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Deze
In Zimbabwean Shona music, a ''deze'' is a halved calabash gourd that an mbira is placed into to amplify its sound. It is typically round and has bottle caps, shells or other objects strung around its perimeter to vibrate with the mbira, creating a buzzing sound. Cracked ''deze'' frequently are repaired by wire stitching. Because of the size of the ''deze'', audience members cannot see the mbira players' hands. Because of this, it is not uncommon for those who want to learn the mbira to play the hosho first, so that they can stand behind the players (in a traditional band) to see into ''deze'' and learn by observation. Modern ''deze'' are often constructed out of fiberglass and epoxy for increased durability. However, some mbira players, like Chartwell Dutiro, critique the use of fiberglass dezes in live performance. Dutiro says it compromises the resonance of the mbira and thus hinders communication with dza vadzimu (ancestral spirits). See also *Hosho (instrument) * Shona mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira Dzavadzimu In Deze
Mbira ( ; ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A Western interpretation of the instrument, the kalimba, was commerciall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ; ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal Tine (structural), tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right Index finger, forefinger (most mbira), and sometimes the left Index finger, forefinger. Musicology, Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho (instrument), hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Intangible Cultural Heritage Lists#Representative list of the Intangible Cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zimbabwe
file:Zimbabwe, relief map.jpg, upright=1.22, Zimbabwe, relief map Zimbabwe, officially the Republic of Zimbabwe, is a landlocked country in Southeast Africa, between the Zambezi and Limpopo Rivers, bordered by South Africa to the south, Botswana to the southwest, Zambia to the north, and Mozambique to the east. The capital and largest city is Harare, and the second largest is Bulawayo. A country of roughly 16.6 million people as per 2024 census, Zimbabwe's largest ethnic group are the Shona people, Shona, who make up 80% of the population, followed by the Northern Ndebele people, Northern Ndebele and other #Demographics, smaller minorities. Zimbabwe has 16 official languages, with English, Shona language, Shona, and Northern Ndebele language, Ndebele the most common. Zimbabwe is a member of the United Nations, the Southern African Development Community, the African Union, and the Common Market for Eastern and Southern Africa. The region was long inhabited by the San people, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hosho (instrument)
The hosho are Zimbabwean musical instruments consisting of a pair of maranka (mapudzi) gourds with seeds. They are used as major instruments in many traditional Shona music genres, such as in ''mbira'' ensembles and in ''mhande''. They typically contain hota (''Canna indica'') seeds inside them. Before the hota seeds are added, the hosho is boiled in salted water and the inside is scraped out with a corncob, newspaper plug, or woven wire. Removing the debris inside the hosho allows for a more sharp and percussive tone. The hosho are used to accompany Shona music, especially mbira music. Hosho plays several key roles in Zimbabwean music. Oliver Mtukudzi insists that it’s what keeps musicians on the same page. Hosho doesn't add thickness to mbira performance all due to its dense sound quality. It is also a good start in learning Mbira. This is because it helps beginners to observe patterns and learn from mbira masters by looking over their shoulders. Moreover, hosho has acted as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Zimbabwe
Zimbabwean music is heavily reliant on the use of instruments such as the mbira, Ngoma drums and Hosho (instrument), hosho. Their music symbolizes much more than a simple rhythm, as the folk and pop style styled music was used as a symbol of hope for Zimbabweans looking to gain independence from Rhodesia. Music has played a significant role in the history of Zimbabwe, from a vital role in the traditional Bira ceremony used to call on ancestral spirits, to protest songs during the struggle for independence. The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. In the 1980s, the Music of Zimbabwe was at the centre of the African Music scene thanks to genres such as Sungura and Jit. However, several performers were banned by state TV and radio leading to the closure of several music venues. Musical Genres Rock Some famous Zimbabwean rock bands are - Dividing The Element, Evicted, F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shona Music
Shona music is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience. In the Shona style of music, there is little distinction between the performer and the audience. Both are often actively involved in the music-making and both are important in the Shona religious ceremonies. Mbira The mbira is a traditional instrument of the Shona People often used in religious ceremonies. There are several different varieties of mbira including the mbira dzavadzimu and mbira nyunga nyunga. Shona music is well known as representative of mbira ("thumb piano") music. The performer of the " kushaura" (lead mbira part) often acts also as the lead vocalist, selecting a known melody or mbira pattern to accompany selected lyrics, usually a phrase or a few lines of text which are then commented upon improvisatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calabash
