In
music
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ...
, quartal harmony is the building of
harmonic
In physics, acoustics, and telecommunications, a harmonic is a sinusoidal wave with a frequency that is a positive integer multiple of the ''fundamental frequency'' of a periodic signal. The fundamental frequency is also called the ''1st har ...
structures built from the
intervals of the
perfect fourth
A fourth is a interval (music), musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending int ...
, the
augmented fourth
Augment or augmentation may refer to:
Language
*Augment (Indo-European), a syllable added to the beginning of the word in certain Indo-European languages
* Augment (Bantu languages), a morpheme that is prefixed to the noun class prefix of nouns ...
and the
diminished fourth. For instance, a three-note quartal chord on C can be built by stacking perfect fourths, C–F–B.
:
Quintal harmony is harmonic structure preferring the
perfect fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so.
In classical music from Western culture, a fifth is the interval f ...
, the
augmented fifth
In Western classical music, an augmented fifth () is an interval produced by widening a perfect fifth by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . For instance, the interval from C to G i ...
and the
diminished fifth. For instance, a three-note quintal chord on C can be built by stacking perfect fifths, C–G–D.
:
Properties
The terms ''quartal'' and ''quintal'' imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the
common practice period
In Western classical music, the common practice period (CPP) was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly supersede ...
are guided by
tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from
major
Major most commonly refers to:
* Major (rank), a military rank
* Academic major, an academic discipline to which an undergraduate student formally commits
* People named Major, including given names, surnames, nicknames
* Major and minor in musi ...
and
minor third
In music theory, a minor third is a interval (music), musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval (music)#Number, interval numb ...
s.
Regarding chords built from perfect fourths alone, composer
Vincent Persichetti writes that:
''Quintal harmony'' (the harmonic layering of fifths specifically) is a lesser-used term, and since the fifth is the
inversion or
complement of the fourth, it is usually considered indistinct from ''quartal harmony''. Because of this relationship, any quartal chord can be rewritten as a quintal chord by changing the order of its pitches.
Like tertian chords, a given quartal or quintal chord can be written with different
voicings, some of which obscure its quartal structure. For instance, the quartal chord, C–F–B, can be written as
History
In the
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...
, simultaneous notes a fourth apart were heard as a consonance. During the
common practice period
In Western classical music, the common practice period (CPP) was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly supersede ...
(between about 1600 and 1900), this interval came to be heard either as a
dissonance (when appearing as a
suspension requiring resolution in the
voice leading
Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and cou ...
) or as a
consonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unple ...
(when the root of the chord appears in parts higher than the fifth of the chord). In the later 19th century, during the
breakdown of tonality in
classical music
Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical mu ...
, all intervallic relationships were once again reassessed. Quartal harmony was developed in the early
20th century
The 20th century began on 1 January 1901 (MCMI), and ended on 31 December 2000 (MM). It was the 10th and last century in the 2nd millennium and was marked by new models of scientific understanding, unprecedented scopes of warfare, new modes of ...
as a result of this breakdown and reevaluation of tonality.
Precursors
The
Tristan chord
The original Tristan chord is heard in the opening phrase of Richard Wagner's opera ''Tristan und Isolde'' as part of the leitmotif relating to Tristan. It is made up of the notes F, B, D, and G:
:
More generally, the term refers to any chord ...
is made up of the notes F, B, D and G and is the first chord heard in
Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
's
opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
''
Tristan und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is a music drama in three acts by Richard Wagner set to a German libretto by the composer, loosely based on the medieval 12th-century romance ''Tristan and Iseult'' by Gottfried von Stras ...
''.
:
The bottom two notes make up an augmented fourth, while the upper two make up a perfect fourth. This layering of fourths in this context has been seen as highly significant. The chord had been found in earlier works, notably
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
's
Piano Sonata No. 18, but Wagner's use was significant, first because it is seen as moving away from traditional
tonal harmony and even towards
atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on ...
, and second because with this chord Wagner actually provoked the sound or structure of musical harmony to become more predominant than its
function, a notion which was soon after to be explored by
Debussy
Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influe ...
and others.
