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''Odissi'' (''ଓଡ଼ିଶୀ'') also referred to as ''Orissi'' in old literature, oldest surviving classical dance of India, is a major ancient
Indian classical dance Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part ...
that originated in the
temple A temple (from the Latin ) is a place of worship, a building used for spiritual rituals and activities such as prayer and sacrifice. By convention, the specially built places of worship of some religions are commonly called "temples" in Engli ...
s of
Odisha Odisha (), formerly Orissa (List of renamed places in India, the official name until 2011), is a States and union territories of India, state located in East India, Eastern India. It is the List of states and union territories of India by ar ...
– an eastern coastal state of
India India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since ...
.Odissi
''Encyclopædia Britannica'' (2013)
Odissi, in its history, was performed predominantly by women, and expressed
religious Religion is a range of social- cultural systems, including designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relate humanity to supernatural ...
stories and spiritual ideas, particularly of
Vaishnavism Vaishnavism () ), also called Vishnuism, is one of the major Hindu denominations, Hindu traditions, that considers Vishnu as the sole Para Brahman, supreme being leading all other Hindu deities, that is, ''Mahavishnu''. It is one of the majo ...
through songs written and composed according to the ''ragas'' & ''talas'' of
Odissi music Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over ...
by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu deities
Shiva Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
and
Surya Surya ( ; , ) is the Sun#Dalal, Dalal, p. 399 as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, Smarta tradition, all of whom are considered as equivalent deities in the Panchaya ...
, as well as Hindu goddesses (
Shaktism Shaktism () is a major Hindu denomination in which the God in Hinduism, deity or metaphysics, metaphysical reality is considered metaphorically to be a woman. Shaktism involves a galaxy of goddesses, all regarded as different aspects, mani ...
)., Quote: "There are other temples too in Odisha where the ''maharis'' used to dance. Besides the temple of Lord Jagannatha, ''maharis'' were employed in temples dedicated to Shiva and Shakti." The theoretical foundations of Odissi trace to the ancient Sanskrit text ''
Natya Shastra The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary b ...
'', its existence in antiquity evidenced by the dance poses in the sculptures of Kalingan temples, and archeological sites related to
Hinduism Hinduism () is an Hypernymy and hyponymy, umbrella term for a range of Indian religions, Indian List of religions and spiritual traditions#Indian religions, religious and spiritual traditions (Sampradaya, ''sampradaya''s) that are unified ...
,
Buddhism Buddhism, also known as Buddhadharma and Dharmavinaya, is an Indian religion and List of philosophies, philosophical tradition based on Pre-sectarian Buddhism, teachings attributed to the Buddha, a wandering teacher who lived in the 6th or ...
and
Jainism Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion whose three main pillars are nonviolence (), asceticism (), and a rejection of all simplistic and one-sided views of truth and reality (). Jainism traces its s ...
., Quote: The art of dance and maasic suffered on account of political instability, the Muslim invasion, the desecration of the temples and the loss of independence, the lack of patronage to both the ''maharis'' and the ''gotipua'' dancers..." It was suppressed under
British Rule The British Raj ( ; from Hindustani , 'reign', 'rule' or 'government') was the colonial rule of the British Crown on the Indian subcontinent, * * lasting from 1858 to 1947. * * It is also called Crown rule in India, * * * * or dire ...
. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since
India India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since ...
gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of
performance art Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a pu ...
, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the
Hindu texts Hindu texts or Hindu scriptures are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. Some of the major Hindus, Hindu texts include the Vedas, the Upanishads, and the Itihasa. ...
, using symbolic costumes, body movement, ''
abhinaya Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bh ...
'' (expressions) and ''
mudra A mudra (; , , "seal", "mark", or "gesture"; ) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual ges ...
s'' (gestures and
sign language Sign languages (also known as signed languages) are languages that use the visual-manual modality to convey meaning, instead of spoken words. Sign languages are expressed through manual articulation in combination with #Non-manual elements, no ...
) set out in ancient Sanskrit literature. Classical Odia literature & the
Gita Govinda The ''Gita Govinda'' (; IAST: ''gītagovindam'') is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organiz ...
set to traditional
Odissi music Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over ...
are used for the ''abhinaya''. Odissi is learnt and performed as a composite of basic dance motif called the '' Bhangas'' (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) body as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, ''nritta'' (pure dance), ''nritya'' (expressive dance), ''natya'' (dance drama) and ''moksha'' (dance climax connoting salvation of the
soul The soul is the purported Mind–body dualism, immaterial aspect or essence of a Outline of life forms, living being. It is typically believed to be Immortality, immortal and to exist apart from the material world. The three main theories that ...
and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (''maharis''); the second perfected by boys dressed as girls (''gotipuas'') which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in
Michael Jackson Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, dancer, and philanthropist. Dubbed the "King of Pop", he is regarded as Cultural impact of Michael Jackson, one of the most culturally significan ...
's 1991 hit single "
Black or White "Black or White" is a song by American singer Michael Jackson, released by Epic Records on November 11, 1991, as the first single from Jackson's eighth studio album, '' Dangerous'' (1991). Jackson wrote, composed, and produced the track with rec ...
".


