The ''partimen'' (; ; also known as ''partia'' or ''joc partit'') is a cognate form of the French
jeu-parti
The ''jeu-parti'' (plural ''jeux-partis'', also known as ''parture'') is a genre of France, French lyric poetry composed between two ''trouvères''. It is a cognate of the Occitan language, Occitan partimen (also known as ''partia'' or ''joc parti ...
(plural ''jeux-partis''). It is a
genre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
of
Occitan Occitan may refer to:
* Something of, from, or related to the Occitania territory in parts of France, Italy, Monaco and Spain.
* Something of, from, or related to the Occitania administrative region of France.
* Occitan language, spoken in parts o ...
lyric poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person.
The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, t ...
composed between two
troubadour
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''.
The tr ...
s, a
subgenre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
of the ''
tenso
A ''tenso'' (; ) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in whic ...
'' or
''cobla'' exchange in which one poet presents a
dilemma
A dilemma () is a problem offering two possibilities, neither of which is unambiguously acceptable or preferable. The possibilities are termed the ''horns'' of the dilemma, a clichéd usage, but distinguishing the dilemma from other kinds of p ...
in the form of a question and the two debate the answer, each taking up a different side. Of the nearly 200 surviving Occitan debate songs, 120 are ''partimens'' and 75 are open ''tensos''.
The ''partimen'' was especially popular in poetic contests. See also
Torneyamen.
References
Further reading
*
Alfred Jeanroy, ''Les origines de la poésie lyrique en France au Moyen-Age'' (Paris, 1899, 3/1925)
*Alfred Jeanroy: ''La poésie lyrique des troubadours'' (Toulouse and Paris, 1934/''R''), ii, 247–81
*Ruth Harvey, Linda M. Paterson and Anna Radaelli, eds.: ''The troubadour tensos and partimens: a critical edition'' (Cambridge, 2010).
{{Authority control
Western medieval lyric forms
Occitan literary genres