Mbira ( ; ) are a family of

musical instrument A musical instrument is a device created or adapted to make Music, musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person ...

s, traditional to the

Shona people The Shona people () also/formerly known as the Karanga are a Bantu peoples, Bantu ethnic group native to Southern Africa, primarily living in Zimbabwe where they form the majority of the population, as well as Mozambique, South Africa, and world ...

Zimbabwe file:Zimbabwe, relief map.jpg, upright=1.22, Zimbabwe, relief map Zimbabwe, officially the Republic of Zimbabwe, is a landlocked country in Southeast Africa, between the Zambezi and Limpopo Rivers, bordered by South Africa to the south, Bots ...

. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a

lamellaphone A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician ...

, part of the plucked

idiophone An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophone ...

family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A Western interpretation of the instrument, the kalimba, was commercially produced and exported by ethnomusicologist Hugh Tracey in the late 1950s, popularising similar instruments outside of Africa. Tracey's design was modelled after the

mbira nyunga nyunga Mbira ( ; ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal Tine (structural), tines, played by holding the instrument ...

and named kalimba after an ancient predecessor of the mbira family of instruments. The kalimba is basically a westernised younger version of mbira. It was popularized in the 1960s and early 1970s largely due to the successes of such musicians as

Maurice White Maurice White (December 19, 1941 – February 4, 2016) was an American musician, best known as the founder, leader, main songwriter and chief producer of the band Earth, Wind & Fire, also serving as the band's co-lead singer with Philip Bailey. ...

of the band Earth, Wind and Fire and Thomas Mapfumo in the 1970s. These musicians included mbira on stage accompanying modern rock instruments such as electric guitar and bass, drum kit, and horns. Their arrangements included numerous songs directly drawn from traditional mbira repertoire. Other notable influencers bringing mbira music out of Africa are: Dumisani Maraire, who brought

marimba The marimba ( ) is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the mari ...

and karimba music to the American

Pacific Northwest The Pacific Northwest (PNW; ) is a geographic region in Western North America bounded by its coastal waters of the Pacific Ocean to the west and, loosely, by the Rocky Mountains to the east. Though no official boundary exists, the most common ...

; Ephat Mujuru, who was one of the pioneer teachers of mbira dzavadzimu in the

United States The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 U.S. state, states and a federal capital district, Washington, D.C. The 48 ...

; and the writings and recordings of Zimbabwean musicians made by Paul Berliner. Joseph H. Howard and Babatunde Olatunji have both suggested that mbira (and other metal lamellaphones) are thoroughly African, being found only in areas populated by Africans or their descendants. Similar instruments were reported to be used in Okpuje, Nsukka area of the south eastern part of Nigeria in the early 1900s.

History

Various kinds of plucked idiophones and lamellaphones have existed in Africa for thousands of years. The tines were originally made of bamboo but over the years metal keys have been developed. These types of instrument appear to have been invented twice in Africa: a wood or bamboo-tined instrument appeared on the west coast of Africa about 3,000 years ago, and metal-tined lamellophones appeared in the

Zambezi River The Zambezi (also spelled Zambeze and Zambesi) is the fourth-longest river in Africa, the longest east-flowing river in Africa and the largest flowing into the Indian Ocean from Africa. Its drainage basin covers , slightly less than half of t ...

valley around 1,300 years ago. Metal-tined instruments traveled all across the continent, becoming popular among the Shona of Zimbabwe (from which the word mbira comes) and other indigenous groups in Zimbabwe and Mozambique. The mbira was differentiated in its physical form and social uses as it spread. Kalimba-like instruments came to exist from the northern reaches of North Africa to the southern extent of the

Kalahari Desert The Kalahari Desert is a large semiarid climate, semiarid sandy savanna in Southern Africa covering including much of Botswana as well as parts of Namibia and South Africa. It is not to be confused with the Angolan, Namibian, and South African ...

