Rituparna Ghosh
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Rituparna () is a king of
Ayodhya Ayodhya () is a city situated on the banks of the Sarayu river in the Indian state of Uttar Pradesh. It is the administrative headquarters of the Ayodhya district as well as the Ayodhya division of Uttar Pradesh, India. Ayodhya became th ...
featured in
Hindu literature Hindu texts or Hindu scriptures are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. Some of the major Hindu texts include the Vedas, the Upanishads, and the Itihasa. Scholars ...
. Belonging to the
Suryavamsha The Solar dynasty or (; ), also called the Ikshvaku dynasty, is a legendary Indian dynasty said to have been founded by Ikshvaku. In Hindu literature, it ruled the Kosala Kingdom, with its capital at Ayodhya, and later at Shravasti. They w ...
(Solar dynasty), he appears in the legend of
Nala Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the '' Nalopakhyana'', a sub-narrative within the Indian epic '' Mahabharata'', found in its third book, '' Vana Parva'' (Book of the Forest). He is renown ...
and
Damayanti Damayanti () is a heroine in ancient Indian literature, primarily known for her role in the episode of ''Nala and Damayanti, Nalopakhyana'', which is embedded within the ''Vana Parva'' (the third book) of the epic ''Mahabharata'' (c. 400 BCE – ...
in the
Mahabharata The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kuru ...
. He employs Nala in the stables and the kitchen, under the alias of Bahuka.


Legend

The serpent-king
Karkotaka Karkotaka () is a naga king in Hinduism. One of the children of Kashyapa and Kadru, Karkotaka is regarded to have lived in a forest near the Nishadha Kingdom. According to Hindu mythology, he stings King Nala, transforming him into a twisted a ...
advised Nala to go the court of King Rituparna of Ayodhya, employed as the king's primary charioteer under the name of Bahuka.
Damayanti Damayanti () is a heroine in ancient Indian literature, primarily known for her role in the episode of ''Nala and Damayanti, Nalopakhyana'', which is embedded within the ''Vana Parva'' (the third book) of the epic ''Mahabharata'' (c. 400 BCE – ...
, Nala's wife, suspected that her husband now lived in the court of Ayodhya. She sent a
Brahmana The Brahmanas (; Sanskrit: , International Alphabet of Sanskrit Transliteration, IAST: ''Brāhmaṇam'') are Vedas, Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rigveda, Rig, Samaveda, Sama, Yajurveda, Yajur, and Athar ...
named Sudeva to act as her messenger to Rituparna, inviting him to her second
svayamvara ''Svayaṃvara'' ( ) is a matrimonial tradition in ancient Indian society where a bride, usually from '' Kṣatriya'' (warrior) caste, selects her husband from a group of assembled suitors either by her own choice or a public contest between her ...
, which was to take place the following sunrise. Rituparna rode towards the kingdom of Vidarbha at once, with Nala as his charioteer. During a certain point in the journey, when his cloak fell upon the ground, he requested Nala to halt so that he may retrieve it; to his surprise, Nala had covered a distance of one
yojana A yojana (Devanagari: योजन; Khmer language: យោជន៍; ; ) is a measure of distance that was used in ancient India, Cambodia, Thailand and Myanmar. Various textual sources from ancient India define Yojana as ranging from 3.5 to 15& ...
within that moment from the spot that his cloak had fallen. Observing a tree in the forest, Rituparna was able to offer a precise count of the number of leaves and fruits upon it. In exchange for teaching the Akṣahṛdaya mantra to Nala, which offered mastery over gambling, he learnt the Aśvahṛdaya mantra, which offered him mastery over riding. After they reached Vidarbha, after a series of tests, he realised that the second svayamvara was a scheme by Damayanti, ultimately to reconcile with her husband, Nala. Bearing no resentment, Rituparna was glad about the reunion of the couple, and returned to his kingdom.


References

{{HinduMythology Characters in the Mahabharata