Max Henry Ferrars

Max Henry Ferrars (28 October 1846 – 7 February 1933) was a British colonial officer, author, photographer and university lecturer, mainly active in British Burma and later, in Freiburg, Germany. He served for 25 years in the Imperial East India Forestry Service and other public offices in colonial Burma, today's Myanmar. Together with his wife Bertha, Ferrars wrote and illustrated an extensive ethnographical and photographic study of the native cultures and societies, titled ''Burma'' and published in 1900. Further, Max and Bertha Ferrars were the grandparents of the British novelist Elizabeth Ferrars.

From the 2000s onwards, Ferrars' life and work were primarily recognized by the Royal Geographical Society and the ethnographical museum in Freiburg, to which he had donated a number of Burmese cultural objects.

The 2011 collection on articles on Bamar people at Human Relations Area Files called the book "chiefly remarkable for a wealth of photographs on all topics. These are unequalled in the literature."

Early life and education

Max Henry Ferrars was born on 28 October 1846 in Killucan, Ireland. He was the son of an Irish clergyman and a German mother. After studies at Trinity College Dublin, he moved to Germany in 1870 and specialised in forestry at the Royal Saxon Academy of Forestry in Tharandt, near Dresden. This academy, founded by renowned silviculturist Heinrich Cotta, was a leading institution, where forestry management was taught as a scientific discipline, including geometric survey of the forest, land management, biology and economics.

Professional life and ethnographical studies in British Burma

Having completed his education in 1871, Ferrars moved to British Burma, where he first served as Forestry Superintendent in the Imperial East India Forestry Service and later as Inspector of Schools and Superintendent of Educational Services in the British colonial administration. Early in the 1850s, the Second Anglo-Burmese War had led to British rule in Lower Burma and the Third Anglo-Burmese War in 1885 resulted in the total annexation of Burma. As Inspector-General of the Indian Forest Service, the German forestry administrator Dietrich Brandis, who is considered to be the founder of tropical forestry, developed a method for determining the commercial value and for sustainable management of teak forests from 1856 onwards.The exploitation and export of timber, including Burma's valuable resources of teak, was an important factor for the colonial economy.

Ferrars was also a member of the Anglo-Oriental Society for the Suppression of the Opium Trade in Burma and wrote about the detrimental effects of opium. Because of this, he encountered conflicts with the British authorities and had to resign from his positions at the age of 50 in 1896.

Based on their sound knowledge of the Burmese language and wide travels in different parts of the country, he and his wife Bertha Ferrars (née Häusler, 17 November 1845 - 1937) published a book in 1900, entitled ''Burma''. This included detailed ethnographical descriptions of various native ethnic groups and their cultures, with 455 black-and-white photographs, taken during their travels in the 1890s.

Through narrative text and documentary photographs, ''Burma'' presents chapters on people's cycle of life, from childhood through adolescence to manhood and occupation, as well as further chapters on trades and professions, alien races (including ethnic groups Shan, Karen, Chin, Chimpaw, as well as Chinese, natives of India and Europeans), political history and administration, pageants and frolicks, and ends with age and funeral observances. In the appendices, there are notes on Burmese chronology, language, music, including specimens of Burmese music in Western musical notation, statistics on population, imports and exports, as well as on time and calendar.

Among other observations, the authors took photographs of people at work or during special celebrations, engaged in popular sports, boat races, gambling or the Burmese form of chess. As Wright noted, there is no record about the reasons, why the Ferrars undertook such an ambitious project, nor is there information about their use of photographic technology under the climatic conditions of Burma. The book was printed in a second edition in 1901, and reprinted as facsimile in Bangkok, Thailand, in 1996.

Later life in Germany

In 1896, the Ferrars returned to Europe and settled in the university town of Freiburg i.Br. on the outskirts of the Black Forest in southern Germany. Max Ferrars joined the advisory committee of the city's Museum for Natural Science and Ethnology (at the time called "''Museum für Natur- und Völkerkunde''"). He offered his knowledge of Burmese culture and donated parts of his collection of cultural objects, thereby becoming one of the museum's first major sponsors. The Ferrars' collection constitutes the main part of the museum's holdings on the culture of today's Myanmar, comprising over 100 items, among them a group of twenty-eight Burmese marionettes, pieces of Burmese lacquerware and parts of the wooden door of a Buddhist monastery.

From 1899 onwards, Ferrars taught English as lecturer at the University of Freiburg's faculty of philology and published textbooks for students of English. Together with German musicologist Hermann Erpf, Ferrars further translated the book on vocal church music ''A New School of Gregorian Chant'' by Dominicus Johner from the nearby Beuron Archabbey, first published in 1925 and reprinted in 2007.

