Kishor Kumar

Kishore Kumar (born as Abhas Kumar Ganguly (); 4 August 1929 – 13 October 1987) was an Indian playback singer and actor. He is widely regarded as one of the greatest, most influential and dynamic singers in the history of Indian music.
He was one of the most popular singers in the Indian subcontinent, notable for his yodeling and ability to sing songs in different voices. He used to sing in different genres but some of his rare compositions, considered classics, were lost in time. According to his brother and legendary actor Ashok Kumar, Kishore Kumar was successful as a singer because his "voice hits the mike, straight, at its most sensitive point".

Besides Hindi, he sang in many other Indian languages, including Bengali, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Odia and Urdu. He also released a few non-film albums in multiple languages, especially in Bengali, which are noted as all-time classics.

He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. He was awarded the Lata Mangeshkar Award by the Madhya Pradesh government in 1985.

In 1997, the Madhya Pradesh Government initiated an award called the "Kishore Kumar Award" for contributions to Hindi cinema. In 2012, his unreleased last song sold for 15.6 lakh at the Osian's Cinefan Auction in New Delhi.

Early life

Kishore Kumar was born in a Bengali Brahmin Ganguly family in Khandwa, Central Provinces (now in Madhya Pradesh) as Abhas Kumar Ganguly. His father, Kunjalal Ganguly (Gangopadhyay) was a lawyer and his mother, Gouri Devi came from a wealthy Bengali family and was a home-maker. Kunjalal Gangopadhyaya was invited by the Kamavisadar Gokhale family of Khandwa to be their personal lawyer. Kumar was the youngest of four siblings, the older three being Ashok (the eldest), Sati Devi, and Anoop.

While Kumar was still a child, his brother Ashok became an actor in Hindi cinema. Later, Anoop also ventured into cinema with Ashok's help. Kumar graduated from Christian College, Indore.

Early career

After Ashok Kumar became a star of Hindi films, the Ganguly family visited Bombay (now Mumbai) regularly. Abhas Kumar changed his name to 'Kishore Kumar' and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Music director Khemchand Prakash gave Kumar a chance to sing "Marne Ki Duayen Kyon Mangu" for the film '' Ziddi'' (1948). After this, Kumar was offered many other assignments, but he was not very serious about a film career.Filmfare (1–15 November 1987) In 1949, he settled in Bombay.

During the initial stage of his career, Kumar was deeply inspired by singer K. L. Saigal and imitated his style of singing in some of his early films but later evolved his own, unique style. He had a great respect for poet and musician Rabindranath Tagore who influenced him in many ways.

He was an ardent admirer of Hollywood actor-singer Danny Kaye. He hung the portraits of all these three personalities at his ''Gouri Kun'' residence and would bow respectfully before them everyday as a rule.

In his later career, Kumar was also heavily influenced by playback singer Ahmed Rushdi and his liking towards Rushdi was to the extent that former paid a tribute at Royal Albert Hall in London to the latter by singing some of his songs.

Kumar employed yodeling in many of his songs including; ''Yeh dil na hota bechara'', ''Zindagi ek safar hai suhana'', and ''Chala jata hoon''. The style eventually became an essential feature of his singing and was inspired by Jimmie Rodgers and Tex Morton.

In the movie '' Half Ticket'', for one of the songs – "Aake Seedhi Lagi Dil Pe" – the music director Salil Chowdhary had a duet in mind and wanted Kumar and Lata Mangeshkar to sing the song. However, since Lata Mangeshkar was not in town and Salil Chowdhury had to record that song before she could return, Kumar solved the problem by singing both the male and female parts of the song himself. The duet is actually for Pran and Kumar on the screen dressed as a woman. It just turned out to be fine as he did admirably well singing both in male and female voices.

Music director S. D. Burman is credited with spotting Kumar's talent for singing. During the making of ''Mashaal'' (1950), Burman visited Ashok's house, where he heard Kumar imitating K. L. Saigal. He complimented him and told him that he should develop a style of his own, instead of copying Saigal. Kumar eventually developed his own style of singing, which featured yodeling, which he had heard on the records of Tex Morton and Jimmie Rodgers.S. D. Burman kept making Kishore sing for Dev Anand from the 50s to the early 70s. S. D. Burman provided him the training and encouraged Kumar a lot, especially in the late 50s and early 60s, resulting in Kumar developing into a great singer in the future years.

