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Gotipua
''Gotipua'' (Odia language, Odia- ଗୋଟିପୁଅ, pronounced ''goṭipuå'') is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (''goti-pua''). Raghurajpur, Odisha (near Puri) is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala. Dancers To transform into graceful feminine dancers the boys do not cut their hair, instead they style it into a knot and weaving garlands of flowers into it. They make up their faces with mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotipua Dance 1
''Gotipua'' ( Odia- ଗୋଟିପୁଅ, pronounced ''goṭipuå'') is a traditional dance form in the state of Odisha, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Odia language, Gotipua means "single boy" (''goti-pua''). Raghurajpur, Odisha (near Puri) is a historic village known for its Gotipua dance troupes. The dance of the Gotipuas is accompanied by traditional Odissi music with the primary percussion being the Mardala. Dancers To transform into graceful feminine dancers the boys do not cut their hair, instead they style it into a knot and weaving garlands of flowers into it. They make up their faces with mixed white and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi
''Odissi'' (''ଓଡ଼ିଶୀ'') also referred to as ''Orissi'' in old literature, oldest surviving classical dance of India, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.Odissi ''Encyclopædia Britannica'' (2013) Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism through songs written and composed according to the ''ragas'' & ''talas'' of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu deities Shiva and Surya, as well as Hindu goddesses (Shaktism)., Quote: "There are other te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mardala
Mardala (, ) is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is slightly different from other instruments (like Madal, Mridangam, etc.) that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. The Mardala is used in a wide range of traditional art forms of Odisha, including Gotipua, Mahari, Odissi dance, Bhagabata Tungi, Sakhi Nata, Prahallada Nataka, Ramalila, Krusnalila, Rama Nataka, Sahi Jata, Medha Nacha, Bharata Lila, Bhutakeli Nata, Odisi Kirtana and more. History Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or ''vadyas'' : ''tat'' or stringed instruments, ''susira'' or wind instruments, ''anaddha'' or leather instruments / drums & finally ''ghana'' or metallic instruments. Out of these four, the Mardala falls under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over two thousand years, distinguished by its unique ''sangita-shastra''s (musical treatises), a specialized system of Ragas and Talas, and a distinctive style of performance characterised by specific modulations such as the ''āndolita'' and the ''kurāla''. Odissi compositions are largely written in Sanskrit and Odia language, Odia. The various compositional forms of Odissi music include ''Odissi Prabandha, Chaupadi, Chhanda, Champu, Chautisa, Janāna, Mālasri, Bhajana, Sarimāna, Jhulā, Kuduka, Koili, Poi, Boli,'' and more. Presentation dynamics are roughly classified into four: ''rāgānga'', ''bhābānga, nātyānga'' and ''dhrubapadānga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, ''Krupasidd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahari Dance
''Mahari'' is a ritualistic dance form from the eastern Indian state of Odisha that used to be performed at the temple of Lord Jagannatha at Puri by ''devadasi'' dancers called ''mahari''. Following the abolition of the devadasi system, the dance has been discontinued at the Jagannatha Temple but is now performed on stage at many venues. The Mahari dance spurred the development of both Odissi and the Gotipua dance forms of Odisha. The Maharis have been among the foremost exponents of both traditional Odia dance and Odissi music. History Mahari dance is nearly thousand years old with dance having been an integral part of the daily rituals at the Jagannath temple of Puri since the time of Ganga rulers of Utkala. In the twelfth century, Chodaganga Deva gave the dance a legal status, establishing new localities for the maharis to stay and introduced new ceremonies for the deity. The classical dance form of Odissi has its roots in the Mahari dance while the Gotipua dance origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odisha
Odisha (), formerly Orissa (List of renamed places in India, the official name until 2011), is a States and union territories of India, state located in East India, Eastern India. It is the List of states and union territories of India by area, eighth-largest state by area, and the List of states and union territories of India by population, eleventh-largest by population, with over 41 million inhabitants. The state also has the third-largest population of Scheduled Castes and Scheduled Tribes, Scheduled Tribes in India. It neighbours the states of Jharkhand and West Bengal to the north, Chhattisgarh to the west, and Andhra Pradesh to the south. Odisha has a coastline of along the Bay of Bengal in the ''Indian Ocean''. The region is also known as Utkaḷa and is mentioned by this name in India's national anthem, Jana Gana Mana. The language of Odisha is Odia language, Odia, which is one of the Classical languages of India. The ancient kingdom of Kalinga (historical region), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghurajpur
Raghurajpur is a heritage crafts village in Puri district, Odisha, India, known for its master Pattachitra painters, an art form which dates back to 5 BC in the region, and Gotipua dance troupes, the precursor to the Indian classical dance form of Odissi dance, Odissi. It is also known as the birthplace of the Odissi exponents Padma Vibhushan Guru and Kelucharan Mohapatra and the Gotipua dancer Padma Shri Guru Maguni Charan Das. It is also the birthplace of Shilp Guru Dr. Jagannath Mahapatra, who is a prominent Pattachitra artist and has made a huge contribution to the development of Pattachitra art and Raghurajpur village. Apart from that, the village is also home to crafts like Tussar painting, palm leaf engraving, stone carving, wood carving, cow-dung toys, papier-mache toys, and masks.#Bo, Bindloss, p. 648 In 2000, after a two-year research and documentation project by INTACH, the village was chosen to be developed as Odisha's first heritage village and developed as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kelucharan Mohapatra
Kelucharan Mohapatra (8 January 1926 – 7 April 2004) was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. He is the first person to receive the Padma Vibhushan from Odisha. A noted Sanskrit poet of India writes on this ''Guru'': ''Saango-paanga-subhangi-laasya-madhuram samteerna-nrutyaarnavam'', which translates as – "Each fraction of his dancing body leads to paramount sweetness, through miraculous poses and postures. In fact, Guru Kelucharan Mohapatra crossed the ocean of styles." Early life and history In his youth, Kelucharan Mohapatra performed Gotipua – a traditional dance form of Odisha where young boys dress up as woman to praise Lord Jagannath. Later in his life he did extensive research on Gotipua and Mahari dance, which lead him to restructure Odissi dance. Guru Kelucharan Mohapatra was a master in Percussion instruments – Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudra
A mudra (; , , "seal", "mark", or "gesture"; ) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual gestures employed in the iconography and spiritual practice of Indian religions, mudras have meaning in many forms of Indian dance, and yoga. The range of mudras used in each field (and religion) differs, but with some overlap. In addition, many of the Buddhist mudras are used outside South Asia, and have developed different local forms elsewhere. In hatha yoga, mudras are used in conjunction with pranayama (yogic breathing exercises), generally while in a seated posture, to stimulate different parts of the body involved with breathing and to affect the flow of prana. It is also associated with bindu, bodhicitta, amrita, or consciousness in the body. Unlike older tantric mudras, hatha yogic mudras are generally internal actions, involvin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