He also continued his travels and photography, as is documented by his photograph of a group of girls in a village in the Black Forest, reprinted in the 1905 book ''Art in Photography, with selected examples of European and American work''. Also in 1905, he contributed photographs of the Black Forest region to a book of poems by local writer August Ganther, titled ''Wälderlüt''. In this volume, Ganther's poems in Lower Alemannic dialect are illustrated with thematically appropriate photographs. The poems and pictures deal with the pre-industrial living and working conditions of farmers and their families, for example harvesting in vineyards or hayfields, logging of trees, child labor or burning charcoal.

Further, Ferrars worked at the university's photographic laboratory and won a photography award of the regional railway company in 1911. Already in 1901, he had published a technical and artistic guide on photography, and in November 1926, he was called "a pioneer and innovator of landscape photography" by the ''Berliner Börsen-Zeitung''.

According to the information given on the Freiburg museum's webpage, Ferrars' position as a British university lecturer in Germany became difficult during the years of World War I. Thanks to the university's support, however, he could continue in his teaching position until his official retirement in 1921. Ferrars died on 7 February 1933 in Freiburg, two years after he and his wife had celebrated their 60th wedding anniversary. Their three daughters Bertha, Maximiliana and Marie had been born in Burma, and Marie was the mother of British novelist Elizabeth Ferrars.

Contemporary reception

In May 1994, a copy of the second edition of the Ferrar's book ''Burma'', with 455 half-tone reproductions after their photographs with a number of albums, loose photographs, lantern slides, autochromes and glass negatives were sold at an auction by Christie's for GBP 1.265,-.

In 2002, Joanna Wright, Curator of Picture Library at the Royal Geographical Society, published the article "Photographs by Max and Bertha Ferrars" from the conference "New Research in the Art and Archaeology of Burma" in order to bring these photographs to the attention of scholars on Burma worldwide. Further research was suggested, "to understand how these images inform us about Burma, and how they form part of Europe's mythologising of Burma."

In 2006, the Geographical  Magazine of the Royal Geographical Society in London presented a selection of their images. In a 2013 collection of ethnographic articles on the Bamar and Karen people, the Ferrars' description of these ethnic groups were republished by Human Relations Area Files, founded by Yale University.

In an 2018 article by the Royal Geographical Society's Geographical magazine, titled "The untamed Salween river: Max and Bertha Ferrars, 1890-1899", the author gave credit to the Ferrars' studies and photographs of the Salween river in eastern Myanmar:

Photographs in online archive

467 half-plate glass negatives of photographs, taken with a plate camera of the time by the Ferrars, and similar, but not identical to the illustrations in their book on Burma, have been archived by the Royal Geographical Society, London, and more than 300 of them are available online.

Gallery

British-Burma, ca. 1890s

File:Burmese chess players, by Max Ferrars late 1890s.jpg, Chess players
File:Burma (1900) (14593228998).jpg, Burmese traditional marionettes
File:Frauen und Mädchen vom Stamme der Shan.jpg, Ethnic Chinese women and girls in Shan State
File:Wassertragende Birmaninnen im Tamein. (Phot. M. Ferrars.).jpg, Burmese women carrying water
File:Travelling with elephants.jpg, Travelling with elephants
File:Interior of village monastic school.jpg, Interior of village monastic school

Black Forest, ca. 1896–1905

File:Ferrars 1905 Spinnerinnen.jpg, Women spinning in farmhouse
File:Ferrars 1905 Beim Heuen b.jpg, Farmers making hey
File:Ferrars 1905 Holzfäller.jpg, Workers logging trees

Selected publications

*
Max and Bertha Ferrars: ''Burma''. 2nd ed. (1901), Sampson Low Marston & Co Limited, London, Great Britain (pdf)

* Max and Bertha Ferrars: ''Burma''. (1996) AVA Pub. House, Bangkok, Thailand, , .
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See also

Other important photographers of the 19th century in British Burma:
* John McCosh
*Linnaeus Tripe
* Willoughby Wallace Hooper
* Philip Adolphe Klier
*Felice Beato

References

Further reading

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External links

"Max Henry Ferrars", Museum Mensch und Natur, Freiburg, GermanyJohn Falconer, British Library, ''A Biographical Dictionary of 19th Century Photographers in South and South-East Asia''
*Charles Holme (ed.), ''Art in Photography, with selected examples of European and American work'', Offices of 'The Studio', London, Paris and New York 1905, p. 202

{{DEFAULTSORT:Ferrars, Max Henry
1846 births
1933 deaths
History of Myanmar
Culture of Myanmar
Photography in Myanmar
19th-century British photographers
Imperial Forestry Service officers
19th century in Burma
Alumni of Trinity College Dublin
People from County Westmeath
Academic staff of the University of Freiburg