S. D. Burman recorded Kumar's voice for Dev Anand's ''Munimji'' (1954), ''Taxi Driver'' (1954), '' House No. 44'' (1955), ''Funtoosh'' (1956), ''Nau Do Gyarah'' (1957), ''Paying Guest'' (1957), ''Guide'' (1965), ''Jewel Thief'' (1967), '' Prem Pujari'' (1970), and '' Tere Mere Sapne'' (1971). He also composed music for Kumar's home production ''Chalti Ka Naam Gaadi'' (1958). Some of their songs were "Maana Janaab Ne Pukara Nahin" from ''Paying Guest'' (1957), "Hum Hain Rahi Pyar Ke" from ''Nau Do Gyarah'' (1957), "Ai Meri Topi Palat Ke Aa" from ''Funtoosh'' (1956), and "Ek Ladki Bheegi Bhaagi Si" from ''Chalti Ka Naam Gaadi''. Asha Bhosle and Kishore performed duets composed by Burman including "Chhod Do Aanchal" from ''Paying Guest'' (1957), "Ankhon Mein Kya Ji" from ''Nau Do Gyarah'' (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from ''Chalti Ka Naam Gaadi'' (1958) and "Arre Yaar Meri Tum Bhi Ho Gajab" from '' Teen Deviyan'' (1965).

As a singer, Kumar's work with many music directors in this period includes "Ye Raatein Ye Mausam" and "Hum Toh Mohabbat Karega" from '' Dilli Ka Thug'', "Piya Piya Mora Jiya" from '' Baap Re Baap'', "Hello Hello Ji" from ''Bombay Ka Chor'', "Micheal Hai Toh Cycle Hai" from ''Bewaqoof'', "Ae Haseeno Nazneeno" from ''Chacha Zindabad'', "Zaroorat Hai Zaroorat Hai" from ''Manmauji'' (1961), "Likha Hai Teri Ankhon Mein" from ''Teen Deviaan'', "Suno Jaana Suno Jaana", "Pyaar Baatke Chalo" and "Kya Teri Zulfein Hai" from ''Hum Sab Ustaad Hai'', "Khoobsurat Haseena" from ''Mr. X in Bombay'', "Gaata Rahe Mera Dil" from ''Guide'' (1965), "Sultana Sultana" from ''Shreeman Funtoosh'', "Machalti Hui" from ''Ganga Ki Lahren'', "Mera Dil Meri Jaan" and "Pyar Ka Jaahan Hotel" from ''Jaalsaaz'' and "Yeh Dil Na Hota Bechara" from ''Jewel Thief'' (1967).

Music director C. Ramchandra also recognized Kumar's talent as a singer. They collaborated on songs including "Eena Meena Deeka" from '' Aasha'' (1957). Kumar's work includes "Nakhrewaali" from ''New Delhi'' (1956) by Shankar Jaikishan, "C.A.T. Cat Maane Billi" and "Hum To Mohabbat Karega" from '' Dilli Ka Thug'' (1958) by Ravi, and "Chhedo Na Meri Zulfein" from ''Ganga Ki Lahren'' (1964) by Chitragupta.

In 1968, Rahul Dev Burman worked with Kumar on the soundtrack of the film ''Padosan'' (1968), in which Kumar sang "Mere Saamne Wali Khidki Mein" and "Kehna Hai." ''Padosan'' was a comedy featuring Kishore as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore's character was inspired by his uncle, Dhananjay Bannerjee, a classical singer. The highlight of the film was a musical, comical duel between Kumar, Sunil Dutt and Mehmood: "Ek Chatur Nar Karke Singaar.

