous province. In 2016, Mantua was designated as the "Italian Capital of Culture". In 2 ...
, northern
Italy Italy, officially the Italian Republic, is a country in Southern Europe, Southern and Western Europe, Western Europe. It consists of Italian Peninsula, a peninsula that extends into the Mediterranean Sea, with the Alps on its northern land b ...
. Begun in 1460 according to the designs of
Leon Battista Alberti Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, Catholic priest, priest, linguistics, linguist, philosopher, and cryptography, cryptographer; he epitomised the natu ...
, it was left partially completed in the mid-1470s, by which time construction had slowed and was no longer being directed by Alberti. As a consequence, little remains of Alberti’s work apart from the plan, which is considered one of the earliest and most significant examples of Renassiances centrally-planned churches. The plan is in the shape of a
Greek cross The Christian cross, with or without a figure of Jesus, Christ included, is the main religious symbol of Christianity. A cross with a figure of Christ affixed to it is termed a crucifix and the figure is often referred to as the ''corpus'' (La ...
, with three identical arms centering
apse In architecture, an apse (: apses; from Latin , 'arch, vault'; from Ancient Greek , , 'arch'; sometimes written apsis; : apsides) is a semicircular recess covered with a hemispherical Vault (architecture), vault or semi-dome, also known as an ' ...
s, under a central cross-vaulted space without any interior partitions. The church sits on a ground-level
crypt A crypt (from Greek κρύπτη (kryptē) ''wikt:crypta#Latin, crypta'' "Burial vault (tomb), vault") is a stone chamber beneath the floor of a church or other building. It typically contains coffins, Sarcophagus, sarcophagi, or Relic, religiou ...
which was intended to serve as a mausoleum for the Gonzaga family. The complete absence of columns in the façade signified for Rudolf Wittkower a decisive turning-point in Alberti's interpretation of architecture, moving beyond his statements in ''
De Re Aedificatoria (''On the Art of Building'') is a classic architectural treatise written by Leon Battista Alberti between 1443 and 1452. Although largely dependent on Vitruvius's , it was the first theoretical book on the subject written in the Italian Renais ...
'' where he considered the column the noblest ornament of building. The façade concealing a
narthex The narthex is an architectural element typical of Early Christian art and architecture, early Christian and Byzantine architecture, Byzantine basilicas and Church architecture, churches consisting of the entrance or Vestibule (architecture), ve ...
that runs the full width of the structure is precisely as wide as its height from the entrance level to the apex of the pediment; it may be fitted with the perfect geometry of the square. The temple front has been converted by Alberti into wall-architecture, as Wittkower noted, and a complete series of pilasters, like pillars embedded in the wall, has been elided to the two outermost, and the two flanking Pellegrino Ardizoni's clumsy doorway, which overlaps them and ill suits its space. A surviving letter of 1470 from the patron, Ludovico III Gonzaga, Marquis of Mantua, to the on-site architect agreeing with Alberti's proposal to reduce the number of pilasters on the porticoWittkower's reconstruction of Alberti's original intentions (Wittkower 1965 p 52 fig. 7) features the order of six pilasters dividing the façade into the five bays still represented by the doors. illuminates Alberti's plan of 1460. The two outer
staircase A stairwell or stair room is a room in a building where a stair is located, and is used to connect walkways between floors so that one can move in height. Collectively, a set of stairs and a stairwell is referred to as a staircase or stairway ...
s were added in the twentieth century; prior to 1925 old photographs show the entrance was a single stair to the quattrocento loggia appended to Alberti's design. Wittkower demonstrates that Alberti's plan comprised a set of stairs the full width of the façade leading to five doors (three of which have been filled in as dysfunctional balconies). The most unexpected motif in the façade is the central break in the entablature presented by the window opening, doubtless intended to be arch-headed under the arched entablature that joins the outer sections, a motif that Wittkower conjectured Alberti knew from the side elevations of the Roman
triumphal arch A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road, and usually standing alone, unconnected to other buildings. In its simplest form, a triumphal ...
at Orange.


See also

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Tempio Malatestiano The Tempio Malatestiano () is the Unfinished building, unfinished cathedral church of Rimini, Italy. Officially named for Francis of Assisi, St. Francis, it takes the popular name from Sigismondo Pandolfo Malatesta, who commissioned its reconstr ...


References

{{Authority control 15th-century Roman Catholic church buildings in Italy Roman Catholic churches in Mantua Renaissance architecture in Mantua Leon Battista Alberti church buildings