Neo-Dada was an

art movement An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined ...

with

audio Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound ...

visual The visual system is the physiological basis of visual perception (the ability to detect and process light). The system detects, transduces and interprets information concerning light within the visible range to construct an image and buil ...

and literary manifestations that had similarities in method or intent with earlier

Dada Dada () or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had s ...

artwork. It sought to close the gap between art and daily life, and was a combination of playfulness,

iconoclasm Iconoclasm ()From . ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belie ...

, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of

Fluxus Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental performance art, art performances which emphasized the artistic process over the finishe ...

, Pop Art and Nouveau réalisme. Neo-Dada has been exemplified by its use of modern materials, popular imagery, and absurdist contrast. It was a reaction to the personal emotionalism of

Abstract Expressionism Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depressi ...

and, taking a lead from the practice of

Marcel Duchamp Henri-Robert-Marcel Duchamp (, ; ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, Futurism and conceptual art. He is commonly regarded, along with Pablo Pica ...

and Kurt Schwitters, denied traditional concepts of

aesthetics Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste (sociology), taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Ph ...

Trends

Interest in Dada followed in the wake of documentary publications, such as

Robert Motherwell Robert Motherwell (January 24, 1915 – July 16, 1991) was an American Abstract Expressionism, abstract expressionist Painting, painter, printmaker, and editor of ''The Dada Painters and Poets: an Anthology''. He was one of the youngest of th ...

's ''The Dada Painters and Poets'' (1951) and German language publications from 1957 and later, to which some former Dadaists contributed. However, several of the original Dadaists denounced the label Neo-Dada, especially in its U.S. manifestations, on the grounds that the work was derivative rather than making fresh discoveries; that aesthetic pleasure was found in what were originally protests against

bourgeois The bourgeoisie ( , ) are a class of business owners, merchants and wealthy people, in general, which emerged in the Late Middle Ages, originally as a "middle class" between the peasantry and Aristocracy (class), aristocracy. They are tradition ...

aesthetic concepts; and because it pandered to

commercialism Commercialism is the application of both manufacturing and consumption towards personal usage, or the practices, methods, aims, and distribution of products in a free market geared toward generating a profit. Commercialism can also refer, positi ...

. Many of the artists who identified with the trend subsequently moved on to other specialities or identified with different art movements and in many cases only certain aspects of their early work can be identified with it. For example, Piero Manzoni's ''Consacrazione dell'arte dell'uovo sodo'' (Artistic consecration of the hard-boiled egg, 1959), which he signed with an imprint of his thumb, or his cans of shit (1961) whose price was pegged to the value of their weight in gold, satirizing the concept of the artist's personal creation and art as commodity. Basel Fasnachtsbrunnen Jean Tinguely

An allied approach is found in the creation of

collage Collage (, from the , "to glue" or "to stick together") is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assembly of different forms, thus creating a new whole. (Compare with pasti ...

and assemblage, as in the junk sculptures of the American Richard Stankiewicz, whose works created from scrap have been compared with Schwitters' practice. These objects are "so treated that they become less discarded than found, ''objets trouvés''."

Jean Tinguely Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century.Chilvers, Ian; Gl ...

's fantastic machines, notoriously the self-destructing ''Homage to New York'' (1960), were another approach to the subversion of the mechanical. Although such techniques as collage and assemblage may have served as inspiration, different terms were found for the objects produced, both in the U.S. and in Europe.

Robert Rauschenberg Milton Ernest "Robert" or "Bob" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combine painting, Combines (1954� ...

labeled as "combines" such works as "Bed" (1955), which consisted of a framed quilt and pillow covered in paint and mounted on the wall.

Arman Arman (November 17, 1928 – October 22, 2005) was a French and American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave (''cachets'', ''allures d'objet'') t ...

labeled as "accumulations" his collections of dice and bottle tops, and as "''poubelles''" the contents of trash-bins encased in plastic. Daniel Spoerri created "snare pictures" (''tableaux piège''), of which the earliest was "Kichka's Breakfast" (1960), and in which the remains of a meal were glued to the cloth and mounted on the table-top affixed to the wall.