Despite the layering of fourths, it is rare to find musicologists identifying this chord as "quartal harmony" or even as "proto-quartal harmony", since Wagner's musical language is still essentially built on thirds, and even an ordinary
dominant seventh
Domination or dominant may refer to:
Society
* World domination, structure where one dominant power governs the planet
* Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition
* Ch ...
chord can be laid out as augmented fourth plus perfect fourth (F–B–D–G). Wagner's unusual chord is really a device to draw the listener into the musical-dramatic argument which the composer is presenting to us.
At the beginning of the 20th century, quartal harmony finally became an important element of harmony.
Scriabin used a self-developed system of transposition using fourth-chords, like his
Mystic chord
In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale (music), scale, or pitch collection; which loosely serves as the harmony, harmonic and melody, melodic basis for some of the later pieces by Russ ...
(shown below) in his
Piano Sonata No. 6.
:
Scriabin wrote this chord in his sketches alongside other quartal passages and more traditional
tertian
In music theory, ''tertian'' (, "of or concerning thirds") describes any piece, chord, counterpoint etc. constructed from the intervals of (major and minor) thirds. An interval such as that between the notes A and C encompasses 3 semitone i ...
passages, often passing between systems, for example widening the six-note quartal sonority (C–F–B–E–A–D) into a seven-note chord (C–F–B–E–A–D–G). Scriabin's sketches for his unfinished work ''
Mysterium'' show that he intended to develop the Mystic chord into a huge chord incorporating all twelve notes of the
chromatic scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the ...
.
In France,
Erik Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undi ...
experimented with
planing in the stacked fourths (not all perfect) of his 1891 score for ''
Le Fils des étoiles''.
Paul Dukas
Paul Abraham Dukas ( 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-k ...
's ''
The Sorcerer's Apprentice
"The Sorcerer's Apprentice" () is a poem by Johann Wolfgang von Goethe written in 1797. The poem is a ballad in 14 stanzas.
Story
The poem begins as an old sorcerer departs his workshop, leaving his apprentice with chores to perform. Tired of ...
'' (1897) has a rising repetition in fourths, as the tireless work of out-of-control walking brooms causes the water level in the house to "rise and rise".
20th- and 21st-century classical music
Composers who use the techniques of quartal harmony include
Claude Debussy
Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influe ...
,
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among th ...
,
Alexander Scriabin
Alexander Nikolayevich Scriabin, scientific transliteration: ''Aleksandr Nikolaevič Skrjabin''; also transliterated variously as Skriabin, Skryabin, and (in French) Scriabine. The composer himselused the French spelling "Scriabine" which was a ...
,
Alban Berg
Alban Maria Johannes Berg ( ; ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...
,
Leonard Bernstein
Leonard Bernstein ( ; born Louis Bernstein; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was th ...
,
Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-centu ...
,
Igor Stravinsky
Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century c ...
,
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ...
,
Joe Hisaishi
, known professionally as , is a Japanese composer, musical director, conductor and pianist, known for over 100 film scores and solo albums dating back to 1981. Hisaishi's music has been known to explore and incorporate different genres, inclu ...
and
Anton Webern
Anton Webern (; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist. His music was among the most radical of its milieu in its lyric poetry, lyrical, poetic concision and use of then novel atonality, aton ...
.
Schoenberg
Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-centu ...
's
Chamber Symphony Op. 9 (1906) displays quartal harmony: the first measure and a half construct a five-part fourth chord with the notes (highlighted in red in the illustration) A–D–F–B–E–A distributed over the five stringed instruments (the viola must tune down the lowest string by a minor third, and read in the unfamiliar tenor clef).
The composer then picks out this vertical quartal harmony in a horizontal sequence of fourths from the horns, eventually leading to a passage of triadic quartal harmony (i.e., chords of three notes, each layer a fourth apart).
Schoenberg was also one of the first to write on the theoretical consequences of this harmonic innovation. In his ''Theory of Harmony'' (''Harmonielehre'') of 1911, he wrote:
For
Anton Webern
Anton Webern (; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist. His music was among the most radical of its milieu in its lyric poetry, lyrical, poetic concision and use of then novel atonality, aton ...
, the importance of quartal harmony lay in the possibility of building new sounds. After hearing Schoenberg's Chamber Symphony, Webern wrote "You must write something like that, too!"