History of Odissi

The foundations of Odissi are found in ''
Natya Shastra The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary b ...
'', the ancient Hindu Sanskrit text of performance arts. The basic dance units described in the ''Natya Shastra'', all 108 of them, are identical to those in Odissi. The text is attributed to the ancient scholar
Bharata Muni Bharata (Devanagari: भरत) was a '' muni'' (sage) of ancient India. He is traditionally attributed authorship of the influential performing arts treatise '' Natya Shastra'', which covers ancient Indian dance, poetics, dramaturgy, and music ...
, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (
Shiva Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.; Also see chapter 36 The
Natya Shastra The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary b ...
refers to four ''pravrittis'' (methods of expressive delivery) in vogue – ''Avanti'', ''Dakshinatya'', ''Panchali'' and ''Odra-Magadhi'' ; of these, the ''Odra'' refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of
Bhubaneswar Bhubaneswar () is the capital and the largest city of the States and territories of India, Indian state of Odisha. It is located in the Khordha district. The suburban region, especially the old town, was historically often depicted as ''Chakra ...
,
Konark Konark is a medium-sized town in the Puri district in the state of Odisha, India. It lies on the coast by the Bay of Bengal, 65 kilometres from the state capital Bhubaneswar. It is the site of the 13th-century Konark Sun Temple, Sun Temple, also ...
and
Puri Puri, also known as Jagannath Puri, () is a coastal city and a Nagar Palika, municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, south of the state ca ...
. The Manchapuri cave in Udayagiri shows carvings of
dance Dance is an The arts, art form, consisting of sequences of body movements with aesthetic and often Symbol, symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoir ...
and musicians, and this has been dated to the time of Jain king
Kharavela Kharavela was the emperor of Kalinga (present-day eastern coast of India) in the 2nd or 1st century BC. The primary source for Kharavela is his rock-cut Hathigumpha inscription. The inscription is undated, only four of its 17 lines are complet ...
in the first or second century BCE. The
Hathigumpha inscription The Hathigumpha Inscription (pronounced: ɦɑːt̪ʰiːgumpʰɑː) is a seventeen line inscription in a Prakrit language incised in Brahmi script in a cavern called Hathigumpha in Udayagiri hills, near Bhubaneswar in Odisha, India. Dated betwe ...
s, also dated to the same ruler, mention music and dance :
(he
he king He or HE may refer to: Language * He (letter), the fifth letter of the Semitic abjads * He (pronoun), a pronoun in Modern English * He (kana), one of the Japanese kana (へ in hiragana and ヘ in katakana) * Ge (Cyrillic), a Cyrillic letter cal ...
versed in the science of the ''Gandharvas'' (i.e., music), entertains the capital with the exhibition of ''dapa'', dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...

