This is a list of musical compositions by the 19th-century French composer

Charles Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...

(1818–1893), sorted by musical work category and date.

Operas

*'' Sapho'' (Opera in 3 acts, premiered 16 April 1851 at

Salle Le Peletier The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and con ...

of the

Paris Opera The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be kn ...

, revised to 2 acts on 26 July 1858, and revised again to 4 acts at the

Palais Garnier The (, Garnier Palace), also known as (, Garnier Opera), is a historic 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the ...

on 2 April 1884). Libretto by

Émile Augier Guillaume Victor Émile Augier (; 17 September 182025 October 1889) was a French dramatist. He was the thirteenth member to occupy seat 1 of the on 31 March 1857. Biography Augier was born at Valence, Drôme, the grandson of Pigault Lebrun, an ...

after the life of the poet

Sappho Sappho (; ''Sapphṓ'' ; Aeolic Greek ''Psápphō''; ) was an Ancient Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sapph ...

Lesbos Lesbos or Lesvos ( ) is a Greek island located in the northeastern Aegean Sea. It has an area of , with approximately of coastline, making it the third largest island in Greece and the List of islands in the Mediterranean#By area, eighth largest ...

. The creation of the work was given an impetus by, and provided a central role for, the

mezzo-soprano A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A bel ...

Pauline Viardot Pauline Viardot (; 18 July 1821 – 18 May 1910) was a French dramatic mezzo-soprano, composer and pedagogue of Spanish descent. Born Michelle Ferdinande Pauline García,FitzLyon, p. 15, referring to the baptismal name. Thbirth recorddigitized a ...

. *''

La nonne sanglante ''La nonne sanglante'' (''The Bloody Nun'') is a five-act opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne, after an episode in '' The Monk'', a gothic novel by Matthew Gregory Lewis. Written between 1852 and 1854, i ...

'' ''(The Bloody Nun)'' (Opera in 5 acts, premiered 18 October 1854 at the Salle Le Peletier). The libretto was by

Eugène Scribe Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of man ...

and Germain Delavigne, after an episode in ''

The Monk ''The Monk: A Romance'' is a Gothic novel by Matthew Gregory Lewis, published in 1796 across three volumes. Written early in Lewis's career, it was published anonymously when he was 20. It tells the story of a virtuous Catholic monk who give ...

'', a

gothic novel Gothic fiction, sometimes referred to as Gothic horror (primarily in the 20th century), is a literary aesthetic of fear and haunting. The name of the genre is derived from the Renaissance era use of the word "gothic", as a pejorative to mean ...

Matthew Gregory Lewis Matthew Gregory Lewis (9 July 1775 – 16 May 1818) was an English novelist and dramatist, whose writings are often classified as "Gothic horror". He was frequently referred to as "Monk" Lewis, because of the success of his 1796 Gothic novel ' ...

. *''

Le médecin malgré lui ''Le Médecin malgré lui'' (; "The doctor/physician in spite of himself") is a farce by Molière first presented in 1666 (published as a manuscript in early 1667) at le Théâtre du Palais-Royal (rue Saint-Honoré), théâtre du Palais-Royal ...

'' ''(The Doctor in spite of himself)'' (

Opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular ''opéras comiques en vaudevilles'' of the Théâtre de la foire, Fair Theatres of St Germain and S ...

in three acts, premiered at the

Théâtre Lyrique The Théâtre Lyrique () was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Paris Opera, Opéra, the Opéra-Comique, and the Théâtre-Italien (1801–1878), Théâtre-Italien). ...

on 15 January 1858). Libretto by

Jules Barbier Paul Jules Barbier (; 8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré.

and

Michel Carré Michel Carré (; 20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing li ...

after

Molière Jean-Baptiste Poquelin (; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, ; ), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world liter ...

's play of the same name. *''

Faust Faust ( , ) is the protagonist of a classic German folklore, German legend based on the historical Johann Georg Faust (). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a deal with the Devil at a ...

'' (Opera in five acts, premiered at the Théâtre Lyrique on 19 March 1859; the opera was revised with a ballet being added and spoken dialogue replaced by sung recitative for performances at the Salle Le Peletier in 1869). The libretto was by Barbier and Carré, from Carré's play ''Faust et Marguerite'', in turn loosely based on

Johann Wolfgang von Goethe Johann Wolfgang (von) Goethe (28 August 1749 – 22 March 1832) was a German polymath who is widely regarded as the most influential writer in the German language. His work has had a wide-ranging influence on Western literature, literary, Polit ...

's ''

Faust, Part One ''Faust: A Tragedy'' (, , or

aust. The tragedy's first part ''The Australian'', with its Saturday edition ''The Weekend Australian'', is a broadsheet daily newspaper published by News Corp Australia since 14 July 1964. As the only Australian daily newspaper distributed nationally, its readership of bot ...

is the first part of the Tragedy, tragic Play (theatre), play ''Goethe's Faust, Faust'' by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German liter ...

''. *''

Philémon et Baucis ('' Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' ...

'' (Opera in three acts, first performed at the Théâtre Lyrique on 18 February 1860. Gounod revised this for a definitive 2-act version at the

Opéra-Comique The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief riva ...

on 16 May 1876). Libretto by Barbier and Carré, after the tale of

Baucis and Philemon Baucis and Philemon () are two characters from Greek mythology, only known to us from Ovid's ''Metamorphoses''. Baucis and Philemon were an old married couple in the region of Tyana, which Ovid places in Phrygia, and the only ones in their t ...

as told by

Jean de La Fontaine Jean de La Fontaine (, ; ; 8 July 162113 April 1695) was a French Fable, fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''La Fontaine's Fables, Fables'', which provided a model for subs ...

, derived in turn from

Ovid Publius Ovidius Naso (; 20 March 43 BC – AD 17/18), known in English as Ovid ( ), was a Augustan literature (ancient Rome), Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he i ...

Metamorphoses The ''Metamorphoses'' (, , ) is a Latin Narrative poetry, narrative poem from 8 Common Era, CE by the Ancient Rome, Roman poet Ovid. It is considered his ''Masterpiece, magnum opus''. The poem chronicles the history of the world from its Cre ...

. *''

La colombe (''The Dove'') is an ''opéra comique'' in two acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré based on the poem by Jean de La Fontaine, itself after a tale (V,9) in The Decameron of Giovanni Boccaccio. It premiered i ...

'' ''(The Dove)'' (Opéra comique premiered in a one-act version at the Theater der Stadt in Baden-Baden on 3 August 1860, revised on 7 June 1866 by the Opéra-Comique at the

Salle Favart The Salle Favart (), officially the Théâtre de l'Opéra-Comique (), is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis ...

in Paris in an expanded two-act version). Libretto by Barbier and Carré based on the poem ''Le Faucon'' by La Fontaine. *''

La reine de Saba ''La reine de Saba'' ('' The Queen of Sheba'') is a grand opera in four or five acts by Charles Gounod to a libretto by Jules Barbier and Michel Carré inspired by Gérard de Nerval's ''La Reine de Saba'', in '' Le voyage en Orient''. It was premi ...