In 1969, Shakti Samanta produced and directed '' Aradhana''. Kumar sang three songs in the film; "Mere Sapnon Ki Rani", "Kora Kagaj Tha Ye Man Mera" and "Roop Tera Mastana". Shakti Samanta suggested that Kumar sing the other songs too. When the film was released, Kumar's three songs established him as a leading playback singer of Hindi cinema. Kumar won his first Filmfare award for "Roop Tera Mastana".

Acting career

Kumar's first film appearance was in '' Shikari'' (1946), in which his brother, Ashok played the lead role.
Kumar played the lead in the Bombay Talkies film ''Andolan'' (1951), directed by Phani Majumdar. Although he got some acting assignments with the help of his brother, he was more interested in becoming a singer. But Ashok wanted Kumar to be an actor like him. Between 1946 and 1955, Kumar appeared in 22 films of which 16 were flops and since he was disinterested in taking up acting as a career, he would find ways to be in the bad books of the director or producer, so that they throw him from their films. It was only after the success of films such as '' Ladki'', '' Naukari'', ''Miss Malaysia'', '' Char Paise'' and '' Baap Re Baap'' that Kumar developed an interest in acting seriously, which resulted in him having successful films as the lead actor between 1955 and 1966.
Kumar starred in Bimal Roy's '' Naukari'' (1954) and Hrishikesh Mukherjee's directorial debut '' Musafir'' (1957). Salil Chowdhury, the music director for ''Naukari'', was initially dismissive of Kumar as a singer when he found that Kumar had no formal training in music. However, after hearing his voice, Chowdhury gave him the song ''Chhota Sa Ghar Hoga'', which was supposed to be sung by Hemant Kumar.
The commercially successful films of Kumar included '' Ladki'' (1953), '' Naukari'' (1954), '' Baap Re Baap'' (1955), ''Paisa Hi Paisa'' (1956), ''New Delhi'' (1956), '' Naya Andaz'' (1956), ''Bhagam Bhaag'' (1956)'','' '' Bhai Bhai'' (1956), '' Aasha'' (1957), ''Chalti Ka Naam Gaadi'' (1958), '' Dilli Ka Thug'' (1958), ''Jaalsaaz (1959)'', ''Bombay Ka Chor (1962)'', ''Chacha Zindabad (1959)'', '' Man-Mauji'' (1962), '' Jhumroo'' (1961), '' Half Ticket'' (1962), '' Mr. X in Bombay (1964)'', ''Shreeman Funtoosh'' (1965), ''Ek Raaz (1963)'', ''Ganga Ki Lahren (1964)'', '' Hum Sab Ustaad Hai'' (1965), ''Haal E Dil'', ''Pyar Kiye Jaa (1966)'', and ''Padosan'' (1968). As an actor, his best period was between 1954 and 1966. His onscreen pairing with actresses Mala Sinha, Vyjayanthimala, Nutan, Madhubala, Meena Kumari and Kumkum gave the biggest hits in his career.

''Chalti Ka Naam Gaadi ''(1958), his home production, had the three Ganguly brothers and Madhubala in main roles. Kumar played a car mechanic who has a romance with a city girl; (Madhubala) with a subplot involving the brothers.
Kumar acted in and composed the music for '' Jhumroo'' (1961), and wrote the lyrics for the film's title song, "Main Hoon Jhumroo". Later, he produced and directed '' Door Gagan Ki Chhaon Mein'' (1964), where he starred with Bengali actress Supriya Devi. He also wrote the script and composed music for the film, which is about the relationship between a father (Kumar) and his deaf and mute son (played by his real-life son Amit Kumar).

After 1966, as an actor, Kumar built up a notoriety for coming late for the shootings or bunking them altogether. His films flopped frequently after 1965 and he landed in income tax trouble.
Kumar produced and directed some movies in the late 1970s and early 1980s; ''Pyar Zindagi Hai'', ''Badhti Ka Naam Dadhi'' (1978), ''Sabaash Daddy'', ''Zindagi'' (1981), ''Door Wadiyon Mein Kahin'' (1980) and ''Chalti Ka Naam Zindagi'' (1982)which was his last appearance as an actor.

1970s and 1980s

Kumar was a leading singer throughout 1970s and 1980s until his death in 1987.