— ''Hathigumpha inscription, Line 5'', ~ 2nd–1st century BCE
The classical music tradition of Odisha, known as
Odissi music Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over ...
, also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in
Sankarjang Sankarjang (20°52’08“N; 84°59’19“E), Odisha, India is an archaeological site near Angul, a former cemetery and settlement with large, worked stones but no one knows what they were made for, although some people think they might have be ...
, the highlands of Odisha, which is dated to about 1000 BCE.


Medieval era

The
Hindu Hindus (; ; also known as Sanātanīs) are people who religiously adhere to Hinduism, also known by its endonym Sanātana Dharma. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pp. 35–37 Historically, the term has also be ...
, Jain and
Buddhist Buddhism, also known as Buddhadharma and Dharmavinaya, is an Indian religion and List of philosophies, philosophical tradition based on Pre-sectarian Buddhism, teachings attributed to the Buddha, a wandering teacher who lived in the 6th or ...
archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Heruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi ''Maharis'' (Hindu temple dancers) and dance halls architecture (''nata-mandapa'') were in vogue at least by the 9th century CE. According to
Kapila Vatsyayan Kapila Vatsyayan (25 December 1928 – 16 September 2020) was a leading scholar of Indian classical dance, art, architecture, and art history. She served as a member of parliament and bureaucrat in India, and also served as the founding directo ...
, the ''Kalpasutra'' of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the ''Samapada'', the ''Tribhangi'' and the ''Chauka'' of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the ''Abhinaya Chandrika'' and ''Abhinaya Darpana'' provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the ''karana''s mentioned in ''Natya Shastra''. Similarly, the illustrated Hindu text on temple architecture from Odisha, the ''Shilpa Prakasha'', deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel
relief Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give ...
s in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in
Jagannatha temple Jagannath (; formerly ) is a Hindu deity worshipped in regional Hindu traditions in India as part of a triad along with (Krishna's) brother Balabhadra, and sister, Subhadra. Jagannath, within Odia Hinduism, is the supreme god, ''Purushottama ...
in
Puri Puri, also known as Jagannath Puri, () is a coastal city and a Nagar Palika, municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, south of the state ca ...
, as well as other temples of
Vaishnavism Vaishnavism () ), also called Vishnuism, is one of the major Hindu denominations, Hindu traditions, that considers Vishnu as the sole Para Brahman, supreme being leading all other Hindu deities, that is, ''Mahavishnu''. It is one of the majo ...
,
Shaivism Shaivism (, , ) is one of the major Hindu denominations, Hindu traditions, which worships Shiva as the Para Brahman, supreme being. It is the Hinduism#Demographics, second-largest Hindu sect after Vaishnavism, constituting about 385 million H ...
,
Shaktism Shaktism () is a major Hindu denomination in which the God in Hinduism, deity or metaphysics, metaphysical reality is considered metaphorically to be a woman. Shaktism involves a galaxy of goddesses, all regarded as different aspects, mani ...
and Vedic deities such as
Surya Surya ( ; , ) is the Sun#Dalal, Dalal, p. 399 as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, Smarta tradition, all of whom are considered as equivalent deities in the Panchaya ...
(Sun) in Odisha. There are several sculptures of dancers and musicians in
Konark Sun Temple Konark Sun Temple is a Hindu temple, Hindu Surya, Sun temple at Konark about northeast from Puri, Puri city on the coastline in Puri district, Odisha, India.Brahmeswara Temple Brahmeswara Temple is a Hindu temple dedicated to Shiva located in Bhubaneswar, Odisha, India, erected at the end of the 9th century CE, is richly carved inside and out. This Hindu temple can be dated with fair accuracy by the use of inscription ...
in
Bhubaneswar Bhubaneswar () is the capital and the largest city of the States and territories of India, Indian state of Odisha. It is located in the Khordha district. The suburban region, especially the old town, was historically often depicted as ''Chakra ...
. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired ''Gitagovinda'' by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called ''Maharis'', who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.