Calabash (; ''Lagenaria siceraria''), also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, New Guinea butter bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvested young to be consumed as a vegetable, or harvested mature to be dried and used as a utensil, container, or a musical instrument. When it is fresh, the fruit has a light green smooth skin and white flesh. Calabash fruits have a variety of shapes: they can be huge and rounded, small and bottle-shaped, or slim and serpentine, and they can grow to be over a metre long. Rounder varieties are typically called calabash gourds. The gourd was one of the world's first cultivated plants grown not primarily for food, but for use as containers. The bottle gourd may have been carried from Asia to Africa, Europe, and the Americas in the course of human migration, or by seeds floating across the oceans inside the gourd. It has been proven to have been g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Africa
The continent of Africa is vast and its music is diverse, with different Regions of Africa, regions and List of African countries, nations having many distinct musical traditions. African music includes the genres like makwaya, highlife, Mbube (genre), mbube, township music, Jùjú music, jùjú, Fuji music, fuji, jaiva, afrobeat, Afro fusion, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, taarab and others. African music also uses a large variety of instruments from all across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include music of the United States, American music like Dixieland jazz, blues, jazz, and many Caribbean music, Caribbean genres, such as calypso music, calypso (see kaiso) and soca music, soca. Latin American music genres such as cumbia, salsa music, son cubano, Cuban rumba, rumba, conga (music), conga, Bomba (Puerto Rico), bomba, samba and Zouk (musical movemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Berliner (ethnomusicologist)
Paul Franklin Berliner (born 1946) is an American ethnomusicologist, best known for specializing in African music as well as jazz and other improvisational systems. He is best known for his popular ethnomusicology book on the Zimbabwean mbira, ''The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe,'' for which he received the ASCAP Deems Taylor Award. He also published ''Thinking in Jazz: The Infinite Art of Improvisation'' for which he received The Society of Ethnomusicology's Alan Merriam Prize for Outstanding Book in Musicology. Berliner received his Ph.D. from Wesleyan University. Paul is the oldest of three and was born in Cambridge, MA to Joe and Ann Berliner. Berliner is Professor of Ethnomusicology at the John Hope Franklin Center for International and Interdisciplinary Studies at Duke University. He formerly taught at the School of Music of Northwestern University. He has recorded and produced albums of Shona mbira music, and has been recorded as a per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Tracey
Andrew Tracey (5 May 1936 – 2024) was a South African ethnomusicologist, musician, composer, and educator, widely known for his pioneering research on African musical instruments, particularly the mbira and karimba, and for his advocacy of applied ethnomusicology. He served as director of the International Library of African Music (ILAM) from 1977 until 2005 and was influential in the global understanding of African music systems. Early life and education Tracey was born in Durban, South Africa, the eldest son of the ethnomusicologist Hugh Tracey and Ursula Campbell. His early exposure to African music began in childhood through his father’s broadcasting work and field recordings. Following his parents' divorce, he moved to England at age ten, where he continued his education, later attending Charterhouse School. After completing national service in Kenya, during which he learned Swahili and encountered East African musical traditions, Tracey enrolled at Oxford Universit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Tracey
Hugh Travers Tracey was an English ethnomusicologist. He and his wife collected and archived music from Southern and Central Africa. From the 1920s through the 1970s, Tracey made over 35,000 recordings of African folk music. He popularized the mbira (a musical instrument of the Shona people) internationally under the name ''kalimba''. Hugh Tracey saw the importance of music within culture when he worked a tobacco farm in Southern Rhodesia. Here, he experienced music that displayed beliefs and morals, which inspired him to make his field recordings. He wanted to stop the loss of traditional music and culture from modernity and recorded all of his field recordings from rural areas that still held onto traditional culture and ideas. Life and career Tracey was born in Willand, Devon, in 1903. In the late 1920s Tracey was a farmer in rural Devon, when he decided to travel to Southern Rhodesia, current Zimbabwe. There he continued to work as a farmer, but became deeply interested ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