, and from the east coast to the west coast, though many or most groups of people in Africa did not possess mbiras. There were thousands of different tunings, different note layouts, and different instrument designs, but there is a hypothetical tuning and note layout of the original metal-tined instrument from 1,300 years ago, referred to as the 'kalimba core'. In the mid 1950s mbira instruments were the basis for the development of the ''kalimba'', a westernised version designed and marketed by the ethnomusicologist Hugh Tracey, leading to a great expansion of its distribution outside Africa.

Acoustics

Lamellophones A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician ...

are instruments which have little tines, or "lamellae", which are played by plucking. Unlike stringed instruments or air-column instruments like flutes, the

overtones An overtone is any resonant frequency above the fundamental frequency of a sound. (An overtone may or may not be a harmonic) In other words, overtones are all pitches higher than the lowest pitch within an individual sound; the fundamental i ...

of a plucked lamella are inharmonic, giving the mbira a characteristic sound. The inharmonic overtones are strongest in the attack and die out rather quickly, leaving an almost pure tone. When a tine is plucked, the adjacent tines also create secondary vibrations that increase the harmonic complexity of an individual note.

Rhythm

Mbira music, like much of the

sub-Saharan African music traditions In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work ...

is based on

cross-rhythm In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the Musicology, musicologist Arthur Morris Jones (1889–1980). It refers to a situation where the rhythmic conflict fou ...

. An example from the kutsinhira part of the traditional mbira dzavadzimu piece "Nhema Musasa" is given by David Peñalosa, who observes that the left hand plays the

ostinato In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces inc ...

"bass line," while the right hand plays the upper melody. The composite melody is an embellishment of the 3:2 cross-rhythm (also known as a hemiola).

Tuning

It is common on African mbira and other lamellophones to have the lowest notes in the centre with higher notes to the far left and the far right—this is an ergonomic nicety, in that the thumb can pivot such that all the tines are easy to reach. However, traditional African tunings use notes that do not lie on the grid of the Western tempered scale, and traditional mbira note layouts are often idiosyncratic, sometimes with adjacent tines making part of a scale, but then an odd note thrown in that defies the pattern. Historically, mbira tunings have not mapped exactly onto Western scales; it is not unusual for a seven-note sequence on a mbira to be " stretched" over a greater range of frequencies than a Western octave and for the intervals between notes to be different from those in a Western scale. Tunings have often been idiosyncratic with variations over time and from one player to another. A mbira key produces a rich complex of overtones that varies from one instrument to another depending on its maker's intentions and accidents of fabrication, such that some instruments simply sound better when some notes of a familiar tuning are pushed. With the increased popularity of the mbira dzavadzimu in North America, Europe, and Japan in recent decades, Zimbabwean mbira makers have tended to tune their instruments more uniformly for export, but much variation is still found among mbira in their homeland. Tunings vary from family to family referring to relative interval relationships and not to absolute pitches. The most common tuning played throughout Zimbabwe and among non-Zimbabwean mbira players worldwide is Nyamaropa, similar to the western

Mixolydian mode Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic s ...

. Names may also vary between different families; Garikayi Tirikoti has developed a "mbira orchestra" that has seven different tunings, each starting on a different interval of the same seven-note scale, where it is possible to play all instruments in a single performance. The seven tunings that Garikayi uses are: Bangidza, Nyabango, Nhemamusasa, Chakwi, Taireva, Mahororo, and Mavembe (all of which are also names of traditional songs save for Mavembe and Nyabango). The closest to what is commonly named "Nyamaropa" is his "Nhemamusasa" tuning.

Specific tunings

Common names for tunings are: * Nyamaropa (close to

) (considered the oldest and most representative in Shona culture) It emphasizes togetherness through music, creating polyrhythms through having two Mbira players at once, having singing styles accompany an ''Mbira'' such as ''Huro'' (High emotional notes that are at the top of a singer's range) & ''Mahon'era'' (a soft breathy voice at the bottom of the singer's range) or both elements. A single Mbira is considered incomplete for a performance. * Dambatsoko (close to

Ionian mode The Ionian mode is a Mode (music), musical mode or, in modern usage, a diatonic scale also called the major scale. It is named after the Ionians, Ionian Greeks. It is the name assigned by Heinrich Glarean in 1547 to his new Gregorian mode#Authent ...

