|
Pipa
The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipa - Sound
The pipa, pípá, or p'i-p'a () is a traditional Chinese List of traditional Chinese musical instruments, musical instrument belonging to the Plucked string instrument, plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of Fret, frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bipa
The ''bipa'' () is a pear-shaped lute that is a traditional Korean musical instrument. It is derived from Chinese traditional musical instruments, Chinese ''pipa'' and was introduced through the Silk Road to Goguryeo and Silla. There are two major types of ''bipa'': the four stringed ''dang-bipa'' (당비파 / 唐琵琶) and the five stringed ''hyang-bipa'' (향비파 / 鄕琵琶). While ''dang-bipa'' was a Tang-style pipa first introduced from the Chinese Tang dynasty and localized over time to have Korean characteristics, ''hyang-bipa'' was created in the Korean Kingdom of Silla. The instrument is also related to other derivatives such as Vietnamese ''đàn tỳ bà'' and the Japanese musical instruments, Japanese ''biwa''. The bipa was popular in court music until it fell out of use in the early 20th century during the Japanese Colonial period. In 1988–1989, there was the first attempt to revive the two ''bipa'' that was unsuccessful in commercialization. This revived ''bipa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biwa
The is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically to in length, the instrument is constructed of a water drop–shaped body with a short neck, typically with four (though sometimes five) strings. In Japan, the is generally played with a instead of the fingers, and is often used to play . One of the 's most famous uses is for reciting The Tale of the Heike, ''The Tale of the'' , from the Kamakura period (1185–1333). In previous centuries, the predominant musicians would have been , who used the as musical accompaniment when reading scriptural texts. The 's Chinese predecessor was the (), which arrived in Japan in two forms; following its introduction to Japan, varieties of the quadrupled. Guilds supporting players, particularly the , h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Traditional Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked * ( zh, c= 古琴, p=gǔqín) – 7-stringed zithers * ( zh, c= 瑟, p=sè) – 25-stringed zither with movable bridges (ancient sources say 14, 25 or 50 strings) * () – 16–26 stringed zither with movable bridges * () – harp * () – four-stringed lute with gourd body used by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuqin
The ''liuqin'' ( Chinese: , pinyin: ) is a three, four or five-stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than other Chinese plucked string instrument, and it is used in both orchestral music and solo pieces in Chinese music. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the ''liuqin'' from an accompaniment instrument in folk Chinese opera, to an instrument known for its unique tonal and acoustic qualities. The instrument is held diagonally like the Chinese ruan and yueqin. Its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin. Therefore, the liuqin is most commonly played and doubled by those with ruan and yueqin experience. Historically, the ''liuqin'' was commonly made of willow wood (柳 ''liǔ'' literally meaning "willow") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Đàn Tỳ Bà
The ''đàn tỳ bà'' or ''đàn tì bà'' (, Chữ Nôm: ) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, Garland Encyclopedia of World Music South East Asia p262 "The tỳ bà, a pear-shaped lute, first appeared in Vietnam in the early 600s" That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty. It is made of wood, with a pear shape and four strings made of nylon (formerly twisted silk). The instrument is held in a near-vertical position when playing and its playing technique involves frequent bending of the tones with the fingers of the left hand. The strings are plucked with a small plectrum similar to a guitar's but larger. It was associated with the royal court and is still used in the ensemble that performs at the Imperial Palace at Huế. The instrument's name is a Vietnamization of the name of the Chinese pear-shaped lute, called ''pipa'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Dynasty
The Ming dynasty, officially the Great Ming, was an Dynasties of China, imperial dynasty of China that ruled from 1368 to 1644, following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming was the last imperial dynasty of China ruled by the Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family, collectively called the Southern Ming, survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjing were the largest in the world. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbat (lute)
The ''barbat'' () or ''barbud'' is a lute of Greater Iran, Greater Iranian or Persian origin, and widespread across Central Asia, especially since the Sassanid Empire. Barbat is characterized as carved from a single piece of wood, including the Neck (music), neck and a wooden Sound board (music), sound board. Possibly a skin-topped instrument for part of its history, it is ancestral to the wood-topped oud and biwa and the skin-topped Yemen, Yemeni qanbus. Although the original barbat disappeared, modern Iranian Luthier, luthiers have invented a new instrument, inspired by the Barbat. The modern re-created instrument (Iranian peoples, Iranian Barbat) resembles the oud, although differences include a smaller body, longer Neck (music), neck, a slightly raised fingerboard, and a sound that is distinct from that of the oud. History The ''barbat'' probably originated in Central Asia. The earliest image of the ''barbat'' dates back to the 1st century BC from ancient northern Bactria. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instruments
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bağlama
The bağlama or saz is a family of plucked string instruments and long-necked lutes used in Europe, Balkans, Caucasus, Middle East, Khazar, Central Asia including Germany, France, Belgium, TRNC, Netherlands, Albania, Greece,Bosnia, Serbia, Croatia, Bulgaria, North Macedonia, Russia, Armenia, Azerbaijan, Turkmenistan, Uzbekistan, Kyrgyzstan, Iran, Iraq, Syria, Lebanon and Turkey. It is commonly used by Ashik, ashiks. Name According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey. 'Saz' is generally used interchangeably with 'enstrüman' (instrument) and it is used to refer single or group of musical instruments like 'üflemeli sazlar' (Wind instrument, wind instruments). Bağlama scale The scale (music), musical scale of the bağlama differs from that of many western instruments – such as the guitar – in that it features ratios that are close to quarter tones. The traditional ratios for bağla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubab (instrument)
The rubab (, ) or robab is a lute-like musical instrumentDavid Courtney, 'Rabab'Chandra & David's Homepage/ref> of Central Asian origin. It is the national musical instrument of Afghanistan and is also commonly played in India and Pakistan, mostly by Pashtuns, Balochis, Sindhis, Kashmiris, and Punjabis. Variants of the rubab include the ''Kabuli rebab'' of Afghanistan, the Uyghur '' rawap'' of Xinjiang, the '' Pamiri rubab'' of Tajikistan, and the North Indian '' seni rebab''. The instrument and its variants spread throughout West, Central, South and Southeast Asia. The Kabuli rebab from Afghanistan derives its name from the Arabic ''rebab'' and is played with a bow while in Central Asia and the Indian subcontinent, the instrument is plucked and is distinctly different in construction. Size variants Components In detail about the strings: Construction The body is carved out of a single piece of wood, with a head covering a hollow bowl which provides the sound-chambe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theorbo
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes. As with the lute, the player plucks or strums the strings with the right hand while "fretting" (pressing down) the strings with the left hand. The theorbo is related to the ''liuto attiorbato'', the French ', the archlute, the German baroque lute, and the '' angélique'' (or ''angelica''). A theorbo differs from a regular lute in its re-entrant tuning in which the first two strings are tuned an octave lower. The theorbo was used during the Baroque music era (1600–1750) to play basso continuo accompaniment parts (as part of the basso continuo group, which often included harpsichord, pipe organ and bass instruments), and also as a solo instrument. It has a range similar to that of cello. Origin and development Theorbos were develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