Mughal and British period

After 12th-century, Odia temples, monasteries and nearby institutions such as the
Puspagiri Pushpagiri ( Odia: ପୁଷ୍ପଗିରି) was an ancient Indian mahavihara or monastic complex located atop Langudi Hill (or Hills) in Jajpur district of Odisha, India. Pushpagiri was mentioned in the writings of the Chinese traveller Xu ...
in the eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in
Odisha Odisha (), formerly Orissa (List of renamed places in India, the official name until 2011), is a States and union territories of India, state located in East India, Eastern India. It is the List of states and union territories of India by ar ...
(13601361 CE), for example, describe the destruction of the
Jagannath temple The Jagannath Temple is a Hindu temple dedicated to the god Jagannath, a form of Vishnu in Hinduism. It is located in Puri in the state of Odisha, situated on the eastern coast of India. As per temple records, King Indradyumna of Avanti (reg ...
as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of
India India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since ...
, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with
concubinage Concubinage is an interpersonal relationship, interpersonal and Intimate relationship, sexual relationship between two people in which the couple does not want to, or cannot, enter into a full marriage. Concubinage and marriage are often regarde ...
to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (''akhanda'') and athletics into Odissi dance, by engaging boys and youth called ''Gotipuas'', as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the ''Gotipuas'' tradition was known and nurtured in the 14th century, by Raja of Khordha. During the
British Raj The British Raj ( ; from Hindustani language, Hindustani , 'reign', 'rule' or 'government') was the colonial rule of the British The Crown, Crown on the Indian subcontinent, * * lasting from 1858 to 1947. * * It is also called Crown rule ...
, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the
colonial era Colonial period (a period in a country's history where it was subject to management by a colonial power) may refer to: Continents *European colonization of the Americas * Colonisation of Africa * Western imperialism in Asia Countries * Col ...
. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.


Post-independence

The temple dance ban and cultural discrimination during colonial rule marshalled a movement by Hindus to question the stereotypes and to revive the regional arts of
India India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since ...
, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi".


Repertoire

Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (''Maharis'') enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the ''Natamandira'' attached to the temple. The Odissi performing ''Maharis'' combined pure dance with expression, to play out and communicate the underlying text through ''abhinaya'' (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called ''Gotipuas'' expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished ''gotipuas'' became the
guru Guru ( ; International Alphabet of Sanskrit Transliteration, IAST: ''guru'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian religions, Indian traditions, a guru is more than a teacher: tr ...
s (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (''Shringara'') in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes ''Nritta'' (pure dance, solo), ''Nritya'' (dance with emotions, solo) and ''Natya'' (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the ''Natya Shastra'', ''Abhinaya Darpana'' and the 16th-century ''Abhinaya Chandrika'' by Maheshwara Mahapatra of Odisha. *The ''Nritta'' performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. *The ''Nritya'' is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a ''nritya'', the dance-acting expands to include silent expression of words through the
sign language Sign languages (also known as signed languages) are languages that use the visual-manual modality to convey meaning, instead of spoken words. Sign languages are expressed through manual articulation in combination with #Non-manual elements, no ...
of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. *The ''Natyam'' is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A ''Natya'' incorporates the elements of a ''Nritya''. *The ''Mokshya'' is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance recitals are in Odia and Sanskrit language in the music strictly follows ragas & talas of the
Odissi music Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over ...
tradition. The talas used in Odissi dance are ''Ekatali, Khemata, Rupaka, Tripata, Jhampa, Jati Tala, Adatali, Matha, Aditala, Sarimana, Kuduka'' and others.


