In
rhetoric
Rhetoric is the art of persuasion. It is one of the three ancient arts of discourse ( trivium) along with grammar and logic/ dialectic. As an academic discipline within the humanities, rhetoric aims to study the techniques that speakers or w ...
, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. They seek to make a position or argument more compelling than it would otherwise be.
Sonic devices
Sonic devices depend on sound. Sonic rhetoric is used as a clearer or swifter way of communicating content in an understandable way. Sonic rhetoric delivers messages to the reader or listener by prompting a certain reaction through auditory perception.
Alliteration
Alliteration
Alliteration is the repetition of syllable-initial consonant sounds between nearby words, or of syllable-initial vowels if the syllables in question do not start with a consonant. It is often used as a literary device. A common example is " Pe ...
is the repetition of the sound of an initial consonant or consonant cluster in subsequent syllables.
Assonance
Assonance is the repetition of similar vowel sounds across neighbouring words.
Consonance
Consonance is the repetition of consonant sounds across words which have been deliberately chosen. It is different from alliteration as it can happen at any place in the word, not just the beginning.
In the following example, the ''k'' sound is repeated five times.
Cacophony
Cacophony refers to the use of unpleasant sounds, such as the
Plosive consonants ''
k'', ''
g'', ''
t'', ''
d'', ''
p'' and ''
b'', the
hissing sounds ''
sh'' and ''
s'', and also the
affricates ''
ch'' and ''
j'', in rapid succession in a line or passage, creating a harsh and discordant effect.
Onomatopoeia
Onomatopoeia
Onomatopoeia (or rarely echoism) is a type of word, or the process of creating a word, that phonetics, phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias in English include animal noises such as Oin ...
is the use of words that attempt to emulate a sound. When used colloquially, it is often accompanied by multiple
exclamation mark
The exclamation mark (also known as exclamation point in American English) is a punctuation mark usually used after an interjection or exclamation to indicate strong feelings or to show wikt:emphasis, emphasis. The exclamation mark often marks ...
s and in
all caps
In typography, text or font in all caps (short for "all capitals") contains capital letters without any lowercase letters. For example: All-caps text can be seen in legal documents, advertisements, newspaper headlines, and the titles on book co ...
. It is common in comic strips and some cartoons.
Some examples: ''smek'', ''thwap'', ''kaboom'', ''ding-dong'', ''plop'', ''bang'' and ''pew''.
Word repetition
Word repetition rhetorical devices operate via
repeating words or phrases in various ways, usually for emphasis.
Anadiplosis/Conduplicatio
Anadiplosis
Anadiplosis ( ; , ''anadíplōsis'', "a doubling, folding up") is the repetition of the last word of a preceding clause. The word is used at the end of a sentence and then used again at the beginning of the next sentence, often to create climax.
E ...
involves repeating the last word(s) of one sentence, phrase or clause at or near the beginning of the next.
Conduplicatio is similar, involving repeating a key word in subsequent clauses.
Anaphora/Epistrophe/Symploce/Epanalepsis
Anaphora is repeating the same word(s) at the beginning of successive sentences, phrases or clauses.
Epistrophe is repeating the same word(s) at the end.
Symploce is a simultaneous combination of both anaphora and epistrophe, but repeating different words at the start and end.
Epanalepsis repeats the same word(s) at the beginning and end.
Epizeuxis/Antanaclasis
Epizeuxis is repetition of the same word without interruption.
Antanaclasis is repetition of the same word but in a different sense. The repeated word has two different meanings in the context of the sentence. Antanaclasis is often used when the repeated word has multiple definitions or ways it may be interpreted. Authors typically use this rhetorical strategy in order to emphasize a certain word that contributes to the overarching theme or idea, to create a rhythm in their writing, or to give off a witty or humorous tone. This can take advantage of
polysemy
Polysemy ( or ; ) is the capacity for a Sign (semiotics), sign (e.g. a symbol, morpheme, word, or phrase) to have multiple related meanings. For example, a word can have several word senses. Polysemy is distinct from ''monosemy'', where a word h ...
.
Diacope
Diacope is the repetition of a word or phrase after an intervening word or clause.
Word relation
Word relation rhetorical devices operate via deliberate connections between words within a sentence.