Kumar sang the most songs in his career for Rajesh Khanna. Kumar sang 245 songs picturised on Rajesh Khanna across 92 films, which is an unbeaten record for singer-actor combination. Kishore sang 245 songs for Rajesh Khanna, 202 for Jeetendra, 119 for Dev Anand and 131 for Amitabh Bachchan.

S. D. Burman and Kishore continued with music including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from '' Prem Pujari'' (1969), "Pal Bhar Ke Liye" from ''Johny Mera Naam'', "Aaj Madhosh Hua Jaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from ''Sharmilee'' (1971), "Meet Na Mila" from '' Abhimaan'' (1973), and "Jeevan Ki Bagiya Mehkegi" from '' Tere Mere Sapne'' (1971). In 1975, S. D. Burman composed his last song for Kishore, "Badi Sooni Sooni Hai" for the film '' Mili''.

R. D. Burman recorded several songs with Kumar in the 1970s, including "O Maajhi Re" from '' Khushboo'', "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from ''Kati Patang'' (1971), "Raat Kali Ek Khwab Mein Aayi" from '' Buddha Mil Gaya'' (1971) and "Chingari Koi Bhadke", "Kuch To Log Kahenge (Amar Prem)", "Zindagi Ke Safar Me Guzar Jaate Hain Jo Makam" from ''Aap Ki Kasam'' (1974), "Aane Wala Pal" from '' Golmaal'' (1979), "Hume Aur Jeene Ki Chahat Na Hoti" from ''Agar Tume Na Hote'' (1983), "Raha Pe Rahete Hai" from ''Namkeen'' (1985) and "Jab Bhi Koi Kangana" from ''Shaukeen'' (1987). Although Kumar was not formally trained in classical music, R. D. Burman often had Kumar sing semi-classical songs, such as "Humein Tum Se Pyaar Kitna" from ''Kudrat'' and "Mere Naina Saawan Bhadon" from '' Mehbooba''.

R. D. Burman recorded several duets pairing Kishore with Asha Bhosle and Lata Mangeshkar, including "Panna Ki Tamanna" and "Bahut Door Mujhe" from ''Heera Panna'' (1973), "Neend Chura Ke Raaton Mein" from the film '' Shareef Budmaash'' (1973), "Mujhko Mohabbat Mein Dhoka" and "Kisise Dosti Karlo" from '' Dil Deewana'' (1974), "Dhal Gayi Rang" from '' Heeralal Pannalal'' (1978), "Ek Main Hoon" from '' Darling Darling'' (1977), "Rimjhim Gire Sawan" from '' Manzil'' (1979), "Kya Yehi Pyar Hai" and "Hum Tum Se Mile" from ''Rocky'' (1981), "Jaan-e-Jaan Dhoondta" from '' Jawani Diwani'', "Kahin Na Jaa" and "Kaho Kaise Rasta" from ''Bade Dilwala'' (1983), "Sun Zara Shok Haseena" and "Kharishoo" from '' Harjaee'' (1981), "Waada Haanji Waada" from ''The Burning Train'' (1980) and "Kaisi Lagrahi Hoon Mein" from '' Jhuta Sach'' (1984).

Apart from the Burmans, Kumar worked with other famous music directors too. The composer duo Laxmikant–Pyarelal (L-P) composed many songs sung by him, including "Mere Mehboob Qayamat Hogi" from ''Mr. X in Bombay'', "Mere Naseeb Mein Aye Dost" from ''Do Raaste'', "Yeh Jeevan Hai" from ''Piya Ka Ghar'', "Mere Dil Mein Aaj Kya Hai" from '' Daag'', "Nahi Mai Nahi Dekh Sakta" from '' Majboor'', "Mere Diwanepan Ki Bhi" from '' Mehboob Ki Mehndi'', "Naach Meri Bulbul" from ''Roti'', "Chal Chal Chal Mere Haathi" from '' Haathi Mere Saathi'' and "Tu Kitne Baras Ki" from '' Karz''. L-P also worked with Kishore and Mohammed Rafi on duets for the films ''Zakhmee'', '' Dostana'', '' Ram Balram'' and ''Deedaar-E-Yaar''. L-P composed "I Love You (Kaate Nahin Katate Yeh Din Yeh Raat)" for '' Mr. India'' (1987), a duet with Kishore and Alisha Chinoy.