Others
In his ''Theory of Harmony'': "Besides myself my students Dr. Anton Webern and
Alban Berg
Alban Maria Johannes Berg ( ; ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...
have written these harmonies (fourth chords), but also the Hungarian
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hunga ...
or the Viennese
Franz Schreker
Franz Schreker (originally ''Schrecker''; 23 March 1878 – 21 March 1934) was an Austrian composer, conductor, librettist, teacher and administrator. Primarily a composer of operas, Schreker developed a style characterized by aesthetic pluralit ...
, who both go a similar way to Debussy, Dukas and perhaps also
Puccini
Giacomo Puccini (22 December 1858 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, s ...
, are not far off."

French composer
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ...
used quartal chords in
Sonatine (1906) and ''
Ma mère l'Oye
''Ma mère l'Oye'' (English: ''Mother Goose'', literally "''My Mother the Goose''") is a suite by French composer Maurice Ravel. The piece was originally written as a five-movement piano duet in 1910. In 1911, Ravel orchestrated the work.
Pian ...
'' (1910), while American
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, actuary and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored d ...
used quartal chords in his song "The Cage" (1906).
Hindemith constructed large parts of his symphonic work ''
Symphony: Mathis der Maler'' by means of fourth and fifth intervals. These steps are a restructuring of fourth chords (C–D–G becomes the fourth chord D–G–C), or other mixtures of fourths and fifths (D–A–D–G–C in measure 3 of the example).
Hindemith was, however, not a proponent of an explicit quartal harmony. In his 1937 writing ''Unterweisung im Tonsatz'' (''The Craft of Musical Composition'',) he wrote that "notes have a family of relationships, that are the bindings of tonality, in which the ranking of intervals is unambiguous," so much so, indeed, that in the art of triadic composition "...the musician is bound by this, as the painter to his primary colours, the architect to the three dimensions." He lined up the harmonic and melodic aspects of music in a row in which the octave ranks first, then the fifth and the third, and then the fourth. "The strongest and most unique harmonic interval after the octave is the fifth, the prettiest nevertheless is the third by right of the chordal effects of its
s."
The works of the Filipino composer (1915–1984) are characterised by quartal and quintal harmonies, as well as by dissonant counterpoint and polychords.
As a transition to the history of jazz,
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swan ...
may be mentioned. In the first movement of his
Concerto in F altered fourth chords descend chromatically in the right hand with a chromatic scale leading upward in the left hand.
Jazz
Jazz is often understood as a synthesis of the European common practice harmonic vocabulary with textural paradigms from West African folk music—but it would be an oversimplification to describe jazz as sharing the same fundamental theory of harmony as European music. Important influences come from
opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
as well as from the instrumental work of Classical- and Romantic-era composers, and even that of the Impressionists. From the beginning, jazz musicians expressed a particular interest in rich harmonic colours, for which non-tertiary harmony was a means of exploration, as used by pianists and
arranger
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestrat ...
s like
Jelly Roll Morton
Ferdinand Joseph LaMothe ( Lemott, later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American blues and jazz pianist, bandleader, and composer of Louisiana Creole descent. Morton was jazz ...
,
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American Jazz piano, jazz pianist, composer, and leader of his eponymous Big band, jazz orchestra from 1924 through the rest of his life.
Born and raised in Washington, D ...
,
Art Tatum
Arthur Tatum Jr. (, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum a ...
,
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American Jazz piano, jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, block chords, innovative chord voicings, a ...
,
Milt Buckner,
Chick Corea
Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz pianist, composer, bandleader and occasional percussionist. His compositions "Spain (instrumental), Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" ...
,
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of ...
, and especially
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet from 1960 to 1965, and his long solo career afterwards. He was an NEA Jazz Masters, NEA J ...
.

The
hard bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospe ...
of the 1950s made new applications of quartal harmony accessible to jazz.
Quintet writing in which two melodic instruments (commonly trumpet and saxophone) may proceed in fourths, while the piano (as a uniquely harmonic instrument) lays down chords, but sparsely, only hinting at the intended harmony. This style of writing, in contrast with that of the previous decade, preferred a moderate tempo. Thin-sounding unison bebop horn sections occur frequently, but these are balanced by bouts of very refined
polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chord ...
such as is found in
cool jazz
Cool jazz is a style of modern jazz music inspired by bebop and big band that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz of ...
.

On his watershed record ''
Kind of Blue
''Kind of Blue'' is a studio album by American jazz musician Miles Davis, released on August17,1959, by Columbia Records. For this album, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Ev ...