), played by the Mujuru family. The name refers to their ancestral burial grounds. * Dongonda, usually a Nyamaropa tuned mbira with the right side notes the same octave as the left (an octave lower than usual). * Katsanzaira (close to

Dorian mode The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek music, Ancient Greek ''harmoniai'' (characteristic melodic behaviour, or the scale structure associated with it); one of the mediev ...

), the highest pitch of the traditional mbira tunings. The name means "the gentle rain before the storm hits". * Mavembe (also: Gandanga) (close to

Phrygian mode : The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the m ...

), Sekuru Gora claims to have invented this tuning at a funeral ceremony. The mourners were singing a familiar song with an unfamiliar melody and he went outside the hut and tuned his mbira to match the vocal lines. Other mbira players dispute that he invented it. * Nemakonde (close to Phrygian mode), same musical relationship as the mavembe, but the nemakonde tuning is a very low pitched version. * Saungweme (flattened whole tone, approaching seven tone equal temperament).

Variants

Mbira dzavadzimu

In Shona music, the mbira dzavadzimu (''"voice of the ancestors"'', or ''"mbira of the ancestral spirits''", national instrument of Zimbabwe) is a musical instrument that has been played by the

for thousands of years. The ''mbira dzavadzimu'' is frequently played at religious ceremonies and social gatherings called ''mapira'' (sing. "''bira''"). The ''mbira dzavadzimu'' can be used to play over one hundred songs, such as ''Kariga mombe''. A typical ''mbira dzavadzimu'' consists of between 22 and 28 keys constructed from hot- or cold-

forged Forging is a manufacturing process involving the shaping of metal using localized compression (physics), compressive forces. The blows are delivered with a hammer (often a power hammer) or a die (manufacturing), die. Forging is often classif ...

metal affixed to a hardwood soundboard (''gwariva'') in three different registers—two on the left, one on the right. While playing, the little finger of the right hand is placed through a hole in the bottom right corner of the soundboard, with the little finger entering from the front of sound board, and the

ring finger The ring finger, third finger, fourth finger, leech finger, or annulary is the fourth digit of the human hand, located between the middle finger and the little finger. Sometimes the term ring finger only refers to the fourth digit of a left-ha ...

and

middle finger The middle finger, long finger, second finger, third finger, toll finger or tall man is the third digit of the human hand, typically located between the index finger and the ring finger. It is typically the longest digit. In anatomy, it is al ...

reaching around the back to stabilise the instrument. This leaves the thumb and index finger of the right hand open to

stroke Stroke is a medical condition in which poor cerebral circulation, blood flow to a part of the brain causes cell death. There are two main types of stroke: brain ischemia, ischemic, due to lack of blood flow, and intracranial hemorrhage, hemor ...

the keys in the right register from above (thumb) and below (index finger). The fingers of the left hand stabilise the left side of the instrument, with most fingers reaching slightly behind the instrument. Both registers on the left side of the instrument are played with the left thumb. Some mbira possess an extra key in the upper left register which is hit from below by the left index finger. Bottle caps, shells, or other objects ("''machachara''"Williams, B. Michael. (2001) Learning Mbira: A Beginning. Everett, PA: HoneyRock. ) are often affixed to the soundboard to create a buzzing sound when the instrument is played. In a traditional setting, this sound is considered extremely important, as it is believed to attract ancestral spirits. During a public performance, an ''mbira dzavadzimu'' is frequently placed in a '' deze'' ( calabash resonator) to amplify its sound. The ''mbira dza vadzimu'' is very significant in Shona

religion Religion is a range of social system, social-cultural systems, including designated religious behaviour, behaviors and practices, morals, beliefs, worldviews, religious text, texts, sanctified places, prophecies, ethics in religion, ethics, or ...

and

culture Culture ( ) is a concept that encompasses the social behavior, institutions, and Social norm, norms found in human societies, as well as the knowledge, beliefs, arts, laws, Social norm, customs, capabilities, Attitude (psychology), attitudes ...