Antithesis/Antimetabole/Chiasmus
Antithesis
Antithesis (: antitheses; Greek for "setting opposite", from "against" and "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introd ...
involves putting together two opposite ideas in a sentence to achieve a contrasting effect.
Contrast is emphasised by parallel but similar structures of the opposing phrases or clauses to draw the listeners' or readers' attention. Compared to chiasmus, the ideas must be opposites.
Antimetabole involves repeating but reversing the order of words, phrases or clauses. The exact same words are repeated, as opposed to antithesis or chiasmus.
Chiasmus involves parallel clause structure but in reverse order for the second part. This means that words or elements are repeated in the reverse order.
The ideas thus contrasted are often related but not necessarily opposite.
Asyndeton/Polysyndeton
Asyndeton
Asyndeton (, ; from the , sometimes called asyndetism) is a literary scheme in which one or several grammatical conjunction, conjunctions are deliberately omitted from a series of related clauses. Examples include ''veni, vidi, vici'' and its Engl ...
is the removal of conjunctions like "or", "and", or "but" where it might have been expected.
Polysyndeton is the use of more
conjunctions than strictly needed. This device is often combined with anaphora.
Auxesis/Catacosmesis
Auxesis is arranging words in a list from least to most significant.
This can create
climax.
Catacosmesis, the opposite, involves arranging them from most to least significant.
This can create
anticlimax for humour or other purposes.
Oxymoron
An
oxymoron
An oxymoron (plurals: oxymorons and oxymora) is a figure of speech that Juxtaposition, juxtaposes concepts with opposite meanings within a word or in a phrase that is a self-contradiction (disambiguation), self-contradiction. As a rhetorical de ...
is a 2-word paradox often achieved through the deliberate use of antonyms. This creates an internal contradiction that can have rhetorical effect.
Zeugma
Zeugma involves the linking of two or more words or phrases that occupy the same position in a sentence to another word or phrase in the same sentence. This can take advantage of the latter word having multiple meanings depending on context to create a clever use of language that can make the sentence and the claim thus advanced more eloquent and persuasive.
In the following examples, 2 nouns (as direct objects) are linked to the same verb which must then be interpreted in 2 different ways.
Zeugma is sometimes defined broadly to include other ways in which one word in a sentence can relate to two or more others. Even simple constructions like multiple subjects linked to the same verb are then "zeugma without complication".
Discourse level
Discourse level rhetorical devices rely on relations between phrases, clauses and sentences. Often they relate to how new arguments are introduced into the text or how previous arguments are emphasized. Examples include
antanagoge,
apophasis,
aporia,
hypophora,
metanoia and
procatalepsis.
Amplification/Pleonasm
Amplification involves repeating a word or expression while adding more detail, to emphasise what might otherwise be passed over.
This allows one to call attention to and expand a point to ensure the reader realizes its importance or centrality in the discussion.
Pleonasm involves using more words than necessary to describe an idea. This creates emphasis and can introduce additional elements of meaning.
Antanagoge
Antanagoge involves "placing a good point or benefit next to a fault criticism, or problem in order to reduce the impact or significance of the negative point".
One scenario involves a situation when one is unable to respond to a negative point and chooses instead to introduce another point to reduce the accusation's significance.
Antanagoge can also be used to positively interpret a negative situation:
Apophasis
Apophasis is the tactic of bringing up a subject by denying that it should be brought up. It is also known as paralipsis, occupatio, praeteritio, preterition, or parasiopesis.
Aporia
Aporia is the rhetorical expression of doubt.
When the rhetorical question posed is answered, this is also an instance of
hypophora.
Diasyrmus
Rejecting an argument through ridiculous comparison.
Derision
This involves setting up an opposing position to ridicule without offering a counterargument.
Enthymeme
Syllogism
A syllogism (, ''syllogismos'', 'conclusion, inference') is a kind of logical argument that applies deductive reasoning to arrive at a conclusion based on two propositions that are asserted or assumed to be true.
In its earliest form (defin ...
which omits either one of the premises or the conclusion. The omitted part must be clearly understood by the reader. Sometimes this depends on contextual knowledge.
(Modern Singapore is currently years old.)