Sequence

Traditional Odissi repertoire sequence starts with an invocation called ''
Mangalacharana A ''mangalacharana'' () or a ''mangalashloka'' is a benedictory verse traditionally featured in the beginning of a Hindu text. Composed in the form of an encomium, a ''mangalacharana'' serves both as an invocation and a panegyric to an author's fa ...
''. A ''
shloka Shloka or śloka ( , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927).) in a broader sense, according to Monier-Williams's dictionary, is "any verse or stan ...
'' (hymn) in praise of a god or goddess is sung, such as to Jagannath (an
avatar Avatar (, ; ) is a concept within Hinduism that in Sanskrit literally means . It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes u ...
of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by ''Pushpanjali'' (offering of flowers) and ''Bhumi Pranam'' (salutation to mother earth). The invocation also includes ''Trikhandi Pranam'' or the three-fold salutation – to the devas (gods), to the gurus (teachers) and to the lokas or rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is ''Batu'', also known as ''Battu Nrutya'' or ''Sthayee Nrutya'' or ''Batuka Bhairava''. It is a fast pace, pure dance (''nritta'') performed in the honor of
Shiva Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The ''nritya'' follows next, and consists of ''Abhinaya'', or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using ''
mudra A mudra (; , , "seal", "mark", or "gesture"; ) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual ges ...
s'' (hand gestures), ''
bhava The Sanskrit word ''bhava'' (भव) means being, worldly existence, becoming, birth, be, production, origin,Monier Monier-Williams (1898), Sanskrit English Dictionary, Oxford University Press, Archiveभव, bhava but also habitual or emotio ...
s'' (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in
Sanskrit Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...
or
Odia language Odia (;"Odia"
''Lexico''.
, ISO 15919, ISO: , ; formerly rendere ...
. Most common are Abhinayas on Oriya songs or Sanskrit ''Ashthapadi''s or Sanskrit ''stuti''s like the ''Dashavatara Stotra'' (depicting the ten incarnations of
Vishnu Vishnu (; , , ), also known as Narayana and Hari, is one of the Hindu deities, principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation ( ...
) or the ''
Ardhanari Ardhanarishvara () is a form of the Hindu deity Shiva combined with his consort Parvati. Ardhanarishvara is depicted as half-male and half-female, equally split down the middle. Ardhanarishvara represents the synthesis of masculine and feminin ...
Stotra'' (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem ''
Gita Govinda The ''Gita Govinda'' (; IAST: ''gītagovindam'') is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organiz ...
'' written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The ''natya'' part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of ''Moksha'' (or ''Mokshya'') finale in the performance sequence. This the concluding item of a recital.
Moksha ''Moksha'' (; , '), also called ''vimoksha'', ''vimukti'', and ''mukti'', is a term in Jainism, Buddhism, Hinduism, and Sikhism for various forms of emancipation, liberation, '' nirvana'', or release. In its soteriological and eschatologic ...
in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax.


Basic moves and mudras

The basic unit of Odissi are called ''bhangas''. These are made up of eight ''belis'', or body positions and movements, combined in many varieties. Motion is ''uthas'' (rising or up), ''baithas'' (sitting or down) or ''sthankas'' (standing). The gaits or movement on the dance floor is called ''chaalis'', with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, ''burhas'' or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or ''pada bhedas'' too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: *''Chouka'' – the square position, with weight equally placed on the two legs in a squatting position, spine straight, arms raised up with elbows bent. *''Abhanga'' – the body weight shifts to one foot, while the feet and knees are kept forward in a standing position, one hip extending sideways and torso deflected away from supporting leg. *''Tribhanga'' – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but ''tribhanga'' postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. ''Mudras'' or ''Hastas'' are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 ''Hastas'' in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the ''Abhinaya Chandrika''. These are subdivided into three, according to the traditional texts: * Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) * Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) * Nritya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient ''Natya Shastra'' of Bharata Muni.