'' ''(The Queen of Sheba)'' (

Grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and Orchestra, orchestras. The original productions consisted of spectacular design and stage effects with plots normally based on o ...

in four or five acts, premiered at the Salle Le Peletier by the Paris Opera on 28 February 1862. Libretto by Jules Barbier and Michel Carré inspired by

Gérard de Nerval Gérard de Nerval (; 22 May 1808 – 26 January 1855), the pen name of the French writer, poet, and translator Gérard Labrunie, was a French essayist, poet, translator, and travel writer. He was a major figure during the era of French romantici ...

's ''La Reine de Saba'', in his collection of travel writing, '' Le voyage en Orient''. *''

Mireille Mireille () is a French given name, derived from the Provençal Occitan name ''Mirèio'' (or ''Mirèlha'' in the classical norm of Occitan, ). It could be related to the Occitan verb ''mirar'' "to look, to admire" or to the given names ''Miriam'' " ...

'' (Opera in five acts, premiered at the Théâtre Lyrique on 19 March 1864). Libretto by Michel Carré after

Frédéric Mistral Joseph Étienne Frédéric Mistral (; , 8 September 1830 – 25 March 1914) was an Occitan writer and lexicographer of the Provençal form of the language. He received the 1904 Nobel Prize in Literature "in recognition of the fresh origina ...

's poem

Mirèio ''Mirèio'' (; ''Mirèlha'' in classical norm, ) is a poem in Occitan language, Occitan by French writer Frédéric Mistral. It was written in 1859, after eight years of effort. Mirèio, a long poem in Provençal consisting of twelve songs, tells ...

. *''

Roméo et Juliette ''Roméo et Juliette'' (, ''Romeo and Juliet'') is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on ''Romeo and Juliet'' by William Shakespeare. It was first performed at the Théâtre Ly ...

'' (Opera in five acts, first performed at the Théâtre Lyrique on 27 April 1867. A ballet was added for its transfer to the Paris Opera on 28 November 1888). Libretto by Jules Barbier and Michel Carré, based on the play

Romeo and Juliet ''The Tragedy of Romeo and Juliet'', often shortened to ''Romeo and Juliet'', is a Shakespearean tragedy, tragedy written by William Shakespeare about the romance between two young Italians from feuding families. It was among Shakespeare's ...

William Shakespeare William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...

. *'' Cinq-Mars'' (Opera in four acts, initially performed at the Opéra-Comique on 5 April 1877). Libretto by and

Louis Gallet Louis Gallet (14 February 1835 in Valence, Drôme – 16 October 1898) was a French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction —and ...

loosely adapted from

Alfred de Vigny Alfred Victor, Comte de Vigny (; 27 March 1797 – 17 September 1863) was a French poet and early French Romanticism, Romanticist. He also produced novels, plays, and translations of Shakespeare. Biography Vigny was born in Loches (a town to wh ...

's historical novel based on the life of

Louis XIII Louis XIII (; sometimes called the Just; 27 September 1601 – 14 May 1643) was King of France from 1610 until his death in 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown. ...

's favourite the Marquis of Cinq-Mars, who conspired against Louis' First Minister,

Cardinal Richelieu Armand Jean du Plessis, 1st Duke of Richelieu (9 September 1585 – 4 December 1642), commonly known as Cardinal Richelieu, was a Catholic Church in France, French Catholic prelate and statesman who had an outsized influence in civil and religi ...

. *'' Maître Pierre'' ''(Master Peter)'' (Uncompleted project for an opera started in 1877, abandoned in 1878. The music was later arranged by the composer as a ''Suite dramatique en quatre parties''). The libretto was by Louis Gallet, after the life of

Peter Abelard Peter Abelard (12 February 1079 – 21 April 1142) was a medieval French scholastic philosopher, leading logician, theologian, teacher, musician, composer, and poet. This source has a detailed description of his philosophical work. In philos ...

, the twelfth century scholar-philosopher and lover of

Héloïse Héloïse; c. 1100–01? – 16 May 1163–64?), variously Héloïse d'ArgenteuilCharrier, Charlotte. Heloise Dans L'histoire Et Dans la Legende. Librairie Ancienne Honore Champion Quai Malaquais, VI, Paris, 1933 or Héloïse du Paraclet, was a ...

. *''

Polyeucte ''Polyeucte'' is a drama in five acts by French writer Pierre Corneille. It was finished in December 1642 and debuted in October 1643. It is based on the life of the martyr Saint Polyeuctus (Polyeucte).Palais Garnier The (, Garnier Palace), also known as (, Garnier Opera), is a historic 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the ...

on 7 October 1878). The libretto was by Jules Barbier and Michel Carré, after the play of the same name (1643) by

Pierre Corneille Pierre Corneille (; ; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great 17th-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage ...

, about

Saint Polyeuctus Saint Polyeuctus (also Polyeuctes, Polyeuktos, Greek: Πολύευκτος) of Melitene (died 10 January 259) is a Christian saint from the Roman era. Life Christian tradition states that he was a wealthy Roman army officer who was the first ...

, an early Roman martyr in Armenia. *''

Le tribut de Zamora is a grand opera in four acts by Charles Gounod, to a libretto by Adolphe d'Ennery and Jules Brésil set in Moorish Spain shortly after the Battle of Zamora in 939 CE. The work was premiered at the Paris Opera's Palais Garnier on 1 April 188 ...

'' (Grand opera in four acts, premiere at the Paris Opera's Palais Garnier on 1 April 1881). The libretto by

Adolphe d'Ennery Adolphe d'Ennery (; or Dennery; Adolphe Philippe; 17 June 181125 January 1899) was a French playwright and novelist. Life Born in Paris, his real surname was Philippe. He obtained his first success in collaboration with Charles Desnoyer in ' ...

and

Jules Brésil Jules-Henri Brésil (8 May 1818 – 22 October 1899) was a French writer who collaborated with Adolphe d'Ennery on the librettos of at least two operas. Life Brésil was born in Paris and died in Bois-Colombes. He married mezzo soprano Lucile ...

was set in

Moorish Spain Al-Andalus () was the Muslim-ruled area of the Iberian Peninsula. The name refers to the different Muslim states that controlled these territories at various times between 711 and 1492. At its greatest geographical extent, it occupied most o ...

shortly after the Battle of Zamora in 939 CE.

