Qizhuang

(), also known as () and commonly referred as Manchu clothing in English, is the traditional clothing of the Manchu people. in the broad sense refers to the clothing system of the Manchu people, which includes their whole system of attire used for different occasions with varying degrees of formality. The term can also be used to refer to a type of informal dress worn by Manchu women known as , which is a one-piece long robe with no slits on either sides. In the Manchu tradition, the outerwear of both men and women includes a full-length robe with a jacket or a vest while short coats and trousers are worn as inner garments.

The Manchu people have a history of about 400 years; however, their ancestors have a history of 4000 years. The development of , including the precursor of the cheongsam, is closely related to the development and the changes of the Manchu Nationality (and their ancestors) throughout centuries, potentially including the Yilou people in the Warring States Period, the Sushen people in the Pre-Qin period, the Wuji people in the Wei and Jin period, the Mohe people from the Sui and Tang dynasties, and the (known as Jurchen) in the Liao, Song, Yuan, and Ming dynasties. The Qing dynasty was a period when the Manchu's clothing development stage reach maturity. In the Qing dynasty, the clothing culture of the Manchu people contradicted and collided with the clothing culture of the Han Chinese due to their cultural differences and aesthetic concepts. Some Qing dynasty court dress preserved features and characteristics which are distinct the clothing worn by the Manchu prior to their conquest of the Ming dynasty. The Qing dynasty officials also wore court dresses, which were variants of Manchu clothing at the court.

Characteristics and cultural significance

Characteristics of

The Manchu clothing contrasted to the , Han Chinese clothing, worn in the Ming dynasty; ''"in contrast to the ample, flowing robes and slippers with upturned toes of the sedentary Ming, the Manchu wore the boots, trousers, and functional riding coats of nomadic horsemen''".
Manchu of both sex wore trousers to protect their legs from the horse's flanks and from the elements. Their boots had rigid soles to facilitate archery on horseback by allowing the riders to stand in the iron stirrups. The Manchu people also wore hoods which provided insulation and were essential to protect its wearer from the cold Northeast Asian winters.

Manchu coats (and robes) were typically closed fitting and had 4-slits opening on 4 sides (2 sides of the garment, back and front) to facilitate ease of movements when horseback riding; their sleeves were long and tight with their sleeves cuff ending in the shape of a horse's hoof, referred as (), which was meant to protect its wearer's back of the hands from the wind. The Manchu's robes were overlapping in the form of a lute-shaped (or slant/curved) front, a Manchu innovation, which was used distinguished the Manchu robes from the similar-looking clothing worn by the Mongol and by those worn by the Han Chinese. The Manchu robes were fastened with loop and toogle buttons at the centre front of the neck area, right of the clavicle, under the right arm and along the right seam; this ways of closing their clothing differed from the Han Chinese who fastened a knotted button at the right neck opening near the shoulder line. and slanted opening remained main features of the Manchu dress until the collapse of the Qing dynasty in 1911.

Their male traditional hairstyle is the queue, which is called in Chinese and soncoho in Manchu language.

Emphasis on Manchu cultural identity

The Manchu elites perceived themselves and the emperor as being Manchu first with a long tradition rooted in riding horses, shooting arrows, and hunting; they saw their clothing as having been designed to be suitable for their lifestyles and practices. Their clothing was associated with martial vigour; Manchu clothing allowed greater ease of movement while the Han Chinese wide and long-sleeved robes limited movements.

According to the ''Documents of History of Qing dynasty, Yufu zhi'': "''Manchu people are good at riding and shooting. If we adopt Han people's clothes easily and gradually lose the skill of archery and horse riding and no longer worship martial arts, isn't that a pity that we will keep these weapons but have no reasons to practice them''".

The Manchu elites saw these characteristics of the Manchu culture as very important, which needed to be preserved and fully emphasized and expressed in their rule. Therefore in the early Qing dynasty, the Manchu rulers emphasized that the Han Chinese had to follow the dressing code of the Manchu.

However, not every Han Chinese were required to wear Manchu clothing under the Tifayifu policy due to another mitigation policy adopted by the Qing court typically referred as the "ten rules that must be obeyed and ten that need not be obeyed", advocated by Jin Zhijun.

Ethnic markers between Manchu and Han Chinese women

Through a mitigation policy to the Tifayifu, the Han Chinese women were allowed to keep the style and characteristics of the Ming dynasty's women clothing; allowing the coexistence of Manchu and Han Chinese women clothing. Manchu and Han Chinese women differed from each other in their dressing style.

Han Chinese women followed the long tradition of ''liangjie chuanyi'' (), which refers to the wearing of two-part top-bottom garment style, when wearing their hanfu. This tradition persisted throughout centuries up to the early 1920s. ''Liangjie chuanyi''-style clothing became one of the ethnic markers of the Han Chinese women identity.

