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Ushio Shinohara
Ushio Shinohara (篠原 有司男, ''Shinohara Ushio'', born January 17, 1932), nicknamed “Gyū-chan”, is a Japanese contemporary painter, sculptor, and performance artist based in New York City. Best known for his vigorously painted, large-scale and dynamic ''Boxing Painting'' series, Shinohara makes use of embodied gestures, appropriation and assemblage, iconographies of mass culture and traditional arts, and vivid tones in his diverse, multidisciplinary practice. A founding member of the short-lived, avant-garde artistic resistance collective Neo-Dada Organizers, Shinohara spent the early years of his life in Tokyo before moving to New York City in 1969, where he continues to live and work. Having grown up in Japan through a time of rapid political change, social upheaval, and increasing Americanization and modernization in the wake of the American occupation, Shinohara's work was shaped by and responsive to the clashing forces in his midst. His energetic confrontations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōjimachi
is a district in Chiyoda, Tokyo. History Prior to the arrival of Tokugawa Ieyasu, the area was known as . The area developed as townspeople settled along the Kōshū Kaidō. In 1878, the Kōjimachi area became , a ward of the city of Tokyo. In 1934 and 1938, the addressing system along the Koshu-Kaido was reorganized, creating the 6 chomes subdivision for Kōjimachi that are still used. In 1947, the Kōjimachi ward was merged with the Kanda ward to form the modern special ward Chiyoda, and the 6 chomes became the Kōjimachi district. The area centered upon Kōjimachi including the districts of the Banchō area, Kioichō, Hirakawachō and Hayabusachō is sometimes referred as the Kōjimachi area (麹町地区), not to be mistaken with Kōjimachi ward (麹町区). This place is also known for Hideki Tojo's birthplace, general of the Imperial Japanese Army. Landmarks and headquarters *Embassy of Portugal *Embassy of Ireland *Embassy of Belgium *Japan Sun Oil Company, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cutie And The Boxer
''Cutie and the Boxer'' is a 2013 American documentary film produced, shot, and directed by Zachary Heinzerling. The film focuses on the chaotic 40-year marriage of two artists, Noriko Shinohara and her husband the boxing painter Ushio, featuring original artwork by the couple. Heinzerling said of the couple: "When I first met he Shinoharas I was just struck by the raw spirit and beauty that emanates from their faces, their lifestyle, their art, everything about them has so much purpose and character. Even if you don’t speak Japanese, even if you have no previous knowledge of their artwork or who they are, you’re immediately captivated by their presence. They live in a world that’s kind of a time warp that hearkens back to the ‘70s New York SoHo art scene that is sort of canonized in history, certainly from my point of view." Synopsis The film is about the difficult 40-year relationship between Ushio and Noriko Shinohara, a Japanese-born husband and wife who are both a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genpei Akasegawa
was a pseudonym of Japanese artist , born March 27, 1937 – October 26, 2014 in Yokohama. He used another pseudonym, , for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center, Akasegawa went on to maintain a multi-disciplinary practice throughout his career as an individual artist. He has had retrospective exhibitions at the Hiroshima City Museum of Contemporary Art, Chiba City Museum, and Oita City Museum. His work is in the permanent collection at Museum of Modern Art in New York. Artist Nam June Paik has described Akasegawa as “one of those unexportable geniuses of Japan.” Biography Early life Akasegawa was born in 1937 in Yokohama, and moved to Ashiya, Ōita and Nagoya during his childhood because of his father's job. The artist Shūsaku Arakawa was a high school classmate in Nagoya. In the 1950s Akasegawa moved to Tokyo where he attended Musashino Art University in 1955 to study oil painting. In 1956 and 1957, Akas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-art
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold. An expression of anti-art may or may not take traditional form or meet the criteria for being defined as a work of art according to conventional standards.Paul N. Humble. "Anti-Art and the Concept of Art". In: "A companion to art theory". Editors: Paul Smith and Carolyn Wilde, Wiley-Blackwell, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yomiuri Shimbun
The (lit. ''Reading-selling Newspaper'' or ''Selling by Reading Newspaper'') is a Japanese newspaper published in Tokyo, Osaka, Fukuoka, and other major Japanese cities. It is one of the five major newspapers in Japan; the other four are the ''Asahi Shimbun'', the '' Chunichi Shimbun ( Tokyo Shimbun)'' the '' Mainichi Shimbun'', and the '' Nihon Keizai Shimbun''. It is headquartered in Otemachi, Chiyoda, Tokyo.' It is a newspaper that represents Tokyo and generally has a conservative orientation. It is one of Japan's leading newspapers, along with the Osaka-based liberal ( Third way) Asahi Shimbun and the Nagoya-based Social democratic Chunichi Shimbun. It is published by regional bureaus, all of them subsidiaries of The Yomiuri Shimbun Holdings, Japan's largest media conglomerate by revenue and the second largest media conglomerate by size behind Sony,The Yomiuri Shimbun Holdings is the largest media conglomerate by revenue in Japan, while Sony is Japan's largest m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yomiuri Indépendant Exhibition