Oratorios

*'' Messe a tre'' (1841) *'' Tobie.'' Words by Lefèvre (1854) **Version in English by H. Farnie *'' Les Sept Paroles de Notre Seigneur Jésus-Christ sur la Croix'' (1855) *''

Gallia Gaul () was a region of Western Europe first clearly described by the Romans, encompassing present-day France, Belgium, Luxembourg, and parts of Switzerland, the Netherlands, Germany, and Northern Italy. It covered an area of . According to Ju ...

'' For solo soprano, chorus, orchestra, and organ (1871) **Versions: #For voice and piano. Arranged by Antony Choudens #For piano solo. Arranged by Antony #For voice, piano, organ, violin or violoncello. With French, Latin, Italian, and German words (1872) *'' Jésus sur le lac de Tibériade'' (1873) **Version for voice and piano arranged by Léon Lemoine *''

La rédemption ''La Rédemption'' (''The Redemption'') is an oratorio in three parts by Charles Gounod arranged for the first time in 1882. Composition ''La Rédemption'' is based on much earlier sketches, which were finished only after his publisher, Novello, ...

'', trilogy (1882) **Versions: #For voice and piano arranged by Berthold Tours #In English by J. Troutbeck #In German by J. Weyl *'' Christus factus est'' (1842) *'' Mors et vita'', trilogy (1884) **Versions: #For voice and piano. Arranged by Brown (1885) #In English by J. Troutbeck *'' Saint Francois d'Assise'' (1891)

Ballet

*''Faust'' (1868) *''Roméo et Juliette'' (1888) *''Souvenir d'un bal,'' air. For violin and piano (1896)

Theatre

*"Dramatic pieces" (1841) *"Fragments from ''Romeo e Giulietta'' (1842) *"Sextet from ''Le cantatrici villane''" (1842) *''Ulysse'', incidental music (preludes, melodrames and choruses) for the five-act tragedy by

François Ponsard François Ponsard (1 June 1814 – 7 July 1867) was a French dramatist, poet and author and was a member of the Académie française. Biography Ponsard was born at Vienne, Isère in 1814 and trained as a lawyer. His first literary work w ...

(1851) *'' Le Bourgeois gentilhomme'', by

(1856) *''Les Deux Reines de France'', drama by

Ernest Legouvé Gabriel Jean Baptiste Ernest Wilfrid Legouvé (; 14 February 180714 March 1903) was a French dramatist. Biography Son of the poet Gabriel-Marie Legouvé (1764–1812), he was born in Paris. His mother died in 1810, and almost immediately aft ...

(1865) *''Jeanne d'Arc'', drama by

Jules Barbier Paul Jules Barbier (; 8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré.

(1873) *''

Georges Dandin ''George Dandin ou le mari confondu'' (''George Dandin or The Thwarted Husband'') is a French Comédie-ballet in three acts by Molière, with music by Jean-Baptiste Lully, choreography by Pierre Beauchamp, and architecture/staging by Carlo Vigarani ...

'', comedy by Molière (1873) *''Les drames sacrés'', by

Armand Sylvestre Armand Sylvestre may refer to: * Armand Sylvestre (MLA) (1910–1980), Quebec lawyer, judge and member of the Quebec legislative assembly representing Berthier * Armand Sylvestre (MP) (1890–1972), Quebec lawyer and member of the Canadian House of ...

and Eugène Morand (1892) Gounod-Auteuil

Masses

* Mass (1839) * Mass (1840) * Requiem (1842) * Mass (1843) * ''A son ami Gabriel de Vendeuvre.'' Two tenors and two basses (1846) ** Version in German by J. André. With organ ''ad libitum'' * ''A l'association des sociétés chorales de Paris et du departement de la Seine.'' For Four-part male choir and organ ''ad libitum'' (1846) ** Version for 3 voices arranged by A. Lebeau. ''Messe des orphéonistes.'' (1870) * Mass for 3-part male choir (1853) ** Versions: # For 3-part male choir and organ (1863) # For 4 voices * ''

St. Cecilia Mass ''St. Cecilia Mass'' is the common name of a solemn mass in G major by Charles Gounod, composed in 1855 and scored for three soloists, mixed choir, orchestra and organ. The official name is ', in homage of St. Cecilia, the patron saint of music. ...

'' (''Messe solennelle à Sainte-Cécile'') ("A la mémoire de J. Zimmermann, mon père") (1855, revised 1864) ** Versions: # For soli, chorus, orchestra, and organ # For soli, chorus, and organ. Orchestra reduction by E. Vast (1861) # For soli, chorus, and organ. Added second offertory (1873) # For soli, four-part chorus, and organ or piano. Added Laudate Dominum (1878) # For soli, two-part chorus, and organ or piano (1887) # The Kyrie, Sanctus, Benedictus, and Agnus Dei, for soli or chorus in unison with organ or piano accompaniment (1886) # With the organ replacing the wind instruments. To be played with a string quartet. Arranged by H. d'Aubel (1895) * ''Messe brève en ut majeur.'' Three-part (soloists or male choir) and organ or harmonium (1872) ** Version for four voices (male choir) and organ * ''Messe brève pour les morts'' (1873) * ''Messe du Sacré-Cœur de Jésus.'' Four-part. For chorus and orchestra (1876) ** Versions: # For voice and piano. Arranged by A. Lavignac # For 2 voices and organ or harmonium. Arranged by Antony Choudens (1877) # For piano and organ. Arranged by Leon Lemoine (1878) # For 3 voices and organ # ''The office of holy communion.'' Translated by George F. Tredaway * ''Messe No. 3.'' 3-part. With organ ''ad libitum'' (1882) ** Versions: # In E (from G) # For piano and voice. Arranged by Berthold Tours (1883) * ''Messe funèbre à quatre voix.'' for soprano 1, soprano 2, tenor, bass, and organ (1883) * ''A la mémoire de Jeanne d'Arc'' for soli, chorus, and organ (1887) lus a prelude with a fanfare and other pieces/nowiki> * ''Quatrième messe solennelle'' for chorus and organ (1888) receded by a Te Deum/nowiki> * ''Aux cathédrales''. Four-part. For soli, chorus, and organ or piano (1890) * '' Messe brève no. 7'' for four-part choir, soli, and organ or piano (1890) * ''Messe dite de Clovis.'' Four-part. With organ (1890) * ''Messe de Saint-Jean.'' Four-part. With organ (1890) * ''Requiem'' for soli, chorus, and piano (1893) ** Versions: # For soli, chorus, and organ # For 2 voices and organ # With an accompaniment of string quartet or harp and organ