On the other hand, Manchu women wore a one-piece long dress. However, they borrowed some elements from each other in the Qing dynasty, for example, wide robe sleeves which are typical features in the Han Chinese women's clothing was adopted in the informal daily outfits of the Manchu women. The Manchu women's clothing were therefore influenced by the Han Chinese clothing culture. Manchu women also had natural feet and did not engage in foot binding as opposed to the Han Chinese women.

Pre-Manchu History

Sushen/ Yilou people

In the Shang and Zhou dynasties, the earliest ancestors of the Manchu were the Sushen people who lived in the Songhua river basin in China. Their clothing culture was influenced by their productivity and geographical environment; the Sushen people lived on fishing and hunting; therefore, their clothing were made out of wild animal fur. According to Guo Pu's commentary in Shanhaijing, the Sushen people resided north of the Liaodong Commandery lived in caves and only wore pig hides for clothing and in winter, they would smear grease on their bodies to protect themselves from the wind and cold.

According to the Book of Jin, the Sushen (also known as Yilou) lived north of the Changbai Mountain; Sushen man would stick feathers in a woman's hair and if the woman accepted, he would propose her to be his wife and marry her in a formal and respectful way; a custom which was passed down to the Yuan and Ming dynasties.

Mohe people

In the 7th century Tang dynasty, the descendants of the ancient Sushen people were known as the Heishui Mohe (; ). Another descendants branch of the Sushen, Yilou, and Wuji people were the Sumo Mohe who established the Bohai kingdom; a kingdom which was made up of a large number of Mohe tribesmen in terms of population while the ruling class was composed mostly of Goguryeo people. Some Mohe people however managed to become part of the ruling elite of Bohai. Bohai eventually fell under the Khitans in 926 and the Goguryeo elites of Bohai became refugees in Goryeo leaving the indigenous Mohe people behind, who then became the subjects of the Liao dynasty.

The Heishui Mohe had the customs of using wild boar tusks and pheasant tail feathers for their headdress. According to the Old Book of Tang, the New book of Tang, and the Book of Sui, Mohe men wore clothing of leather and decorated their hats with pheasant feathers. The Mohe people, who lived in the northern regions and eastern regions of Bohai, lived through hunting and fishing and wore clothing made out of fur (including sable, bear, and tiger) to protect against the cold with fur attached to the clothing.

Jurchen/ Nuzhen history

The ancestors of the Manchu, the Jurchen people , also fully reflected the characteristics of the Manchu people as nomadic people; their clothing were zuoren (closing to the left) and their sleeves had horse-hoof cuff. The Jurchen clothing also reflected some fusion of Han and Manchu culture. Throughout the Jin, Liao and early Qing dynasties, the Jurchen retained their traditional customs of wearing feather caps and coats. The young Jurchen girls would wear a tube-shaped, five-colour beads which were engraved with ornamental design made of bird-neck bone.

Five dynasties and ten Kingdoms, Liao dynasty, Song dynasty

During the Five dynasties period, the Mohe people started to be referred as the Jurchen people (), they were referred as such by the Khitans who had founded the Liao dynasty. The Liao dynasty had subdued the Heishui Mohe who lived along the Heilongjiang river, the Songhua river, and in the Changbai mountains. The Jurchens, therefore, emerged from the Mohe tribes who lived south and west of the Changbai mountains and north to the Bohai kingdom.

In the early history of the Jurchen, the Jurchen liked to wear white clothing and shaved the front of their head above the temples while the rest of their hair hanged down to their shoulders. They could also shave their hair at the back of the head and bundled it with coloured silk; they also wore golden locks as their ornaments. The wealthy Jurchen used pearls and golds as ornaments. Jurchen women braided their hair and wound them into a hair bun without wearing a hat. The Jurchen weaved hemp as they did not raise silkworms; they used the fineness of hemp cloth to indicate their wealth. In winter, fur coats were used by both the rich and the poor to keep themselves warm.

Jin dynasty

The ''sheng'' () Jurchens lived a relatively primitive and indigenous lifestyle based on hunting and herding similarly to the lifestyle of their ancestors. The Jurchens founded the Jin dynasty in 1115 and eventually overthrew the Liao dynasty. Some remnants of the Bohai people became the subjects of the Jin after it overthrew the Liao dynasty; and by the mid-Jin dynasty, the Bohai people lost their distinct identity having been assimilated. Soon after having founded the Jin dynasty, the Jurchen elites abandoned their ''sheng'' ways of life having been first influenced by Bohai and later on by gaining much of northern China and the former Song dynasty population which were large in numbers. The Jurchens who lived in the Jin dynasty quickly adopted Han Chinese culture, and by the late 12th century, Hanfu had become the standard form of clothing throughout the Jin society, in particular by the elites.