Salil Chowdhury recorded songs such as "Koi Hota Jisko Apna" from ''Mere Apne'' and "Guzar Jaaye Din Din" from '' Annadata''. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duets "Le Jaayenge Le Jaayenge" from ''Chor Machaye Shor'' and "Tota Maina Ki Kahani" from '' Fakira''. Shyamal Mitra recorded a duet of Kishore with Asha – Sara Pyaar Tumhara for the film ''Anandshram''.

Khayyam recorded many of Kishore's duets with Lata Mangeshkar, including "Hazaar Raahein" and "Ankhon Mein Humne" from '' Thodisi Bewafaii'' and "Chandni Raat Mein" from '' Dil-E-Nadaan'' (1982). Hridaynath Mangeshkar recorded "Zindagi Aa Raha Hoon Main" from ''Mashaal'' (1984).

Kalyanji-Anandji recorded several songs with Kishore including ''"''Zindagi Ka Safar" and "Jeevan Se Bhari", from ''Safar'' (1970), "O Saathi Re" from ''Muqaddar Ka Sikandar ''(1978)'', ''"Pal Pal Dil Ke Paas" from ''Blackmail''(1973), "Neele Neele Ambar Par"from Kalaakaar(1983)'' and the chart buster qawwali "Qurbani Qurbani" from ''Qurbani''(1980).

Kishore also worked with other composers including Rajesh Roshan, Sapan Chakraborty and Bappi Lahiri. Kumar sang "Bhool Gaya Sab Kuchh" (duet with Lata Mangeshkar) and "Dil Kya Kare Jab Kisise" for Rajesh Roshan's film '' Julie''. Their other songs include "Yaadon Mein Woh" from ''Swami'', " Chhookar Mere Man Ko Kiya Toone Kya Ishaara" from '' Yaarana'', "Kaha Tak Ye Manko Andher Chalenge" from ''Baton Baton Mein'', "O Yara Tu Yaro Se Hai Pyar", and "Laharon Ki Tatah Yaadien" (1983) and ''Kahiye, Suniye'' (duet with Asha Bhosle) from '' Baton Baton Mein''. Bappi Lahiri also recorded many songs with Kumar, including ''Pag Ghunghroo Bandh'' from ''Namak Halaal'' (1982), ''Manzilen Apni Jagah Hai'' from ''Sharaabi'' (1984), "Chalate Chalte Mere Ye Geet Yad Rakhana" from ''Chalte Chalte'' (1975) and "Saason Se Nahi Kadmose Nahi" from ''Mohabbat'' (1987) and duets with Lata Mangeshkar such as "Albela Mausam" and "Pyar Ka Tohfa" from '' Tohfa'' (1984). The Kishore and Bappi pair also recorded hits in Bengali, including "Chirodini Tumi Je Amar" from ''Amar Sangi'' (1987) and "E Amar Gurudakshina" from '' Gurudakshina'' (1987). Another Bengali musician was Ajay Das, who composed many hit songs in Kumar's voice. He also recorded a duet song ''Hello Hello Kya Haal Hai'' with Asha Bhosle for Naushad in 1975 for the movie ''Sunehra Sansar'', the only song of Kishore. He also worked with music directors Basu and Manohari Singh for duets such as "Wada Karo Jaanam" and "Dariya Kinare" for the film '' Sabse Bada Rupaiya'' and "Aa Humsafar" for the film ''Chatpatee''.

Indian Emergency

During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore to sing for an Indian National Congress rally in Bombay, but he refused. As a result, Information and broadcasting minister Vidya Charan Shukla (1975–1977) put an unofficial ban on playing Kumar songs on state broadcasters All India Radio and Doordarshan from 4 May 1976 till the end of Emergency.