Motets

* Te deum (1841) * ''Hymne en français'' For soli, chorus, and orchestra (1843) * ''A la reine des apôtres.'' For soprano or baryton (1843, revised in 1846 as ''Chant pour le départ des missionnaires du séminaire des missions étrangères'') ** Versions: **# For soprano or tenor **# For 2 voices **# For chorus * ''Chantons, chantons de Dieu le pouvoir éternel,'' by Handel. For chorus. (1843) * ''Domine salvum'' (1853) * Ave verum (1853) * O salutaris (1854) * ''Dans cette étable, pastorale sur un noël du XVIIIème siècle'' (1855–56) * ''Bethléem, noël du XVIIIème siècle.'' With piano or organ (1855–56) ** Version in English by Farnie * ''The shepherd's nativity hymn'' (1855–56) ** Version in English by Farnie * Regina coeli; Laudate Dominum (1856) * O salutaris; Inviolata, four-part (1856) * Laudate Dominum, two-part (1856) * O salutaris hostia, for solo soprano, chorus, and orchestra (1856) * ''Ave verum de Mozart'', four-part. For chorus (1856) * Interlude and prayer for '' Joseph en Egypte'' by Méhul. For voice (1856) * Ave verum, for solo bass or alto (1856) ** Version for solo tenor or soprano * ''Jésus de Nazareth'', words by A. Porte (1856) **Versions: **# With piano or organ in G, C, and E♭ (1860–66) **# With orchestra (1864) **# In English by

Henry Chorley Henry Fothergill Chorley (15 December 1808 – 16 February 1872) was an English literary, painting and music critic, writer and editor. He was also an author of novels, drama, poetry and lyrics. Chorley was a prolific and important music and ...

(1862) **# For orchestra and chorus (1877) * O salutaris eternel, for orchestra and organ or solo organ ad libitum (1856) * Da pacem, antiphon. three-part (1856) * Pater noster, four-part (1856) * Inviolata, two-part (1856) *

Ave Maria The Hail Mary or Ave Maria (from its first words in Latin), also known as the Angelic or Angelical Salutation, is a traditional Catholic prayer addressing Mary, mother of Jesus, Mary, the mother of Jesus. The prayer is based on two biblical pa ...

. Words by Paul Besnard. For solo soprano, organ, piano, and orchestra (1859) Based on Bach's Prelude in C major from the

Well-Tempered Clavicle ''Well-Tempered Clavicle'' is the 35th book of the Xanth series by Piers Anthony. The title is a pun on the Bach musical work ''The Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fug ...

. **Versions: **# For solo alto or baritone and piano **# For solo soprano or tenor and piano **# For soprano or tenor, violin, organ, and piano **# For soprano, violin, organ, piano, and orchestra **# In English by Chorley * ''Fixer ici ton sort'' (1859) * ''Prière à Marie'' (1861) * ''Près du fleuve étranger.'' Four-part. Words by A. Quételard (1861) **Versions: **# In English by Farnie (1866) **# As Ave verum. For chorus and orchestra * ''Tout l'univers est plein de sa magnificence.'' Words by Racine (1861) * Ave verum. Four-part (1861) * Ave verum; O salutaris. With orchestra or organ (1861) * ''Le vendredi-saint.'' six-part. Words by Alexis Badou (1866) * ''Noël, chant des religieuses.'' Words by Jules Barbier. For female soli and chorus, with piano and organ ''ad libitum'' (1866) ** Versions: **# In English by Webb (1869) (this work is performed by the

Robert Mitchell Boys Choir Robert Mitchell (October 12, 1912 – July 4, 2009) was an American organist and choir director whose career spanned 85 years, from 1924 to 2009. He was one of the last original silent film accompanists, having accompanied films from ...

in the 1947 film

The Bishop's Wife ''The Bishop's Wife'' (also known as ''Cary and the Bishop's Wife'') is a 1947 American Christmas Romance film, romantic Fantasy film, fantasy comedy film directed by Henry Koster, starring Cary Grant, Loretta Young and David Niven. The plot is ...

) **# In English by Metzler (1889) * Stabat mater. Words by M. Castaing. For orchestra (1867) ** Version with piano and organ ''ad libitum'' * Tota pulchra es. Two-part (1868) * Sub tuum. Two-part (1868) * ''Prière à la Vierge'', Words by M. (1868) * ''Le mois de Marie'' (1868) * ''Le crucifix'' (1868) ** Version in English by Webb (1869) * Sicut cervus. Four-part (1868) * ''Cantique pour l'adoration du Saint-Sacrement.'' Words by A. de Ségur (1868) * ''Le ciel a visité la terre.'' Words by A. de Ségur (1868) ** In English by Farnie (1877) * ''Prière pour l'empereur et la famille impériale.'' Words by Baclen (1869) * ''L'anniversaire des martys,'' 6 canticles. Words by C. Dallet. With piano or organ (1870) * Ave verum (1871) * ''There is a green hill far away.'' Words by C. F. Alexander (1871) * ''Motet pour la fête de l'exaltation de la Sainte Croix.'' With piano, organ, and harmonium ''ad libitum'' (1871) * De profundis, (1871) * O salutaris. Two-part, for mezzo-soprano and tenor (1871) * ''Angeli custodes'' (1872–73) * ''Prière d'Abraham.'' Words by Jules Barbier (1872–73) * O salutaris. For solo soprano or tenor (1872–73) ** Version for alto or baryton (1875) * ''Two Benedictus: A morning service. An evening service'' (1872–73) * ''L'Ave Maria de l'enfant'' (no date) * ''To God, we choir above.'' Words by P. Skelton (no date) * ''Que sa volonté soit faite!'' With piano or organ ''ad libitum'' (1872) * ''Cantique pour la première communion.'' Words by R. P. Dulong de Rosnay. With piano or harmonium (1872) * ''Bienheureux le cœur sincère.'' 2-part. Words by Jules Barbier. For soprano and alto (1872) * ''La salutation angélique.'' For voice and piano (1872) * ''

D'un cœur qui t'aime (A heart that loves you) is a motet by Charles Gounod. He set a religious text by Jean Racine in both a version for soprano, alto and piano, and another for two four-part choirs a capella. References External links * * Proms Chamber Mus ...

''. Two-part. Words by Racine and Athalie. For soprano and alto (1872) * ''Hymn to the holy virgin,'' canticle (1872) ** In English by B. P. Wyatt Smith (1883) * ''Le roi d'amour est mon pasteur,'' melody. Words by

Paul Collin Paul Collin (12 July 1843 – 5 February 1915) was a French poet, writer, translator and librettist. Life and career Collin was born in Conches-en-Ouche. In the 18th and early 19th centuries, his family produced administrative officers in the mi ...