The , affectionately nicknamed "Yomiuri Anpan," was a famously permissive, unjuried, free-to-exhibit art exhibition held annually in Tokyo, Japan from 1949 to 1963. Sponsored by the ''Yomiuri Shimbun'' newspaper, the exhibition was held at the Tokyo Metropolitan Art Museum and played an important role in the emergence of postwar avant-garde and contemporary art in Japan. Historian Thomas Havens has called the Yomiuri Indépendant "the chief vehicle of postwar democracy for young visual artists in Japan who lacked connections with the clubby fine arts establishment" and "a bazaar of new ideas and materials." Among artists who exhibited artworks at the Yomiuri Indépendant included Genpei Akasegawa, Shūsaku Arakawa, Tetsumi Kudо̄, the Kyūshū-ha group, Natsuyuki Nakanishi, Tarō Okamoto, Ushio Shinohara, Mitsuko Tabe, Jirō Takamatsu, Katsuhiro Yamaguchi, and Jirō Yoshihara. Establishment The Yomiuri Indépendant Exhibition was established by the ''Yomiuri Shimbun'' new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the World War II by country, vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies of World War II, Allies and the Axis powers. World War II was a total war that directly involved more than 100 million Military personnel, personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Air warfare of World War II, Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the Atomic bombings of Hiroshima and Nagasaki, only two nuclear weapons ever used in war. World War II was by far the List of wars by death toll, deadliest conflict in hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōga
is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or . History Early works European painting was introduced to Japan during the late Muromachi period along with Christian missionaries from Portugal in 1543. Early religious works by Japanese artists in imitation of works brought by the missionaries can be considered some of the earliest forms of ''Yōga''. However, the policy of national seclusion introduced by the Tokugawa bakufu in the Edo period effectively ended the influence of western art on Japanese painting, with the exception of the use of perspective, which was discovered by Japanese artists in sketches found in European medical and scientific texts imported from the Dutch via Nagasaki. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azabu Junior And Senior High School
, referred to as "Azabu" by most, is a private preparatory day school in Japan. It teaches boys between seventh and twelves grades. The campus of Azabu is located in the Azabu district of Minato, Tokyo, Japan. Azabu High School technically consists of two institutions, which are , the former teaches pupils between seventh and ninth grades while the latter teaches pupils between tenth and twelfth grades. Azabu is perhaps most widely known as a member of "The Three Houses for Boys," along with other two academically distinguished preparatory schools, Kaisei Academy and Musashi Junior & Senior High School. The school has been sending approximately one-third of its graduates to the University of Tokyo. Unlike its peers (including the other two schools that make up "The Three Houses for Boys"), the traditions at Azabu are liberal and magnanimous; there are no established school rules that students are required to adhere, and there is no "study-compelling" atmosphere. History Azabu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshibi University Of Art And Design
(abbreviated "") is a private women's art school in Suginami and Sagamihara in Japan. The mission and aims of Joshibi, developing creative minds, encourages students to contribute to local, national and international societies, female independence and evaluation of social status for female through fine art and design, as well as train and educate qualified art tutors and creative artists. Joshibi is the first fine art institution for female students in Japan and is the oldest private art school. History Joshibi was founded on October 30, 1900, as Private Women's School of Fine Arts (PWSFA) in Hongo-ku (now Bunkyo-ku); female students were not admitted to membership of the Tokyo University of the Arts until 1946. Joshibi founding members include Tamako Yokoi (former tutor of Joshi-Gakuin School) and Bunzo Fujita (former Professor of Tokyo University of Arts). Fujita served the first principal, and created school's logo "". PWSFA was officially oped in April 1901 with 60 stude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihonga
''Nihonga'' (, " Japanese-style paintings") are Japanese paintings from about 1900 onwards that have been made in accordance with traditional Japanese artistic conventions, techniques and materials. While based on traditions over a thousand years old, the term was coined in the Meiji period of Imperial Japan, to distinguish such works from Western-style paintings or '' Yōga'' (). History The impetus for reinvigorating traditional painting by developing a more modern Japanese style came largely from many artist/educators, which included Shiokawa Bunrin, Kōno Bairei, Tomioka Tessai and art critics Okakura Tenshin and Ernest Fenollosa, who attempted to combat Meiji Japan's infatuation with Western culture by emphasizing to the Japanese the importance and beauty of native Japanese traditional arts. These two men played important roles in developing the curricula at major art schools, and actively encouraged and patronized artists. ''Nihonga'' was not simply a continuation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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