Later years

Kishore Kumar's son Amit Kumar became a singer in Hindi cinema in 1974 with the song "Apne Bas Ki Baat Nahi", composed by Kumar for the film ''Badthi Ka Naam Daadi''. Amit Kumar became popular with success of the song "Bade Achche Lagte Hai". Kishore continued singing for several actors even in 1980s. Kumar performed stage shows right from 1969 to earn money to pay his income tax arrears. Kumar stopped singing for Amitabh Bachchan in the year 1981, after Bachchan refused to appear as a guest in the film ''Mamta Ki Chhaon Mein'', which Kishore produced. Kishore declined to give voice for Amitabh in ''Naseeb'', ''Coolie'', ''Mard'' and ''Desh Premee''. Kishore said he would give his voice to Randhir Kapoor in the film '' Pukar'', also starring Amitabh. Since Kishore shared good rapport with R. D. Burman, he agreed to sing in ''Mahaan'', ''Shakti'' and ''Bemisal''. Later, Kishore called a truce by singing for Amitabh in a solo song in ''Shahenshah'' and later in '' Toofan''. Kishore sang the song "Mera Geet Adhura Hai" for his production ''Mamta Ki Chaon Mein'' and picturised the song on Rajesh Khanna. Kishore had directed the film, but died in 1987 and Rajesh Khanna helped Amit Kumar in releasing the film in 1989. He also temporarily stopped singing for Mithun Chakraborty after Yogeeta Bali divorced him and married Chakraborty. However, he later sang for Chakraborty in ''Surakshaa'' (1979), and in the 1980s in many films, including ''Boxer'', ''Jaagir'', ''Faraib'' and ''Waqt Ki Awaz''.

In the mid-1980s, Kishore sang for Anil Kapoor in his first Hindi film as a leading man, '' Woh Saat Din'' and also recorded for '' Mr. India''. (1987) the song "Zindagi Ki Yahi Reet Hai Haar Ke Baad Hi Jeet Hai". He sang duets with Alka Yagnik such as "Tumse Badhkar Duniya Mein Na Dekha" for '' Kaamchor'' in 1982, "Humnashi Aaake from Ek Daku Saher Mein" and sang "Teri Meri Prem Kahani" in ''Pighalta Aasman''. He also recorded for newcomers like Aditya Pancholi for the song "Mere Dil Mein Utar Jana" for the film '' Laal Paree'' (1991).

He had recorded the duets "Kaho Kahan Chale" for the film ''Bulundi'', "Pyar Ka Dard Hai" from ''Dard'' and "Tum Jo Chale Gaye" from ''Aas Paas'', a few days before his heart attack in 1981. He suffered his first heart attack on 24 January 1981 in Kolkata in the noon hours and within a gap of another four hours, suffered his second heart attack. The first solo song sung by him, after recovery from his two attacks was "Mere Sang Sang Aya" from ''Rajput'' (1982) and the duet with Asha – "Mausam Bheega Bheega" from ''Gehra Zakham''.

Collaboration with other singers

Kishore Kumar is credited with the highest number of multi-singer and male duet hits with the finest singers of different eras. Kishore Kumar sang the highest number of duets with Asha Bhosle (687 duets). He also sang duets with Lata Mangeshkar, Mohammed Rafi, Manna Dey, Mahendra Kapoor, Geeta Dutt, Sulakshana Pandit, S. Janaki etc.

In the song "Humko Tumse Ho Gaya Hai Pyar" from ''Amar Akbar Anthony'', Kishore sang one song with Lata Mangeshkar, Mohammed Rafi and Mukesh, the most legendary singers in Hindi films. This was probably the only time that all of them rendered their voices for one song.

Bhajans

Kishore Kumar sang Bhajans like "Aao Kanhai Mere Dham" from Mere Jeevan Saathi (1972), "Devi Mata Rani" from Swarag Se Sunder (1986), "Jai Bholenath Jai Ho Prabhu" from Kunwara Baap (1974), "He Re Kanhaiya" from Chhoti Bahu (1971), "Jab Ram Naam Le Le" from Abhi Toh Jee Le (1977), "Kahe Apno K Kaam Nahi Aye Tu" from Raampur Ka Lakshman (1972), "Krishna Krishna, Bolo Krishna" from Naya Din Nai Raat (1974), "Prabhuji Teri Leela Aparampaar" from Humsafar (1953) etc.