(1872) ** In English by H. W. Baker (1884) * ''Glory to thee my God, this night.'' Words by Bishop Ken (1872) * ''Hymne à Saint-Augustin.'' 1-part. Words by M. Ribolet. For chorus and organ (1872) * ''Forever with the Lord.'' Words by J. Montgomery (1872) * ''Ce qu'il faut à mon âme,'' canticle. Words by Félix Sédillot (1872) * ''Le nom de Marie,'' canticle. Words by A. de Ségur (1872) ** Version in English by Farnie * Requiem (1873) * ''Temple, ouvre-toi.'' Words by Legouvé (1873) ** Version in English by Westbrook * Vexilla regis (1873) * ''On the sea of Galilee.'' Words by Weldon. For solo, chorus, and orchestra. Arranged by E. Tinel (1873) * Ave verum. For soprano or tenor, violin, organ, piano, harp, and contrabass ''ad libitum'' (1876) ymne à Sainte Cécile/nowiki> * 60 sacred songs. With organ or piano (1879) * Miserere. Four-part, for soli, chorus, and organ ''ad libitum'' (1880) * De profundis. For soli, chorus, and orchestra (1880) ** Version for voice and piano * ''L'hymne apostolique'' (1886) * ''Quam dilecta tabernacula tua.'' For solo baryton (1886) * ''Hymne de la patrie. Notre-Dame de France.'' Words by Georges Boyer (1886) * Te Deum. For soli or small chorus, chorus, organ, and harp (1886) * ''The holy vision.'' Words by Frederic E. Wheaterly (1886) * 60 sacred songs (1887) * ''La communion des saints.'' For soprano and chorus (1889) * Ave Maria (1890) * ''La contemplation de Saint François au pied de la croix'' and ''La mort de Saint François'' (1891) * ''Second Ave Maria,'' meditation (1892) based on Bach's second prelude * ''Je te rends grâce, ô Dieu d'amour,'' canticle. Four-part. Words by Paul Collin. For soli ''ad libitum'', chorus and piano or organ (1892) ** Version for voice and piano * ''Toujours à toi, Seigneur,'' hymn. Four-part. Words by Paul Collin. For chorus (1892) * Tantum ergo. With violin, cello, and organ (1892) * Pater noster. Five-part. For soli, chorus, and organ (1892) * ''Le jour de Noël,'' epilogue (1892) * Christus factus est obediens, canticle (no date) * Ave Maria (published 1894) * Salve regina (published 1894) * Adoro te supplex, hymn (published 1894) ** Version in English by A. Phillips (published 1895) * ''La prière de Jeanne d'Arc.'' Words by Jules Barbier (published 1894) ** Version in Latin by Dourlent * Agnus Dei, by Henri Busser. With organ and violin ''ad libitum'' (published 1895) * ''Motet à Saint Jean l'evangéliste,'' epilogue (published 1895) * Pater noster, by Henri Busser (published 1895) * Sancta Maria, canticle. Words by Eucher (published 1895) * Amen (published 1895) * O salutaris (published 1897) * ''Hymne à l'eucharistie,'' canticle. Words by E. Julliotte (published 1900) * ''

''. Words by Racine. For soprano and alto (published 1900) ** Version for organ as "Bethléem" (1891)

Songs

*''Marie Stuart'' and ''Rizzio'', lyric scene (1837) *''La vendetta'', lyric scene (1838) *''Fernand'', lyric scenes. 3-part (1839) *''Le vallon'', meditation. Words by A. de Lamartine (1840–42) **Version in English by L. H. F. du Terreaux *''Le soir'' (1840–42) *"Un hymne français." For soli, chorus, and orchestra (1843) *"Bach's 1st prelude." For violin, organ, and piano (1852) **Version for voice. Words by A. de Lamartine *''Quatre grands chœurs.'' For orchestra (1852–58) *''Chant des compagnons; Le vin des Gaulois et la danse de l'Épée'' (1852–58) *''Les pauvres du bon Dieu'' (1852–58) *''La chanson de Roland.'' Four-part. For men's voices (1852–58) Chœur de Grétry" from ''Guillaume Tell''/nowiki> *''Chasse: Où sommes-nous?'' (1852–58) *''Vive l'Empereur!'' (1852–58) *''Hymne à la France'' (1852–58) *''La cigale et la fourmi'' (1852–58) *''Le corbeau et le renard'' (1852–58) *''Bonjour, bonsoir.'' 3-part. Words by Spenner. For chorus (1852–58) *''Le rosier blanc.'' Words by Spenner (1852–58) *''Patte de velours.'' Words by Spenner (1852–58) *''La jeune fille et la fauvette'', melody. Words by La Chauvinière (1852–58) *''Cantate.'' Words by Turpin. For women's voices (1852–58) *''Un rêve'' (1852–58) *''La distribution des prix'' (1852–58) *''Paraissez, roi des rois'' (1852–58) *''Reine des cieux.'' Words by Turpin (1852–58) *''La géographie.'' Words by Turpin (1852–58) *''L'action de grâce.'' Words by Turpin (1852–58) *''Le catéchisme.'' Words by Turpin (1852–58) *''Le bénédicité.'' Words by Turpin (1852–58) *''Où voulez-vous aller?'' Words by M. Théophile Gautier. For piano and violin, or violoncello, or flute, or harmonium (1852–58). Dedicated to

Alexis Dupont Alexis Dupont (1796 – 29 May 1874) was a French operatic tenor who sang at the Opéra-Comique from 1821 to 1823 and the Paris Opera from 1826 to 1841.Kutsch & Riemens 2003, p. 1256; Schulman 1992. Concerning the date of his retirement from the ...