After having conquered northern China, in 1126, a proclamation was issued by the Grand Marshal's office stipulating that the Jurchens had conquered all and it would be therefore appropriate to unify the customs of the conquered people to make them conform to the Jurchen norms; therefore the Chinese men living in the conquered territories were ordered to shave their hair on the front of their head and to dress only in Jurchen-style attire under the threat of execution to display their submission to the Jurchens. This shaving hair order and adopting Jurchen clothing was however cancelled just a few months after it was stipulated as it was too difficult to enforce. In general, the Jin dynasty Jurchen clothing were similar to those worn by the Khitans in Liao, except for their preference for white colour. Yuanlingpao with tight sleeves (closing to the left side, with pipa-shaped collar) were worn by men with leather boots and belts. Jurchen women liked to wear jackets (either dark red or dark purple) which closed to the left side with long flapped skirts. It is also recorded in the section ''Carriages and Costumes'' of the History of Jin dynasty that Jurchen clothing were decorated with bears, deer, mountains and forest patterns.

In 1127, the Jin dynasty occupied the Northern Song capital and the territories of the Northern Song and the Han Chinese became the majority population of the Jin dynasty; the Han Chinese were allowed to practice their own culture. The shaving hair and adoption Jurchen clothing imposition order on the Chinese was once again reinforced in 1129; however, it does not seem to have been strictly been enforced.

In the 1150, Emperor Hailing established a sinicization policy. Under his reign, the Chinese in Honan were allowed to wear Chinese clothing.
In the late 1160s, Emperor Shizong, the successor of Emperor Hailing, attempted to revive old Jurchen culture and to preserve the Jurchen's cultural identity. By his time, many Jurchens appeared to have adopted Chinese customs and have forgotten their own traditions. As a result, Emperor Shizong also prohibited the Jurchens from adopting Han Chinese attire. Jurchen material culture dating about 1162 were found from the coffin of the Prince of Qi, Wanyan Yan, and his wife, where Wanyan Yan and his wife were dressed in layers of clothing in the duplicate style as those worn by Lady Wenji and the warriors who accompanied her in the painting ''Cai Wenji returning to Han''.The Prince of Qi wore earrings, drawers, padded leggings, jerkings, boots, a padded outer jacket with medallion designs at the back and front jacket; soft shoes and socks, and a small hat while his wife wore a short apron, trousers, leggings, a padded silk skirt, a robe with gold motifs, silk shoes with soft soles and turned-up toes. These forms of Jurchen clothing were in the styles of the old Jurchen nobility; a style which may have been typical of the clothing of the Jin imperial elite at some point in the late 12th century during the reign of Emperor Shizong, who emphasized the values of the old ''sheng'' Jurchen and attempted to revive Jurchen culture and values. The tribeswomen in the painting ''Cai Wenji returning to Han'' wear Jurchen attires consisting of leggings, skirts, aprons made of animal hide, jackets, scarves, hats made of fur or cloth; Wenji also wears Jurchen-style attire consisting of a ochre-yellow jacket, silver yunjian (a symbol of high rank), boots, and fur hat with ear flaps; the tribesmen wear typical ''sheng'' Jurchen clothing with the exception of a Han Chinese official. However, the Prince of Qi and his wife clothing were not made of rough-woven wool, felt, and animal-skin that the ''sheng'' Jurchen wore; instead, they wore clothing made of fine silks with some decorated with gold thread; they also did not wear boots.

According to Fan Chengda who visited the Jin dynasty in 1170 following the Jin conquest of the Northern Song dynasty, he noted that the Han Chinese men had adopted Jurchen clothing while the women dressing style were still similar to the Hanfu worn in the Southern Song dynasty (although the style was outdated).

After the death of Emperor Shizong, the policy of Jurchenization was abandoned and sinicization returned quickly. By 1191, the rulers of the Jin dynasty perceived their dynasties as being a legitimate Chinese dynasty which had preserved the traditions of the Tang and Northern Song dynasties.

By the 13th century, the Jurchens of Jin considered the ''sheng'' Jurchens as outsiders, barbarians, and sometimes even as their enemies.

Manchu history

Ming dynasty/ Later Jin dynasty

Transition from Jurchen to Manchu

Manchu (and Jurchen) clothing initially looked similar to the clothing worn during the early dynasties of conquest in its core features. The Jurchens and Manchu were initially hunters and developed their clothing were made from the hides of animals they hunted. They also relied on trade to obtain the cloth required to make their horse-riding clothing; their cloth coats would then often be quilted or face with fur to increase protection against the cold. Their clothing consisted of surcoats, such as magua. After 1630, their magua often reflected its wearer's association to his banner through the colour of the garment or by its trimmings.

