Martín Codax

Martin Codax or Codaz, Martín Codax () or Martim Codax was a Galician medieval ''joglar'' (non-noble composer and performer, as opposed to a ''trobador''), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of ''cantigas d'amigo'' who used ''only'' the archaic strophic form (a rhymed distich followed by a refrain). He employed an archaic rhyme scheme whereby ''i~o / a~o'' were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as ''leixa-pren'' (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the work at present remains based on theoretical analysis of the text.

Works in the ''Pergaminho Vindel''

The body of work attributed to him consists of seven '' cantigas d'amigo'' which appear in the Galician-Portuguese songbooks and in the ''Pergaminho Vindel'' (Vindel parchment). In all three manuscripts he is listed as the author of the compositions, in all three the number and order of the songs is the same. This provides what may be important evidence to support the view that the order of other poets' songs in the ''cancioneiros'' (songbooks) should not automatically be dismissed as random or attributed to later compilers. The identification of authorship of the poems (and their order) may contribute to a viewpoint that the seven songs of Codax reflect an original performance set. Consequently, the sets of poems by other poets might also have been organized for performance.

The parchment was originally discovered by the Madrid-based antiquarian bookseller and bibliophile Pedro Vindel among his possessions in 1913; it had been used as the cover of a copy of Cicero's ''De Officiis''.

Martim Codax's poems that appeared in the parchment are the following (originally untitled, they are listed by the first line):

*''Ondas do mar de uigo''
*''Mandadei comigo''
*''Mia yrmana fremosa''
*''Ay deus se sabora meu amigo''
*''Quantas sabedes amar amigo''
*''E no sagrado en uigo''
*''Ay ondas que eu uin ueer''

In the ''Pergaminho Vindel'', musical notation (although with lacunae) survives along with the texts, except for the sixth one. They are the only '' cantigas d'amigo'' for which the music is known. The ''Pergaminho Sharrer'' contains seven melodies for '' cantigas d'amor'' of Denis of Portugal, also in fragmentary form.

A ''cantiga'' by Martin Codax

Here is the third of his songs:, slightly modified.

See also

*Cantiga de amigo
* Galician-Portuguese
*Galician-Portuguese lyric
*Pergaminho Sharrer

References

Bibliography

*
* Cunha, Celso. 1999. ''Cancioneiros dos Trovadores do Mar'', edição preparada por Elsa Gonçalves. Lisboa: Imprensa Nacional/Casa de Moeda.
* Ferreira, Manuel Pedro. 1986. ''O Som de Martin Codax. Sobre a dimensão musical da lírica galego-portuguesa (séculos XII–XIV)''. Lisbon: UNISYS/ Imprensa Nacional – Casa de Moeda.
* Ferreira, Manuel Pedro. 1998. "Codax Revisitado", ''Anuario de Estudios Literarios Galegos'': 157–68.
* Marcenaro, Simone. 2015. "Nuove acquisizione sul Pergaminho Vinderl (New York Pierpont Morgan Library, ms. 979)". ''Critica del testo'', 18:33–53.
*
* Pena, Xosé Ramón. 1998. ''Xograres do mar de Vigo: Johán de Cangas, Martín Codax, Meendinho''. Vigo: Edicións Xerais de Galicia. .
* Pena, Xosé Ramón. 2013. ''Historia da literatura galega I: Das orixes a 1853''. Vigo: Edicións Xerais de Galicia. .
*

External links

*
Portal de Martin Codax en la Biblioteca Virtual Miguel de Cervantes



Musical transcriptions & recordings

{{Authority control

13th-century Galician-Portuguese troubadours