, considered a sacred instrument by the Shona people. It is usually played to facilitate communication with ancestral spirits, bringing the spirit of the dead back on its homestead. Within the Shona tradition, the mbira may be played with paired performers in which the '' kushaura'', the caller, leads the performed piece as the '' kutsinhira'', the responder, "interlocks" a subsequent part. The ritual is known as the ''Bira.'' During these all-night ceremonies, people call upon the spirits to answer questions. The variations of notes in an ''Mbira'' piece aid the participants in going into trance, which in Shona culture aids the spirits in taking over the participant's body. Albert Chimedza, director of the Mbira Centre in

Harare Harare ( ), formerly Salisbury, is the Capital city, capital and largest city of Zimbabwe. The city proper has an area of , a population of 1,849,600 as of the 2022 Zimbabwe census, 2022 census and an estimated 2,487,209 people in its metrop ...

, has estimated that "there are at most ten thousand people in the world who play mbira."

Mbira Nyunga Nyunga

The nyunga nyunga which normally has 15 keys, originated from Manicaland where it traditionally played the entertainment role during social gatherings and commemorations. Jeke (Jack) Tapera introduced the mbira nyunga nyunga in the 1960s from Tete province of Mozambique to Kwanongoma College of African music (now United College of Music) in Bulawayo. Two keys were then added to make fifteen (Chirimumimba, 2007), in two rows. The mbira nyunga nyunga is similar in construction to the mbira dzavadzimu, but has no hole in the soundboard. Key pitch radiates out from the center, rather than from left to right. Zimbabwe's Dumisani Maraire originated mbira nyunga nyunga number notation. The upper row keys (from left) are keys 2, 4, 6, 8, 10, 12, and 14 while the bottom row keys are notated as 1, 3, 5, 7, 9, 11, 13, and 15. Maraire brought awareness of this instrument to the United States when he came to the University of Washington as a visiting artist from 1968 to 1972. Recently a Midlands State University ( Gweru, Zimbabwe) lecturer in the department of music and musicology has suggested a letter notation; the upper keys as (from first left upper key) E, D, C, F, C, D, and E and the lower or bottom keys as (from the first lower key) A, G, F, A, F, C, D, and E. But the Maraire number notation has remained the internationally accepted system (Chirimumimba, 2007). Dutch composer Maarten Regtien (1963) uses a Mbira Nyunga Nyunga in the electronic compositio
Daddy Mbira - Mbira Penguin Talks
(2014), creating soundscapes and using western composition techniques like the canon, impossible to play on a mbira.

Njari mbira

Njari mbira has 30 to 32 keys and was also originated from Zimbabwe particularly Masvingo and Makonde.

Nhare

The nhare has 23 to 24 keys and was originated from Zimbabwe. In the Zimbabwean tradition, nhare was used for rituals of communicating with Musikavanhu or Nyadenga (God).

Mbira matepe

Mbira matepe which has 26 keys originated from along the borders of Zimbabwe and Mozambique.

Outside Africa

In the diaspora

The first documentation of Kalimbas in Brazil dates back to 1723 where they are referred to as marimbas (not to be confused with

s). They seem to have faded into obscurity as they didn't make it to the present day, although "modern" Kalimbas now exist in Brazil. In

Cuba Cuba, officially the Republic of Cuba, is an island country, comprising the island of Cuba (largest island), Isla de la Juventud, and List of islands of Cuba, 4,195 islands, islets and cays surrounding the main island. It is located where the ...

African

lamellophone A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician ...

s along with the

Cajón A cajón ( ; "box, crate, drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or st ...

influenced the origins of the marimbula, whose history is poorly documented but is suspected to have originated in eastern Cuba.