Costumes

The Odissi dancers are colorfully dressed with makeup and jewellery. The
sari A sari (also called sharee, saree or sadi)The name of the garment in various regional languages include: * * * * * * * * * * * * * * is a drape (cloth) and a women's garment in the Indian subcontinent. It consists of an un-sti ...
worn by Odissi dancers are brightly coloured, and usually of local silk (''Pattasari''). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These saris have traditional prints of
Odisha Odisha (), formerly Orissa (List of renamed places in India, the official name until 2011), is a States and union territories of India, state located in East India, Eastern India. It is the List of states and union territories of India by ar ...
with regional designs and embellishments, and may be the
Sambalpuri sari A Sambalpuri sari is a traditional handwoven ''bandha'' (Odisha Ikat, ikat) sari (locally called ''"sambalpuri bandha"'' sadhi or saree) wherein the warp and the weft are tie-dyed before weaving. It is a handloom sari produced in the Sambalpur ...
and Bomkai sari. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with ''seenthi''. The hairstyle may contain a moon shaped crest of white flowers, or a reed crown called ''mukoot'' with peacock feathers (symbolism for
Krishna Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, c ...
). The dancers forehead is marked with ''
tikka Tikka may refer to: * Tikka (food), a type of South Asian food * Tikka (forehead mark), a mark made on the forehead by Hindu Indians * Tikka (name), list of people with the name * Tikka (brand), a brand of hunting rifles manufactured formerly by ...
'', and adorned with various jewelry such as the ''allaka'' (head piece on which the tikka hangs). The eyes are ringed with
kajal Kohl is a cosmetic product traditionally made by crushing stibnite (antimony sulfide). Modern kohl formulations often contain galena (lead sulfide), and in some cases charcoal or other pigments. Kohl is similar to eyeliner, which was traditi ...
(black eyeliner). Ear covers called ''kapa'' or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called ''bahichudi'' or ''bajuband'', on the upper arm. The wrist is covered with ''kankana'' (bangles). At the waist they wear an elaborate belt which ties down one end of the sari. The ankles are decorated with a leather piece on top of which are bells (''
ghungroo A ghungroo (, ), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together ...
''). The dancer's palms and soles may be painted with red coloured dye called the ''
alta Alta or ALTA may refer to: Acronyms * Alt-A, short for Alternative A-paper, is a type of US mortgage * American Land Title Association, a national trade association representing the land title industry * American Literary Translators Association, ...
''. Modern Odissi male performers wear ''dhoti'' – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt.


Music and instruments

Odissi dance is accompanied by the traditional classical music of the state of Odisha,
Odissi music Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over ...
. Rooted in the ancient ritual music tradition dedicated to Lord
Jagannatha Jagannath (; formerly ) is a Hindu deity worshipped in regional Hindu traditions in India as part of a triad along with (Krishna's) brother Balabhadra, and sister, Subhadra. Jagannath, within Odia Hinduism, is the supreme god, '' Purushotta ...
, Odissi music has a rich history spanning over two thousand years, distinguished by its unique ''sangita-shastra''s (musical treatises), a specialized system of Ragas and Talas, and a distinctive style of performance characterised by the ''andolita gamaka''. The primary Odissi ''mela'' ragas are ''Kalyana'', ''Nata'', ''Sri'', ''Baradi'', ''Gouri, Panchama'', ''Dhanasri'', ''Karnata'', ''Bhairabi'' and ''Sokabaradi''. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the ''
Raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
s'' and ''Raginis'', respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through ''Parija''. This is true whether the performance is formal, or less formal as in ''Nartana'' and ''Natangi'' used during festive occasions and the folksy celebration of life. Like most Indian dance forms, an Odissi troupe performs with the accompaniment of a musical ensemble. The mini-orchestra consists of a number of instruments, often varying slightly by region; the ubiquitous ''
tanpura The tanpura (; also referred to as tambura, tanpuri, tamboura, or tanpoura) is a long-necked, plucked, four-stringed instrument originating in the Indian subcontinent, found in various forms in Indian music. Visually, the tanpura resembl ...
'' is used for a consistent, droning ambience throughout, with the ''
mardala Mardala (, ) is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is slightly different from other instruments (like Madal, Mrid ...
'' for percussion. Melodic instruments range from the
harmonium The pump organ or reed organ is a type of organ that uses free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a va ...
, ''
bansuri A bansuri is an ancient side-blown bamboo flute originating from the Indian Subcontinent. It is an aerophone produced from bamboo and metal-like material, used in many Indian and Nepali Lok songs. A ''bansuri'' is traditionally made from a ...
'' (bamboo flute) or ''
sarangi The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music, Haryanvi folk music, Braj folk music, and Boro folk music (the ...
'' to the ''
sitar The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India. Khusrau K ...
'' and
violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
. Additionally, ''
manjira The ''taal'' or ''manjira'' (also spelled ''manjīrā'' or ''manjeera''), ''jalra'', ''karatala'', ''kartal'' or ''gini'' is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its ...
'' (
finger cymbals Zills, zils, or sagat, also known as finger cymbals, are small metallic cymbals used in belly dance, belly dancing and similar performances. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make ...
) or other small, percussive instruments may be used. At times, vocalists may be featured, usually singing simple, rhythmic phrases and melodies with dancing specifically choreographed to match.