Qawwali

Kishore Kumar recorded Qawwalis like all time hit "Vaada Tera Vaada" from Dushman (1971), "Hum Toh Jhuk Kar Salam Karte Hai" from Fakira (1976), "Mehfil Mein Paimana Jo Laga Jhumne" from Chunaoti (1980), "Is Ishq Mein" from Mr. Romeo (1974), "Kya Cheez Hai Aurat Duniya Mein" from Zorro (1975), "Haal Kya Hai Dilon Ka" from Anokhi Ada (1973), a semi qawwali "Jab Se Sarkar Ne Nashabandi Tod Di" from 5 Rifles (1974), the chart buster qawwali "Qurbani Qurbani Qurbani" from Qurbani (1980) etc.

Ghazals

Kishore Kumar sang Ghazals like "Peechhli Yaad Bhula Do" from Mehndi (1983), "Aisi Haseen Chandni" from Dard (1981), "Yun Neend Se Woh Jaan-E-Chaman" from Dard Ka Rishta (1982), "Tera Chehra Mejhe Gulab Lage" from Aapas Ki Baat (1981) etc.

Personal life

Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958.

Kumar's relationship with actress Madhubala was the subject of much media attention. Madhubala had worked with Kumar in many films including his home production ''Chalti Ka Naam Gaadi'' (1958) and '' Jhumroo'' (1961). According to Madhubala's sister Madhur Bhushan, after Madhubala's relationship with actor Dilip Kumar faded, Madhubala got involved with Kishore who was going through a divorce with Ruma Guha Thakurta. Their love affair went on for three years through Chalti Ka Naam Gaadi and Half Ticket. Madhubala was ill and was planning to go to London for treatment. She had a ventricular septal defect (hole in the heart). The couple had a civil wedding in 1960 and Kumar reportedly converted to Islam and changed his name to Karim Abdul. His parents refused to attend the ceremony. The couple also had a Hindu ceremony to please Kumar's parents. Their marriage ended with Madhubala's death on 23 February 1969.

Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kumar was married to Leena Chandavarkar from 1980 until his death. He had two sons, Amit Kumar with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kumar is said to have been paranoid about not being paid. During recordings, he would sing only after his secretary confirmed that the producer had made the payment. On one occasion, when he discovered that his dues had not been fully paid, he appeared on set with makeup on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). On the sets of '' Bhai Bhai'', Kumar refused to act because the director M. V. Raman owed him 5,000. Ashok Kumar persuaded him to do the scene but when the shooting started, Kishore walked a few paces and said, ''Paanch Hazaar Rupaiya'' (five thousand rupees) and did a somersault. After he reached the end of the floor, he left the studio. On another occasion, when producer R.C. Talwar did not pay his dues in spite of repeated reminders, Kumar arrived at Talwar's residence shouting "''Hey Talwar, de de mere aath hazaar''" ("Hey Talwar, give me my eight thousand") every morning until Talwar paid up.

In spite of his "no money, no work" principle, sometimes Kumar recorded free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore helped actor-turned-producer Bipin Gupta by giving him 20,000 for the film '' Daal Me Kala'' (1964). When actor Arun Kumar Mukherjeeone of the first persons to appreciate Kishore's singing talentdied, Kumar regularly sent money to Mukherjee's family in Bhagalpur.

According to Kumar's eldest son Amit Kumar, Kumar did a lot of charity and free shows for jawans and cancer patients but he never spoke about it. Kumar was a homebody and avoided the trappings of stardom. He was an early riser and went to bed early. He loved authentic Bengali food, and was deeply emotional, a side which he seldom expressed and was also philosophic. Kumar was fond of Biblical films and liked sitting in a cemetery.

The film '' Anand'' (1971) was originally supposed to star Kishore and Mehmood Ali

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