**Versions: #In English by W. J. Ryby (1878) #In English by O. Meredith (1882) *''Primavera'', melody. Words by M. Théophile Gautier (1852–58) *''Marguerite'', romance. Words by O. Pradere (1854–55) *''Chant de paix'' (1854–55) *''Les vacances.'' Words by L. Bigorie. (1854–55) *''Le jour des prix.'' Words by E. Scribe (1854–55) *''Le temps qui fuit et s'envole'' (1854–55) *''La prière et l'étude: L'emploi de la journée.'' Words by C. Turpin (1854–55) *''La récréation; L'ècriture; L'arithmétique.'' Words by C. Turpin (1854–55) **Version for duet for "L'ècriture" and "L'arithmétique" *''Fêtes des ècoles.'' 3-part. Words by A. Lefèvre. For chorus (1854–55) **Version for 4 voices *''L'hiver'', by Lully. For chorus (1854–55) *''Chantons, chantons de Dieu le pouvoir éternel'', by Handel. For chorus (1854–55) *''En ce doux asile'', by Rameau. For chorus (1854–55) *''L'ange gardien.'' Four-part. Words by Quételard. For chorus (1854–55) *''Mon habit'', by Béranger (1855) *''Six mélodies'' (1855) *''Deux vieux amis'', scene. Words by Pierre Véron. For tenor and baryton (1855) *''Sérénade.'' Words by Victor Hugo. With piano, organ, and harmonium ''ad libitum'' (1855, revised 1864, 1866, and 1867) *''Les châteaux en Espagne.'' Words by Pierre Véron. For tenor and baryton (1855) *''L'âme de la morte.'' Words by Théodore de Banville (1860) *''L'âme d'un ange.'' Words by Théodore de Banville (1860) ased on the Italian folk song "La rondinella"/nowiki> *''Chanson de printemps.'' Words by Eugène Tourneux (1860) *''La jeune fille et la fauvette.'' Words by Edmond de La Chauviniere (1860) *''Dans cette étable'', pastorale. For chorus and orchestra (1860) ased on an 18th-century "noël"/nowiki> *''Le Juif errant.'' Words by Béranger (1860) *''Six mélodies enfantines.'' With piano (1860) *''A une jeune Grecque'', epitaph. Words by Prosper Yvaren, from the Greek words by Sappho (1860) *''Medjé'', Arab song. Words by Jules Barbier (1865) *''Solitude.'' Words by A. de Lamartine (1865) *''Tombez mes ailes'', romance. Words by Ernest Legouve (1865) *''Stances.'' Words by Louise Bertin (1865) *''Crépuscule.'' Words by M. (1865) *''Un rève.'' Words by M. Spenner. Arranged with piano by F. Morand (1865) *''Au printemps.'' Words by J. Barbier (1865) *''Le vendredi-saint.'' 6-part. Words by Alexis Bardou. For chorus and piano (1865) *''A une bourse.'' Words by Émile Augier (1865) *''A une jeune fille.'' Words by Émile Augier (1865) *''Les pauvres du bon Dieu'' Words by M. Lebeau. Arranged by F. Morand (1865) **Version with words by Baelen ommage to countess Herminie de Leautaud's recently born son/nowiki> *''Envoi de fleurs.'' Words by Émile Augier (1865) *''Donne-moi cette fleur.'' Words by Léon Gozlan (1865) *''Départ'', scene. Words by Émile Augier (1865) *''Déesse ou femme'', madrigal. Words by Barbier and Carré (1865) *''Boire à l'ombre.'' Words by Émile Augier (1865) **Version in English by A. Phillips *''Le temple de l'harmonie'', 12 choruses and a cantata. For voice and piano (1865) *''Les martyrs'', scene. For men's chorus (1869) *"20 melodies." For voice and piano (1869) *''Absence.'' Words by A. de Ségur (1870) *''Chantez Noël'' 2-part. Words by Jules Barbier. For soprano and alto (1870) *''La cigale et la fourmi.'' For chorus (1870) *''Le corbeau et le renard.'' For chorus (1870) *''Je ne puis espérer.'' Words by

Albert Delpit Albert Delpit (January 30, 1849 – January 4, 1893) was a French novelist and playwright. Biography Born in 1849 in New Orleans, Albert Delpit was the son of a wealthy tobacco merchant, Jean Adrien Delpit (1806–1883), and Marie Félicit� ...

(1870) *''Chantez, voix bénies'', hymn. Words by Louis Gallet (1870) **Versions: #In Italian by Zaffira (1872) #In English by C. J. Rowe *''Par une belle nuit'', nocturne. 2-part. Words by A. de Ségur. For soprano and alto (1870) *''La paquerette.'' Words by Alexandre Dumas (1871) *''Chanter et souffir.'' Words by Albert Delpit (1871) *''Mignon.'' Words by Louis Gallet (1871) *''Le souvenir.'' Words by Joseph Collin (1871) *''Oh! that we two are maying.'' Words by Charles Kingsley. With harmonium and viola ''ad libitum'' (1871) *''The sea hath its pearls.'' With harmonium and violin ''ad libitum'' (1871) *''Beware: I know a maiden.'' Words by

Henry Wadsworth Longfellow Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include the poems " Paul Revere's Ride", '' The Song of Hiawatha'', and '' Evangeline''. He was the first American to comp ...

(1871) *''Queen of love.'' Words by Francis Turner Palgrave (1871) *''La siesta'', duet (1871) *''The daisy.'' Words by Henry Dulcken, from the French words by A. Dumas (1871) *''Boléro.'' Words by Jules Barbier (1871) **Version in English by B. Kett *''Good night.'' Words by Shelley (1871) *''It is not always May.'' Words by Henry Wadsworth Longfellow (1871) *''Oh, happy home! Oh, blessed flower!'' Words by E. Maitland (1871–72) *''The fountains mingle with the river.'' Words by Shelley (1871–72) *''There is dew.'' Words by Thomas Hood (1871–72) *''Woes me! Woes me!'' Words by Campbell (1871–72) *''The Royal Albert Hall.'' For chorus (1871–72) *''Le pays bien heureux: Question d'enfant.'' (1871–72) rom "The better land" by Felicie Hemans/nowiki> *''Perche piangi?'' Cantilena. Words by Corrade Marchese Pavesi (1871–72) *''Prière du soir.'' Words by C. Ligny (1871–72) **Version in English by Webb (1869) *''Quanti mai.'' Words by Jules Barbier, from Metastasio (1871–72) *''Si vous n'ouvrez votre fenêtre.'' Words by A. Dumas (1871–72) *''Biondina'', in 12 numbers. Words by Giuseppe Zaffira (1871–72) *''Heureux sera le jour.'' Words by Ronsard. H. Lemoine (1871–72) *''La fauvette.'' Words by Millevoye (1871–72) *''La fleur du foyer.'' Words by Charles Ligny and E. Maitland (1871–72) *''Oh! dille tu!'' madrigal. Words by Giuseppe Zaffira (1871–72) *''Chanson d'avril'', serenade by Passant and François Coppée (1872) *''Chanson de la brise'', duo. Words by C. Ligny (1872) *''Maid of Athens. Virgine d'Atene/Vierge d'Athène.'' Words by

Lord Byron George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824) was an English poet. He is one of the major figures of the Romantic movement, and is regarded as being among the greatest poets of the United Kingdom. Among his best-kno ...