Prior to the Ming dynasty conquest, the Manchu (and their predecessors) had already been bestowed with dragon robes by the Ming court as diplomatic gifts and bribes. Thus, the Manchu rulers ordered to trim the silk Ming dynasty dragon robes with sable. During the time of Nurharci, the highest-ranking members of the Jurchen elites wore Manchurian pearls, sable, and lynx: the highest members of the elites wore plaited sable jackets and robes of black sable, they wore Chinese-style racoon-dog or lynx fur robes; 2nd rank men wore robes or coats made of plain raccoon-dog which were lined with sable; and the men of the 3rd rank would wear the dragon robes which would be lined with sable in the Jurchen style. Lower noblemen were dressed in squirrel and weasel fur.

The term "Manchu" was only adopted in 1635 by Hong Taiji in an attempt to create a new identity and people who referred to them as Jurchen would be executed. Hong Taiji had declared:

File:China and the Manchus Page ii.jpg, Illustration of a Jurchen of the 14th century.
File:A Tartar Huntsmen on His Horse.jpg, A Jurchen man, Ming dynasty, 15th century.
File:Jurchen woodblock print.png, Late Ming dynasty depiction of a Jurchen tribesman.
File:清 佚名 《清太祖天命皇帝朝服像》.jpg, Painting of Nurharci, 17th century

Qing dynasty

First half of 16th century

The Manchu invaded the late Ming dynasty and overthrew the Ming dynasty to establish the Qing dynasty. comb their long hair and hide it under caps. The Manchu, Mongol bannermen and Han bannermen in Later Jin (1616–1636) territories since 1616 already shaved their foreheads. When the Manchu arrived in Beijing, they passed the tifayifu policy which required Han Chinese adult men (with the exceptions of specific group of people who were part of a mitigation policy advocated by Jin Zhijun, a former minister of the Ming dynasty who had surrendered in the Qing dynasty) to shave their hair (i.e. adopting the Manchu's queue as a way to symbolize to their submission to Qing dynasty rule and dress in Manchu-style; the Han Chinese women were part of the exempted people and were therefore spared from the policy. Women in the Qing dynasty dressed accordingly to their husband's ranks. According to Chinese customs, Han Chinese men were supposed to comb their long hair and hide it under caps. The Qing imposed the shaved head hairstyle on men of all ethnicities under its rule even before 1644 like upon the Nanai people in the 1630s who had to shave their foreheads. The men of certain ethnicities who came under Qing rule later like Salar people and Uyghur people already shaved all their heads bald so the shaving order was redundant. However, the shaving policy was not enforced in the Tusi autonomous chiefdoms in Southwestern China where many minorities lived. There was one Han Chinese Tusi, the Chiefdom of Kokang populated by Han Kokang people. All members of the Eight Banners, regardless of their ethnic origins, were required to wear Manchu dress. Banner women were not allowed to adopt Chinese customs such as foot binding, wear single earrings, and wear Ming-style clothing with wide sleeves. Qing Manchu prince Dorgon initially canceled the order for all men in Ming territories south of the Great wall (post 1644 additions to the Qing) to shave. It was a Han official from Shandong, Sun Zhixie and Li Ruolin who voluntarily shaved their foreheads and demanded Qing Prince Dorgon impose the queue hairstyle on the entire population which led to the queue order.

Following their conquest of the Ming dynasty, the Manchu continued the wearing the Ming-style dragons robes but altered them by adding fur at the collar and cuff and sable at the skirts. In 1636, a proclamation was passed to guide the principles that the Manchu rulers had to avoid adopting the traditional clothing dress code of the Ming dynasty with the Manchu rulers reminding their people that adopting Han Chinese customs of the Ming dynasty would make their people become unfamiliar with shooting and horseback riding. Hong Taiji who developed a dress code after 1636 stipulated that there was a direction connection between the adoption of Han Chinese's clothing, speech and sedentary lifestyle and the decline of the earlier Conquest dynasties ( Liao, Jin, and Yuan). Manchu rulers also firmly rejected the adoption of Ming dynasty's court clothing and led to the executions of people who suggest adopting the Ming dynasty court dress.

In 1637, Hong Taijji reminded his people that the "wide robes with broad sleeves" of the Ming dynasty were completely unsuitable to the Manchu lifestyle and expressed his worries that his descendants would forget the source of their greatness (i.e. Manchu conquests were founded on their horseback riding and their archery skills) and adopt Han Chinese customs. On the same year, Manchu noblemen and women were ordered by the early Qing court to wear freshwater Manchurian pearls in their headwear, including hats and hairpieces.