Hugh Tracey

The Hugh Tracey kalimbas are tuned diatonically in the key of G. The arrangement of the notes on the Hugh Tracey kalimba borrows from the typical scheme with the lowest notes in the center and the upper notes on the left and the right, with the notes in the ascending scale alternating strictly right-left and going outwards towards the two sides. The diatonic western kalimba tuning which Tracey used was practical for a worldwide instrument—with hundreds of African kalimba tunings, the chosen Western standard would maximise the number of people who would immediately connect with the kalimba. The practicality of this note arrangement, with notes going up the scale in a right-left-right-left progression, is that modal 1-3-5 or 1-3-5-7 chords are made by playing adjacent tines. If chords are played in the lower octave, the same notes will appear on the opposite side of the kalimba in the upper octave, which makes it very easy to simultaneously play a melody in the upper octave and an accompanying harmony in the lower octave. So, the arrangement of notes on the Hugh Tracey kalimba (and on virtually any kalimba that copies the instrument) makes certain complex musical operations very simple. Alternative tunings are possible, as the tines of most kalimbas are easily pushed in and out to sharpen or flatten their pitch. Some alternative tunings simply change the key of the kalimba, without changing the note layout scheme. C major is a popular tuning, sold by multiple manufacturers. Other alternative tunings move the kalimba to non-modal scales (such as Middle-Eastern scales). Each note of the kalimba can be tuned independently (unlike a guitar), so any scale, western or non-western, is possible, and traditional African scales are still accessible to this modern African instrument. Composer Georg Hajdu has tuned the Hugh Tracey alto kalimba to the chromatic steps of the

Bohlen–Pierce scale The Bohlen–Pierce scale (BP scale) is a musical musical tuning, tuning and scale (music), scale, first described in the 1970s, that offers an alternative to the octave-repeating scales typical in Classical music, Western and other musics, spec ...

in a piece called ''Just Her – Jester – Gesture''. The Bohlen–Pierce scale subdivides the just twelfth into 13 steps. File:TrebleKalimba.jpg, Hugh Tracey treble kalimba File:OctagonalTwoOctaveMbira.jpg, An octagonal mbira of high craftsmanship which spans two octaves. File:Photowalk at Gaya Street Sunday Market, Kota Kinabalu 18.jpg, Gaya Street Sunday Market, Kota Kinabalu

Related instruments

Instruments related to or inspired by the mbira include: *

Array mbira The Array mbira is a handcrafted modern musical instrument with a unique harp- or bell-like sound. It is made in the United States by its inventor Bill Wesley and manufactured by Wesley with Patrick Hadley in San Diego, California, United States. ...

, a modern invention consisting of as many as 150 tines configured in a special order based on the

circle of fifths In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the se ...

(see Isomorphic keyboard). * Gravikord, an electrified double harp that is a modern kora and kalimba hybrid, inspired by the

cross rhythm In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term ''cross rhythm '' was introduced in 1934 by the Musicology, musicologist Arthur Morris Jones (1889–1980). It refers to a situation where the rhythmic conflict fou ...

s of the mbira. The Gravikord was invented in 1986 by Bob Grawi, an American musician and artist. It is also tuned in the key of G major/E minor in an extended version of the Hugh Tracey kalimba tone layout with a range of octaves. Music and playing techniques learned on this kalimba can be easily transferred and played on the Gravikord. * Guitaret, an electric lamellophone made by Hohner and invented by Ernst Zacharias, in 1963. *

Ikembe Ikembe, is a type of musical instrument of the lamellaphone group, common amongst the people of Rwanda, Burundi and the Congo Basin, Congo. The instrument consists of several iron Lamella (materials), lamellae, fixed to a rectangular wooden soun ...

, an instrument common among the

Hutu The Hutu (), also known as the Abahutu, are a Bantu ethnic group native to the African Great Lakes region. They mainly live in Rwanda, Burundi, and Uganda where they form one of the principal ethnic groups alongside the Tutsi and the Great L ...

Rwanda Rwanda, officially the Republic of Rwanda, is a landlocked country in the Great Rift Valley of East Africa, where the African Great Lakes region and Southeast Africa converge. Located a few degrees south of the Equator, Rwanda is bordered by ...

Burundi Burundi, officially the Republic of Burundi, is a landlocked country in East Africa. It is located in the Great Rift Valley at the junction between the African Great Lakes region and Southeast Africa, with a population of over 14 million peop ...