Styles

The Odissi tradition existed in three schools: ''Mahari, Nartaki'', and ''Gotipua'': * ''Maharis'' were Odia
devadasi In India, a devadasi is a female artist who is dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication takes place in a ceremony that is somewhat similar to a marriage ceremony. In addition to taki ...
s or temple girls, their name deriving from ''Maha'' (great) and ''Nari'' (girl), or ''Mahri'' (chosen) particularly those at the temple of Jagganath at
Puri Puri, also known as Jagannath Puri, () is a coastal city and a Nagar Palika, municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, south of the state ca ...
. Early Maharis performed ''Nritta'' (pure dance) and
Abhinaya Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bh ...
(interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's ''
Gita Govinda The ''Gita Govinda'' (; IAST: ''gītagovindam'') is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organiz ...
''. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. * ''Gotipuas'' were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. * ''Nartaki'' dance took place in the royal courts, where it was prevalent before the British period.


Schools, training and recognition


Odissi maestros and performers

Kelucharan Mohapatra Kelucharan Mohapatra (8 January 1926 – 7 April 2004) was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. He is ...
, Pankaj Charan Das,
Deba Prasad Das Deba Prasad Das was an Indian classical dancer, considered by critics and connoisseurs as one of the four first generation gurus of the Indian classical dance form of Odissi. His Odissi style is robust and unique. He was a recipient of the 1977 S ...
and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties.
Sanjukta Panigrahi Sanjukta Panigrahi (24 August 1944 – 24 June 1997) was a classical dancer from India, who was the foremost exponent of Indian classical dance Odissi. Sanjukta was the first Odia woman to embrace this ancient classical dance at an early age a ...
was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and
Sonal Mansingh Sonal Mansingh (born 30 April 1944) is an Indian classical dancer and Guru in Bharatanatyam and Odissi dancing style. She has been nominated by the President of India to become a Member of Parliament, Rajya Sabha. She is the recipient of Padm ...
, were known for their performances in India and abroad. Some other notable disciples include, Debi Basu,
Jhelum Paranjape Jhelum Paranjape (born September 24, 1954) is an Indian classical dancer. and exponent of Indian classical Odissi dance. She founded Smitalay, a dance academy located in Mumbai, India. Paranjape is known for her contributions to the field of cla ...
, Shubhada Varadkar, Daksha Mashruwala and
Nandita Behera Nandita Behera (née Pattnaik) is an Odissi dance instructor and founder of Odissi Dance Circle in Cerritos, California. A student of Guru Kelucharan Mohapatra and Guru Gangadhar Pradhan, Nandita Behera has been teaching Odissi in California ...
. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced ''Mudra Vinyoga'' in 1955 and ''Sancharibhava'' in the Odissi dance items, and portrayed ''Shringara Rasa'' in ''
Gita Govinda The ''Gita Govinda'' (; IAST: ''gītagovindam'') is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organiz ...
Ashthapadis''. His notable compositions include ''Pashyati Dishi Dishi'' and ''Priya Charu Shile'', composed in 1961.