After 1644, new revisions were made on the clothing regulations: 1st rank princes had to wear 10 Manchurian pearls on their head; 8 pearls for the 2nd rank princes; 7 for the 3rd rank princes; the number of numbers were graded down until the lowest-ranking aristocrats who were only allow to wear one single pearl.
File:Daisan.jpg, Daisan (1583-1648) wearing an altered Ming dynasty dragon robe (jifu), 17^th century
File:Li Yinzu (1629 – 1664).jpg, Chaofu of Lin Yinzu, between 1629 and 1664
File:MET DP225672.jpg, Jifu, Qing dynasty, 17th century
File:清早期 彩絨龍袍料-Velvet Textile for a Dragon Robe MET DT5688.jpg, Early design of the Qing dynasty dragon robe, 17th dynasty.

Second half of 17th century to late 18th century

In the early 1652, surcoat with insignia badges started to be worn to indicates its wearer's rank. They were also wearing a three-quarter length surcoats, called duanzhao, which was entirely lined with fur; these were used on cold weather days. The duanzhao were considered luxurious, and they were eventually restricted to the members of the elites (nobles and officials of the top three ranks) and to the imperial guards; the type of fur and the lining colour was worn accordingly to its wearer's rank.

During the Kangxi and the Qianlong period, the Manchu clothing system was continuously improved. During the Qianlong reign, some Banner women transgressed the ban of wearing Hanfu and Han Chinese jewelries (specifically earrings). The Qianlong emperor reiterated the warning of abandoning Manchu clothing to his descendants noting that every northern dynasties that had adopted Chinese robes had hats had died out within one generation after they had abandoned their native dress; the Qianlong emperor had cited Hong Taiji's earlier analogies. The Manchu women's chanyi and chenyi (informal robes) both became popular in during the reign of the Qianlong emperor and were worn with a long neck ribbon called longhua.
File:Yinsi.jpg, Yinsi
File:Man's semi-formal court robe (jifu) - Google Art Project.jpg, Man's jifu, first quarter of the 18th century
File:Shang Zhixin.jpg, Portrait of Shang Zhixin, second half of 17th century.
File:Sunggan.jpg, Sunggan, late 1700s
File:Liang Chaogui.jpg, Liang Chaogui, between 1788 and 1794
File:Yinzhi.jpg, Prince Yinzhi, 3rd son of Kangxi Emperor

= Standardization of Manchu imperial and court clothing in Qing dynasty

=
The Manchu rulers also established new dress code regulations codifying the attires worn by the imperial family, the Qing dynasty court and their court officials to distinguish the members of the ruling elites from the general population. The Board of Rites worked on the standardization of the Imperial clothing of the Qing dynasty. developing the sumptuary regulations throughout the 17th and early 18th centuries. The Board of Rites worked on ways to create distinctions between the clothing worn by the Emperors from other members of the political circle by limiting what people could wear and not wear; they also developed the imperial clothing by drawing on both the Manchu's and Han people's traditions.

It is however only in the Qianlong period, that the Imperial clothing become an amalgamation of Manchu-style tailoring with an adoption of Chinese designs. The Qing Emperor would therefore be dressed in Chinese symbols and wear colours which reflect his rule as a Chinese emperor while at the same the tailoring of his robes would expressed his connection to the Manchu martial tradition of horse riding and shooting arrows.The new dress code was found in the ''Huangchao liqi tushi'' () was commissioned by the Qianlong Emperor by the year 1759 as he was concerned that the customs of the Manchu people would be diluted by the Han Chinese ways. The twelve ornaments were also reintroduced in 1759 and reappeared on the Qing dynasty court robes, first on the chaofu and later on the jifu.

The ''Huangchao liqi tushi'' was therefore published and enforced by the year 1766; it contained a long section regulating the clothing worn by the emperors, princes, noblemen and their consorts, Manchu officials along with their wives and daughters, and also stipulated the dress code worn by the Han Chinese men who became a mandarin and were serving the Manchu court along with their wives and by the people who were waiting for an appointment. The stipulated clothing was divided into official and unofficial clothing and was then subdivided into formal, semiformal and informal categories: Formal official clothing and semiformal clothing were worn at the court; Informal official clothing was worn when travelling on official business, when attending court entertainment and on important domestic occasions; Non-official formal clothing was worn on family occasions. The clothing was also regulated by the seasons.

End of 18th century to first half of 19th century

In the Jiaqing and Daoguang period, Manchu clothing evolved and more decorations were used to adorn the women's clothing.

By the mid-19th century, the matixiu () sleeve cuffs of Manchu women's robe became wider and the size of the cuff also became bigger, particularly on the formal festive coats worn by Manchu court women.

Second half of 19th century

File:Wen-siang, Manchu Minister of State. Wellcome L0040967.jpg, Wen-siang, between 1868 and 1870
File:Manchu Tartar Lady.jpg, Manchu lady, between 1871 and 1872.
File:《喜溢秋庭图》.jpg, 1899
File:Robe (China), 1875–99 (CH 18652633).jpg, alt=, A Manchu woman's ''chenyi'' robe, 1875–99.