, and eastern

DR Congo The Democratic Republic of the Congo (DRC), also known as the DR Congo, Congo-Kinshasa, or simply the Congo (the last ambiguously also referring to the neighbouring Republic of the Congo), is a country in Central Africa. By land area, it is t ...

. * Modern kalimba, the mbira inspired instruments of Hugh Tracey. Named after the original kalimba (ancestor of mbira). * Kisanji among Ngala-speaking people of western

and eastern Congo Republic. * Thoom Otieno (also tom, thom or toom), popular in

Gambela Region The Gambela Region, also spelled Gambella, and officially the Gambela Peoples' Region (), is a regional state in western Ethiopia. Previously known as Region 12, its capital and largest city is Gambela. It is bordered by the Oromia Region to t ...

, in Western Ethiopia on the border of South Sudan. * Marímbula (also Marimból), a bass instrument used in the Caribbean and Mexico.

In popular culture

Despite its

Botswana Botswana, officially the Republic of Botswana, is a landlocked country in Southern Africa. Botswana is topographically flat, with approximately 70 percent of its territory part of the Kalahari Desert. It is bordered by South Africa to the sou ...

n setting, the 1980 movie '' The Gods Must Be Crazy'' features a character playing the mbira. In the 2010

video game A video game or computer game is an electronic game that involves interaction with a user interface or input device (such as a joystick, game controller, controller, computer keyboard, keyboard, or motion sensing device) to generate visual fe ...

'' Donkey Kong Country Returns'', one of main antagonists of the game is named Krazy Kalimba. Being a member of the musical instrument-themed Tiki Tak Tribe, his design features a "crown" evoking the keys of a kalimba, and he plays kalimba music as part of his hypnotic chant used to make various animals do his bidding. On May 21, 2020, as part of Zimbabwe Culture Week,

Google Google LLC (, ) is an American multinational corporation and technology company focusing on online advertising, search engine technology, cloud computing, computer software, quantum computing, e-commerce, consumer electronics, and artificial ...

honoured the mbira with a

doodle A doodle is a drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be composed of random and abstract art, abstract lines or shapes, generally w ...

which included a button allowing users to hear and play the instrument virtually. The doodle also featured the

animated Animation is a filmmaking technique whereby image, still images are manipulated to create Motion picture, moving images. In traditional animation, images are drawn or painted by hand on cel, transparent celluloid sheets to be photographed and e ...

story of a young girl who learns to play the mbira, later inspiring a new generation of mbira players after becoming an established artiste herself as an adult.Celebrating Mbira
/ref>

Players

Citations

General references

*
Fowler, Andy
(2020
Discover Mbira : Ancient Zimbabwean Trance MusicMbira Magic

Fowler, Andy
(2015
Unlocking Mbira : Chord Progression and System of Mbira WorkbookMbira Magic
* Gahadzikwa, Fungai
Fowler, Andy
(2016
Traditional Mbira Song BookMbira Magic
* * Kwenda, Forward
Fowler, Andy
(2019
Learn to Play Mbira : Traditional Songs and ImprovisationMbira Magic
* * (Note: this article is the original source of the Matepe song ''Siti'', as played by Zimbabwean Marimba band Musango.) * * *

External links

Mbira.org
"the non-profit organization devoted to Shona mbira music", based in Berkeley, California
''sympathetic-resonances.org''
A free online platform featuring computer-generated playback and visualisation of mbira transcriptions, with the long-term goal of cultural preservation.
MbiraMagic.Com
Mbira Education Website
Mbira.Online
: Mbira Masters Video and Notation Archive

(2014), electronic mbira composition by M.Regtien.
Zimfest.org
a Zimbabwean Music Festival held annually in North America that offers many opportunities to learn and listen to mbira. Archived Link
Mbira.co.zw
"A community of mbira players, researchers, makers & lovers, for the enhancement of the Mbira, music & fashion. Mbira Transfiguration & Permanence", based in

, Zimbabwe {{Authority control African musical instruments Comb lamellophones Equatoguinean musical instruments Precolonial African musical instruments Zimbabwean musical instruments Pitched percussion instruments