Run Away (Real McCoy Song)

"Run Away" is a song by German Eurodance and pop music project Real McCoy (also known as M.C. Sar & the Real McCoy) from their album '' Another Night'' (1995), which was the US version of their second album, ''Space Invaders'' (1994). The song was produced by music producers Juergen Wind (J. Wind) and Frank Hassas (Quickmix) under the producer team name "Freshline". It was first released in Germany in July 1994 by Hansa Records. "Run Away" reached number three on the US ''Billboard'' Hot 100, where it was certified gold, and number six in the United Kingdom. A music video was produced to promote the single, made especially for the European market, directed by Swedish-based director Matt Broadley.

Critical reception

AllMusic editor Bryan Buss named 'Run Away' one of the standout tracks from '' Another Night''. Larry Flick from ''Billboard'' magazine stated that this follow-up to the certified platinum ' Another Night' "does not tamper with the European dance act's winning (and much-copied) formula of bouncy hi-NRG rhythms, topped with throaty male rapping and female chirping at the chorus. Single has already begun to gather deserved airplay from a number of crossover and top 40 stations on import—its domestic release almost guarantees instant success." Chuck Eddy from ''Entertainment Weekly'' wrote that the Berlin trio "has invaded U.S. radio by tap-dancing space-invader-disco synths beneath soul-diva testifying, "Sprockets"-accented raps, and Martian munchkin chatter. Yet there's an odd paranoid undercurrent flowing through tunes like 'Run Away' — the best dance-pop here isn't merely escapist; it's about escaping." Dave Sholin from the ''Gavin Report'' felt "the title of this one says it all. Programmers have been playing this import since late last year and now the official release is here. This one should be as big or bigger than their debut release". Howard Cohen from ''Herald-Journal'' described it as "tuneful".

Robbie Daw from ''Idolator'' named it "energetic" and "strobelight-friendly". A reviewer from ''Liverpool Echo'' called it a "rousing pop/rap track with an escapist message." Dennis Hunt of ''Los Angeles Times'' deemed it "awfully catchy". In his weekly UK chart commentary, James Masterton said, "All the elements that made 'Another Night' such a smash are here once again, it may be a standard Eurohit formula but it works so why argue? MC Sar mutters and grumbles to an electronic backing pausing only to let the chorus in at regular intervals." Pan-European magazine ''Music & Media'' encouraged, "Take a bit of this smooth slice of Eurodance, which serves as a preview for the forthcoming ''Space Invaders'' album. As the title implies ambient influences are present, even in the radio mixes." Alan Jones from ''Music Week'' called it "horribly catchy", stating that it "will be another substantial hit." John Kilgo from ''The Network Forty'' described it as "dynamite". Stephen Dalton from ''NME'' praised "sensual, rollicking beauties" like Corona's ' The Rhythm of the Night' and 'Run Away'. ''People Magazine'' felt songs like this "pack so many beats into 4 minutes that just listening to them is thoroughly exhausting." James Hamilton from the ''Record Mirror'' Dance Update named it a "less distinctive follow-up" and "Boney M-ish". Mark Sutherland from ''Smash Hits'' opined that it "just sounds like 2 Unlimited in a blender". He wrote, "With its ''ohohohwoh'' yodelling, this sounds uncannily like Baltimora, the loin-clad oaf who had a hit with 'Tarzan Boy' and then swung across the jungle vines to dumperdom."

Chart performance

In Europe, "Run Away" was a top-10 hit in Finland, Ireland, and the United Kingdom, where it peaked at number six on 29 January 1995, during its second week on the UK Singles Chart. It spent 10 weeks in total on the chart. In Belgium and Sweden, the song was a top-20 hit, as well as on the Eurochart Hot 100 and European Dance Radio Chart, where it reached numbers 12 and 20, respectively. In Austria, Germany and Switzerland, the single was a top-30 hit, while in the Netherlands, it peaked within the top 40.

Outside Europe, "Run Away" peaked at number three on the US ''Billboard'' Hot 100, the ''Billboard'' Dance Club Play chart, and the ''Cash Box'' Top 100. On the ''Billboard'' Hot 100 year-end chart for 1995, the song ranked in at number 38. In Canada, it reached number 13 on ''The Record'' singles chart, number 33 on the ''RPM'' 100 Hit Tracks chart, and number 10 on the ''RPM'' Dance chart. The song additionally had success in Oceania and Africa, reaching number four in Australia, number five in Zimbabwe, and number six in New Zealand.* Zimbabwe. Kimberley, C. ''Zimbabwe: singles chart book''. Harare: C. Kimberley, 2000

Music video

There were produced two different music videos for "Run Away". The first version, made for the European market and directed by Swedish-based director Matt Broadley,
features singer Patricia "Patsy" Petersen walking in a desert-like setting while miming the vocals of studio singer Karin Kasar. The American version, directed by British music video and film director Nigel Dick, is set in a factory with many exhausted "slave-like" workers, while rapper Olaf "O-Jay" Jeglitza plays the role of " Big Brother", monitoring the workers' progress and demanding maximum productivity from them. It was never released for public broadcasting, since Arista felt that the image of the video was too dark and negative.

Impact and legacy

In 2015, ''Idolator'' included "Run Away" in their list of "The 50 Best Pop Singles of 1995". In 2017, American entertainment company ''BuzzFeed'' ranked it number 56 in their list of "The 101 Greatest Dance Songs of the '90s". In 2019, ''Billboard'' ranked it number 419 in their list of "''Billboard''s Top Songs of the '90s".

Charts

Weekly charts

Year-end charts

Certifications

Release history

References

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1994 songs
1994 singles
1995 singles
Arista Records singles
Hansa Records singles
Logic Records singles
Music videos directed by Matt Broadley
Music videos directed by Nigel Dick
Real McCoy (band) songs
Songs written by Jürgen Wind