Revs is a
New York City graffiti artist whose
wheat paste stickers, roller pieces, murals, sculptures, and spray-painted diary entries have earned him the reputation of an artist provocateur over the course of two decades. "Revs" is his tag name; his real name is unknown. Before adopting the tag name "Revs" he had used the tag name "Revlon;" in a 1993 ''
New York Times'' interview he said he decided to shorten it to "Revs" following an epiphany he experienced after contemplating suicide on the
Manhattan Bridge
The Manhattan Bridge is a suspension bridge that crosses the East River in New York City, connecting Lower Manhattan at Canal Street with Downtown Brooklyn at the Flatbush Avenue Extension. The main span is long, with the suspension cables be ...
.
Work With Adam Cost
Revs began tagging in the 80's. but his graffiti tagline gained serious notoriety when he began working with another graffiti writer,
Adam Cost Cost is the tag name of a graffiti writer who, from the early 1980s to the late 2000s, blanketed New York City and the surrounding metropolitan area with his wheatpaste stickers, spray paint tags and paint-roller pieces.
In the 1990s, Cost colla ...
, of
Queens, in 1993. The two covered
Manhattan with wheat paste stickers, which they posted on the back of hundreds of
pedestrian crossing
A pedestrian crossing (or crosswalk in American English) is a place designated for pedestrians to cross a road, street or avenue. The term "pedestrian crossing" is also used in the Vienna and Geneva Conventions, both of which pertain to road sig ...
signals.
On these stickers, which were essentially 8 ½ by 11 white pieces of paper, adhered with wheat paste, the two printed cryptic messages in bold, black letters: "Lousy Kid Revs," "Cost Fucked Madonna," "Zookeeper Revs."
The two were notorious for painting their tags in sprawling block letters on the broadsides of buildings or any other surface deemed optimal. The scope of these works was remarkable: a finished COST REVS tag, done in white or yellow paint, often stretched an average of 15 feet in length and 6 in height. The act required a paint roller, the kind usually used for painting houses, and one full bucket of paint.
Revs and Cost did these paint roller tags in the most conspicuous places — a billboard at a cross section in
Manhattan was fair game, as was a wall on a roof facing a busy thoroughfare — places where the two could have easily been caught or hurt.
As Revs told
Glenn O'Brien for ''
Artforum'' magazine in a 1994 interview:
"We think art should be dangerous. Everybody's into safe art, doing safe things in their studio. We're bringing danger back into it. It's got to be on the edge, where it's not allowed."
Revs refuses to sell his work. He told a ''Times'' reporter, "once money changes hands for art, it becomes a fraudulent activity."
Revs also released a vinyl record album in 1993, entitled, "REVS - JUST STAY AWAY".
Following a brief hiatus in 1995 — which probably resulted from Cost's getting arrested a few months earlier — Revs ventured into the tunnels armed with spray paint, and scrawled diary entries, personal histories and ruminations on the walls deep, if not hidden, within the tunnels. He said this was a "personal mission" and "didn't care if anyone ever saw it."
In 2000 Revs was arrested after an extensive investigation by the Vandal Squad for much of the work bearing his name in the subways. He did no more work between 2000-2004. In 2004, steel sculptures began to pop up around
Brooklyn and
Lower Manhattan
Lower Manhattan (also known as Downtown Manhattan or Downtown New York) is the southernmost part of Manhattan, the central borough for business, culture, and government in New York City, which is the most populated city in the United States with ...
, which were created with construction-grade steel and spelled out the name Revs. Contacted for comment, again by the ''New York Times'', Revs told reporter Randy Kennedy he had, for the most part, received property owners' permission to weld and bolt these sculptures to the outsides of buildings.
"A car can back up into
he sculpture" he said. "Somebody can get their head cracked open on it. A dog can go on it. Somebody can paint it if they want. It rusts. It's more interesting that way, you know?"
The story of Revs' diaries and his arrest were featured in the
Public Radio International
Public Radio International (PRI) was an American public radio organization. Headquartered in Minneapolis, Minnesota, PRI provided programming to over 850 public radio stations in the United States.
PRI was one of the main providers of programm ...
show
This American Life which can be hear
("Cat and Mouse" first aired 2/24/06, episode 309)
See also
*
Banksy, prolific English graffiti artist whose name is also unknown
*
Invader, anonymous French street artist has made a sculpture of Revs and
Cost during a show in 2011
*
Shepard Fairey, street artist known for his Obey Giant campaign
*
Stephen Powers (artist), street artist who often collaborated with Revs as ESPO
External links
article from graffiti photographer.
New York Times article, ''A Graffiti Legend Is Back on the Street''
Rev's video interview entitled "Teenage Piece" .
Revs interview from ''Bomb It'', the global graffiti documentar
Cost and Revs Interview in Artforum 1994
{{DEFAULTSORT:Revs
American graffiti artists
Year of birth missing (living people)
Living people