'',
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis ado ...
with pianist
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American Jazz piano, jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, block chords, innovative chord voicings, a ...
used a chord consisting of three perfect fourth intervals and a major third on the composition "
So What
So What may refer to:
Law
*Demurrer, colloquially called a "So what?" pleading
Music Albums
* So What (Anti-Nowhere League album), ''So What'' (Anti-Nowhere League album) or the 1981 title song (see below), 2000
* ''So What?: Early Demos and L ...
". This particular voicing is sometimes referred to as a
So What chord, and can be analyzed (without regard for added sixths, ninths, etc.) as a minor seventh with the root on the bottom, or as a major seventh with the third on the bottom.
From the outset of the 1960s, the employment of quartal possibilities had become so familiar that the musician now felt the fourth chord existed as a separate entity, self standing and free of any need to resolve. The pioneering of quartal writing in later jazz and rock, like the pianist
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet from 1960 to 1965, and his long solo career afterwards. He was an NEA Jazz Masters, NEA J ...
's work with saxophonist
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century musi ...
's "classic quartet", was influential throughout this epoch.
Oliver Nelson
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album '' The Blues and the Abstract Truth'' (1961) is regarded as one of the most signi ...
was also known for his use of fourth chord
voicings. Tom Floyd claims that the "foundation of 'modern quartal harmony'" began in the era when the
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of beb ...
–influenced John Coltrane added classically trained pianists Bill Evans and McCoy Tyner to his ensemble.
Jazz guitarists cited as using chord voicings using quartal harmony include
Johnny Smith,
Tal Farlow,
Chuck Wayne
Chuck Wayne (February 27, 1923 – July 29, 1997) was an American jazz guitarist. He came to prominence in the 1940s, and was among the earliest jazz guitarists to play in the bebop style. Wayne was a member of Woody Herman's First Herd, the f ...
,
Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" gu ...
,
Joe Pass
Joe Pass (born Joseph Anthony Jacobi Passalacqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Although Pass recorded and performed live with pianist Oscar Peterson, composer Duke Ellington, and vocalist Ella Fitzgerald, he ...
,
Jimmy Raney
James Elbert Raney (August 20, 1927 – May 10, 1995) was an American jazz guitarist, born in Louisville, Kentucky, United States, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio (replacing Tal Farlow) a ...
,
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb and for his extensive use of octaves, which gave him a ...
—however, all in a traditional manner, as major 9th, 13th and minor 11th chords (an octave and fourth equals an 11th). Jazz guitarists cited as using modern quartal harmony include
Jim Hall (especially
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians.
In a seven-decade career, Rollins recorded over sixt ...
's ''
The Bridge''),
George Benson
George Washington Benson (born March 22, 1943) is an American jazz fusion guitarist, singer, and songwriter. He began his professional career at the age of 19 as a jazz guitarist.
A former child prodigy, Benson first came to prominence in the ...
("Sky Dive"),
Pat Martino
Pat Martino (born Patrick Carmen Azzara; August 25, 1944 – November 1, 2021) was an American jazz guitarist and composer. He has been cited as one of the greatest guitarists in jazz.
Early life
Martino was born Patrick Carmen Azzara in Philad ...
,
Jack Wilkins ("Windows"),
Joe Diorio,
Howard Roberts
Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician.
Early life
Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 — a ...
,
Kenny Burrell
Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on numerous top jazz labels: Prestige Records, Prestige, Blue Note, Verve Records, Verve, CTI Records, CTI, Muse Records, Muse, and Concord Records, Conco ...
,
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb and for his extensive use of octaves, which gave him a ...
,
Henry Johnson,
Russell Malone,
Jimmy Bruno
James Michael Bruno (born July 22, 1953) is an American jazz guitarist from Philadelphia.
Biography
Born in Philadelphia, Bruno started playing guitar at the age of 7. He began his professional career at the age of 19, touring with Buddy Rich. ...
,
Howard Alden
Howard Vincent Alden (born October 17, 1958) is an American jazz guitarist born in Newport Beach, California. Alden has recorded many albums for Concord Records, including four with seven-string guitar innovator George Van Eps.
Early life
Ho ...
,
Bill Frisell
William Richard Frisell (born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant ...
,
Paul Bollenback,
Mark Whitfield, and
Rodney Jones.