Schools


IIT Bhubaneswar

Odissi has been included in
Indian Institute of Technology Bhubaneswar Indian Institute of Technology Bhubaneswar (IIT Bhubaneswar) is a public technical university established by the government of India in 2008, located at Kansapada village, Khordha district, Odisha, India. It is located 24 km south of Bhuban ...
's
BTech A Bachelor of Technology (BTech) is an undergraduate degree that is awarded for a higher education program in engineering. Countries Australia In Australia, the Bachelor of Technology degree is offered by RMIT University, Edith Cowan Univ ...
syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus.


In Guinness World records

Guinness World Records ''Guinness World Records'', known from its inception in 1955 until 1999 as ''The Guinness Book of Records'' and in previous United States editions as ''The Guinness Book of World Records'', is a British reference book published annually, list ...
has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the ''mangalacharana, Battu, Pallavi, Abhinaya'' and ''Mokshya'' dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event.


Odissi Centre at Oxford University

An Odissi dance centre has been opened from January 2016, at the
University of Oxford The University of Oxford is a collegiate university, collegiate research university in Oxford, England. There is evidence of teaching as early as 1096, making it the oldest university in the English-speaking world and the List of oldest un ...
. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer
Baisali Mohanty Baisali Mohanty (born 5 August 1994) is an international diplomat and United Nations official, author, Indian classical dancer and analyst of foreign and public policy. She is a regular contributor on foreign policy and strategic affairs to se ...
who is also a post-graduate scholar at the
University of Oxford The University of Oxford is a collegiate university, collegiate research university in Oxford, England. There is evidence of teaching as early as 1096, making it the oldest university in the English-speaking world and the List of oldest un ...
. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom.


See also

*
Indian classical dance Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part ...
*
Ghungroo A ghungroo (, ), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together ...
*
Odissi music Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over ...
*
Gotipua ''Gotipua'' (Odia language, Odia- ଗୋଟିପୁଅ, pronounced ''goṭipuå'') is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young ...


References


Bibliography

*''Odissi : What, Why and How… Evolution, Revival and Technique'', by
Madhumita Raut Madhumita Raut is an Indian classical dancer of Odissi. She is the daughter of Mamta Khuntia and Mayadhar Raut, who contributed to the revival of Odissi in the 1950s with Shastra-based knowledge. She lives in Delhi, where she manages and teac ...
. Published by B. R. Rhythms, Delhi, 2007. . *''Odissi Yaatra: The Journey of Guru Mayadhar Raut'', by Aadya Kaktikar (ed.
Madhumita Raut Madhumita Raut is an Indian classical dancer of Odissi. She is the daughter of Mamta Khuntia and Mayadhar Raut, who contributed to the revival of Odissi in the 1950s with Shastra-based knowledge. She lives in Delhi, where she manages and teac ...
). Published by B. R. Rhythms, Delhi, 2010. . *''Odissi Dance'', by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. *''Odissi – The Dance Divine'', by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . *''Odissi, Indian Classical Dance Art: Odisi Nritya'', by
Sunil Kothari Sunil Kothari (20 December 1933 – 27 December 2020) was a noted Indian dance historian, scholar and critic. He was also former Uday Shankar Professor at Ravindra Bharti University, Kolkata. Career He completed M. A. in 1964 and PhD in 1977 ...
, Avinash Pasricha. Marg Publications, 1990. . *''Perspectives on Odissi Theatre'', by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. *''Abhinaya-chandrika and Odissi dance'', by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . *''Rethinking Odissi'', by Dinanath Pathy. Published by Harman Pub. House, 2007. . * * * * * * * * * * *
Table of Contents
* * * *


External links


Odissi solo performance: Nitisha Nanda
Arabhi Pallav, New Delhi 2013
Odissi group dance: Megh Pallavi
Vancouver 2014
Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana
Pushkar 2014
Odissi links
at the Open Directory

Classical Indian Dance Portal
The annotated Odissi Dance Archive on Pad.maHistory of Odissi and Geeta Govinda
JN Dhar, Orissa Review

a
Kerala Kerala ( , ) is a States and union territories of India, state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile ...
-based Department of Culture information website. {{Hindudharma Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi exponents Odissi music Artforms based on Odissi music