(1872) **Versions: #In French by J. Ruelle #In Italian by A. Zanardini *''The message of the breeze'', duet (1872) *''Ma belle amie est morte'', lamento. Words by Théophile Gautier (1872) *''Little Celandine.'' Words by C. Ligny. For soprano and alto (1872) *''Barcarola'' Words by Giuseppe Zaffira. For soprano and baryton (1872–73) **Version in French by Jules Barbier *''Blessed is the man'' (1872–73) *''Chidiock Tichborne'' (1872–73) *''Ella è malaia'' (1872–73) *''E le campane hanno suonato'' (1872–73) *''Entreat me not to leave thee'' (1872–73) *''E stati, alquanto'' (1872–73) *''Ha qualche tempo'' (1872–73) *''L'ho accompagnata'' (1872–73) *''There is dew.'' Words by Thomas Hood (1872–73) *''Ho messo nuove corde al mandolino'' (1872–73) *''Ier fu mandata'' (1872–73) *''If thou art sleeping, maiden, awake.'' Words by Henry Wadsworth Longfellow (1872–73) *''Invocation.'' Words by O. Pradère (1872–73) *''Le labbra ella compose'' (1872–73) *''Loin du pays'' (1873) *''Roy's wife of Aldivalloch'' (1873) *''My beloved spake'' (1873) *''The Worker.'' Words by Frederick Weatherley (1873) *''L'ouvrier'', lyric scene. Words by Charles Ligny and Frederick Weatherley (1873) *''Peacefully slumber'' (1873) *''Prière du soir.'' Words by Eugène Manucl (1873) *''Comeio son poeta'' (1873) *''Siam iti l'altro giorno'' (1873) *''Sotto un cappello rosa'' (1873) *''Welcome to skye'' (1873) *''Stances à la mémoire de Livingstone.'' Words by Lord Houghton (1873) *''Sur la montagne.'' Words by Jules Barbier (1874) *''A la Madone''. Words by Jules Barbier (1874) *''Aimons-nous''. Words by Jules Barbier (1874) *''A la brise''. Madrigal. Words by Jules Barbier (1875) *''Clos ta paupière''. Berceuse. Words by Jules Barbier (1875) *''En avant'', military song. Words by Paul Déroulède. For solo, chorus, and piano 4 hands (1875) *''Mon amour a mon cœur.'' Words by Jules Barbier (1875) *''Viens, les gazons sont verts.'' Words by Jules Barbier (1875) *''Cantate'', in 5 movements. Four-part. With organ (1875) *''Cantate pour la fête du T.-C. Frère Libanos''Condé, Gérard (2009). ''Charles Gounod''. Fayard. (1876). For 4 singers and piano. *''Prend garde.'' Words by Jules Barbier (1876) *''Prière.'' Words by Sully-Prudhomme (1876) *''Compliment.'' Words by A. Dumas (1876) *''Les lilas blancs'', waltz. Words by Paul Bourguignat (1876) *''Ma fille, souviens-toi.'' Words by Louise-Marie B. (1876) *''A toi, mon cœur!'' Words by Jules Barbier (1876) *''Les jeunes Françaises'', duet. Words by E. Iegollvé (1876) *''L'absent'' (1876) *"20 Mélodies." For soprano or tenor and piano (1877) **Version for alto or bass and piano *''Vive la France!'' Words by P. Déroulède. Orchestrated by A. Wormser (1877) **Version for solo and chorus *''La chanson du patre'' (1878) *''Le départ du mousse'', barcarolle. Words by Pierre Barbier (1878) *''La reine du matin.'' Words by Jules Barbier and M. Carré (1878) *''Rêverie.'' Words by Jules Barbier (1878) *''Jesus à la crèche'', "Noël" (1878) *"15 children's melodies." With piano (1878) *''Mélancolie'', rêverie. Words by François Coppée (1879–80) *''Les châteaux en Espagne.'' Words by Pierre Véron. For tenor and baryton (1881) *''Tu m'aimes: Réponse de Medjé.'' Words by Marie Barbier (1882) *''Elle sait.'' Words by Georges Boyer (1882) *''Ce que je suis sans toi.'' Words by M. de Peyre (1882) *''Chant des sauveteurs bretons.'' Words by Anais Ségalas (1882) *''Pauvre Braga, charmant garçon!'' Words by G. Nadaud (1882) *''La chanson de la glu'', by J. Richepin (1883) *''Déjà l'aube matinale'', duo (1883) *''Dernières volontés.'' Words by Louis Veuillot (1883) *''Les deux pigeons.'' Words by La Fontaine (1883) *''Memorare.'' For soprano and alto (1883) *''Voguons sur les flots'', barcarolle (1883) *"14 big choruses." Four-part. With piano (1883) *''A Cécile.'' Words by G. Dubufe (1883) *''Quand l'enfant prie.'' Words by Georges Boyer (1883) *''La couronne des reines.'' Words by D'ennery and Brésil (1885) *''Les adieux à la maison'' (1885) *''Blessures.'' Words by Henri Turpin (1885) *''Voix d'Alsace-Lorraine.'' Words by R. Rousseil (1885) *''Le temps des roses.'' Words by Camille Roy (1885) **Versions: #In Italian by A. Zanardini #In English by Germaine Mellor (1888) *''Aria di camera'', pastoral by

Johann Adolph Hasse Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a co ...

(1886) **Versions: #In French by E. Vergin lso: E. Colonne/nowiki>. With piano #With orchestra *''Dieu partout.'' 2-part. Words by E. Plouvier (1886) *''Le travail béni.'' 2-part. Words by E. Plouvier (1886) *''La fête des couronnes.'' 2-part. Words by E. Plouvier (1886) *"Six choruses" (1886) *''Le temps qui fuit'' (1887) *''Ce qu'il faut à mon ame'', canticle. Words by Félix Sédillot (1887) *''Vincenette.'' Words by Pierre Barbier (1887) *''Gliding, down the river'', boat song. Words by H. B. Farnie (1887) *''Passiflora.'' Words by Jeanne de Chambrun (1888) *''Hymne à la nuit.'' Words by Jules Barbier (1889) *''Aubade à la fiancee.'' Words by A. Dennery and J. Brésil (1890) *"20 mélodies." For voice and piano (1890) *''A la nuit'' (1891) *''L'absent'' (1892) *''Tout l'univers obéit a l'amour.'' Words by La Fontaine (1893) *''Blanche Colombe; A la Madone; A ma sœur; Parlez pour moi'', romances (no date)

rom the collection ''L'âge d'or'' Rom, or ROM may refer to: Biomechanics and medicine * Risk of mortality, a medical classification to estimate the likelihood of death for a patient * Rupture of membranes, a term used during pregnancy to describe a rupture of the amniotic sac * R ...

*''Au rossignol.'' Words by A. de Lamartine (no date) *''La liberté éclairant le monde.'' 3-part. Words by E. Guiard (published 1894) *''L'aveu.'' Words by Jean Rameau (published 1894) *"3 songs." (published 1895) #"Tranquil night" ''Cinq-Mars''">Night resplendent" from ''Cinq-Mars''/nowiki> #"Love in Arcadia" #"Image so dear" *''Repentir'' ("O Divine Redeemer"), for mezzo-soprano (published 1894) *''When the children pray.'' Words by O. Thospe. With violin and harmonium by H. Kingswill (published 1894) *''Célèbre sérénade'', berceuse. 2-part. Words by V. du Fresnel. For 2 voices or chorus (published 1895) *''Le beau.'' Words by Jules Barbier (published 1895) *''La chanson du pécheur.'' Words by Théophile Gautier (published 1895) *''Souvenir d'un bal'' (published 1895) *''Soir d'automne'' (published 1896) *''Easter eve.'' Words by C. Armstrong (published 1897) *''Óyeme.'' Words by Sully-Prudhomme, from Spanish words by El Marqués de Alta Villa (published 1898)