20th century

File:Manchu people (from a book published in 1906).png, Manchu people, 1906
File:Mongolian headdress (1).jpg, Mongol noble wore Qing-style clothing, 1910

Republic of China

By 1911, the topple of the last Qing dynasty Emperor by Sun Yat-sen and the demise of the Qing court led to the extinction of the Qing dynasty sartorial regulations. When the Republic of China was established, men all over China cut their queues and wore Western-style clothing.

The Northern Expedition entered Beijing in 1928 and held disdain towards the city; their soldiers treated people who worked in the old government as captives and wanted to "wipe out everything": they banned Manchu women's hairstyles and the wearing of magua; they also prohibited temple fairs to follow the Chinese calendar.

Types of Qizhuang

According to the Manchu tradition, the outerwear of both men and women includes a full-length robe with a jacket or a vest while short coats and trousers are worn as inner garments.

During the Qing dynasty, new types of clothing with elements and features which referred to the Manchu tradition also appeared, leading to changes in the cut of the formal and semi-formal attire worn by both the Manchu and the Han Chinese; for example, the Manchu robes closed to the right side of their body, 4-slits at the bottom of their garments (while the Han Chinese only wore two) which facilitated horse riding, the shape of the sleeves were changed from long and wide to narrow. Some sleeves had matixiu cuffs. Some court dress of the Qing dynasty preserved features and characteristics which are distinct the clothing worn by the Manchu prior to the conquest of the Ming dynasty. The Qing dynasty officials wore court dresses, which were also variants of Manchu clothing at the court.

Some court clothing worn in the Qing dynasty were also adopted from the Han Chinese's court clothing (especially from the Ming dynasty when the early Qing emperors adopted the Ming dynasty institutions and bureaucratic system) but was refitted to show Manchu characteristics. Court clothing also adopted the Han Chinese adornment designs and decorations (e.g. the use of Chinese dragons, the Twelve symbols of sovereignty), and the use of the Five colours symbolism (e.g. the colour blue was adopted as the Manchu's dynastic colour while red was avoided as it had been the dynastic colour of the Ming dynasty).

Formal court dress/ Lifu / Chaofu

Lifu (礼服, lit "ritual dress") were the ceremonial or formal court dress; they were characterized by matixiu cuffsand were the most conservative in preserving Manchu clothing features.

Chaofu (朝服, lit. "court dress"), also known as "Audience robe", or "Robe of State", are official formal court dress (lifu). They are worn by the emperors and court officials on the most solemn state ceremonies; such as on the day of the Emperor's ascension on the throne, imperial weddings, birthdays, New Year, winter solstices, and sacrifices to Heaven and Earth.

The Qing chaofu for men was developed based on the dress of the Ming dynasty court dress; it however had additional distinctive features, such as the Manchu matixiu cuffs in its chaopao, and plain cloth insertions at the sleeves, and the shape of the collar. The chaofu of for men consists of a robe, called chaopao (lit. "court robe"); there was form of summer-style chaofu and two forms of winter-style chaofu. The chaopao worn with the ceremonial collar, called piling (披领) or pijian, around the neck. The emperor, princes, noblemen and high officials wore hats, called ''chaoguan'', which were regulated and worn accordingly to the seasons (winter and summer), ranks, and gender. The colours were bright yellow for the emperor, apricot yellow (杏黃 xinghuang) for the heir apparent (crown prince); golden yellow (jinhuang, which looks closer to orange in colour rather than yellow) for other sons of the emperor. The first to fourth degrees princes and imperial dukes had to wear blue, brown or any other colour unless the Emperor bestowed them with a golden yellow robe. Blue black was the colour worn by the lower-ranking princes, noblemen, and high ranking officials.
Chaofu for women consisted of a chaopao, a chaogua (朝褂), and a skirt which is worn under the chaopao called chaoqun (朝裙). The chaopao, is a formal court robe for women, which is characterized with L-shaped seamed between the collar and the underarm fastening. The chaogua is a long-length court vest worn over the chaopao. It has deep arm openings and sloping shoulder seams and opens in the front. It originated from a Ming dynasty vest worn by the Ming empresses; the deep cut arm openings and sloping shoulders however appears to have been derived from animal skin constructions.

Festive robe/ Jifu

Jifu (), also known as festive robe, used for happy festivals and ceremonies (like a banquet).