Poems

In the Netherlands the poets associated with the 'magazine for texts', ''Barbarber'' (1958–71), particularly J. Bernlef and K. Schippers, extended the concept of the readymade into poetry, discovering poetic suggestiveness in such everyday items as a newspaper advert about a lost tortoise and a typewriter test sheet. Another group of Dutch poets infiltrated the Belgian experimentalist magazine ''Gard Sivik'' and began to fill it with seemingly inconsequential fragments of conversation and demonstrations of verbal procedures. The writers included C.B. Vaandrager, Hans Verhagen and the artist Armando. On this approach the critic Hugo Brems has commented that "the poet's role in this kind of poetry was not to discourse on reality, but to highlight particular fragments of it which are normally perceived as non-poetic. These poets were not creators of art, but discoverers." The impersonality that such artists aspired to was best expressed by Jan Schoonhoven (1914–94), the theorist of the Dutch Nul group of artists, to which Armando also belonged: "Zero is first and foremost a new conception of reality, in which the individual role of the artist is kept to a minimum. The Zero artist merely selects, isolates parts of reality (materials as well as ideas stemming from reality) and exhibits them in the most neutral way. The avoidance of personal feelings is essential to Zero." This in turn links it with some aspects of Pop Art and Nouveau Réaliste practice and underlines the rejection of Expressionism. The beginnings of

Concrete Poetry Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct mea ...

and text montage in the Wiener Gruppe have also been referred back to the example of Raoul Hausmann's letter poems. Such techniques may also owe something to H.N. Werkman's typographical experiments in the Netherlands which had first been put on display in the Stedelijk Museum in 1945.Rick Poynor, "Rediscovering the Lost Art of the Typewriter", ''Design Observer''
28 May, 2014
/ref>

Artists linked with the term

* Genpei Akasegawa *

* Joseph Beuys * Jaap Blonk * Lee Bontecou * George Brecht *

John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and Extended technique, non-standard use of musical instruments, Cage was one ...

* César * John Chamberlain * Christo *

Merce Cunningham Mercier Philip "Merce" Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other discipl ...

* Jim Dine * Jacques Halbert *

Dick Higgins Dick Higgins (15 March 1938 – 25 October 1998) was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement (and community). Inspired by John Cage, Higgins was ...

Kommissar Hjuler Kommissar Hjuler (born Detlev Hjuler; 1967) works as a sound recordist in the field of Noise (music), Noise and Post-industrial music, visual artist, film maker and police officer at Flensburg, a town on the German border with Denmark. He often work ...

* Jasper Johns *

Allan Kaprow Allan Kaprow (August 23, 1927 – April 5, 2006) was an American performance artist, installation artist, painter, and assemblagist . He helped to develop the " Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. ...

* Yves Klein * Alison Knowles *

George Maciunas George Maciunas (; ; November 8, 1931 Kaunas – May 9, 1978 Boston, Massachusetts) was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, an international community of ...

* Piero Manzoni * Claes Oldenburg *

Yoko Ono Yoko Ono (, usually spelled in katakana as ; born February 18, 1933) is a Japanese multimedia artist, singer, songwriter, and peace activist. Her work also encompasses performance art and filmmaking. Ono grew up in Tokyo and moved to New York ...

* Neo-Dada Organizers * Robin Page *

Nam June Paik Nam June Paik (; July 20, 1932 – January 29, 2006) was a South Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" ...

* Niki de Saint Phalle * Ushio Shinohara * Daniel Spoerri * Richard Stankiewicz *

* Jacques Villeglé * Wolf Vostell * David Woodard * Masunobu Yoshimura

References

Bibliography

*Dorothée Brill, ''Shock and the Senseless in Dada and Fluxus''
Dartmouth College 2010
*Catherine Craft, ''An Audience of Artists: Dada, Neo-Dada, and the Emergence of Abstract Expressionism''
University of Chicago 2012
*Susan Hapgood, ''Neo-Dada: Redefining Art, 1958–62'', Universe Books and American Federation of Arts (1994) *David Hopkins, ''Neo-avant garde''
Amsterdam, New York 2006
*Cecilia Novero, ''Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art'', University of Minnesota 2010 *Owen Smith, ''Fluxus: The History of an Attitude'', San Diego State University 1998

External links