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Cantiga De Amigo
''Cantiga de amigo'' (, ) or ''cantiga d'amigo'' ( Galician-Portuguese spelling), literally "friend song", is a genre of medieval lyric poetry, more specifically the Galician-Portuguese lyric, apparently rooted in a female-voiced song tradition native to the northwest quadrant of the Iberian Peninsula. According to Rip Cohen, “In 98% of the poems, the speaker is a girl, her mother, the girl’s girlfriend, or a boy (who is given a voice only in dialogues with the girl—which she begins). The girl can speak to any of the other three personae, but they can only address her (there is no directly represented communication between the other three personae: mother, girlfriend and boy do not speak with one another onstage). There are a dozen cantigas with an outside narrative voice, but most of them include words from a girl’s song.” Much has been made of nature symbolism in this genre, but “Erotic symbolism, though it has rightly attracted attention ��is not as common as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mendinho
Mendinho, also ''Meendinho'', ''Mendiño'' and ''Meendiño'', was a medieval Iberian poet. Nothing is known about Mendinho except by inference. Scholars generally assume from the reference to the shrine of ''San Simión'' (in the modern Isle of ''San Simón'', Rías Baixas of Vigo, Spain) that he was Galician. And it is supposed from his name (without any accompanying patronym or toponym), his style, and the place of his song in the manuscripts (the Cancioneiro da Vaticana, Vatican Library, and the Cancioneiro da Biblioteca Nacional, Lisbon, Portugal) that he was a ''jogral'' - a non- noble Minstrel. Mendinho may have been active in the early 13th century, making him one of the earliest poets in this genre whose work has survived. A single cantiga de amigo (song about a boyfriend sung in the feminine) is attributed to him - ''Sedia-m' eu na ermida de San Simion'', but it is among the most famous in the Galician-Portuguese lyric corpus of around 1685 texts. It has been admi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantigas De Santa Maria
The ''Cantigas de Santa Maria'' (, ; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile, Alfonso X of Castile ''El Sabio'' (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well. It is one of the largest collections of monophonic (solo) songs from the Middle Ages and is characterized by the mention of the Mary, the mother of Jesus, Virgin Mary in every song, while every tenth song is a hymn. The ''Cantigas'' have survived in four manuscript codices: two at El Escorial, one at Madrid, Madrid's Biblioteca Nacional de España, National Library, and one in Florence, Italy. The E codex from El Escorial is illuminated with colored Miniature (illuminated manuscript), miniatures showing pairs of musicians playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cancioneiro Da Ajuda
The ''Cancioneiro da Ajuda'' (, ; "Ajuda Songbook") is a collection of Galician-Portuguese lyric poems probably dating from the last quarter of the 13th-century. It is the oldest of the Galician-Portuguese ''cancioneiros'' with secular music. Description The ''Cancioneiro'' is kept in the library of the Ajuda National Palace, a former royal residence located in Lisbon. It consists of a parchment codex The codex (: codices ) was the historical ancestor format of the modern book. Technically, the vast majority of modern books use the codex format of a stack of pages bound at one edge, along the side of the text. But the term ''codex'' is now r ... written in Gothic script by three hands and containing illuminated miniatures. Both the text and the miniatures remained unfinished and not a note of music was written in the space left for it. The whole codex contains 310 poems, nearly all of them ''cantigas de amor'' (male-voiced love songs, though a few are satiric and ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantigas De Escárnio E Maldizer
''Cantigas de escárnio e maldizer'' ( Portuguese), ''cantiga de escarnio e maldicir'' ( Galician) or ''cantigas d'escarnho e de maldizer'' ( Galician-Portuguese), are poems of insult, mockery and scorn – nearly always with comic intent – which constitute one of the three main genres of medieval Galician-Portuguese lyric. The Galician-Portuguese lyrical ''corpus'' has approximately 400 texts belonging to the genre. It is often incorrectly characterized as satire, the difference being that this genre normally insults named individuals, unlike the satire, that insults entire classes of people. The genre often has complex forms, with a variety of personae, and with the rhetoric being roughly in the middle of complexity in comparation to the '' cantiga de amor'' and the ''cantiga de amigo''. Insult or mockery are the essence, though techniques have a great variation, such as praising in order to blame, defending in order to accuse, thanking in order to insult. Obscenity is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue
Dialogue (sometimes spelled dialog in American and British English spelling differences, American English) is a written or spoken conversational exchange between two or more people, and a literature, literary and theatrical form that depicts such an exchange. As a philosophy, philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term ''dialogue'' stems from the Greek language, Greek (, ); its roots are (, ) and (, ). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as . As genre Antiquity Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns, and the ''Mahabharata''. In the West, Plato ( BC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satiric
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very thing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tençon
A ''tenso'' (; ) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Bertran Carbonel) or his cloak (Gui de Cavalhon). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. * Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two styles extol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharja
A ''kharja'' or ''kharjah'' ( ; ; ; also known as a ''markaz'' 'center'), is the final couple of ''abyāt'', or verses, of a '' muwaššaḥa'' ( 'girdle'), a poem or song of the strophic lyric genre from al-Andalus. The ''kharja'' can be in a language that is different from the body; a ''muwaššaḥ'' in literary Arabic might have a ''kharja'' in vernacular Andalusi Arabic or in a mix of Arabic and Andalusi Romance, while a ''muwaššaḥ'' in Hebrew might contain a ''kharja'' in Arabic, Romance, Hebrew, or a mix. The ''muwashshah'' typically consists of five strophes of four to six lines, alternating with five or six refrains (''qufl''); each refrain has the same rhyme and metre, whereas each stanza has only the same metre. The ''kharja'' appears often to have been composed independently of the ''muwashshah'' in which it is found. Characteristics of the kharja About a third of extant ''kharjas'' are written in Classical Arabic. Most of the remainder are in Andalusi Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozarab
The Mozarabs (from ), or more precisely Andalusi Christians, were the Christians of al-Andalus, or the territories of Iberia under Muslim rule from 711 to 1492. Following the Umayyad conquest of the Visigothic Kingdom in Hispania, the Christian population of much of Iberia came under Muslim control. Initially, the vast majority of Mozarabs kept Christianity and their dialects descended from Latin. Gradually, the population converted to Islam—an estimated 50% by the year 951 ''Cited in'' —and was influenced, in varying degrees, by Arab customs and knowledge, and sometimes acquired greater social status in doing so. The local Romance vernaculars, with an important contribution of Arabic and spoken by Christians and Muslims alike, are referred to as Andalusi Romance (also called ''Mozarabic language''). Mozarabs were mostly Catholics of the Visigothic or Mozarabic Rite. Due to Sharia and fiqh being confessional and only applying to Muslims, the Christians paid the jizya tax, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erotic Literature
Erotic literature comprises fictional and factual stories and accounts of eros (concept), eros (passionate, romantic or sexual relationships) intended to arouse similar feelings in readers. This contrasts erotica, which focuses more specifically on sexual feelings. Other common elements are satire and social criticism. Much erotic literature features erotic art, illustrating the text. Although cultural disapproval of erotic literature has always existed, its circulation was not seen as a major problem before the invention of printing, as the costs of producing individual manuscripts limited distribution to a very small group of wealthy and Literacy, literate readers. The invention of printing, in the 15th century, brought with it both a greater market and increasing restrictions, including censorship and legal restraints on publication on the grounds of obscenity.Hyde (1964); pp. 1–26 Because of this, much of the production of this type of material became wiktionary:clandestin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obscenity
An obscenity is any utterance or act that strongly offends the prevalent morality of the time. It is derived from the Latin , , "boding ill; disgusting; indecent", of uncertain etymology. Generally, the term can be used to indicate strong moral repugnance and outrage in expressions such as "obscene profit (accounting), profits" and "the obscenity of war". As a legal term, it usually refers to descriptions and depictions of people engaged in Human sexuality, sexual and excretory activity. United States obscenity law In the United States, issues of obscenity raise issues of limitations on the freedom of speech and of freedom of the press, the press, which are otherwise protected by the First Amendment to the United States Constitution, First Amendment to the U.S. Constitution. Federal obscenity law in the U.S. is unusual in that there is no uniform national standard. Former Justice Potter Stewart of the Supreme Court of the United States, in attempting to classify what materi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