Quartal harmony was also explored as a possibility under new experimental
scale models as they were "discovered" by jazz. Musicians began to work extensively with the so-called
church modes of old European music, and they became firmly situated in their compositional process. Jazz was well-suited to incorporate the medieval use of fourths to thicken lines into its improvisation. The pianists
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of ...
, and
Chick Corea
Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz pianist, composer, bandleader and occasional percussionist. His compositions "Spain (instrumental), Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" ...
are two musicians well known for their modal experimentation. Around this time, a style known as
free jazz
Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventi ...
also came into being, in which quartal harmony had extensive use, owing to the wandering nature of its harmony.

In jazz, the way chords were built from a scale came to be called
voicing, and specifically quartal harmony was referred to as fourth voicing.

Thus when the m11 and the dominant 7th sus (9sus above) chords in quartal voicings are used together they tend to "blend into one overall sound" sometimes referred to as modal voicings, and both may be applied where the m11 chord is called for during extended periods such as the entire chorus.
Rock music

Quartal and quintal harmony have been used by
Robert Fripp
Robert Fripp (born 16 May 1946) is an English musician, composer, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session mu ...
,
guitarist
A guitarist (or a guitar player) is a person who plays the guitar. Guitarists may play a variety of guitar family instruments such as classical guitars, acoustic guitars, electric guitars, and bass guitars. Some guitarists accompany themselve ...
of
King Crimson
King Crimson were an English progressive rock band formed in London in 1968 by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald (musician), Ian McDonald and Peter Sinfield. Guitarist Fripp remained the only constant member throughout the ...
. Fripp dislikes minor thirds and especially major thirds in
equal temperament
An equal temperament is a musical temperament or Musical tuning#Tuning systems, tuning system that approximates Just intonation, just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequency, frequencie ...
tuning, which is used by non-experimental guitars. The perfect fourths and fifths of
just intonation
In music, just intonation or pure intonation is a musical tuning, tuning system in which the space between notes' frequency, frequencies (called interval (music), intervals) is a natural number, whole number ratio, ratio. Intervals spaced in thi ...
are well approximated in equal temperament tuning, and perfect fifths and octaves are highly consonant intervals. Fripp builds chords using perfect fifths, fourths, and octaves in his
new standard tuning (NST), a
regular tuning
Among guitar tunings#Alternative, alternative guitar tunings, guitar-tunings, regular tunings have equal interval (music), musical intervals between the paired note (music), notes of their successive open string (music), open strings.
...
having perfect fifths between its successive
open strings.
The 1971 album ''
Tarkus
''Tarkus'' is the second studio album by English progressive rock band Emerson, Lake & Palmer, released on 4 June 1971 on Island Records. Following their debut tour across Europe during the second half of 1970, the group paused touring commitme ...
'' by
Emerson, Lake & Palmer
Emerson, Lake & Palmer (informally known as ELP) were an English progressive rock Supergroup (music), supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of The Nice, Greg Lake (vocals, bass, guitars, producer) ...
depends on quartal harmony throughout, including a recurrent elaboration on the classical
Alberti bass pattern, in this case consisting of three broken quartal three-note chords, the first two of which are also a perfect fourth apart, and the third a semitone higher than the first. Keith Emerson uses programmatic quintal harmony in several places for extended rapid obbligato passages where human fingering would be impracticable, the first on Hammond organ and the second on Modular Moog, in a similar manner to the mutation stops on pipe organs, such as the "Twelfth" at 2 2/3' pitch played against a 4' "Principal" (which plays the eighth note). In the second instance, the triad is both quartal and quintal, being 1+4+5.
Ray Manzarek
Raymond Daniel Manzarek Jr. ( Manczarek; February 12, 1939 – May 20, 2013) was an American keyboardist. He is best known as a member of the rock band the Doors, co-founding the group in 1965 with fellow UCLA School of Theater, Film and Te ...
of
The Doors
The Doors were an American rock band formed in Los Angeles in 1965, comprising vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore. They were among the most influential and controversial rock acts ...
was another keyboard player and composer who put classical and jazz elements, including quartal harmonies, into the service of rock music. The keyboard solo of "
Riders on the Storm", for instance, has several passages where the melody line is doubled at an interval of a perfect fourth, and extensive use of (E dorian) minor chord voicings featuring the seven and three, spaced by that same interval, as the prominent notes.