Jifu longpao and jifu mangpao

The jifu Dragon robes (; 5-clawed dragons) and the jifu Python robes (mangpao; robes with 4-clawed dragons), were used for various ceremonies (such as festival banquets and military inspections), as semi-formal court dress. They were worn by the members of the imperial family and lower-ranking officials. Prior to the 1759 sumptuary regulations, the jifu followed the Manchu-style cut and had to comply to the laws regarding colours and the dragon-claws number; however, the distribution of dragon patterns on the jifu were not regulated and the early Qing dynasty's robe followed the Ming tradition of having large curling dragons over the chest and back regions. Women also wore jifu dragon robes and python robes as a semiformal court dress. By the mid-19th century, the matixiu () sleeve cuffs of Manchu women's robe became wider and the size of the cuff also became bigger, particularly on the formal festive coats worn by Manchu court women.

The 5-clawed dragons were used for the emperor, his heir apparent, the high-ranking princes and some lesser officials whom the emperor would bestow the 5-clawed dragons to them. The 4-clawed dragons were worn by third ranking princes and anyone below this rank. Those rules were eventually disregarded near the end of the Qing dynasty; and, jifu with five-claws dragons started to be worn by anyone regardless of ranks.

The colours were bright yellow for the emperor, apricot yellow (杏黃 xinghuang) for the heir apparent (crown prince); golden yellow (jinhuang, which looks closer to orange in colour rather than yellow) for other sons of the emperor. The first to fourth degrees princes and imperial dukes had to wear blue, brown or any other colour unless the Emperor bestowed them with a golden yellow robe. Blue black was the colour worn by the lower-ranking princes, noblemen, and high ranking officials.

Jifupao

On wedding and major family occasions unrelated to the court, jifupao (吉服袍) typically have matixiu cuffs and were almost the same as jifu longpao/mangpao. Noblemen women and wives of officials would wear robes with eight roundels with the Chinese character shou () and other motifs; they were worn with a surcoat (jifugua) decorated with 8 roundels with shou or floral patterns. Both the robe and surcoat could be decorated with or without ''lishui'' at the at hem and cuffs.

Longgua/ Jifu gua

Longgua, also known as jifu gua (吉服褂), was the woman's surcoat worn over a semi-formal dragon robe (jifu; i.e the festive robe). When the Manchu established the Qing dynasty, they incorporated roundels with dragons in their official court dress. After the standardization of dress code in the mid 18th century, longgua with 8 dragon roundels became reserved for the empress dowager, empress, imperials concubines (first, second, and third ranks) and for the consort of the crown prince.

Gunfu

Gunfu was a form of surcoat with circular embroidered roundel, which was part of the official court dress since 1759; it was worn over the chaofu or jifu. It is calf-length and made of plain satin; it closes at the front. It was worn by the imperial family; people from the higher ranks would wear five-clawed dragons which face to the front while those from the lower ranks would wear five-clawed dragons in profile.

Bufu

Bufu () was worn with the jifu by the Qing dynasty Court officials (both military and civil) and by the Censorate Civil Bureaucrats. The bufu was the man's surcoat with a square-shape court insignia, called buzi. There is one rank insignia on the front and one on the back of the bufu. Civil officials typically wear rank badges with bird designs; military officials wore rank badges with beasts (or animals) designs, and the Censorate Civil Bureaucrats wear rank badges with xiezhi. The use of buzi on clothing is a continuation of the Ming dynasty court clothing tradition. Women also wore bufu which would often be the mirror image found on the insignia used on her husband's bufu; therefore, when they sat together, the animals would face towards each other symbolizing marital harmony.

Dragon or python would be worn on the buzi of the imperial dukes and noblemen. Lower-ranking noblemen who were not allowed to wear clawed dragons would wear buzi with hoofed dragon near the end of the 19th century.

Fur surcoats/ duanzhao (端罩)

Fur surcoats were typically worn by high ranking officials over the winter jifu.
File:Portrait of Shi Wenying (cropped).jpg, Portrait of Shi Wenying wearing a fur surcoat.
File:皇族內閣 (cropped).jpg
File:Qing nobleman in winter coat, 1860s.png, Qing nobleman in winter coat, 1860s
File:Yinli3.jpg, Yinli wearing duanzhao

Ordinary dress (Changfu)/ casual dress (Bianfu)

Changfu (常服), also known as "ordinary dress", Changfu was typically characterized by matixiu cuffs. The informal official clothing was worn for occasions which are not major ceremonies or government business. Semiformal non-official dress for women were lavishly decorated with embroidery and used contrasting borders by the mid-19th century reflecting the influence of Han Chinese culture.Bianfu (便服) are forms of ordinary wear, used as everyday and leisure wear as casual clothing and were not regulated by the Qing court. They typically did not feature matixiu cuffs.

Xinfu

Xinfu (行服) are travel clothing which were typically used on surveying trips and hunting excursions which usually involves horse riding and archery. Most of xinfu are plain in colour and lacks elaborate decorations.
File:Hongli Spearing a Tiger - detail.png
File:Portrait of the Emperor Troating for Deer - detail.jpg

Headwear and hairstyles

Hairstyles

* Liangbatou
* Qitou
* Queue - It is the original male hairstyle of the Manchu; it was also a variant of the Jurchen queue.