Instrumental

*"Fugues" (1837–39) *"Scherzo" (1837) *"Marche militaire suisse" (1840–41) *"Quintette" (1840–41) *"Plusieurs petits morceaux" (1840–41) *"Canon" (1843) *"Instrumental piece" (1843) *"Méditation." For violin, piano, and organ (1852) ased on Bach's first prelude/nowiki> **Version for piano solo *"Valse" (1854) *''La jeune religieuse,'' by Schubert. For piano, violin, violoncello ''ad libitum'', and Debain harmonicorde (1856) *"Quintette de ''Cosi fan tutte,''" by Mozart. For violin, violoncello, organ, and piano (1856) *''Symphonie No. 1.'' For orchestra (1855) **Versions: #For piano 4 hands. Arranged by Georges Bizet #For piano 2 hands. Arranged by A. Goria (1856) *''Symphonie No. 2.'' For orchestra (1855) **Version for piano 2 hands. Arranged by Antony Choudens (1866) *"Communion." For organ (1858) *"Overture from the opera ''Le medecin malgré lui.''" For piano 2 hands (1858) *''L'angelus,'' menuet. For piano 4 hands (1858) **Version for easy piano *"Valse caractéristique." For piano 2 hands (1860) **Version for piano 4 hands *"Meditation on ''Faust.'' For piano, violin, vlc., and organ (1862) *''La pervenche,'' romance (1861) *''Le ruisseau,'' romance (1861) *''Musette: Les pifferari,'' impromptu. For piano (1861) *''Royal-Menuet.'' For piano (1863) *"Rêverie arabe" from ''La reine de Saba.'' For piano or organ, violin, and vlc. (1863) *"Serenade." For piano, violin, and vlc. (1863) **Versions: #For piano and organ #For piano #For easy piano *''Le bal d'enfants.'' For easy piano (1864) *"Le berger de la crau" from ''Mireille.'' For piano (1864) **Versions: #For easy piano #For organ *"Choeur des magnanarelles" from ''Mireille'' (1864) *"Valse-ariette" from ''Mireille'' (1864) *"Heureux petit berger" from ''Mireille.'' For piano (1864) *''Hymne a Sainte-Cécile.'' For violin, organ, and piano (1864) **Version for violin, harps, timpani, wind instruments, and contrabasses (1865) *''Georgina.'' For piano (1864) *"6 melodies." For piano (1864) *"8 melodies." For piano (1864) #"Les champs" #"Chant du guerrier" #"Le vallon" #"Le Juif errant" #"Visions de Faust" #''?'' #"L'ame d'un ange" #"Le chant d'Euryclée" *''Aubade; Chant d'automne; Le lever, O ma belle rebelle; Le premier jour de mai; Venise.'' For easy piano (1864) *"Marche nuptiale" (1864) *''Le Soir,'' romance (1864) *''Le Calme,'' romance (1864) *''Chant des compagnons,'' For orchestra (1865) *''Valse des fiancés: Souvenances, nocturne.'' For piano (1865) *''La chanson du printemps,'' romance (1866) *'' Marche pontificale'' (1869) *"Variety of chorales by J. S. Bach." For organ (1869–70) *''La melodia,'' romanza. For organ (1871) *''Ivy: Le lierre,'' For piano (1871) *''Saltarello.'' For orchestra (1871) *"Marche romaine" (1872) *''Dodelinette.'' lullaby. For piano (1873) *'' Marche funèbre d'une marionnette'' For piano (1873). Orchestrated 1879. ublished with narrative in 1882 with words by George Price and Jean Ker Mary*''Maid of Athens.'' For piano (1873) *''Peacefully slumber,'' lullaby. For violin and piano (1873) *''Offertorium.'' For organ (1873) *''La veneziana.'' For piano (1873) *''La fête de Jupiter,'' march. For piano (1877–85) *''Sarabande de Cinq-Mars.'' For piano (1877–85) *''Cinq-Mars,'' march. For organ and hp. (1877–85) **Version for piano 4 hands *"Invocation; Prélude." For piano (1877–85) *"Pastorale; Sérénade." For piano (1877–85) *"Marche-fanfare." For piano (1877–85) *"Marche religieuse." For orchestra (1877–85) *"Grand waltz" (1877–85) *"Meditation." For piano (1877–85) *"Overture from ''Cinq-Mars''" For piano 4 hands (1877–85) **Version for piano 2 hands *"Saltarelle; Marche religieuse." For piano 2 hands (1877–85) **Version for piano 4 hands *''Cinq-Mars,'' fantasy. For piano and violin (1877–85) *"Marche solennelle." For piano (1877–85) **Version for harmonium and piano *"3 small and easy pieces." For piano 4 hands (1879) #"La nacelle" #"La rosière" #"Le page" *"Valse caractéristique." For piano (1881) *"Wedding march No. 1." For piano (1881) **Version for organ and 3 trb. (1882) *"Wedding march No. 2." For piano (1882) *"Petite etude-scherzo." For 2 cb. (1877–85) *"Meditation on the song ''The arrow and the song.''" For piano, violin or tpt., vlc., and organ (1877–85) *''Le rendez-vous,'' valses. For piano and orchestra (1877–85) *''Passacaille,'' serenade by

Jacques Bosch Jaime Felipe José Bosch (in Catalan: Jaume Bosch i Renard, in France known as Jacques Bosch) (26 May 1825 – 31 March 1895) was a Catalan guitarist and song composer who established himself in Paris. Biography Bosch was born in Barcelona and edu ...

. For guitar and violin ''ad libitum'' (1877–85) *''Fantaisie sur l'hymne national russe.'' For pedal piano and orchestra (1886) *''Suite concertante.'' For pedal piano and orchestra (1888) **Versions: #No. 3. For 2 piano Arranged by

Camille Saint-Saëns Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano ...

and A. Leduc #No. 5. For piano 2 hands. Arranged by G. Pierné (1889) #No. 5. For piano 4 hands. Arranged by C. de Bériot (1889) *"Petite symphonie." fl., 2 ob., 2 cl., 2 hn., and 2 bsn. (1888) *''Concerto in E-flat major.'' For pedal piano and orchestra (1889) *''Tempo di marcia'' (1893) ncomplete; only 8 measures/nowiki> *"Preparatory preludes and fugues for Bach's ''

The Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time ''clavier'' referred to a variety of keyboard instruments, ...

.'' (published 1895) *"Quartet." For 2 violin, vla., and vlc. (published 1895) *"Scherzo." For piano (published 1896) *''Album for the pianoforte.'' Revised, phrased, and fingered by O. Thürner (published 1906) *"6 pieces." For piano (published 1907) *"6 string quartets." (published 1993)

Notes

References

External links

Charles GOUNOD: Catalogo delle composizioni
at * Charles-gounod.com

* Marie-Anne de Bovet, ''Charles Gounod: His Life and His Works''. Pre-1923 work, digitised and re-released in 2008 as {{ISBN, 0559263309

Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...