Examples of quartal pieces
Classical
*
William Albright
*:Sonata for Alto Saxophone and Piano
*
Alban Berg
Alban Maria Johannes Berg ( ; ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...
*:Sonata for Piano, Op. 1
*:''
Wozzeck''
*
Carlos Chávez
Carlos Antonio de Padua Chávez y Ramírez (13 June 1899 – 2 August 1978) was a Mexican composer, conducting, conductor, music theorist, educator, journalist, and founder and director of the Mexican Symphonic Orchestra. He was influence ...
*:''
Sinfonía de Antígona'' (Symphony No. 1), uses quartal harmony throughout
*:''
Sinfonía india'' (Symphony No. 2), the A-minor Sonora melody beginning in b. 183 is accompanied by quartal harmonies
*
Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Compos ...
*:''Of Mice and Men''
*
Claude Debussy
Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influe ...
*:"
La cathédrale engloutie", beginning and ending
*
Norman Dello Joio
*:Suite for Piano
*
Caspar Diethelm
*:Piano Sonata No. 7
*
Alberto Ginastera
Alberto Evaristo Ginastera (; April 11, 1916June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical music, 20th-century classical composers of the Americas.
Biography
G ...
*:''12 American Preludes'', Prelude #7
*
Carlos Guastavino
*:"Donde habite el olvido"
*
Howard Hanson
Howard Harold Hanson (October 28, 1896 – February 26, 1981)''The New York Times'' – Obituaries. Harold C. Schonberg. February 28, 1981 p. 1011/ref> was an American composer, conductor, educator and music theorist. As director for forty year ...
*:
Symphony No. 2 ("Romantic")
*
Walter Hartley
*:''Bacchanalia for Band''
*
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, actuary and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored d ...
*:"The Cage" (1906)
*:''Central Park in the Dark''
*:"Harpalus"
*:Psalm 24, verse 5
*:Psalm 90
*:"Walking"
*
Aram Khachaturian
Aram Ilyich Khachaturian (; 1 May 1978) was a Soviet Armenians, Armenian composer and conductor. He is considered one of the leading Music of the Soviet Union#Classical music of the Soviet Union, Soviet composers.
Khachaturian was born and rai ...
*:
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virt ...
*
Benjamin Lees
*:String Quartet No. 2, Adagio
*
Darius Milhaud
Darius Milhaud (, ; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His composition ...
*:Sonatina for flute & piano, Op. 76
*
Walter Piston
Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University.
Life
Piston was born in Rockland, Maine at 15 Ocean Street to Walter ...
*:Clarinet Concerto
*:''Ricercare for Orchestra''
*
Einojuhani Rautavaara
Einojuhani Rautavaara (; 9 October 1928 – 27 July 2016) was a Finnish composer of classical music. Among the most notable Finnish composers since Jean Sibelius (1865–1957), Rautavaara wrote a List of compositions by Einojuhani Rautavaara, gre ...
*:"Kvartit" (Fourths), Op. 42,
Études (Rautavaara)
*
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ...
*:''
Ma mère l'oye
''Ma mère l'Oye'' (English: ''Mother Goose'', literally "''My Mother the Goose''") is a suite by French composer Maurice Ravel. The piece was originally written as a five-movement piano duet in 1910. In 1911, Ravel orchestrated the work.
Pian ...
'' : "Mouvt de Marche" of "Laideronnette"
*
Ned Rorem
Ned Miller Rorem (October 23, 1923 – November 18, 2022) was an American composer of contemporary classical music and a writer. Best known for his art songs, which number over 500, Rorem was considered the leading American of his time writing i ...
*:''King Midas'', cantata
*
Erik Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undi ...
*:''
Le Fils des étoiles''
*
Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-centu ...
*:''
The Book of the Hanging Gardens
''The Book of the Hanging Gardens'' (German: '), Op. 15, is a fifteen-part song cycle composed by Arnold Schoenberg between 1908 and 1909, setting poems of Stefan George. George's poems, also under the same title, track the failed love affair o ...
''
*:''
Chamber Symphony'', Op. 9) slow section, b. 1–3
*:
Wind Quintet, Op. 26
*
Cyril Scott
*:''Diatonic Study'' (1914)
*
Nikos Skalkottas
*:Suite No. 3 for Piano
*
Stephen Sondheim
Stephen Joshua Sondheim (; March22, 1930November26, 2021) was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. He received Lis ...