Headwear

* Dianzi (鈿子) - Informal festive Manchu headdress, used for on festive occasions such as birthdays, ceremonies, and New Year celebrations.
* Qing official headwear

File:Manchu hat.jpeg
File:Hat worn by a sixth-rank civil official, China, Qing dynasty, late 19th to early 20th century AD, silk, glass bead, metal clasp - Textile Museum, George Washington University - DSC09962.JPG, Hat worn by a 6th-rank civil official, China, Qing dynasty, late 19th to early 20th century AD.
File:Dalhan.jpg, Darhan
File:Dawachi.jpg, Dawachi of the Dzungar Khanate in Qing court attire, by Jean Denis Attiret
File:Chinese - Ceremonial Headdress - Walters 863 - Three Quarter Left.jpg, ''Dianzi'' purportedly belonging to Empress Dowager Cixi (Walters Art Museum)
File:C-F Attiret La Concubine.jpg, "La concubine" by Jean Denis Attiret, with the subject (purportedly Step Empress) in winter-style (fur-lined) ''jifu''. The hat is called ''jifuguan'' (吉服冠)
File:Consort Zhuang in court costume (detail).jpg, Detail of Empress Xiaozhuangwen's official portrait showing her ''chaoguan'' (朝冠) with kingfisher feather inlay
File:《寿臧和硕公主朝服像》局部.png, Detail of Princess Shouzang of the Second Rank (Daoguang Emperor's daughter)'s official portrait in winter-style ''chaofu''
File:《孝淑睿皇后朝服像》局部.jpg, Detail of Empress Xiaoshurui's official portrait in winter-style ''chaofu''

Footwear

Manchu women did not practice foot binding; Banner women were also forbidden from adopting foot binding customsalthough some Manchu women did transgress this rule. Manchu shoes for Manchu women include Manchu platform shoes, which were used to emulate the bound feet gait of the Han Chinese.
File:Shoes for a Manchu noblewoman, China, Qing dynasty, mid 1800s AD, silk, wood - Textile Museum, George Washington University - DSC09970.JPG
File:Pair of Women's Chinese Shoes, Blue and Black Silk and Velvet with a White Wood Boat Shaped Sole.jpg, alt=
File:MET DP14487.jpg, alt=
File:Woman's shoes, China, Manchu style, late 19th to early 20th century, cotton, silk, satin, painted wood, leather, fiber - Redpath Museum - McGill University - Montreal, Canada - DSC08210.jpg, alt=

Accessories

* Chaodai: A man's woven silk belt.
* Chaozhu
* Earrings: Manchu and Banner women wore three earrings at each ear (which was reinforced by Qianlong's edict of "一耳三鉗" ()) while Han Chinese women would wear a single earring.
* Fadu
* Lingtou: a small, plain, stiffed collar, which was worn over the collar of garments (such as surcoats, jifu and other informal clothing).
* Longhua
* Piling (披领) - ceremonial collar.
* Yajin

File:Robe, dragon (AM 2007.83.1-13).jpg, Piling collar
File:《孝恭仁皇后朝服像》局部.jpg, Detail of Empress Xiaogongren's official portrait showing three earrings on each ear (一耳三鉗)
File:HKU University Museum & Art Gallery 香港大學美術博物館 UMAG exhibition 許氏家族 Xu Family of Guangzhou Jade necklace officials box Mar-2012.jpg, alt=, Chaozhu, Qing dynasty court necklace.

Derivatives and influences

China

Changshan

The changshan, also known as changpao (lit. "long shirt/ long gown"), worn by the Han Chinese was a derivative of the Ming dynasty clothing but was modelled after the Manchu men's robe. It thus adopted Manchu clothing elements by slimming their Ming dynasty's changshan, by adopting the pipa-shaped collar, and by adopting the use of loops and buttons. Compared to the neitao, the changshan was adapted to a sedentary lifestyle and thus only had two slits on the side instead four. and lacked the matixiu cuffs The changshan was worn by Chinese men who did not engage in labour work.

Cheongsam

The cheongsam was a derivative of the Manchu robe.

Tangzhuang

Korea

Gallery

File:A Manchu young man dressed in traditional clothes.jpg, A Manchu young man dressed in traditional clothes.
File:MET 35 84 16 F.jpg
File:MET 42 141 4.jpg, alt=

See also

* Hanfu
* Hufu
* Manchu people
* Tifayifu

Notes

{{Reflist, group=note

References

Chinese traditional clothing
Chinese folk art
Chinese fashion
Chinese headgear
Manchu culture
Qing clothing