Gish gallop
The
Gish gallop is in which a person in a
debate attempts to overwhelm an opponent by presenting an excessive number of arguments, without regard for their accuracy or strength, with a rapidity that makes it impossible for the opponent to address them in the time available. Gish galloping prioritizes the quantity of the galloper's arguments at the expense of their quality.
The term "Gish gallop" was coined in 1994 by the anthropologist
Eugenie Scott who named it after the American
creationist Duane Gish, dubbed the technique's "most avid practitioner".
Hyperbole
Hyperbole is deliberate exaggeration.
This can be for literary effect:
Or for argumentative effect:
Hypophora
The use of
hypophora is the technique whereby one asks a question and then proceeds to answer the question.
Innuendo
This device indirectly implies an accusation without explicitly stating it.
This can be combined with
apophasis.
Metanoia
Metanoia qualifies a statement or by recalling or rejecting it in part or full, and then re-expressing it in a better, milder, or stronger way.
A negative is often used to do the recalling.
Procatalepsis
By anticipating and answering a possible objection,
procatalepsis allows an argument to continue while rebutting points opposing it. It is a relative of
hypophora.
Understatement
Understatement, or
meiosis
Meiosis () is a special type of cell division of germ cells in sexually-reproducing organisms that produces the gametes, the sperm or egg cells. It involves two rounds of division that ultimately result in four cells, each with only one c ...
, involves deliberately understating the importance, significance or magnitude of a subject.
A subtype of understatement is
litotes
In rhetoric, litotes (, ), also known classically as antenantiosis or moderatour, is a figures of speech, figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, o ...
, which uses negation:
Irony and imagery
Irony
Irony
Irony, in its broadest sense, is the juxtaposition of what, on the surface, appears to be the case with what is actually or expected to be the case. Originally a rhetorical device and literary technique, in modernity, modern times irony has a ...
is the figure of speech where the words of a speaker intends to express a meaning that is directly opposite of the said words.
Metaphor
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide, or obscure, clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to cr ...
connects two different things to one another. It is frequently invoked by the verb "to be".
The use of metaphor in rhetoric is primarily to convey to the audience a new idea or meaning by linking it to an already familiar idea or meaning. The literary critic and rhetorician,
I. A. Richards, divides a metaphor into two parts: the vehicle and the tenor.
In the following example, Romeo compares Juliet to the sun (the vehicle), and this metaphor connecting Juliet to the sun shows that Romeo sees Juliet as being radiant and regards her as an essential being (the tenor).
In the example below, John Green compares a toddler to the sun because they do not want to go to bed.
Personification
Personification
Personification is the representation of a thing or abstraction as a person, often as an embodiment or incarnation. In the arts, many things are commonly personified, including: places, especially cities, National personification, countries, an ...
is the representation of animals, inanimate objects and ideas as having human attributes.
Simile
Simile
A simile () is a type of figure of speech that directly ''compares'' two things. Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit c ...
compares two different things that resemble each other in at least one way using "like" or "as" to explain the comparison.
Metonymy
Metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something associated with that thing or concept. For example, the word " suit" may refer to a person from groups commonly wearing business attire, such as sales ...
is a figure of speech where a thing or concept is referred to indirectly by the name of an attribute or adjunct for that of the thing meant. For example, "crown" to denote king or queen.
Synecdoche
A
synecdoche
Synecdoche ( ) is a type of metonymy; it is a figure of speech that uses a term for a part of something to refer to the whole (''pars pro toto''), or vice versa (''totum pro parte''). The term is derived . Common English synecdoches include '' ...
is a class of
metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something associated with that thing or concept. For example, the word " suit" may refer to a person from groups commonly wearing business attire, such as sales ...
, often by means of either mentioning
a part for the whole or conversely
the whole for one of its parts. Examples from common English expressions include "suits" (for "businessmen"), "boots" (for "soldiers", a
pars pro toto), and "America" (for "the United States of America", "
totum pro parte").
See also
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Figure of speech
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or Denotation, literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, et ...
*
Glossary of rhetorical terms
*
Rhetorical modes
The rhetorical modes (also known as modes of discourse) are a broad traditional classification of the major kinds of literary language, formal and academic writing (including Public speaking, speech-writing) by their rhetorical (persuasive) purpo ...
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Stylistic device
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Literary device
References
External links
Handbook of rhetorical devices
{{DEFAULTSORT:Rhetorical Device