*:Piano Sonata
*
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groun ...
*:''
Klavierstück IX''
*
Howard Swanson
*:"Saw a Grave"
*
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally bec ...
*:
Nonet (1923)
*
Anton Webern
Anton Webern (; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist. His music was among the most radical of its milieu in its lyric poetry, lyrical, poetic concision and use of then novel atonality, aton ...
*:
Variations for Piano, Op. 27
*
John Williams
John Towner Williams (born February 8, 1932)Nylund, Rob (November 15, 2022)Classic Connection review, ''WBOI'' ("For the second time this year, the Fort Wayne Philharmonic honored American composer, conductor, and arranger John Williams, who w ...
*:
Star Wars - Main Title (1977)
*:
Superman - Main Title (1978)
Jazz
*
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis ado ...
*:''
Kind of Blue
''Kind of Blue'' is a studio album by American jazz musician Miles Davis, released on August17,1959, by Columbia Records. For this album, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Ev ...
''
*
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of ...
*:"
Maiden Voyage"
*
Eddie Harris
Eddie Harris (October 20, 1934 – November 5, 1996) was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-k ...
*:"Freedom Jazz Dance"
*
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet from 1960 to 1965, and his long solo career afterwards. He was an NEA Jazz Masters, NEA J ...
*:"Contemplation"
*:"
Passion Dance"
Folk
On her 1968 debut album ''
Song to a Seagull
''Song to a Seagull'' (also known as ''Joni Mitchell'') is the debut studio album by the Canadian singer-songwriter Joni Mitchell. Produced by David Crosby, the album was recorded in early 1968 at Sunset Sound and released in March 1968 by Re ...
'',
Joni Mitchell
Roberta Joan Mitchell (née Anderson; born November 7, 1943) is a Canadian and American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitch ...
used quartal and quintal harmony in "Dawntreader", and she used quintal harmony in the title track ''Song to a Seagull''.
Rock
*
Emerson, Lake & Palmer
Emerson, Lake & Palmer (informally known as ELP) were an English progressive rock Supergroup (music), supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of The Nice, Greg Lake (vocals, bass, guitars, producer) ...
*: ''
Tarkus
''Tarkus'' is the second studio album by English progressive rock band Emerson, Lake & Palmer, released on 4 June 1971 on Island Records. Following their debut tour across Europe during the second half of 1970, the group paused touring commitme ...
''
*
Frank Zappa
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American guitarist, composer, and bandleader. In a career spanning more than 30 years, Zappa composed Rock music, rock, Pop music, pop, jazz, jazz fusion, orchestra ...
*:"
Zoot Allures"
*
XTC
XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge (vocals, guitars) and Colin Moulding (vocals, bass), the band gained popularity during the rise of punk and new wave in the 1970s, later playing ...
*:"Rook" (composed by
Andy Partridge
Andrew John Partridge (born 11 November 1953) is an English guitarist, singer-songwriter and record producer best known for co-founding the band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing a ...
, from the album ''
Nonsuch'')
See also
*
Secundal
*
Polychord
In music and music theory, a polychord consists of two or more chords, one on top of the other. In shorthand they are written with the top chord above a line and the bottom chord below,Policastro, Michael A. (1999). ''Understanding How to Build ...
*
Viennese trichord
*
Traditional sub-Saharan African harmony
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African Sub-Saharan African music traditions, music based on the principles of Homophony, homophonic parallel harmony, parallelism (Chord (music), chords based aro ...
References
Sources
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
* .
*
*
*
*
*
*
*
Nattiez, Jean-Jacques (1990). ''Music and Discourse: Toward a Semiology of Music'', translated by Carolyn Abbate. Princeton, New Jersey: Princeton University Press. .
*
*
*
*
*
*
*
*
*
* (cloth); (pbk). Based on .
* .
*
*
*
*
*
*
*
*
*
Further reading
*
Floirat, Bernard(2015).
Introduction aux accords de quartes chez Arnold Schoenberg', Paris, www.academia.edu.
*
External links
*
ttp://www.jazzguitar.be/blog/quartal-chords-harmony-voicings-for-guitar/ The Use of Quartal Harmony in Jazz Guitar
{{DEFAULTSORT:Quartal And Quintal Harmony